Leica M10 Monochrom
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Kamerabuch Leica
Die Leic M10 steht wie k dere Kmer für die k Reduktion uf ds W Bedieneement, keine Funktion zu vie. Michel Birnbacher M10, viele der einstellungen und Technik en könne aber auf andere Leica-M-Modelle und auch auf spiegellose Systemkameras Leica M10 Entdecken Sie die Fotografi e neu – das, was beim Fotografi eren wirklich wichtig ist! 34,90 EUR [D] ISBN 978-3-645-60648-6 60648-6_Kamerabuch-LeicaM10_TITEL_rz.indd Alle Seiten Michel Birnbacher Leica M10 Entdecken Sie die Fotografie neu – das, was beim Fotografieren wirklich wichtig ist! 60648-6_Kamerabuch-LeicaM10_TITELEI_rz.indd 1 26.07.19 15:04 Michel Birnbacher Leica M10 Entdecken Sie die Fotografi e neu – das, was beim Fotografi eren wirklich wichtig ist! 60648-6_Kamerabuch-LeicaM10_TITELEI_rz.indd 3 26.07.19 15:04 Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte Daten sind im Internet über http://dnb.ddb.de abrufbar. Hinweis: Alle Angaben in diesem Buch wurden vom Autor mit größter Sorgfalt erarbeitet bzw. zusammengestellt und unter Einschaltung wirksamer Kontrollmaßnahmen repro- duziert. Trotzdem sind Fehler nicht ganz auszuschließen. Der Verlag und der Autor sehen sich deshalb gezwungen, darauf hinzuweisen, dass sie weder eine Garantie noch die juristische Verantwortung oder irgendeine Haftung für Folgen, die auf fehlerhafte Angaben zurückgehen, übernehmen können. Für die Mitteilung etwaiger Fehler sind Verlag und Autor jederzeit dankbar. Internetadressen oder Versionsnummern stellen den bei Redaktionsschluss verfügbaren Informationsstand dar. Verlag und Autor übernehmen keinerlei Verantwortung oder Haftung für Veränderungen, die sich aus nicht von ihnen zu vertretenden Umständen ergeben. Evtl. beigefügte oder zum Download angebotene Dateien und Informationen dienen ausschließlich der nicht gewerblichen Nutzung. -
LEICA SUMMARON-M 1:5,6/28Mm Anleitung
LEICA SUMMARON-M 1:5,6/28mm Anleitung Instructions Notice d’utilisation Gebruiksaanwijzing Istruzioni Instrucciones Leica Camera AG I Am Leitz-Park 5 35578 WETZLAR I DEUTSCHLAND 取扱説明書 Telefon +49 (0) 6441-2080-0 I Telefax +49 (0) 6441-2080-333 543 VII/16/LW/D 3 www.leica-camera.com 9 f 5.6 [%] 100 f 5.6 [%] 100 sagittale Strukturen 80 sagittal structures 80 structures sagittales 60 sagittale structuren strutture sagittali 60 estructuras sagitales 40 放射線方向 40 tangentiale Strukturen 20 tangential structures 20 structures tangentielles 0 tangentiale structuren 0 3 6 9 12 15 18 21 strutture tangenziali 0 0 3 6 9 12 15 18Y'[mm]21 estructuras tangenciales 同心円方向 Y'[mm] f 8.0 [%] 100 f 8.0 [%] 100 80 80 60 60 40 40 20 20 0 0 3 6 9 12 15 18 21 0 0 3 6 9 12 15 18Y'[mm]21 Y'[mm] 1 1a 2a 2b 3 5a 5b 4 6 5d 5 5b 4a 4b 5c 1 Bezeichnung der Teile Désignation des pièces 1. Gegenlichtblende mit 1. Parasoleil avec a. Klemmschraube a. vis de serrage 2. Frontfassung mit 2. Monture frontale avec a. Filter-Innengewinde a. filtre de filetage intérieur b. Index für Blendeneinstellung b. repère du réglage du diaphragme 3. Blenden-Einstellring 3. Bague de réglage du diaphragme 4. Entfernungs-Einstellring mit 4. Bague de mise au point avec a. Verstellhebel a. levier de réglage b. Verriegelungsknopf b. bouton de verrouillage 5. Schärfentiefe-Skala mit 5. Échelle de profondeur de champ avec a. Index für Entfernungseinstellung a. index de mise au point b. -
Hackerspaces
d WP4 | CASE STUDY Report: Hackerspaces Theme [ssh.2013.3.2-1][Social Innovation- Empowering People, changing societies] Project Full Title: “Transformative Social Innovation Theory project” Grant Agreement n. 613169 This project has received funding from the European Union’s Seventh Framework Programme for research, technological development and demonstration under grant agreement no 613169 Suggested citation: Sabine Hielscher, Adrian Smith, Mariano Fressoli (2015) WP4 Case Study Report: Hackerspaces, Report For the TRANSIT FP7 Project, SPRU, University oF Sussex, Brighton. Acknowledgements: We wish to thank everyone in the Hackerspace scene who helped us with our research, whether through interviews, welcoming us to Hackerspaces and events, or putting us in touch with others. We also thank our colleagues in the TRANSIT project, at SPRU, at UNQ and Fundación Cenit For their help and encouragement with the research. Finally, we thank the European Commission and their FP7 research programme For Funding the TRANSIT project. Date: 14 January 2015 Authors: Sabine Hielscher, Adrian Smith, Mariano Fressoli Contact person: Adrian Smith Table of contents 1 Introduction to Hackerspaces 2 Methodology 2.1 Researcher relations to the case 2.2 Methods 3 Analysis of transnational network(ing) 3.1 Transnational networking: Hackerspaces 3.2 Aspects of ‘innovation’ and ‘change’ of the transnational network(ing) 3.3 Aspects of empowerment and disempowerment of the transnational network(ing) 3.4 Other issues about the transnational networking 4 Local initiative -
Installation Instructions for the Leica M10 Firmware 2.4.5.0
Installation instructions for the Leica M10 Firmware 2.4.5.0 Dear Customers, Installing the firmware 2.4.5.0 on your Leica M10 will add additional functions and improve performance to your camera. Update Contents Model Number LEICA M10 Update Version 2.4.5.0 Update Filename M10-2.4.5.0-CUSTOMER.FW Overview Version Description Version -- Optimization of the delete menu 2.4.5.0 The graphical user interface for deleting images has been reworked -- Longer exposure times available At base ISO it is now possible to capture an exposure up to 4 min long -- New continuous burst mode with lower speed An additional continuous burst shooting mode (Continuous Low Speed, 3 frames per second) is now available, making it easier to release single images while in continuous mode -- “Load Profile” now available in the favorites menu -- An estimation of the selected aperture is now shown in the EXIF data The camera estimates the used aperture by comparing the brightness measured through the lens and the brightness measured external ly . This value is now recorded in th e “Aperture Value” EX IF tag. Photographing subjects with high contrast or black or white objects can sometimes lead to misinterpretations in the estimated aperture. -- LED disable function The blinking red LED on the rear of the camera can now be disabled in the Customize Control menu. This allows users who find the light distracting or too conspicuous to prevent it from blinking, thus making the camera more stealthy and discreet. – Auto-ISO adjustment Auto-ISO now defaults to ISO 200 for the base ISO, to maximize dynamic range performance. -
The Fibreculture Journal Issue 18 2011
The Fibreculture Journal DIGITAL MEDIA + NETWORKS + TRANSDISCIPLINARY CRITIQUE Issue 18 : Trans edited by Andrew Murphie, Adrian Mackenzie and Mitchell Whitelaw The Fibreculture Journal is an Open Humanities Press Journal. The LOCKSS System has the permission to collect, preserve and serve this open access Archival Unit. The Fibreculture Journal is published under a Creative Commons, By Attribution-Non Commercial-No Derivative License. ISSN: 1449 – 1443 , Published in Sydney, Australia Fibreculture Publications/The Open Humanities Press 2011 The journal is peer reviewed as per section 4.3.4 of the Australian HERDC Specifications. About the Fibreculture Journal The Fibreculture Journal is a peer reviewed international journal, first published in 2003 to explore the issues and ideas of concern to the Fibreculture network. The Fibreculture Journal now serves wider social formations across the international community of those thinking critically about, and working with, contemporary digital and networked media. The Fibreculture Journal has an international Editorial Board and Committee. In 2008, the Fibreculture Journal became a part of the Open Humanities Press , a key initiative in the development of the Open Access journal community. The journal encourages critical and speculative interventions in the debate and discussions concern- ing a wide range of topics of interest. These include the social and cultural contexts, philosophy and politics of contemporary media technologies and events, with a special emphasis on the ongoing social, technical -
New Language Leader Upper Intermediate Wordlist Chronological
New Language Leader Upper Intermediate chronological New Language Leader Upper Intermediate Wordlist chronological Unit Headword Word Class German French Italian Example Sentence 1 actions speak phr Taten sagen mehr als les gestes sont plus i fattii dicono più delle The council believes that actions speak louder than words. louder than words Worte éloquents que les mots parole 1 aggressive adj aggressiv aggressif aggressivo Have you ever sent an aggressive email? 1 analyse v analysieren analyser analizzare Most recently, an experiment in 2011 at the University of Milan analysed the relationship between 721 social media users and found that 92 percent were connected by only four stages, or five degrees of separation. 1 anecdote n Anekdote anecdote aneddoto Anecdotes tell short interesting stories about a person or event. 1 appropriacy n Angemessenheit adéquation, justesse decenza Appropriacy of vocabulary: is it the right meaning and register? 1 be on the same phr auf derselben être sur la même sulla stessa lunghezza The two of them are on the same wavelength. wavelength Wellenlänge longueur d'ondes d'onda 1 bump into v zufällig treffen rencontrer par hasard incocciare, incontrare I bumped into one of my friend from school when I was per caso shopping in Paris. 1 catch up with v auf dem Laufenden rester au courant essere al corrente I can catch up with all the news from home. bleiben 1 communication n Kommunikationsfähigke communiquer bien comunicatività She became interested in communication skills while she skills iten was studying for her MBA at Edinburgh University. 1 concept n Konzept concept concetto The concept „Sic degrees of separation“ goes back to a 1929 book of short stories. -
3Rd Annual Lucie Technical Awards 2017 Finalists & Winners
3RD ANNUAL LUCIE TECHNICAL AWARDS 2017 FINALISTS & WINNERS CAMERA BEST CAMERA BAG LIGHTING BEST INSTANT CAMERA *WINNER: Think Tank Photo Airport Advantage BEST CONTINUOUS LIGHT SOURCE - Gitzo Century Traveler Messenger Bag *WINNER: Fujifilm instax SQUARE SQ10 - Lowepro Flipside 300 AW II *WINNER: ARRI SkyPanel S120-C - Leica Sofort - Fluotec AURALUX 100 LED Fresnel - Manfrotto Pro Light 3N1-36 - Lomo Instant Automat Glass Magellan - Fotodiox PopSpot J-500 - Manfrotto Pro Light Bumblebee-230 - MiNT SLR670-S Noir - Hive Lighting Wasp 100-C™ - MindShift Gear PhotoCross™ 13 - Polaroid SNAP Touch Instant Digital Camera - Polaroid Flexible LED Lighting Panel with - ThinkTank Photo Spectral™ 10 4-Channel Remote Control - Think Tank Photo StreetWalker Rolling Backpack V2.0 - Rotolight AEOS BEST FIXED-LENS COMPACT CAMERA - Vanguard Alta Sky 51D *WINNER: Fujifilm X100F BEST SPEEDLIGHT - Canon PowerShot G9 X Mark II BEST TRIPOD - LUMIX DC-ZS70 *WINNER: Metz Mecablitz M400 *WINNER: 3 Legged Thing Equinox Leo - Sony RX 100V - Canon MT-26EX-RT Macro Twin Lite Carbon Fibre Tripod - Godox Witstro AD200 Pocket Flash - System & AirHed Switch - Hähnel MODUS 600RT BEST ACTION CAMERA - BENRO Slim Carbon Fiber TSL08CN00 Tripod - Yongnuo YN686EX-RT TTL *WINNER: Olympus TOUGH TG-5 - Gitzo GT3543XLS Series 3 Systematic Tripod XL - FUJIFILM FinePix XP120 - Vanguard Alta Pro 2+ 263AB100 SOFWARE - GoPro Hero5 Black - Vanguard VEO 2 265CB Carbon Fiber - KODAK PIXPRO ORBIT360 4K BEST PHOTO EDITING SOFTWARE - Nikon KeyMission 170 *WINNER: Capture One Pro 10.1 - Ricoh -
Arbeit Und Nicht-Arbeit: Entgrenzungen Und Begrenzungen Von Lebensbereichen Und Praxen
www.ssoar.info Arbeit und Nicht-Arbeit: Entgrenzungen und Begrenzungen von Lebensbereichen und Praxen Herlyn, Gerrit (Ed.); Müske, Johannes (Ed.); Schönberger, Klaus (Ed.); Sutter, Ove (Ed.) Postprint / Postprint Sammelwerk / collection Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: Rainer Hampp Verlag Empfohlene Zitierung / Suggested Citation: Herlyn, G., Müske, J., Schönberger, K., & Sutter, O. (Hrsg.). (2009). Arbeit und Nicht-Arbeit: Entgrenzungen und Begrenzungen von Lebensbereichen und Praxen (Arbeit und Alltag: Beiträge zur ethnografischen Arbeitskulturenforschung, 1). München: Hampp. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-324607 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under Deposit Licence (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, non- Gewährt wird ein nicht exklusives, nicht übertragbares, transferable, individual and limited right to using this document. persönliches und beschränktes Recht auf Nutzung dieses This document is solely intended for your personal, non- Dokuments. Dieses Dokument ist ausschließlich für commercial use. All of the copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the above-stated vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder conditions of use. -
Geopolitical Subjectivity
Geopolitical Subjectivity Tomas Laurenzo School of Creative Media City University of Hong Kong Kowloon Tong, Hong Kong [email protected] Abstract The sociopolitical context has always been a “central Rhetorics conceived in geopolitically powerful contexts fail aspect” of artistic production, although it “long remained in allowing for the different relationships between art and poli- inconspicuous, or even invisible”. According to Frie- tics that appear in the periphery. This paper analyzes this from singer, “It took the great exertions of the context- a framework of cognitive capitalism. We identify a need for a oriented methods of modernism to return it to the field sociopolitical vocabulary in new media art rhetoric that takes of view, from which it was hidden, for the most part, by into account the geopolitical context. By reproducing the cen- the tendency of bourgeois art appreciation to oversee the ter–periphery model, peripheral art is reduced to a dichotomy social and historical embeddedness of an artifact or an proper of the modernizing discourse and to the arduous task of aesthetic approach.”[10] It is not, still, until the avant- developing a replacement of the stories that constitute "the gardes, that appears what Peter Bürger calls “a new art- other". Nevertheless, we argue that it is possible to assert the based praxis for life”, a reaction to the identification of existence of both a distinct reality and the parallel construction art being the objectification of the self-understanding of of a language that transcends the re-reading of international the bourgeoisie [4]. tendencies from a local or “localist” perspective. -
Press Information
Press information Special editions in olive green: Leica Camera AG presents the Leica M10-P and the Leica Summicron-M 50 mm f/2 as limited ‘Safari’ editions. Wetzlar, 31 January 2019. Leica Camera AG is writing the next chapter in the success story of special editions finished in olive green enamel and now presents the latest model in this series – the Leica M10-P Edition ‘Safari’. Otherwise identical to the serial production model in terms of performance and technical specifications, the special features of this camera are its eye-catching olive green enamel finish and the accessories supplied with the camera. A carrying strap and a case for SD memory cards and credit cards, both crafted from Brandy- coloured, genuine full grain cowhide, underline the aesthetics and the unusual looks of the limited special edition of 1,500 examples of the camera. The matching Leica Summicron-M 50 mm f/2 Edition ‘Safari’ premium lens will be offered separately. It is the first ever M-Lens in the history of Leica products to be produced in olive green enamel finish and, together with the camera, creates a perfect symbiosis of functionality and design. Current planning foresees a limited edition of 500 examples of the Leica Summicron-M 50 mm f/2 Edition ‘Safari’ lens. The Leica M10-P Edition ‘Safari’ is on sale from today. The Leica Summicron-M 50 mm f/2 Edition ‘Safari’ premium lens will be available from 15 February 2019. In addition to the special enamel finish, the Leica Summicron-M 50 mm f/2 Edition ‘Safari’ is also distinguished by other design features. -
Contentious Politics, Culture Jamming, and Radical
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2009 Boxing with shadows: contentious politics, culture jamming, and radical creativity in tactical innovation David Matthew Iles, III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Political Science Commons Recommended Citation Iles, III, David Matthew, "Boxing with shadows: contentious politics, culture jamming, and radical creativity in tactical innovation" (2009). LSU Master's Theses. 878. https://digitalcommons.lsu.edu/gradschool_theses/878 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. BOXING WITH SHADOWS: CONTENTIOUS POLITICS, CULTURE JAMMING, AND RADICAL CREATIVITY IN TACTICAL INNOVATION A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Political Science by David Matthew Iles, III B.A., Southeastern Louisiana University, 2006 May, 2009 ACKNOWLEDGEMENTS This thesis was completed with the approval and encouragement of my committee members: Dr. Xi Chen, Dr. William Clark, and Dr. Cecil Eubanks. Along with Dr. Wonik Kim, they provided me with valuable critical reflection whenever the benign clouds of exhaustion and confidence threatened. I would also like to thank my friends Nathan Price, Caroline Payne, Omar Khalid, Tao Dumas, Jeremiah Russell, Natasha Bingham, Shaun King, and Ellen Burke for both their professional and personal support, criticism, and impatience throughout this process. -
"Agfaphoto DC-833M", "Alcatel 5035D", "Apple Ipad Pro
"AgfaPhoto DC-833m", "Alcatel 5035D", "Apple iPad Pro", "Apple iPhone SE", "Apple iPhone 6s", "Apple iPhone 6 plus", "Apple iPhone 7", "Apple iPhone 7 plus", "Apple iPhone 8”, "Apple iPhone 8 plus”, "Apple iPhone X”, "Apple QuickTake 100", "Apple QuickTake 150", "Apple QuickTake 200", "ARRIRAW format", "AVT F-080C", "AVT F-145C", "AVT F-201C", "AVT F-510C", "AVT F-810C", "Baumer TXG14", "BlackMagic Cinema Camera", "BlackMagic Micro Cinema Camera", "BlackMagic Pocket Cinema Camera", "BlackMagic Production Camera 4k", "BlackMagic URSA", "BlackMagic URSA Mini 4k", "BlackMagic URSA Mini 4.6k", "BlackMagic URSA Mini Pro 4.6k", "Canon PowerShot 600", "Canon PowerShot A5", "Canon PowerShot A5 Zoom", "Canon PowerShot A50", "Canon PowerShot A410 (CHDK hack)", "Canon PowerShot A460 (CHDK hack)", "Canon PowerShot A470 (CHDK hack)", "Canon PowerShot A530 (CHDK hack)", "Canon PowerShot A540 (CHDK hack)", "Canon PowerShot A550 (CHDK hack)", "Canon PowerShot A570 (CHDK hack)", "Canon PowerShot A590 (CHDK hack)", "Canon PowerShot A610 (CHDK hack)", "Canon PowerShot A620 (CHDK hack)", "Canon PowerShot A630 (CHDK hack)", "Canon PowerShot A640 (CHDK hack)", "Canon PowerShot A650 (CHDK hack)", "Canon PowerShot A710 IS (CHDK hack)", "Canon PowerShot A720 IS (CHDK hack)", "Canon PowerShot A3300 IS (CHDK hack)", "Canon PowerShot D10 (CHDK hack)", "Canon PowerShot ELPH 130 IS (CHDK hack)", "Canon PowerShot ELPH 160 IS (CHDK hack)", "Canon PowerShot Pro70", "Canon PowerShot Pro90 IS", "Canon PowerShot Pro1", "Canon PowerShot G1", "Canon PowerShot G1 X", "Canon