DOCSLIB.ORG

Duet, Duet SDI.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Duet, Duet SDI.Pdf Inside: - Introduction Inside:- Quick Start -- Introduction Configuring the Duet -- Quick Audio Start Connections /Control -- Configuring Triggering Insertionsthe Duet -- Audio Duet CCMSConnections Mode /Control - Triggering Insertions - Duet CCMS Mode DuetTM and DuetTM SDI MPEG 2 Digital Ad Inserter Operations Manual purely digital create. move. play. save. Intentionally Left Blank © 2000-2006 Adtec Digital All rights reserved. This document may not, in whole or in part, be copied, photocopied, reproduced and translated, or reduced to any electronic medium or machine-readable form without prior consent in writing from Adtec Digital. All examples with names, company names, or companies that appear in this manual are imaginary and do not refer to, or portray, in name or substance, any actual names, companies, entities, or institutions. Any resemblance to any real person, company, entity, or institution is purely coincidental. Every effort has been made to ensure the accuracy of this manual. However, Adtec Digital makes no warranties with respect to this documentation and disclaims any implied warranties of merchantability and fitness for a particular purpose. Adtec Digital shall not be liable for any errors or for incidental or consequential damages in connection with the furnishing, performance, or use of this manual or the examples herein. The information in this document is subject to change without notice. Trademarks Duet™ is a trademarks of Adtec Digital. Other product and company names may be trademarks or registered trademarks of their respective companies. Document Number: DUET_BASIC_SDI_1006 Table of Contents 2. INSERT MENU ..................................................18 End Insert .............................................18 Launch Insert.........................................18 CHAPTER 1 INTRODUCTION ...................................6 Test Break .............................................18 Tally .....................................................18 3. NET SETTINGS (NETSET)....................................18 OVERVIEW .................................................................... 6 Mode ....................................................18 APPLICATIONS ................................................................ 6 Days On ................................................18 BENEFITS...................................................................... 6 Time On and Time Off .............................18 FEATURE HIGHLIGHTS ....................................................... 6 Start Tones............................................19 AVAILABILITY ................................................................. 7 Start GPI (Start Insert Condition)..............19 MODELS ............................................................. 7 Stop Tones ............................................19 OPTIONS ............................................................ 7 Stop GPI (Stop Insert Condition)...............19 WHAT’S INCLUDED ........................................................... 7 Pre Roll .................................................20 SYSTEM REQUIREMENTS..................................................... 7 Post Roll ................................................20 FRONT PANEL OF THE DUET ................................................. 8 Avail (Default: 00:00:00).........................20 BACK PANEL OF THE DUET .................................................. 8 Check Video (Default: No)........................20 BACK PANEL OF THE DUET .................................................. 9 End By ..................................................20 BACK PANEL OF THE DUET SDI .......................................... 10 NetAudio ...............................................20 ComAudio..............................................21 CHAPTER 2 QUICK START .................................... 12 4. SOURCE FEED (SWITCHER CONTROL) ......................21 5. AUDIO (DUET ONLY) .........................................21 6. LOG SETTINGS.................................................21 INSTALLING THE DUET..................................................... 12 7. DATE & TIME (D&T) .........................................22 CONFIGURING THE DUET.................................................. 13 8. SERIAL PORT...................................................22 INSTALLING THE DUET-SDI .............................................. 14 Connecting to RS232 IN and THRU Ports ....22 CONFIGURING THE DUET-SDI ........................................... 14 MODEM Presets ......................................23 Modem Init ............................................24 CHAPTER 3 CONFIGURING THE DUET .................... 16 On Air Tally............................................24 9. UNIT NAME.....................................................24 10. NETWORK NAME .............................................24 THE DUET FRONT PANEL ............................................. 16 11. NETWORK CHANNEL AND HEADEND (CCHHH) ..........24 HOW TO USE THE KEY PAD ...................................... 16 12. COMPOSITE BASEBAND DEMODULATOR NETWORK ......25 FRONT PANEL MENUS ................................................. 16 CBD Network Presets ..............................25 1. MAIN ........................................................... 17 NetSets PreSet .......................................25 2 User Defined CBD Network ...................... 25 COMMERCIAL AUDIO AVERAGING ...............................34 13. HOST MODE (NETWORKING) .............................. 25 Auto-Average .........................................34 Host Mode............................................. 26 Manual Setup .........................................34 IP Address ............................................ 26 CONTROL LIMITATIONS...........................................34 IP MASK ............................................... 26 SYMPHONY AUTO LEVEL CONTROL OPTIONS...................34 Host 1 IP Address................................... 26 AUDIO LEVEL MATCHING FOR DUETS: .........................34 Gate 1 IP Address .................................. 27 AUDIO LEVEL CONTROL CONFIGURATION COMMANDS .................35 14. ETHERNET MULTICAST TRANSFER (EMT) ................ 27 AUDIOLVLCONTROL ..........................................35 EMT Settings ......................................... 27 AUDIOLVLENABLED...........................................35 EMT Examples ....................................... 28 AUDIOLVLSENSITIVITY......................................35 15. DUPLICATE DRIVE........................................... 28 AUDIOLEVELRESET:..........................................35 Settings ................................................ 28 AUDIOLVLNETWORK .........................................35 16. SDI AUDIO (DUET-SDI ONLY) ........................... 28 SPOTAUDIOLEVEL.............................................36 SDI Audio Group #................................. 28 SDI Equalization .................................... 29 CHAPTER 5 TRIGGERING INSERTIONS................... 38 Audio Decode ........................................ 29 Audio Encode......................................... 29 17. BYPASS LINES (OPTION)................................... 29 GENERAL PURPOSE INPUT (GPI) .........................................38 18. WHITELINE CONTROL (OPTION) .......................... 29 AUDIO DTMF ...............................................................38 DTMF SINGLE ENDED WIRING .................................38 DTMF DIFFERENTIAL WIRING...................................38 CHAPTER 4 AUDIO CONNECTIONS AND CONTROL ... 30 COMPOSITE BASE BAND (CBB) DTMF ..................................39 WHITELINE TRIGGERING...................................................39 AUDIO CONNECTIONS ..................................................... 30 BALANCED STEREO OR DUAL MONO AUDIO SYSTEMS CHAPTER 6 DUET CCMS MODE ............................. 40 (RECOMMENDED)................................................. 30 BALANCED MONO AUDIO SYSTEMS ............................ 31 UN-BALANCED STEREO OR DUAL MONO HI-Z SYSTEMS .... 31 DUET SETUP FOR CCMS MODE ...........................................40 UN-BALANCED MONO HI-Z SYSTEMS.......................... 31 TRACE MESSAGES FOR CCMS ............................................40 CONFIGURING THE NETWORK AUDIO ATTENUATION ......... 32 INSERT VERIFICATION (LEGACY AND CCMS NATIVE MODE)40 STANDARD AUDIO SETTINGS ............................................. 32 Appendix A Contacting Customer Support..........................................44 DUET............................................................... 32 DUET-SDI ........................................................ 33 Appendix B Frequently Asked Questions (FAQ) ...................................47 AUDIO LEVEL CONTROL (ALC) SYSTEM ................................. 33 Appendix C - Duet Technical Reference ...............................................49 NETWORK AUDIO AVERAGING .................................. 33 Appendix D – Duet SDI Technical Reference ........................................51 3 Appendix E – Ad Insertion Enterprise Solution ..................................... 53 Appendix E – Ad Insertion Enterprise Solution ..................................... 54 Appendix E-1 Traffic & Billing Central.................................................. 55 Appendix E-1 Traffic & Billing Central.................................................. 56 Appendix E-2 Connected Headend .....................................................
Load more

Recommended publications
  • Ethnic Migrant Media Forum 2014 | Curated Proceedings 1 FOREWORD
    Ethnic Migrant Media Forum 2014 CURATED PROCEEDINGS “Are we reaching all New Zealanders?” Exploring the Role, Benefits, Challenges & Potential of Ethnic Media in New Zealand Edited by Evangelia Papoutsaki & Elena Kolesova with Laura Stephenson Ethnic Migrant Media Forum 2014. Curated Proceedings is licensed under a Creative Commons Attribution- NonCommercial 4.0 International License. Ethnic Migrant Media Forum, Unitec Institute of Technology Thursday 13 November, 8.45am–5.45pm Unitec Marae, Carrington Road, Mt Albert Auckland, New Zealand The Introduction and Discussion sections were blind peer-reviewed by a minimum of two referees. The content of this publication comprises mostly the proceedings of a publicly held forum. They reflect the participants’ opinions, and their inclusion in this publication does not necessarily constitute endorsement by the editors, ePress or Unitec Institute of Technology. This publication may be cited as: Papoutsaki, E. & Kolesova, E. (Eds.) (2017). Ethnic migrant media forum 2014. Curated proceedings. Auckland, New Zealand. Retrieved from http://unitec. ac.nz/epress/ Cover design by Louise Saunders Curated proceedings design and editing by ePress Editors: Evangelia Papoutsaki and Elena Kolesova with Laura Stephenson Photographers: Munawwar Naqvi and Ching-Ting Fu Contact [email protected] www.unitec.ac.nz/epress Unitec Institute of Technology Private Bag 92025, Victoria Street West Auckland 1142 New Zealand ISBN 978-1-927214-20-6 Marcus Williams, Dean of Research and Enterprise (Unitec) opens the forum
    [Show full text]
  • Annual Report 2009-2010 PDF 7.6 MB
    Report NZ On Air Annual Report for the year ended 30 June 2010 Report 2010 Table of contents He Rarangi Upoko Part 1 Our year No Tenei Tau 2 Highlights Nga Taumata 2 Who we are Ko Matou Noa Enei 4 Chair’s introduction He Kupu Whakataki na te Rangatira 5 Key achievements Nga Tino Hua 6 Television investments: Te Pouaka Whakaata 6 $81 million Innovation 6 Diversity 6 Value for money 8 Radio investments: Te Reo Irirangi 10 $32.8 million Innovation 10 Diversity 10 Value for money 10 Community broadcasting investments: Mahi Whakapaoho a-Iwi 11 $4.3 million Innovation 11 Diversity 11 Value for money 11 Music investments: Te Reo Waiata o Aotearoa 12 $5.5 million Innovation 13 Diversity 14 Value for money 15 Maori broadcasting investments: Mahi Whakapaoho Maori 16 $6.1 million Diversity 16 Digital and archiving investments: Mahi Ipurangi, Mahi Puranga 17 $3.6 million Innovation 17 Value for money 17 Research and consultation Mahi Rangahau 18 Operations Nga Tikanga Whakahaere 19 Governance 19 Management 19 Organisational health and capability 19 Good employer policies 19 Key financial and non financial measures and standards 21 Part 2: Accountability statements He Tauaki Whakahirahira Statement of responsibility 22 Audit report 23 Statement of comprehensive income 24 Statement of financial position 25 Statement of changes in equity 26 Statement of cash flows 27 Notes to the financial statements 28 Statement of service performance 43 Appendices 50 Directory Hei Taki Noa 60 Printed in New Zealand on sustainable paper from Well Managed Forests 1 NZ On Air Annual Report For the year ended 30 June 2010 Part 1 “Lively debate around broadcasting issues continued this year as television in New Zealand marked its 50th birthday and NZ On Air its 21st.
    [Show full text]
  • Foreign Satellite & Satellite Systems Europe Africa & Middle East Asia
    Foreign Satellite & Satellite Systems Europe Africa & Middle East Albania, Austria, Belarus, Belgium, Bosnia & Algeria, Angola, Benin, Burkina Faso, Cameroon, Herzegonia, Bulgaria, Croatia, Czech Republic, Congo Brazzaville, Congo Kinshasa, Egypt, France, Germany, Gibraltar, Greece, Hungary, Ethiopia, Gabon, Ghana, Ivory Coast, Kenya, Iceland, Ireland, Italy, Luxembourg, Macedonia, Libya, Mali, Mauritania, Mauritius, Morocco, Moldova, Montenegro, The Netherlands, Norway, Mozambique, Namibia, Niger, Nigeria, Senegal, Poland, Portugal, Romania, Russia, Serbia, Somalia, South Africa, Sudan, Tanzania, Tunisia, Slovakia, Slovenia, Spain, Sweden, Switzerland, Uganda, Western Sahara, Zambia. Armenia, Ukraine, United Kingdom. Azerbaijan, Bahrain, Cyprus, Georgia, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Oman, Palestine, Qatar, Saudi Arabia, Syria, Turkey, United Arab Emirates, Yemen. Asia & Pacific North & South America Afghanistan, Bangladesh, Bhutan, Cambodia, Canada, Costa Rica, Cuba, Dominican Republic, China, Hong Kong, India, Japan, Kazakhstan, Honduras, Jamaica, Mexico, Puerto Rico, United Kyrgyzstan, Laos, Macau, Maldives, Myanmar, States of America. Argentina, Bolivia, Brazil, Nepal, Pakistan, Phillipines, South Korea, Chile, Columbia, Ecuador, Paraguay, Peru, Sri Lanka, Taiwan, Tajikistan, Thailand, Uruguay, Venezuela. Uzbekistan, Vietnam. Australia, French Polynesia, New Zealand. EUROPE Albania Austria Belarus Belgium Bosnia & Herzegovina Bulgaria Croatia Czech Republic France Germany Gibraltar Greece Hungary Iceland Ireland Italy
    [Show full text]
  • Invercargill CITY COUNCIL
    Invercargill CITY COUNCIL NOTICE OF MEETING Notice is hereby given of the Meeting of the Invercargill City Council to be held in the Council Chamber, First Floor, Civic Administration Building, 101 Esk Street, Invercargill on Tuesday 28 October 2014 at 4.00 pm His Worship the Mayor Mr T R Shadbolt JP Cr DJ Ludlow (Deputy Mayor) CrR LAbbott Cr RR Amundsen Cr KF Arnold Cr N D Boniface Cr A G Dennis Cr I L Esler Cr PW Kett CrG D Lewis Cr I R Pottinger Cr G J Sycamore Cr LS Thomas EIRWEN HARRIS MANAGER, SECRETARIAL SERVICES AGENDA Page 1. APOLOGIES 2. PUBLIC FORUM 2.1 MENTAL HEALTH SYSTEMS IN SOUTHLAND Michelle Bennie will be in attendance to speak to this Item. 2.2 DEVELOPMENT OF A SOUTHLAND HERITAGE STRATEGY Anna Coleman, Consultant for Heritage Southland will be in attendance to speak to this Item. 3. REPORT OF THE INVERCARGILL YOUTH COUNCIL 3.1 YOUTH ANNUAL REPORT 8 Appendix 1 9 3.2 YOUTH COUNCIL LEADERSHIP SURVEY 8 4. MINUTES OF THE MEETING OF COUNCIL HELD ON 11 23 SEPTEMBER 2014 5. MINUTES OF THE EXTRAORDINARY MEETING OF COUNCIL 19 HELD ON 20 OCTOBER 2014 6. MINUTES OF THE EXTRAORDINARY MEETING OF COUNCIL HELD ON 21 OCTOBER 2014 To be circulated separately. 7. MINUTES OF THE MEETING OF THE BLUFF COMMUNITY 29 BOARD HELD ON 6 OCTOBER 2014 8. MINUTES OF COMMITTEES 8.1 COMMUNITY SERVICES COMMITTEE 13 OCTOBER 2014 37 8.2 REGULATORY SERVICES COMMITTEE 14 OCTOBER 2014 43 8.3 FINANCE AND POLICY COMMITTEE 21 OCTOBER 2014 To be circulated separately.
    [Show full text]
  • ANNUAL Report for the Year Ended 30 June 2013
    ANNUAL REPORT For the year ended 30 june 2013 NZ On Air / Irirangi Te Motu Annual REPORt 2013 / TABLE OF CONTENTS Part 1 / Highlights 2 Chair's Introduction 4 Who We Are 5 Achieving Our Outcomes 6 Audiences / Focus On Online 8 Audiences / Focus On Prime-Time 10 Audiences / Focus On Documentaries 13 Audiences / Focus On New Zealand Music 14 Audiences / Focus On Ma- ori 18 Audiences / Focus On Pasifika 19 Audiences / Focus On Special Interest 20 Environment 21 Research 22 Operations 24 Part 2 / AccoUntabILITY StateMents Independent Auditor’s Report 30 Statement Of Comprehensive Income 31 Statement Of Financial Position 32 Statement Of Changes In Equity 33 Statement Of Cash Flows 34 Notes To The Financial Statements 35 Statement Of Service Performance 51 APPENDICES 56 DIRECTORY 72 NZ On Air / Annual Report 2013 1 HIGHLIGHTS N g a- Taumata Diversity Nga- Rerenga We focused the Digital Media Fund on Our MakingTracks funding scheme We delivered something for everyone content for special interest audiences backed 247 recordings and videos, on television – with more than 93 hours because these audiences are less well both mainstream and alternative. of drama and comedy, 169 hours of served by mainstream media. This documentary and current affairs, and 600 The funded songs span a wide range year we offered special opportunities to hours of childrens’ and special interest of genres including pop, rock, folk, create Pacific content. programmes. country, te reo, roots and reggae, The successful web-series musical The heavy metal, urban and hip hop. We maintained a balance of mainstream Factory created a strong community and special interest programming.
    [Show full text]
  • Annual Report 2008-2009 PDF 5.9 MB
    NZ On Air Annual Report For the year ended 30 June 2009 Proudly supporting local content for 20 years 1989-2009 Annual Report For the year ended 30 June 2009 Table of contents Table of contents Part 1 Our year 1 Highlights 1 Who we are 2 Mission statement and values 2 Chair’s introduction 3 Key achievements 4 Television funding 4 Maori broadcasting 10 Radio funding 11 Digital funding 13 NZ Music funding 14 Archiving funding 16 Research 17 Consultation 18 Operations 18 Main performance measures 20 Part 2 Accountability statements 21 Statement of responsibility 21 Audit report 22 Statement of financial performance 23 Statement of financial position 24 Statement of changes in equity 25 Statement of cash flows 26 Notes to the financial statements 27 Statement of service performance 42 Appendices 1. Television funding 51 2. Radio funding 55 3. NZ Music funding 56 4. Music promotion 58 5. Digital and Archiving funding 58 6. Maori broadcasting 59 Directory 60 Download the companion PDF document to see: 20 years of NZ On Air NZ On Air Annual Report to 30 June 2009 1 Part 1: Our Year Highlights • The website NZ On Screen was launched, showcasing historic New Our investments helped create some Zealand television and film online and outstanding success stories this year: winning a Qantas Media Award in its first year • The Top 10 funded television • Our Ethnic Diversity Forum brought programmes had some of our highest all relevant broadcasters together viewing numbers ever around a subject of increasing importance • New Zealand drama successfully
    [Show full text]
  • Wall County to Join 3-Year Program to Expand Broadband Internet Access
    8A | MONDAY, JUNE 28, 2021 | EL PASO TIMES Monday Evening June 28, 2021 BROADCAST TW 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 11PM 11:30 XEPM 2 99 Como dice Como dice el dicho (TV14) (N) La rosa de Guadalupe Fi nal feliz. La rosa de Guadalupe Fi nal feliz. Rubí Una ambiciosa mujer. (N) 10 en punto (N) 40 y 20 (TV14) Contacto dep. KDBC 4 Jeopardy! (TVPG) Wheel of Fortune The Neighborhood Bob Hearts NCIS: New Orleans: Illusions. Accept Bull: Law of Jungle. Wealthy CBS4 News at The Late Show with Stephen Colbert The Late Late 3 (N) (TVPG) (TVPG) Abishola (TVPG) mother. (TV14) philanthropist is murdered. (TV14) 10PM (N) Comedic talk show. (TV14) Show (TV14) KVIA 7 ABC-7 News @ 6 Entertainment The Bachelorette A secret emerges on a group date as Katie and the men The Celebrity Dating Game: Taye Diggs ABC-7 News @ 10 Jimmy Kimmel Live Celebrities and Nightline News of 6 (N) Tonight (N) play Truth or Dare. (TVPG) (N) and. Actor seeks date. (N) (N) human-interest subjects. (TV14) the day. (N) KVIA2 7.2 Mike & Molly 2 Broke Girls: Sax All American: No Opp Left. Future in The Republic of Sarah: The Lines. Seinfeld: Good Seinfeld: Under- Friends Six young Friends Six young TMZ Live Behind-the-scenes at the 13 (TVPG) Problem. football. (TVPG) (N) Borders are closed. (TVPG) (N) Samaritan. study. (TVPG) adults. adults. newsroom. (TV14) KTSM 9 KTSM 9 News at 6 (N) American Ninja Warrior: Qualifiers 4. The qualifiers continue as the (:01) Small Fortune: For Better or.
    [Show full text]
  • Animated Television: the Narrative Cartoon” Was Originally Published in the Third Edition of Jeremy G
    “Animated Television: The Narrative Cartoon” was originally published in the third edition of Jeremy G. Butler, Television: Critical Methods and Applications (Mahwah, NJ: Erlbaum, 2007), 325-361. It was not included in subsequent editions of Television and consequently it was placed online, although not in the public domain. All © copyrights are still reserved. If citing this chapter, please use the original publication information (above). Questions? Contact Jeremy Butler at [email protected] or via TVCrit.com. ch11_8050_Butler_LEA 8/11/06 8:46 PM Page 325 CHAPTER 11 Animated Television: The Narrative Cartoon Beginnings The Aesthetics of the 1930s Sound Cartoon: Disney’s Domination UPA Abstraction: The Challenge to Disney Naturalism Television’s Arrival: Economic Realignment TV Cartooning Since the 1980s Summary edition FurtherTELEVISION Readings 3rd nimation has had a rather erratic presence on television. A A mainstay of Saturday morning children’s programming, small snippets of it appear regularly in commercials,TVCrit.com credit sequences, music videos, news and sports, but there have been long stretches when there were no prime-time cartoon shows. After The Flintstones ended its original run in 1966 there wasn’t another successful prime-time show until 23 years later, when The Simpsons debuted. Since 1989 there has been something of a Renaissance in television animation. Numerous prime-time cartoon pro- grams have appeared and at least three cable channels have arisen that fea- ture cartoons—the Cartoon Network, Nickleodeon, and Toon Disney. And, of course, cartoons continue to dominate the TV ghettos of Saturday morn- ing and weekday afternoons. Although numerous new animated programs are now being created, many of the cartoons regularly telecast today were produced fifty, sixty, or even seventy years ago.
    [Show full text]
  • TV Dub Despatch * for Best Results Please Use Acrobat Reader X COMPANY: CONTACT: CLIENT: PRODUCT: JOB NUMBER
    Complete this form and email to [email protected] TV Dub Despatch * For best results please use Acrobat Reader X COMPANY: CONTACT: CLIENT: PRODUCT: JOB NUMBER: KEY NUMBER TITLE DURATION ON AIR DATE CLOSED CAPTION MATERIAL TYPE MATERIAL DEADLINES K1 Mon - Fri K2 Operating Hours 8am – 6pm K3 Master Tapes 6 pm 5 pm K4 File Uploads 8 pm 5 pm K5 Foxtel Deadline See above 3 pm SELECT SERVICE LEVEL FOR EACH KEY FROM THE DROP DOWN LIST. Std = Standard (overnight), Exp = Express (3 hour), RH = Red Hot (45 min) New Zealand 2 pm 2 pm ALL METROPOLITAN ALL REGIONAL PAY TV / OTHER Community/Other cont.. SERVICE NEW ZEALAND SBS SERVICE NSW SERVICE MCN SERVICE West TV Perth 31 New Zealand HD SERVICE Rural Health Channel SBS BC> NBN TV BC> MCN (Foxtel) Canterbury CTV ONLINE DESTINATIONS Ten Network One Regional SKY Racing Choice TV Online One Metro (no CC) BC> Prime7 (Canberra) BC> Turner International Country TV Pay TV/Other 360 Entertainment BC> Ten Network BC> SC10 Canberra Cue TV Adconion Seven Network AU Christian Ch. Dunedin TV39 WIN (QLD, Sth NSW, ACT, VIC, TAS, WA and SA) BC> 7 BCM beIN SPORTS BC> BBC.com The Edge BC> WIN TV Nine Network CNBC Asia BC> Big Pond TV (chief ent) Face TV NT Disney Channel BC> Nine NPC Fairfax Digital- Austereo FLV BC> Juice Media Imparja Alice Springs ESPN@7 ABC Fairfax Digital- Preroll and FDTV Maori TV OUT OF HOME VIDEO BC> IPS ABC Fairfax Digital- The Vine FLV MediaWorks Interactive OOH STUDIO ENTERTAINMENT VENUES Full Circle Media TV North TV Novion Property BC> TVN-ThouroughVision BC> Stadia Media Group
    [Show full text]
  • Nuance Communications, Inc
    Case 2:05-cv-00927-JCC Document 279-2 Filed 09/17/10 Page 1 of 18 Case 2:05-cv-00927-JCC Document 279-2 Filed 09/17/10 Page 2 of 18 Curriculum Vitae Todd Donovan July 2010 Department of Political Science Voice: (360) 650-3018 Western Washington University Fax: (360) 650-2800 MS 9082 e-mail: [email protected] Bellingham WA 98225 http://faculty.wwu.edu/donovat Personal Born Palo Alto, California. Residence: Bellingham, WA. USA Citizenship, USA. Education: Ph.D. 1991. Political Science. University of California, Riverside. B.A. 1986. Economics & Government . California State University, Sacramento. Academic Positions: Professor, Political Science, Western Washington University. 2000 - Associate Professor, Political Science, Western Washington University, 1995-2000. Assistant Professor, Political Science, Western Washington University, 1991-1995. Research Areas Representation and electoral systems, political behavior and electoral politics, American state politics & policy (with an emphasis on direct democracy), politics of local development. Teaching Areas American politics; state and local politics; parties, campaigns and elections; comparative electoral systems; introductory research methods and statistics. Honorary & Visiting Appointments: Board of Scholars, Initiative and Referendum Institute. Univ. of Southern California, 2004 – Visiting Scholar, University of Western Australia, 2005; 2002 Affiliated Faculty, University of Washington, Center for American Politics. 2002- Visiting Lecturer, University of Melbourne, Political Science. 1998. Awards Paul J. Olscamp Research Award. Western Washington University, 2007 Longley Prize. Best paper published on representation or electoral systems. Awarded by APSA Elections and Representation Section, 2007 (co-authored). Best Paper Award. State Politics Section. American Political Science Association, 2006 (co-authored). Allan Saxe Award for best paper on state and local politics presented at SWPSA meeting, 2003.
    [Show full text]
  • R Epor T Resumes
    NI. R EPOR TRESUMES ED 012 200 RC 000 992 CUE, SOCIAL STUDIES HUMANITIES MEDIA GUIDE. DROWN, ROBERT M. AND OTHERS NEW YORK STATE EDUCATION DEPT., ALBANY PUB DATE 65 EDRS PRICEMF-$0.36HC-$8.04 200. DESCRIPTORS- *SOCIAL STUDIES, *HUMANITIES, INSTRUCTION, CURRICULUM GUIDES, *INSTRUCTIONAL MATERIALS,TELEVISION, *FILMS, *VIDEO TAPE RECORDINGS, CULTURAL ACTIVITIES,TEACHING GUIDES, ENRICHMENT PROGRAMS, SECONDARYEDUCATION, GRADE 9, CURRICULUM ENRICHMENT, ALBANY, PROJECT CUE THIS DOCUMENT IS ONE OF A SERIES OF MEDIA GUIDES SPONSORED BY THE NEW YORK STATE EDUCATION DEPARTMENTUNDER THE CUE SYSTEM. THE HUMANITIES AREAS ARE DIVIDEDINTO 11 DIFFERENT TOPICS. WITHIN EACH TOPIC IS A SERIES OFSUGGESTED FILM AND TELEVISION SUBJECTS. A DISCUSSIONIS GIVEN ON EACH OF THE SUBJECTS INCLUDING A SYNOPSIS, A STATEMENTOF PURPOSE, SUGGESTED PREPARATION OF THE CLASS, THINGS PUPILSSHOULD LOOK AND LISTEN FOR, AND SUGGESTIONS FOR FOLLOWUP ACTIVITIESAND RELATED ACTIVITIES. A LIST OF PRODUCERS AND THEIRADDRESSES IS INCLUDED. THIS DOCUMENT IS A LATER VERSIONOF ED 003 786. (JM) 4 U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. whatis projectCUE? CUEopensdoors. a trip to Angkor Wat. poetry, literature, drama. 1111"S L and Michelangelo. I9 temple dancers in Thailand. Macchu Picchu and Brasilia. weeping over Romeo and Juliet. perception and understandings. a visit with the ancient Greeks. 111119 trips to museums, seminars, exhibits. "High Life" music in West Africa. a tour of France with Charles Boyer. 111111; ballets opera, string quartets, jazz.
    [Show full text]
  • Psycho-Physiological Effects of Television Viewing During Exercise
    ©Journal of Sports Science and Medicine (2016) 15, 524-531 http://www.jssm.org Research article Psycho-Physiological Effects of Television Viewing During Exercise Brian C. Rider 1,3, David R. Bassett 1, Kelley Strohacker 1, Brittany S. Overstreet 1, Eugene C. Fitz- hugh 1 and Hollie A. Raynor 2 1 Department of Kinesiology, Recreation, & Sport Studies, 2 Department of Nutrition, The University of Tennessee, Knoxville TN, USA, 3 Department of Kinesiology, Hope College, Holland MI. pleasurable (Higgins, 2006). Specifically, HMT purports that affective responses (e.g. pride, satisfaction, disap- Abstract pointment) to an activity drives future engagement in that We propose that enjoyment is an important factor in the adop- tion and long-term maintenance of exercise. Television (TV) activity (Higgins, 2006). viewing is believed to be a highly enjoyed leisure-time activity, One plausible way of improving affective respons- combining it with exercise may make for a more enjoyable es during exercise (and thus increasing perceived enjoy- exercise experience. The objective of this study was to examine ment) is through distraction. According to the Rejeski's the effects of television (TV) viewing on psychological and (1985) parallel processing conceptualization theory, ex- physiological variables during a moderate-intensity exercise ternal and internal sources of information must compete bout. Twenty-eight insufficiently active (<150 minutes per for the individual's attention, since both cannot be pro- week of moderate intensity PA and/or 75 minutes of vigorous cessed simultaneously (Rejeski, 1985). When an individ- PA) adults (Age: M = 47.4 ± 7.6 years) participated in this ual is distracted by external cues, an accompanying study.
    [Show full text]