DOCSLIB.ORG

The KUH Trio - Koehldorfer, Uhlir, Helesic Old Souls

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The KUH Trio - Koehldorfer, Uhlir, Helesic Old Souls The KUH Trio - Koehldorfer, Uhlir, Helesic Old Souls The KUH Trio This Trio consists of an outstanding Vienna guitarist EDI KÖHLDORFER, one of the best European bassist FRANTIŠEK UHLÍŘ and the drummer JAROMÍR HELEŠIC and it is a perennial star of the Prague music scene. After a successful performance at the Festival Jazz & Most in Fehring in Austria on September 2018, the members of this international Trio decided to work together. THE TRIO KUH programme consists of own compositions in which Köhldorfer und Uhlíř emphasize the ensemble potency (electric and acoustic guitar, virtuous bass-arrangements) and the arrangements from known jazz standards. …“„The KUH Trio“ schafft es jeden Abend das Publikum mit seiner Spielfreude, Groove und den melodischen und manchmal auch herausfordernden Kompositionen zu begeistern!….“ …“Es ist eine wunderbare CD geworden. Zauberhaftes und Bezauberndes geben sich die Hand…“ Herbert Uhlir Ehemaliger Leiter Ö1 Jazzredaktion Lineup: Tracklisting Edi Köhldorfer guitars František Uhlír bass 01. Just for Us (5:28) Jaromír Helešic drums 02. Mainart (7:00) 03. O Samba Boemio (4:01) 04. Old Souls (8:34) 05. You Are Never at Home (4:38) 06. Maybe Later (7:15) 07. KUH Monk (5:28) 08. From Heart to Heart (6:28) 09. Game III (3:50) 10. Jaro (4:45) www.ats-records.com www.edikoehldorfer.com distributed by: Release Date A: 31.07.20 D: 31.07.20 A: Preiser Records www.preiserrecords.at USA, Japan: 20.07.20 D: MVH Heinzelmann www.m-v-h.com Format CD Japan: Kohshin Media www.kohshinmedia.com USA: SuperD One-Stop SDCD www.sdcd.com Catalog Number CD-0955 File Under: Jazz Online downloads: Apple iTunes, Amazon, Rhapsody, Spotify, Google Music etc. download Presskit @ www.ats-records.com ATS-Records, Breitenau 7 – A-4591 Molln – Telefon: 07584/2454 Fax: 07584/245424 Bankverbindung: Raiffeisenbank Region Sierning IBAN: AT223456000004319877 BIC: RZOOAT2L560 Ust.-ID: ATU-22379708 The KUH Trio - Koehldorfer, Uhlir, Helesic Old Souls Edi Kohldörfer studied classic guitar at the Graz Music University and a jazz-guitar at Vienna Conservatory thus he is at home in both worlds. He played jazz with Biréli Lagrène, Dee Dee Bridgewater and Thomas Gansch; classical music with Wiener Symphoniker, Radiosymphonie Orchester Wien and Tonkünstler Orchester; pop with Stewart Copeland, Helen Schneider, The Rounder Girls and much more. Together with the Global Krymer Band, he has got gold for their Album Global.Kryner, he represented Austria by Eurovision Song Contest and has gained the Amadeus-Award. Under his own name and in different line-ups, Edi Kohldörfer has recorded several CDs and participated in concert tours through all continents except Australia. www.edikoehldorfer.com František Uhlíř, a Brno Conservatory graduate, belongs together with Miroslav Vitouš and the progenitor Georg Mraz to the Big Three of the Prague Bassist School. For a long time, he was a member of the Karel Velebný SHQ. In 1987, he has founded his own band, The František Uhlíř Team. He played with numerous international groups and soloists as Dave Weckl, Scott Robinson, Benny Bailey, Phil Woods, Richie Cole, Dusko Goykovich, Barbara Dennerlein, Wolfgang Haffner, Wolfgang Lackerschmid, Helmut Kagerer, Franco Ambrosetti, Danilo Moccia, Steve Houben, Philiph Catherine, Michel Hausser, Darko Jurkovic, Julie Siedl, Doro Jaburek, Edi Köhldörfer, Alex Riel and Palle Mikkelborg. František Uhlíř has performed in concerts and festivals in all of the Europe, in Cyprus, Israel, USA, Canada, Vietnam and Japan. www.frantisek-uhlir.cz Jaromír Helešic, born 1947 in Uherské Hradiště, lives since 1960 in Prague where he played in lots of jazz groupings. Since the Seventies, he is one of the best and most required drummers of the country. He cooperated with the bands Impuls, Energit, L. Andršt, Jazz Q of M. Kratochvil, with the Prager Big Band, Milan Svoboda and the Rudolf Dašek Trio. Heretofore, he has performed with countless artists in all of the Europe, USA, India and America. „The KUH Trio“ live on YouTube: https://youtu.be/hUqpdzsnzxw FaceBook: https://www.facebook.com/The-KUH-Trio-1268313463333502/?%20modal=admin_todo_tour Herbst-Tour 2020 7. - 18. Oktober 2020 7. A-Wien/Jazzland https://jazzland.at 8. A-Purkersdorf/BIZ Purkersdorf http://www.edikoehldorfer.com 9. A-St. Stefan im Rosental/GH Seidl; Rosenwirt https://www.facebook.com/events/2770324649759609/ 10. CZ-Praha/ Reduta oder Agharta 11. CZ-Pisek/Trinity Church 12. CZ-Brno/ Stará Pekárna 13. CZ-Strakonitz/Hrad? 14. CZ-Pilsen/Bueana Vista Club 15. D-Weinstadt/ Jazzclub Armer Konrad https://www.jak-weinstadt.de/#events 16. D-Ludwigsburg/ Jazzclub Podium in der Musikhalle https://jazzclub-ludwigsburg.de/content/vorschau/ 17. D-Lindau/ Jazzkeller im Gasthof "Zum Zecher“ https://jazzclublindau.de/kontakt/index.html 18. D-Straubing/The Raven http://wordpress.p515353.webspaceconfig.de ATS-Records, Breitenau 7 – A-4591 Molln – Telefon: 07584/2454 Fax: 07584/245424 Bankverbindung: Raiffeisenbank Region Sierning IBAN: AT223456000004319877 BIC: RZOOAT2L560 Ust.-ID: ATU-22379708 .
Load more

Recommended publications
  • Four for Jazz & Benny Bailey
    obhU – press U Four For Jazz & Benny Bailey CD KICK 211180 CD KICK 211181 CD KICK 211178 CD KICK 211179 CD KICK 211180 A Land Of Dolls/ Four For Jazz & Benny Bailey Benny Bailey(tp)/ Heinz Bigler(as)/ Joe Haider(p,e.p)/ Isla Eckinger(b)/ H.P.Giger(dr,perc) 1. A Land Of Dolls (Haider)OBH/Domicile 2:43 2. What Is Happening (Haider)OBH 6:02 3. Interlude (Eckinger)OBH 7:46 4. All Them Chickens (Giger)OBH 12:52 5. Prompt (Bailey)Swingtone 6:08 CD KICK 211181 Stoned Ghost/ Four For Jazz & Benny Bailey Benny Bailey(tp)/ Heinz Bigler(as)/ Joe Haider(p,e.p)/ Isla Eckinger(b)/ H.P.Giger(dr,perc) 1. Stoned Ghost (Bailey)OBH 7:58 2. Sho-wa-di-ba-du-ba (Bigler)OBH 6:27 3. Music For A Quintet (Bigler)OBH 11:11 4. Three For Four (Bigler)OBH 7:30 5. Ghost And Blood Chant (Giger)OBH 6:23 CD KICK 211178 Sunday Child/ Four For Jazz : Gerd Dudek(ss,ts,fl,shenai)/ Joe Haider(p,e.p)/ Isla Eckinger(b)/ H.P.Giger(dr,perc) 1. Sunday Child (Haider)OBH 5:15 2. Muchacha (Haider)OBH 7:53 3. Thelonius I’m Sorry (Eckinger)OBH 4:51 4. Cage Of A Queen (Haider)OBH 5:38 5. Our Way Ahead (Dudek/Giger)OBH 4:09 6. Snake Temple (Haider/Eckinger)OBH 8:23 CD KICK 211179 Power Of Nature/ Four For Jazz : Heinz Bigler(as)/ Joe Haider(p,e.p)/ Isla Eckinger(b)/ H.P.Giger(dr,perc) 1.
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
    [Show full text]
  • ART FARMER NEA Jazz Master (1999)
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ART FARMER NEA Jazz Master (1999) Interviewee: Art Farmer (August 21, 1928 – October 4, 1999) Interviewer: Dr. Anthony Brown Dates: June 29-30, 1995 Repository: Archives Center, National Museum of American History Description: Transcript, 96 pp. Brown: Today is June 29, 1995. This is the Jazz Oral History Program interview for the Smithsonian Institution with Art Farmer in one of his homes, at least his New York based apartment, conducted by Anthony Brown. Mr. Farmer, if I can call you Art, would you please state your full name? Farmer: My full name is Arthur Stewart Farmer. Brown: And your date and place of birth? Farmer: The date of birth is August 21, 1928, and I was born in a town called Council Bluffs, Iowa. Brown: What is that near? Farmer: It across the Mississippi River from Omaha. It’s like a suburb of Omaha. Brown: Do you know the circumstances that brought your family there? Farmer: No idea. In fact, when my brother and I were four years old, we moved Arizona. Brown: Could you talk about Addison please? Farmer: Addison, yes well, we were twin brothers. I was born one hour in front of him, and he was larger than me, a bit. And we were very close. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: So, you were fraternal twins? As opposed to identical twins? Farmer: Yes. Right.
    [Show full text]
  • Eddie Who? - Eddie Harris Amerikansk Tenorsaxofonist, Født 20.10.1934 I Chicago, IL, D
    Eddie Who? - Eddie Harris Amerikansk tenorsaxofonist, født 20.10.1934 i Chicago, IL, d. 5.11.1996 Sanger og pianist som barn i baptistkirker og spillede senere vibrafon og tenorsax. Debuterede som pianist med Gene Ammons før universitetsstudier i musik. Spillede med bl.a. Cedar Walton i 7. Army Symphony Orchestra. Fik i 1961 et stort hit og jazzens første guldplade med filmmelodien "Exodus", hvad der i de følgende år gav ham visse problemer med accept i jazzmiljøet. Udsendte 1965 The in Sound med bl.a. hans egen komposition Freedom Jazz Dance, som siden er indgået i jazzens standardrepertoire. Spillede fra 1966 elektrificeret saxofon og hybrider af sax og basun. Flirtede med rock på Eddie Harris In the UK (Atlantic 1969). Spillede 1969 på Montreux festivalen med Les McCann (Swiss Movement, Atlantic) og skrev 1969-71 musik til Bill Cosbys tv-shows. Spillede i 80'erne med bl.a. Tete Montoliu og Bo Stief (Steps Up, SteepleChase, 1981) og igen med Les McCann. Som sideman med bl.a. Jimmy Smith, Horace Silver, Horace Parlan og John Scofield (Hand Jive, Blue Note, 1993). Optrådte trods sygdom, så sent som maj 1996. Indspillede et stort antal plader for mange selskaber, fra 80'erne mest europæiske. Med udgangspunkt i bopmusikken udviklede Harris sine eksperimenter til en meget personlig stil med umiddelbart genkendelig, egenartet vokaliserende tone, fra 70'erne krydret med (ofte lange), humoristisk filosofisk/satiriske enetaler. Følte sig ofte underkendt som musiker og satiriserede over det i sin "Eddie Who". Kilde: Politikens Jazz Leksikon, 2003, red. Peter H. Larsen og Thorbjørn Sjøgren There's a guys (Chorus) You ought to know Eddie Harris ..
    [Show full text]
  • Discography Updates (Updated May, 2021)
    Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard.
    [Show full text]
  • Alvin Queen Frank Lowe
    ENCORE Young Queen used to take his radio to bed, was big then—especially in Harlem. “All the clubs in listening to Symphony Sid with the volume turned Harlem had Hammond organs,” Queen recalls. ALVIN low. “You had to really love jazz to do that,” he said. By Queen was a confirmed bebopper, but when he this point, Queen’s family had moved to Mount Vernon, began playing in Europe he had to acquaint himself NY. When he was 10 or 11, the band at a bar his father with some earlier styles. “A lot of the older musicians, was managing lost its drummer and the musicians some of them ex-Duke Ellington, had come to Europe QUEEN wanted to know if they could “use the kid”. A as individual players and I had to fit in with what they delegation was sent to Queen’s house and the little were doing,” he said. He name-checks Jimmy Woode, by jim motavalli prodigy was brought out. “What kind of music do you Harry “Sweets” Edison, Eddie “Cleanhead” Vinson, play?” was the only question he asked. When he Red Holloway, Buddy Tate, Benny Bailey and Clark Drummer Alvin Queen, born in the Bronx 70 years learned it was jazz everything was fine and he went Terry. “I started playing all over Europe, so I asked ago this month, is a great storyteller and so what if and got his best suit for the evening’s session. The myself, ‘Why should I go back to New York?’,” Queen many of his compelling stories are from before he drum pedals had to be adjusted.
    [Show full text]
  • FREDDIE WEBSTER (Tp) 1916-1947
    “the trumpeter with the most beautiful sound ever” FREDDIE WEBSTER (tp) 1916-1947 by Mario Schneeberger first issue. 2003/02/05 last update: 2014/02/15 Preface Having learned of Freddie Webster’s fame as the trumpeter with the most beautiful sound ever, my appetite was whetted. I started to collect his records and presented him at the Jazz Circle Basel in 1992. Meanwhile more material has become available to me. This documentation is based on Ernie Edwards’ disco-/solography of Freddie Webster, established some decades ago. All updates with new material and new understanding are included. Some months ago Jan Evensmo has published a solography of Freddie Webster which contains private recordings by Newman at Monroe’s with Freddie’s participation, as well as interesting new attributions for trumpet solos with Earl Hines. Acknowledgements Albert Balzer, François Blank, Otto Flückiger, Yvan Fournier, Anna Galvani, Dieter Hartmann, Pierre Jaquier, Walter Manser, Theo Zwicky Personality Freddie Webster was much in demand for his great sound, praised by Dizzy Gillespie, Miles Davis, Idrees Sulieman,Benny Bailey and others to be the best they had ever heard. He was regarded as a key figure in the early Be-Bop movement. Miles Davis was among his admirers who followed his musical conception. Charles Mingus composed in 1965 “The Arts Of Tatum And Freddie Webster”. Legacy Freddie Webster has only rarely been recorded. Less than 60 solos have survived. He can be heard at his best on his feature YESTERDAYS with Jimmie Lunceford, on I FELL FOR YOU with Miss Rhapsody, on SEPTEMBER IN THE RAIN with Frank Socolow and on MY KINDA LOVE with Sarah Vaughan.
    [Show full text]
  • IOR SACD 77056-6 in Concert IOR DVD 77056-9
    PAUL KUHN & THE BEST In Concert IOR SACD 77056-6 S IOR DVD 77056-9 It Don’t Mean A Thing (2:40) Once In A While (5:05) ONLY ON DVD PAUL KUHN piano, vocals Introduction (4:18) ONLY ON DVD Heading South (4:03) GREETJE KAUFFELD vocals Florida Flirt (7:59) Just Friends (5:43) ACK VAN ROOYEN trumpet Angel Eyes (5:41) Well You Needn’t (5:46) CLAUS REICHSTALER trumpet No Greater Love (5:32) Der Hund (1:42) ONLY ON DVD JIGGS WHIGHAM trombone It Had To Be You (6:59) ONLY ON DVD Fly Me To The Moon (4:50) GUSTL MAYER saxophones Oleo (7:20) ONLY ON DVD Young At Heart (3:25) PETER WENIGER saxophones I Surrender (5:42) Route 66 (7:38) PAUL G. ULRICH bass Robin’s Nest (6:45) ONLY ON DVD Gesamtspielzeit CD: 74 Minuten WILLY KETZER drums My Funny Valentine (5:55) ONLY ON DVD The Best Is Yet To Come (5:34) ONLY ON DVD BONUS MATERIAL DVD: London By Night (5:39) PAUL KUHN: “Eine Deutsche Geschichte” Prelude To A Kiss (5:15) ONLY ON DVD Eine Dukumentation von Tim Gorbauch PAUL KUHN & THE BEST »In Concert« (in & out records / in-akustik) To celebrate his 75th birthday in March 2003, Paul Kuhn During the two-hour-show, Paul Kuhn and his musicians offered himself and his legions of fans a very special deliver a captivating programme, full of sparkling wit, musical present: The album “Young At Heart”, which charm, swing, virtuosity and impeccable musicianship. was awarded the quarterly prize by the jury of the Initially, Paul is supported by his regular trio Deutsche Schallplattenkritik.
    [Show full text]
  • HERITAGE TRIO Thierry Lang - Darryl Hall - Mario Gonzi
    HERITAGE TRIO Thierry Lang - Darryl Hall - Mario Gonzi BIOGRAPHIES THIERRY LANG composition and pianist The Swiss pianist and composer Thierry Lang was born in Romont, a little town in Canton Fribourg. He began to learn the piano at the age of 5 and at 7 he had decided to make it his career and his life. He studied classical music with great success until he was 21, though jazz fascinated him all the while. He discovered this music through listening to blues pianists, with Erroll Garner and then Oscar Peterson quickly proving formative influences. It was not until he was 15 that he heard for the first time the musician who would become and remain his ideal: Bill Evans. In the music of this pianist, he essentially found a perfect link between classical music and jazz. Thus it was that Thierry Lang found his own means of musical expression. He is a composer gifted with a great sense of melody, and rapidly became one of the masters in his field. His tours and his recordings have made him known in all four corners of the earth. In 1995 his CD Private Garden was awarded the prize for the best CD of the year in Japan. He became the first Swiss musician to be given a contract on the famous Blue Note label. From that moment on, the number of his concerts, his tours and his recordings grew and grew. He has in the meantime released some twenty CDs and Thierry Lang is currently working on publishing his own composi- tions.
    [Show full text]
  • Eddie Lockjaw Davis 2020-02-19.Xlsx
    Eddie "Lockjaw" Davis 2020‐02‐19 Titel Artister Album Komp./Lyric Datum St. Louis Blues Count Basie ‐ p, arr Richard Boone ‐ vo, tb Bobby Plater, Marshall Royal ‐ as Charlie Fowlkes ‐ bars Norman Keenan ‐ b Ed Shaughnessy, Basie´s Beat W. C. Handy 1967‐01‐01 Rufus Jones ‐ dr Freddie Green ‐ g Billy Mitchell, Eddie "Lockjaw" Davis, Eric Dixon, Marshall Brown ‐ ts Al Grey, Grover Mitchell, Harlan Floyd, Henderson Chambers ‐ tb Bill Hughes ‐ b tb Al Aarons, Gene Goe, Harry "Sweets" Edison, Phil Guilbeau, Sonny Cohn, Wallace Davenport ‐ tp Whirly‐Bird Count Basie & His Orchestra The Complete Atomic Basie Neal Hefti 1958‐01‐01 Spinal Fats Navarro (tp) Eddie "Lockjaw" Davis (ts) Al Haig (p) Huey Long (g) Gene Ramey (b) Denzil Best (d) Eddie Davis & His Beboppers Eddie "Lockjaw" Davis 1946‐12‐20 Three Deuces Jerome Richardson (fl,ts) Eddie "Lockjaw" Davis (ts) Shirley Scott (org) George Duvivier (b) Arthur Edgehill (d) Coobook Eddie "Lockjaw" Davis 1958‐06‐20 Four Harry "Sweets" Edison (tp) Eddie "Lockjaw" Davis (ts) Hugh Lawson (p) Ike Isaacs (b) Clarence Johnston (d) Jawbreakers Eddie "Cleanhead" Vinson 1962‐04‐18 Midnight at Minton´s Eddie "Lockjaw" Davis, Johnny Griffin (ts) Junior Mance (p) Larry Gales (b) Ben Riley (d) Griff And Lock Babs Gonzales 1960‐11‐04 Broadway Joe Newman (tp) Eddie "Lockjaw" Davis (ts) Shirley Scott (org) Count Basie (p) George Count Basie Presents The Eddie Davis Trio + Joe Newman Billy Byrd; Teddy McRae; Henri Wood 1957‐12‐17 Hey jim se ovan Basie´s Beat Babs Gonzales; James Moody 1967‐01‐01 Cherokee se ovan Count
    [Show full text]
  • Ndr Bigband • Colin Towns
    NDR BIGBAND •COLIN TOWNS THE THEATRE OF KURT WEILL The World Greatest Jazz Orchestras Vol. VI ACT 9234-2 A suite by Colin Towns for the 100th birthday of Kurt Weill After George Gershwin and Duke Ellington the NDR Big Band celebrates another composer with a centenary: Kurt Weill was born exactly one hundred years ago on 2nd March 1900. Songs like “The ”“In the ” or “”have lost none of their qualities 50 years since ’death. They still today circulate in priceless variations from the greats of jazz – from Louis Armstrong and Sonny Rollins to Carla Bley and Charlie Haden. Already in the early 1920s Kurt Weill was able to bridge the divide between so-called ‘’and ‘’music. In his repertoire a blues or tango had equal value with a violin concerto. In jazz particularly, Weill saw the ‘of Our ’and consciously absorbed jazz elements regularly into his compositions. Weill also understood how to carry his audience with him, with his clear precise musical language and catchy themes. He brought an artistic and political dimension to songs which anyone could whistle on the street. From early on Weill found in Bertolt Brecht a soul mate who likewise was able to take on all stylistic influences, in order to create something new. Their joint “”was a worldwide success in 1928 and revolutionized music theatre. After fleeing Germany in the mid 1930s Kurt Weill was able to gain a foothold on Broadway and was soon known, along with Gershwin, as “father of American ” In New York Weill was also able to remain loyal to his belief in order to achieve a qualitative art of need: a music which wants to be more than just a light bite but nevertheless remains meaningful and worthy.
    [Show full text]
  • Important Musicians
    Important Musicians: Trumpets: Dizzy Gillespie, Clark Terry, Freddie Hubbard, Woody Shaw, Wynton Marsalis, Art Farmer, Conte Candoli, Benny Bailey, Red Rodney, Dizzy Reece, Carmell Jones, Webster Young, Maynard Ferguson, Louis Smith, Gerard Presencer, Jarmo Hoogendijk, Rik Mol, Ruud Breuls, Ray Kaart, Cees Smal, Eddie Engels, Ack van Rooyen, Willem Reinen, Franco Ambrosetti, Billy Butterfield, ‘Wild’ Bill Davidson, Jimmy Owens, Kenny Wheeler, Harry ‘Sweets’ Edison, John Faddis, Tom Kirkpatrick, Chet Baker, Rolf Erickson, John Marshall, Valery Ponomarev, Marcus Belgrave, Rick Kiefer, Ray Codrington, Philip Harper Trombones: Curtis Fuller, Julian Priester, Slide Hampton, Bob Brookmeyer, Rob McConnell, Bart van Lier, George Kaatee, Ilya Reingoud, Mark Nightingale, Urbie Green, Marc Godfroid, Steve Davis, Dick Kaart, Kai Winding Clarinet: Buddy DeFranco, Eddie Daniels, Johnny Mince, Jan Morks, John Ruocco, Tony Coe, Bob Kaper, Herman Schoonderwalt, Frits Katee, David Lukacs Sopraansax: Lucky Thompson, David Liebman, Harry Sokal, Dim Kesber Alto Sax: Phil Woods, Charles McPherson, Lee Konitz, Herb Geller, Gary Foster, Piet Noordijk, Benjamin Herman, Tineke Postma, Marco Kegel, Bud Shank, Gary Bartz, Red Hollaway, Frank Morgan, Leo Wright, Herbie Steward,Vincent Herring, Derek Humble, James Spaulding, Ben van Gelder, Pete King, Benny Waters, Pekka Pylkkanen, Herman Schoonderwalt, Phil Lashley, Gael Horellou, Sonny Fortune Tenorsax: Dexter Gordon, Johnny Griffin, Hank Mobley, Ben Webster, Don Byas, George Coleman, Al Cohn, James Moody, Gene Ammons,
    [Show full text]