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The Sun of Words
The Sun of Words Excerpts from Aber ich lebe nur von den Zwischenräumen, an interview between Herbert Gamper and Peter Handke Wednesday April 9th to Saturday April 12th, 1986 On the morning of April 9th, 1986, it was an unusually warm day with the föhn wind blowing, and I met Peter Handke in front of the house where he was living on the Mönchsberg. He first lead me up to the tower, from where one can see down to the southern parts of Salzburg, over the plains and towards the mountains (the Untersberg and the Staufen). I asked him about the Morzger forest, whose southern extremities were visible, and about the nearby area where Loser, the protagonist of Across, lived. He asked whether these settings interested me, and this was what determined the first question I asked after we had gone down to sit at the small table by the well, in the tree-shadows, and I had taken the final, inevitable step, so that the game could begin, and switched on the tape recorder. We regretted that the singing of the chaffinches and the titmice would not be transcribed to paper; again and again it seemed to me ridiculous to pose a question in the middle of this concert. I told of a visit with Thomas Bernhard, many years ago, when, without my asking, he showed me the offices of the lawyer Moro (from the story Ungenach) in Gmunden, as well as the fallen trees infested with bark beetles at the edge of his land that had been reimagined as the General’s forest from the play Die Jagdgesellschaft. -
Schizophrenia and Creative Archetypes As Shown in Works by Thomas Bernhard
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1982 Schizophrenia and Creative Archetypes as Shown in Works by Thomas Bernhard. Karen Appaline Moseley Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Moseley, Karen Appaline, "Schizophrenia and Creative Archetypes as Shown in Works by Thomas Bernhard." (1982). LSU Historical Dissertations and Theses. 3732. https://digitalcommons.lsu.edu/gradschool_disstheses/3732 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1 .T he sign or “target” for pages apparently lacking from the document photographed is "Missing Page(s)” . If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. -
Ten Thomas Bernhard, Italo Calvino, Elena Ferrante, and Claudio Magris: from Postmodernism to Anti-Semitism
Ten Thomas Bernhard, Italo Calvino, Elena Ferrante, and Claudio Magris: From Postmodernism to Anti-Semitism Saskia Elizabeth Ziolkowski La penna è una vanga, scopre fosse, scava e stana scheletri e segreti oppure li copre con palate di parole più pesanti della terra. Affonda nel letame e, a seconda, sistema le spoglie a buio o in piena luce, fra gli applausi generali. The pen is a spade, it exposes graves, digs and reveals skeletons and secrets, or it covers them up with shovelfuls of words heavier than earth. It bores into the dirt and, depending, lays out the remains in darkness or in broad daylight, to general applause. —Claudio Magris, Non luogo a procedere (Blameless) In 1967, Italo Calvino wrote a letter about the “molto interessante e strano” (very interesting and strange) writings of Thomas Bernhard, recommending that the important publishing house Einaudi translate his works (Frost, Verstörung, Amras, and Prosa).1 In 1977, Claudio Magris held one of the !rst international conferences for the Austrian writer in Trieste.2 In 2014, the conference “Il più grande scrittore europeo? Omag- gio a Thomas Bernhard” (The Greatest European Author? Homage to 1 Italo Calvino, Lettere: 1940–1985 (Milan: Mondadori, 2001), 1051. 2 See Luigi Quattrocchi, “Thomas Bernhard in Italia,” Cultura e scuola 26, no. 103 (1987): 48; and Eugenio Bernardi, “Bernhard in Italien,” in Literarisches Kollo- quium Linz 1984: Thomas Bernhard, ed. Alfred Pittertschatscher and Johann Lachinger (Linz: Adalbert Stifter-Institut, 1985), 175–80. Both Quattrocchi and Bernardi -
Core Reading List for M.A. in German Period Author Genre Examples
Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774) -
Second Uncorrected Proof ~~~~ Copyright
Into the Groove ~~~~ SECOND UNCORRECTED PROOF ~~~~ COPYRIGHT-PROTECTED MATERIAL Do Not Duplicate, Distribute, or Post Online Hurley.indd i ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~11/17/2014 5:57:47 PM Studies in German Literature, Linguistics, and Culture ~~~~ SECOND UNCORRECTED PROOF ~~~~ COPYRIGHT-PROTECTED MATERIAL Do Not Duplicate, Distribute, or Post Online Hurley.indd ii ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~11/17/2014 5:58:39 PM Into the Groove Popular Music and Contemporary German Fiction Andrew Wright Hurley Rochester, New York ~~~~ SECOND UNCORRECTED PROOF ~~~~ COPYRIGHT-PROTECTED MATERIAL Do Not Duplicate, Distribute, or Post Online Hurley.indd iii ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~11/17/2014 5:58:39 PM This project has been assisted by the Australian Government through the Australian Research Council. The views expressed herein are those of the author and are not necessarily those of the Australian Research Council. Copyright © 2015 Andrew Wright Hurley All Rights Reserved. Except as permitted under current legislation, no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded, or reproduced in any form or by any means, without the prior permission of the copyright owner. First published 2015 by Camden House Camden House is an imprint of Boydell & Brewer Inc. 668 Mt. Hope Avenue, Rochester, NY 14620, USA www.camden-house.com and of Boydell & Brewer Limited PO Box 9, Woodbridge, Suffolk IP12 3DF, UK www.boydellandbrewer.com ISBN-13: 978-1-57113-918-4 ISBN-10: 1-57113-918-4 Library of Congress Cataloging-in-Publication Data CIP data applied for. This publication is printed on acid-free paper. Printed in the United States of America. -
©Copyright 2013 Jan Hengge
©Copyright 2013 Jan Hengge Pure Violence on the Stage of Exception: Representations of Revolutions in Georg Büchner, Hugo von Hofmannsthal, Heiner Müller, and Elfriede Jelinek Jan Hengge A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Richard Block, Chair Eric Ames Brigitte Prutti Program Authorized to Offer Degree: Germanics University of Washington Abstract Pure Violence on the Stage of Exception: Representations of Revolutions in Georg Büchner, Hugo von Hofmannsthal, Heiner Müller, and Elfriede Jelinek Jan Hengge Chair of the Supervisory Committee: Associate Professor Richard Block Department of Germanics This dissertation examines pertinent issues of today’s terrorism debate in frequently overlooked earlier representations of revolutionary and state violence. At the center of this debate is the state of exception through which the sovereign legitimizes the juridical order by suspending preexisting civil laws. As recent theorists have argued, this has become the paradigm for modern nation states. Walter Benjamin contends, however, that a permanent state of exception has existed since the Baroque and has subjected its victims to an empty eschaton, an end without messianic redemption and devoid of all meaning. As long as the order of the sovereign is based on the dialectical relationship between law- making and law-preserving violence, this state will persevere and the messianic promise will not come to fruition. Thus Benjamin conceives of another category of violence he calls “pure violence,” which lies outside of the juridical order altogether. This type of violence also has the ability to reinstate history insofar as the inevitability of the state of exception has ceased any historical continuity. -
University of Cincinnati
! "# $ % & % ' % !" #$ !% !' &$ &""! '() ' #$ *+ ' "# ' '% $$(' ,) * !$- .*./- 0 #!1- 2 *,*- Atomic Apocalypse – ‘Nuclear Fiction’ in German Literature and Culture A dissertation submitted to the Graduate School of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the Department of German Studies of the College of Arts and Sciences 2010 by Wolfgang Lueckel B.A. (equivalent) in German Literature, Universität Mainz, 2003 M.A. in German Studies, University of Cincinnati, 2005 Committee Chair: Sara Friedrichsmeyer, Ph.D. Committee Members: Todd Herzog, Ph.D. (second reader) Katharina Gerstenberger, Ph.D. Richard E. Schade, Ph.D. ii Abstract In my dissertation “Atomic Apocalypse – ‘Nuclear Fiction’ in German Literature and Culture,” I investigate the portrayal of the nuclear age and its most dreaded fantasy, the nuclear apocalypse, in German fictionalizations and cultural writings. My selection contains texts of disparate natures and provenance: about fifty plays, novels, audio plays, treatises, narratives, films from 1946 to 2009. I regard these texts as a genre of their own and attempt a description of the various elements that tie them together. The fascination with the end of the world that high and popular culture have developed after 9/11 partially originated from the tradition of nuclear fiction since 1945. The Cold War has produced strong and lasting apocalyptic images in German culture that reject the traditional biblical apocalypse and that draw up a new worldview. In particular, German nuclear fiction sees the atomic apocalypse as another step towards the technical facilitation of genocide, preceded by the Jewish Holocaust with its gas chambers and ovens. -
Staging Memory: the Drama Inside the Language of Elfriede Jelinek
Studies in 20th & 21st Century Literature Volume 31 Issue 1 Austrian Literature: Gender, History, and Article 13 Memory 1-1-2007 Staging Memory: The Drama Inside the Language of Elfriede Jelinek Gita Honegger Arizona State University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons, and the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Honegger, Gita (2007) "Staging Memory: The Drama Inside the Language of Elfriede Jelinek," Studies in 20th & 21st Century Literature: Vol. 31: Iss. 1, Article 13. https://doi.org/10.4148/2334-4415.1653 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Staging Memory: The Drama Inside the Language of Elfriede Jelinek Abstract This essay focuses on Jelinek's problematic relationship to her native Austria, as it is reflected in some of her most recent plays: Ein Sportstück (A Piece About Sports), In den Alpen (In the Alps) and Das Werk (The Plant). Taking her acceptance speech for the 2004 Nobel Prize for Literature as a starting point, my essay explores Jelinek's unique approach to her native language, which carries both the burden of historic guilt and the challenge of a distinguished, if tortured literary legacy. Furthermore, I examine the performative force of her language. Jelinek's "Dramas" do not unfold in action and dialogue, rather, they are embedded in the grammar itself. -
Literary History Places Elfriede Jelinek at the Head of a Generation Deemed
COMEDY, COLLUSION, AND EXCLUSION ELFRIEDE JELINEK AND FRANZ NOVOTNY’S DIE AUSGE- SPERRTEN Literary history places Elfriede Jelinek at the head of a generation deemed to have made the transition from ‘High Priests to Desecrators’,1 reigning as the ‘Nestbeschmutzer’ par excellence. Along with Peter Handke and Thomas Bernhard, she is considered to have introduced an element of dissent into Austrian public discourse, ‘stubbornly occupying a position of difference from within a largely homogeneous cultural sphere’.2 Dagmar Lorenz argues that this level of political engagement is a phenomenon specific to German- language writers and appears inconceivable to an Anglo-American audience. In a special issue of New German Critique on the socio-political role of Aus- trian authors, she notes that ‘their opinions are heard and taken seriously, and they take part in shaping public opinion and politics’.3 The writers’ sphere of influence far exceeds their (often limited) readership, and column inches dedicated to controversial Austrian intellectuals stretch beyond the confines of the ‘Feuilleton’.4 The very public oppositional role of authors such as Jelinek, Robert Me- nasse and Doron Rabinovici reached fever pitch in 1999/2000 following the establishment of the ‘schwarz-blaue Koalition’, which enabled Jörg Haider’s populist right-wing ‘Freedom Party’ (FPÖ) to form a government with the centre-right ÖVP. In the months following the election, large groups of pro- testers took to the streets of Vienna as part of the so-called ‘Thursday dem- onstrations’. Austrian intellectuals played a prominent role in these protests, standing visibly at the head of the demonstrations and giving expression to wider discontent in a series of public readings and speeches, including Jelinek’s ‘Haider-monologue’, Das Lebewohl, which was first performed out- side the Viennese Burgtheater on 22nd June 2000.5 The play’s emphasis on 1 Ricarda Schmidt and Moray McGowan (eds), From High Priests to Desecrators: Contempo- rary Austrian Writers (Sheffield: Sheffield Academic Press, 1993). -
Diffraktive Verfahren Bei Elfriede Jelinek
Julia Prager studierte Vergleichende Literaturwissenschaft in Innsbruck und Berlin und wurde mit einer Arbeit zu „Frames of Critique. Kulturwissenschaftliche Handlungsfähigkeit nach Judith Butler“ promoviert. Das Buch ist 2013 bei Nomos erschienen. Seit 2017 ist sie wissenschaftliche Mitarbeiterin an der Professur Medienwissenschaft und NdL an der TU Dresden sowie assoziiertes Mitglied des SFB „Invektivität. Konstellationen und Dynamiken der Herabsetzung“ und Mitglied des „Erfurter Netzwerk zum Neuen Materialismus“. In ihrem Habilitationsprojekt arbeitet sie zum „Theater der Anderssprachigkeit“ u.a. bei Elfriede Jelinek. Projekt ist Abschnitt des Habil-Vorhabens Enteignende Verschränkungen – Diffraktive Verfahren bei Elfriede Jelinek Auf-Riss: Diffraktion als literaturwissenschaftliche Denkfigur von Transmedialität, Transtextualität und Transkulturalität Seit den 1980er bzw. 1990er Jahren setzten sich Donna Haraway und Trinh Minh-Ha mit Formen von Wissenskritik und damit einhergehenden Differenzbeziehungen auseinander, die gerade nicht in einem Subjekt-Objekt-Dualismus gefangen bleiben.1 Differenz wird hier als Praxis ausgefaltet, die „einen Unterschied macht“, eine nichtlineare und dennoch relationale Form der Erzeugung von Andersheit. Während Trinh in ihrem Denken der „critical difference from within“ den un/an/geeigneten Anderen“, „the inappropriate/d other“, als bevorzugte Figur setzt, bringt Haraway „Diffraction“ ins Spiel: Diffraktion bezeichnet ein charakteristisches Verhalten, das (jegliche) Wellen unter bestimmten Bedingungen -
Revising the World with Speech in Franz Kafka, Robert Walser and Thomas Bernhard
Monologue Overgrown: Revising the world with speech in Franz Kafka, Robert Walser and Thomas Bernhard by Paul Joseph Buchholz This thesis/dissertation document has been electronically approved by the following individuals: Schwarz,Anette (Chairperson) Gilgen,Peter (Minor Member) McBride,Patrizia C. (Minor Member) MONOLOGUE OVERGROWN: REVISING THE WORLD WITH SPEECH IN FRANZ KAFKA, ROBERT WALSER AND THOMAS BERNHARD A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Paul Joseph Buchholz August 2010 © 2010 Paul Joseph Buchholz MONOLOGUE OVERGROWN: REVISING THE WORLD WITH SPEECH IN FRANZ KAFKA, ROBERT WALSER AND THOMAS BERNHARD Paul Joseph Buchholz, Ph. D. Cornell University 2010 My dissertation focuses on unstable, chronically unpublished prose texts by three key 20th century prose writers, quasi-novelistic texts whose material instability indicates a deep discomfort with the establishment of narrative authority qua narrative violence. I argue that Franz Kafka, Robert Walser and Thomas Bernhard, radically refunctionalized the device of interpolated “character monologue,” turning characters' speech from a narrative function, into a site where a text can be rewritten from within. In the Bildungsroman tradition, extended oral interpolations serve as an engine for the expansion and exposition of the plotted work, deepening the epic narrative world and exhaustively presenting a perspective that will be incorporated into biographical trajectory. I locate an estrangement of this practice: moments when oral monologues of fictional interlocutors “overgrow,” becoming an interventionary force that doubles, disrupts and re-frames the narrative discourse out of which it first sprouted. In showing how the labor of ‘world-making’ is split and spread across different competing layers of these texts, my dissertation contributes to the study of the narrative phenomenon of metalepsis. -
Inhaltsverzeichnis
3 Inhaltsverzeichnis Nähe und Ferne dernebel ErnstJandl 10 Besteigung des MontVentoux Francesco Petrarca 10 Nach einem Flug Max Frisch 14 Die Leiden des jungen Werthers Johann Wolfgang von Goethe 17 Heimweh Joseph von Eichendorff 19 Sehnsucht— Joseph von Eichendorff 20 Anno 1839 Heinrich Heine 21 Heimat Max Frisch 23 Im vaterhause H. C. Artmann 25 Eldorado Voltaire 27 utopia Hans Magnus Enzensherger 33 Die zu Hause blieben, sind nicht mehr daheim Marion Gräfin Dönhoff 34 Die schlesische Gräfin GerdGaiser 37 Ich saz üf eime steine Walther von der Vogelweide 43 An sich Paul Fleming 44 Inventur Günther Eich 45 Dauer und Wechsel Der römische Brunnen Conrad Ferdinand Meyer 48 Herr Fusi, der Friseur Michael Ende 49 Die Geschichte von dem Hute Christian Fürchtegott Geliert 62 Chidher Friedrich Rückert 64 Alles Tun des Menschen Prediger 65 Swie vil daz mensche zuo der weite guotes habe : SuezkintvonTrimberg 66 Mein sind die Jahre'nicht Andreas Gryphius 67 Das Lied von der Moldau Bertolt Brecht 67 Wandrers Nachtlied Johann Wolfgang von Goethe 70 Rondel Georg Trakl 70 http://d-nb.info/871352915 4 Reklame— Ingeborg Bachmann 71 v An die Nachgeborenen Bertolt Brecht 72 Weiterung Hans Magnus Enzensberger 75 An diesem Dienstag ! Wolfgang Borchert 76 Friedenskinder Reiner Kunze 79 Die Chronik Günther Anders 81 Ordnung und Unordnung Ordnung Timm Ulrichs 84 An die Bettine Karoline von Günderode 85 Die drei Zigeuner Nikolaus Lenau 90 Gedenkblatt Johannes Bobrowski 91 Das Eisenbahnunglück Thomas Mann 92 Aphorismen über Sklaverei und Freiheit, über Frankreich