DOCSLIB.ORG

The Stanley Wiater Modern Horror Archive

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Stanley Wiater Modern Horror Archive The Stanley Wiater Modern Horror Archive Overview The Stanley Wiater archive of Modern Horror literature is likely the most comprehensive collection of materials documenting the field in existence. Mr. Wiater has been a writer, editor, anthologist, journalist, and collector in the field for over 40 years. He is a three-time winner of the Bram Stoker Award, given by the Horror Writers Association, and has become, over the years, a friend to virtually all of the writers and many of the filmmakers in the field. The Wiater archive is unique in that it has been assembled by an individual who is himself a contributor to the field and has spent decades making its writers and writings accessible to others, both within the field and outside of it. Mr. Wiater is widely considered the leading authority in the world on major horror writers and filmmakers. Modern Horror emerged as a field unto itself in the late 1960s-early 1970s, after previously being subsumed under the "fantasy and science fiction" umbrella. The leading writers in the field at that time — Ray Bradbury, Fritz Leiber, and others — were already well-known as fantasy or science fiction writers. In the 1970s, after the success of such mainstream movies as Rosemary's Baby and The Exorcist, and with the sudden and unprecedented success of the horror novels of Stephen King — reportedly the bestselling novelist in the world — the field came into its own. Mr. Wiater began his book collection in the 1960s, and his first job as a journalist was interviewing Ray Bradbury. Bradbury's first book was originally published by Arkham House, the horror specialty publisher named after HP. Lovecraft's fictional New England town, and his stories and novels, such as Something Wicked This Way Comes, helped lay the foundation for future generations of writers. Mr. Wiater's interview with Bradbury took place at his home in 1974, and thus his archive documents the field essentially from its inception. The archive is multifaceted, consisting of a large number of manuscripts — both Mr. Wiater's own and those of the writers he anthologized or edited; a substantial amount of correspondence from virtually all of the major writers in the field; an extensive collection of multimedia material — audio and video tapes of Mr. Wiater's interviews of the leading figures in the field; and a large number of photographs of the authors and filmmakers and artists. Among the manuscripts are the working files for Mr. Wiater's three Stoker Award-winning books: Dark Dreamers: Conversations with the Masters of Horror, Dark Thoughts: On Writing, and the collection Dark Dreamers: Facing the Masters of Fear. These books include interviews with, profiles of, and commentaries by such writers as Stephen King, Clive Barker, Dean Koontz, Anne Rice, Ray Bradbury, Richard Matheson, Peter Straub, and many others. There are also manuscript files for the other books Mr. Wiater has edited, including two anthologies of original fiction by nearly two dozen writers, and books on Stephen King, Brian Lumley, and Richard Matheson's classic Twilight Zone scripts, which established that show as the gold standard of serious, thought-provoking television in the early years of the medium. In addition, the manuscripts of Mr. Wiater's own fiction are included, both published and unpublished. His first published story, “The Toucher,” won a contest that was judged by Stephen King. The audio and video tapes are a unique element of the archive: since 1974 Mr. Wiater has interviewed more writers in the field than anyone else, and the unedited tapes and transcripts of the interviews are an unparalleled resource for students of the field, as the published versions of them represent only a fraction of the overall interview content. There are hundreds of audio and video tapes in the archive. Interviewees include virtually every well-known writer in the field and many lesser known ones. It is doubtful there exists anywhere a repository of such unpublished and unseen material as this, or an archive that documents this important genre of popular literature as thoroughly and sympathetically as does Mr. Wiater's archive. Noteworthy Items Audio and Video Tapes of Wiater's Interviews of Leading Figures in the Field of Modern Horror • Unedited tapes: a unique resource contrasting those published versions which represent only a fraction of the interview material • More than 100 hours of audio interview content with leading figures such as Bradbury, King, Barker, Matheson, Robert Bloch, Harlan Ellison, Ira Levin, David Morrell, Roger Corman, David Cronenberg, George Romero, Sidney Pollack, Martin Scorcese, Laymon, Lansdale, Kevin Eastman, Joseph Citro, John Farris, Peter Laird, Lumley, Anne Rice, John Saul, and many others. (complete list attached) • More than 36 video tapes, each of which is 2 hrs. long. Most of this video content has never been seen; when the shows were produced, the 2 hour interview tapes were edited down to 24 minutes long. Interviewees include: Barker, Ellison, Matheson, Romero, Straub, Gahan Wilson, Wes Craven, Douglas Clegg, Charles De Lint, Jack Ketchum, Nancy Kilpatrick, Richard Laymon, RCM, John Skipp, Craig Spector, Edo Van Belkom, and many others. (complete list attached) Well over 1,000 Photographs (including *irreplaceable* photos of Richard Matheson) • 82 Photographs by Beth Gwinn in “Photographs” (76 are 8x10 & 6 are 5x7) • Approx. 30 photos in “Literary & Personal Correspondence” • Approx. 7 photos in “Interview Documentation” (including contact sheets & negatives) • Approx. 53 photos in “Manuscript Collection” • 50 photos in “Stephen King Files” [9 B&W photos of King's office; B&W photo of King playing guitar (slightly damaged at center of top edge) 8 color photos of King singing on stage during musical performance; 7 additional color photos from same musical event; & (in white envelope) 22 B&W photos from King's Office w/ photos of Marsha & Julie as well as additional photos of King & Wiater, and Wiater in front of Bangor offices; together with 3 more photographs (2 B&W, 1 color) • Photos in “Richard Matheson Companion” (large envelope labeled Matheson Photos – IRREPLACEABLE) 4 photographs: 1) “Somewhere in the 1970s me rehearsing as Dr. Chumley in “Harvey” with Jack Arnold's Wife Betty.” 2) “Private R. Matheson 1946” 3) “Next to Our Camper 1964” 4) “Me sitting at the Grand Piano in my living room 1994” & Family Photos of Matheson • 40 photos in “Dark Dreamers The TV Series – DD#2 – 2000, 2001” • Approx 130 photos in “Dark Dreamers The TV Series – DD#2 of 2 • 53 color photos in “Miscellaneous Box – Dark Dreamers” • “ Various File Folders / Correspondence / Additional Comic Book RebelsMaterial” & “Unmarked Brown Box: Dark Dreamers Material & Various Personal Writing” • 48 photos in “Personal Work Papers” & “Work in Progress” & “Early Articles and Interviews for Magazines” & “Personal Papers” • 10 photos total in “Correspondence” & “Archive of Modern Horror” & “The Tocuher” & “Early Book Proposals” & “Teaching Projects” & “Early College” • Large group of color photos from HWA events Music & Artwork • Original compositions by Richard Band with notation. INSCRIBED to Stanley from Richard, “May “dark dreamers” go on forever!!! “To infinity and forever beyond”!! (singed) Richard Band 9/30/2001. • Original artwork by Peter Laird, Mark Martin, Gahan Wilson, Richard Corben, Eric Talbot, Frank Brunner, Ryan Brown, Gary Alan Cousin, Charles J. Lang, etc. Stephen King Files • Photos (mentioned above) • Numerous mss. of interviews with King and his assistants; ms. drafts of articles written about King by Wiater; contracts; correspondence (to King and King's office from Wiater – none from King); a COPY of an autographed story by King, “Keyholes”; material for Stephen King Trivia Quiz • COPIES of TLS from King to Wiater Richard Matheson Companion • photos (mentioned above) • letters of agreements from contributing authors and contracts signed by all contributors to RMC; additional contracts; mss. of book proposal and interviews; mss. for “Collected Stories of RM” • TLS from Dean Koontz & ms. For Introduction for Hell House Synopsis of Core Material 1) Books (see attached sheets) 2) Literary & Personal Correspondence Anthony, Piers (SF writer) TPS, 1987 Balun, Charles (critic) ALS, 1990 Bauman, Jill (artist) ALS, 1992, plus several letters in manila envelope Betancourt, John TLS, 1987 Bloch, Robert (horror writer) APS 1987-90 (x2); TPS 1988-91 (x3) Bradbury, Ray (SF/horror writer) ALS, 1986; TLS, 1981 Cabana, Raymond TLS 1984-87 (x5); ALS 1983 Campbell, Ramsey (horror writer) ALS 1987-91 (x2) Cave, Hugh B. (horror writer) TPS, 1990 Citro, Joseph A- (horror writer) TLS 1988-92 (x21) Clark, Alan M. (horror writer) ALS, 1993 (x3) Clegg, Doug (horror writer) APS 1994 Costello, Matthew J. (horror writer) TLS, 1990 Crouss, Tom (publisher) APS, 1994 Daniels, Les (horror writer) TLS 1987-88 (xl 1); TPS 1994 Dee, Ron TLS, 1992-96 (x4) Douglas, Drake TLS, 1986 (x3) Engstrom, Evan card, 1985 Etchison, Dennis (horror writer) TLS, 1984 Farris, John (horror writer) TLS, 1986 (x4) Gervais, Stephen ALS, 1988 Golden, Christopher (horror writer) TLS, 1994 Grant, Charles L. (horror writer) TLS, 1985 Gwinn, Beth Hall, Mellissa Mia ALS, APS 1988 Herron, Don TLS, 1991 Holder, Nancy L. (horror writer) TLS, 1988 "Ketchum, Jack" (Dallas Mayr)(horror writer) TLS 1992 King, Stephen (horror writer) Kraft, Stephanie (Stephen King newsletter) TLS 1986-87 (x3) Koontz, Dean (SF/horror writer) TLS 1990 Lansdale, Joe R. (horror writer) TLS 1985-86 (xl3) Lansdale, Karen TLS 1985 Laymon, Richard (horror writer) TLS, 1997 "Lee, Edward" (Lee Seymour) (horror writer) TLS 1992-95 (x9) Lumley, Brian (horror writer) TLS, 1991 “Macabre, J.B." TLS 1983 Maclay, John (horror writer) TLS, 1993-97 (x3); TPS 1987 Massie, Elizabeth (horror writer) APS, 1991 Matheson, Richard (horror writer) TLS, 1994 Mayr, Dallas (horror writer "Jack Ketchum") TLS, 1994-97 (x3) McCammon, Robert (horror writer) TLS 1983-86 (x6) McCammon, Sally S. ALS 1984-92 (x5) McDowell, Michael L.
Load more

Recommended publications
  • SFRA Newsletter Published Ten Times a Vear Iw the Science Fiction Research Associa­ Tion
    University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 3-1-1989 SFRA ewN sletter 165 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 165 " (1989). Digital Collection - Science Fiction & Fantasy Publications. Paper 110. http://scholarcommons.usf.edu/scifistud_pub/110 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The SFRA Newsletter Published ten times a vear Iw The Science Fiction Research Associa­ tion. C:opyrightf'.' 1l)8~ by the SFRA. Address editorial correspon­ dence to SFRA Newslcller. English Dept., Florida Atlantic University, Boca Raton. FL ::n,n I (Tel. 407-3()7-3838). Editor: Robert A. Collins: Associate Editor: Catherine Fischer: R('l'iCiv Editor: Rob Latham: Fillll Editor: Ted Krulik; Book Neil'S Editor: Martin A. Schneider: EditOlial Assistant: .Jeanette Lawson. Send changes of address to the Secretary. enquiries concerning subscriptions to the Treasurer, listed below. Past Presidents of SFRA Thomas D. Clare son (1970-76) SFRA Executive Arthur o. Lewis,.Jr. (1977-78) Committee .Joe De Bolt (1979-80) .J ames Gunn (1981-82) Patricia S. Warrick (1983-84) Donald M. Hassler (J985-8() President Elizabeth Anne Hull Past EditOl'S of the Newsletter Liberal Arts Division Fred Lerner (1971-74) William Rainey Harper College Beverly Friend (1974-78) Palatine.
    [Show full text]
  • Common Horror Elements 2.Pages
    Common Horror Elements 1) “Elements of Aversion” by Elizabeth Barrette - All horror has motifs in common - Elements of absence = Takes away certitudes (constant things in our lives) - The Unknown = primal fear, anything can happen, limitless potential, endless power - The Unexpected = reversal of expectation, confuses what we expect from reality - The Unbelievable = places beyond belief, boundaries of everyday reality - The Unseen = something new and strange, only become visible when something goes seriously wrong - The Unconscious = we fear ourselves, we can neither control nor escape it - The Unstoppable = we can not avoid or control it, confront the inevitable - Elements of Presence = Puts in certitudes, adds an intrusion to our comfort - Helplessness = lack of control, relate to the feeling - Urgency = the feeling that something has to be done, variables that place pressure on it - Pressure = build up of tension adding to urgency, slow build of tension, we connect to it in terms of the pressure in our own life, but is different then reality as it always reaches a resolution - Intensity = heightened awareness and senses, enhances all emotions, drowns out common sense, so all consuming, everything else becomes heightened, drowns out rational thinking of brain. - Rhythm = rise and fall of tension, pattern of action or lack of, comforting or disruptive, playing on our innate desire for the world to make sense - Release = comes to a conclusion, uncertainty keeps us waiting, redemption or disaster offer completion, balance restored or altered, its over, allows us to let the story go - What you get out of it largely depends on how you go into it - Your own fears will sustain you even as they threaten to drive you mad - Come out more powerful then when you went in 2) “The Evolution of American Horror Film” - Major Hollywood Figures in the Horror Genre - Larry Cohen: sophisticated, physiological.
    [Show full text]
  • SFRA Newsletter 259/260
    University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con­ tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis­ 30 sions or queries to both coeditors.
    [Show full text]
  • New Pulp-Related Books and Periodicals Available from Michael Chomko for July 2008
    New pulp-related books and periodicals available from Michael Chomko for July 2008 In just two short weeks, the Dayton Convention Center will be hosting Pulpcon 37. It will begin on Thursday, July 31 and run through Sunday, August 3. This year’s convention will focus on Jack Williamson and the 70 th anniversary of John Campbell’s ascension to the editorship of Astounding. There will be two guests-of-honor, science-fiction writers Larry Niven and Jerry Pournelle. Another highlight will be this year’s auction. It will feature many items from the estate of Ed Kessell, one of the guiding lights of the first Pulpcon. Included will be letters signed by Walter Gibson, E. Hoffmann Price, Walter Baumhofer, and others, as well as a wide variety of pulp magazines. For further information about Pulpcon 37, please visit the convention’s website at http://www.pulpcon.org/ Another highlight of Pulpcon is Tony Davis’ program book and fanzine, The Pulpster . As usual, I’ll be picking up copies of the issue for those of you who are unable to attend the convention. If you’d like me to acquire a copy for you, please drop me an email or letter as soon as possible. My addresses are listed below. Most likely, the issue will cost about seven dollars plus postage. For those who have been concerned, John Gunnison of Adventure House will be attending Pulpcon. If you plan to be at Pulpcon and would like me to bring along any books that I am holding for you, please let me know by Friday, July 25.
    [Show full text]
  • Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
    Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre.
    [Show full text]
  • The 2019 Bram Stoker Award Finalists – the Bram Stoker Awards
    The 2019 Bram Stoker Award Finalists – The Bram Stoker Awards MENU SIDEBAR THE 2019 BRAM STOKER AWARD FINALISTS The 2019 Bram Stoker Awards® Final Ballot Special Internet Mailer The Horror Writers Association (HWA) is pleased to release the Final Ballot for the 2019 Bram Stoker Awards®. The HWA (see http://www.horror.org/) is the premier writers organization in the horror and dark fiction genre, with over 1,600 members. We have presented the Bram Stoker Awards® in various categories since 1987 (see http://www.thebramstokerawards.com/). The HWA Board of Trustees and the Bram Stoker Awards® Committee congratulate all of those appearing on the Final Ballot. Notes about the voting process will appear after the ballot listing. 2019 Bram Stoker Awards® Final Ballot Superior Achievement in a Novel Goingback, Owl – Coyote Rage (Independent Legions Publishing) Malerman, Josh – Inspection (Del Rey) Miskowski, S.P. – The Worst is Yet to Come (Trepidatio Publishing) Murray, Lee – Into the Ashes (Severed Press) Wendig, Chuck – Wanderers (Del Rey) http://www.thebramstokerawards.com/front-page/the-2019-bram-stoker-award-finalists/[2/21/2020 9:36:35 PM] The 2019 Bram Stoker Award Finalists – The Bram Stoker Awards Superior Achievement in a First Novel Amor, Gemma – Dear Laura (Independently Published) Guignard, Eric J. – Doorways to the Deadeye (JournalStone) Lane, Michelle Renee – Invisible Chains (Haverhill House Publishing) Read, Sarah – The Bone Weaver’s Orchard (Trepidatio Publishing) Starling, Caitlin – The Luminous Dead (Harper Voyager) Superior Achievement in a Young Adult Novel Bérubé, Amelinda – Here There Are Monsters (Sourcebooks Fire) Dávila Cardinal, Ann – Five Midnights (Tor Teen) Gardner, Liana – Speak No Evil (Vesuvian Books) Marshall, Kate Alice – Rules for Vanishing (Viking Books for Young Readers) Nzondi – Oware Mosaic (Omnium Gatherum) Salomon, Peter Adam – Eight Minutes, Thirty-Two Seconds (PseudoPsalms Press) Superior Achievement in a Graphic Novel Bunn, Cullen – Bone Parish Vol.
    [Show full text]
  • S67-00097-N210-1994-03 04.Pdf
    SFRA Reriew'210, MarchI April 1994 BFRAREVIEW laauB #210. march/Aprll1BB~ II THIIIIIUE: IFlllmlnll IFFIIII: President's Message (Mead) SFRA Executive Committee Meeting Minutes (Gordon) New Members & Changes of Address "And Those Who Can't Teach.. ." (Zehner) Editorial (Mallett) IEnEIll mIICEWn!l: Forthcoming Books (BarronlMallett) News & Information (BarronlMallett) FEITUREI: Feature Article: "Animation-Reference. History. Biography" (Klossner) Feature Review: Zaki. Hoda M. Phoenix Renewed: The Survival and Mutation of Utopian ThouFdlt in North American Science Fiction, 1965- 1982. Revised Edition. (Williams) An Interview with A E. van Vogt (Mallett/Slusser) REVIEWS: Fledll: Acres. Mark. Dragonspawn. (Mallett) Card. Orson Scott. Future on Fire. (Collings) Card. Orson Scott. Xenoclde. (Brizzi) Cassutt. Michael. Dragon Season. (Herrin) Chalker. Jack L. The Run to Chaos Keep. (Runk) Chappell. Fred. More Shapes Than One. (Marx) Clarke. Arthur C. & Gentry Lee. The Garden ofRama. (Runk) Cohen. Daniel. Railway Ghosts and Highway Horrors. (Sherman) Cole. Damaris. Token ofDraqonsblood. (Becker) Constantine. Storm. Aleph. (Morgan) Constantine. Storm. Hermetech. (Morf¥in) Cooper. Louise. The Pretender. (Gardmer-Scott) Cooper. Louise. Troika. (Gardiner-Scott) Cooper. Louise. Troika. (Morgan) Dahl. Roald. The Minpins. (Spivack) Danvers. Dennis. Wilderness. (Anon.) De Haven. Tom. The End-of-Everything Man. (Anon.) Deitz. Tom. Soulsmith. (posner) Deitz. Tom. Stoneskin's Revenge. (Levy) SFRA Review 1210, MarchI Apm 1994 Denning. Troy. The Verdant Passage. (Dudley) Denton. Bradley. Buddy HoDy ~ Ahire and WeD on Ganymede. (Carper) Disch. Tom. Dark Ver.s-es & Light. (Lindow) Drake. David. The Jungle. (Stevens) Duane. Diane & Peter Morwood. Space Cops Mindblast. (Gardiner-Scon) Emshwiller. Carol. The Start ofthe End oflt AU. (Bogstad) Emshwiller. Carol. The Start ofthe End oflt AU.
    [Show full text]
  • 50% Off List Copy
    ! ! ! ! ! ! James M. Dourgarian, Bookman! 1595-B Third Avenue! Walnut Creek, CA 94597! (925) 935-5033! [email protected]" www.jimbooks.com! ! Any item is returnable for any reason with seven days of receipt, if prior notice is given, and! if the same item is returned in the same condition as sent.! !Purchases by California resident are subject to 8.5% sales tax.! !Postage is $4 for the first item and $1 each thereafter.! Payment in U. S. dollars only. Visa, MasterCard, Discover, and American Express accepted.! ! Items are offered at a 50% discount on the prices shown. No other discounts apply. This discount applies only to direct orders. It does not apply to orders via ABE, Biblio, the! ABAA website, or my own website, which I would encourage you to visit.! 1. Algren, Nelson. Walk On The Wild Side. Columbia, 1962, first edition thus, self- wrappers. Softcover. An original-release film pressbook, 12 pages, with advertising supplement laid in. Fine. JD5 $10.00.! 2. Allen, Woody. Side Effects. NY, Random House, 1980, first edition, dust jacket. Hardcover. Very fine. JD17 $25.00.! 3. Allison, Dorothy. Two Or Three Things I Know For Sure. NY, Dutton, August 1995, first edition, dust jacket. Hardcover. Inscribed by author to the Jack London Foundation for use in an auction fund-raiser. Very fine, unread. JD31 $30.00.! 4. Benson, Jackson J. Wallace Stegner His Life And Work. NY, Viking, 1996, first edition, slick photographic wrappers. Softcover. Advance copy, an uncorrected proof of this long-awaited biography, this was the biographer's own personal copy, so Signed by Benson.
    [Show full text]
  • The Hugo Awards for Best Novel Jon D
    The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine.
    [Show full text]
  • Table of Contents MAIN STORIES American Science Fiction, 1960-1990, Ursula K
    Table of Contents MAIN STORIES American Science Fiction, 1960-1990, Ursula K. ConFrancisco Report........................................... 5 Le Guin & Brian Attebery, eds.; Chimera, Mary 1993 Hugo Awards W inners................................5 Rosenblum; Core, Paul Preuss; A Tupolev Too Nebula Awards Weekend 1994 ............................6 Far, Brian Aldiss; SHORT TAKES: Argyll: A The Preiss/Bester Connection.............................6 Memoir, Theodore Sturgeon; The Rediscovery THE NEWSPAPER OF THE SCIENCE FICTION FIELD Delany Back in P rint............................................ 6 of Man: The Complete Short Science Fiction of HWA Changes......................................................6 Cordwainer Smith, Cordwainer Smith. (ISSN-0047-4959) 1992 Chesley Awards W inners............................6 Reviews by Russell Letson:................................21 EDITOR & PUBLISHER Bidding War for Paramount.................................7 The Mind Pool, Charles Sheffield; More Than Charles N. Brown Battle of the Fantasy Encyclopedias................... 7 Fire, Philip Jose Farmer; The Sea’s Furthest ASSOCIATE EDITOR Fantasy Shop Helps AIDS F u n d ......................... 9 End, Damien Broderick. SPECIAL FEATURES Reviews by Faren M iller................................... 23 Faren C. Miller Complete Hugo Voting.......................................36 Green Mars, Kim Stanley Robinson; Brother ASSISTANT EDITORS 1993 Hugo Awards Ceremony........................... 38 Termite, Patricia Anthony; Lasher, Anne Rice; A Marianne
    [Show full text]
  • 2256 Inventory 4.Pdf
    The Robert Bloch Collection, Acc. ~2256-89-0]-27 Page 11 Box ~ (continueo) Periooicals (continueol: F~ntastic Adyentutes: Vol. 5 (No.8), Allg. 194]: "You Can't Kio Lefty Feep", pp.148-166; "Fairy Tale" under the name Tarleton Fiske, pp.184-202; biographical note on Tarleton Fiske, p.203. Vol. 5 (No.9), Oct. 194]: "A Horse On Lefty Feep", pp. 86-101; "Mystery Of The Creeping Underwear" under the name Tarleton FIske, pp.132-146. Vol. 6 (No.1), Feb. 1944; "Lefty Feep's ~l:abian Nightmare", pp.178-192. Vol. 6 (No. 2), ~pr. 1944: "Lefty Feep Does Time", pp. 156-1'15. Vol. 7 (No.2), Apr. IH5: "Lefty Feep Gets Henpeckeo", 1'1'.116-131. Vol. 6 (No.3), July 1946: "Tree's A Cro"d", pp.74-90. Vol. 9 (No. 51, sept. 1947: "The Mad Scientist", pp. 108-124. Vol. 12 (No.3), Mar. 1950: "Girl From Mars", pp.28-33. Vol. 12 (No.7), July 1950: "End Of YOUl: Rope", 1'p.l10- 124. Vol. 12 (No. S), Aug. 1950: "The Devil With Youl", pp. 8-68. Vol. 13 (No.7), July 1951: "The Dead Don't Die", pp. 8-54; biogl;aphical note, pp.2, 129-130. Fantastic Monsters Of The F11ms, Vol. 1 (No.1), 1962: "Black Lotus", p.10-21, 62. Fantastic Uniyel;se: Vol. 1 (No.6), May 1954: "The Goddess Of Wisdom", pp. 117-128. Vol. 4 (No, 6), Jan. 1956: "You Got To Have Brains", pp .112-120. Vol. 5 (No.6), July 1956: "Founoing Fathel:s", pp.34- Vol.
    [Show full text]
  • Lights Out! Issue 3, January 1990
    Vol. 1 No. 3 January 1990 Inside This Issue ² Robert R. McCammon Interviews Joe R. Lansdale ² Joe R. Lansdale Interviews Robert R. McCammon ² Your Conclusions to \The Night I Killed the King" ² A Report on the 1989 World Fantasy Convention ² News: Mine Advance Reading Copies Shipped Lights Out! Lights Out! Goat Busters The A Message from the Editor Robert R. McCammon Newsletter Ooops! First things ¯rst: somehow I neglected to thank Cindy Ratzla® of Simon & Schuster Audio for all her help on the ¯rst two issues. Please accept Vol. 1 No. 3 January 1990 my apologies, Cindy; I'm still not sure how I missed you. Also, my apologies to Adam Rothberg for renaming him last issue. At the end of October my family and I drove to Seattle, Washington, for the Presented by: 1989 World Fantasy Convention. There isn't much to see between Utah and Hunter Goatley Washington (actually, there isn't much to see between Utah and just about anyplace), but the drive was breathtaking in some places. Descending from Contributors: an altitude of about 4,500 feet to sea-level made for some interesting scenery Robert R. McCammon changes. We were amazed as we drove down the mountains into Seattle; the Joe R. Lansdale city really is situated where the mountains meet the ocean. A report on the convention can be found on page 5, along with several photos. Business Manager: Last issue I recommended Sunglasses After Dark, by Nancy A. Collins. I had a Dana Goatley chance to meet Nancy at the WFC, where she told me about her next novel; it sounds as if it will be just as good and original as Sunglasses.
    [Show full text]