Hairspray at Village Theatre Encore Arts Seattle

Total Page:16

File Type:pdf, Size:1020Kb

Hairspray at Village Theatre Encore Arts Seattle MAY 2018 May 2018 Volume 17, No 5 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Ann Manning Seattle Area Account Executives Amelia Heppner, Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Carol Yip Sales Coordinator Leah Baltus Editor-in-Chief Re–imagine your to–do list. Andy Fife Publisher Dan Paulus Art Director Attend Art Opening Indulge More Often Gemma Wilson, Jonathan Zwickel Senior Editors Take In A Concerto Hit The “Links” Amanda Manitach Visual Arts Editor No matter what your retirement goals may be, University House Issaquah is here to help make checking them off a breeze. Paul Heppner President Mike Hathaway Schedule a visit or learn more: Vice President (425) 200-0331 | eraliving.com Kajsa Puckett Vice President, Marketing & Business Development Genay Genereux Accounting & Office Manager Shaun Swick Senior Designer & Digital Lead Barry Johnson Digital Engagement Specialist Ciara Caya Customer Service Representative & Administrative Assistant RECEIVINGBR STANDING OVATIONS AVO! & RAVE REVIEWS FROM PATIENTS Corporate Office · Sports Medicine · Foot & Ankle · Spine Surgery 425 North 85th Street Seattle, WA 98103 · Joint Replacement · Hand & Wrist · Surgery Center p 206.443.0445 f 206.443.1246 [email protected] Board Certified Orthopedic Surgeons 800.308.2898 x105 www.encoremediagroup.com Encore Arts Programs is published monthly by Encore Media Group to serve musical and theatrical events in the Puget (425) 339-2433 Sound and San Francisco Bay Areas. All rights reserved. ©2018 Encore Media Group. Reproduction www.ebjproliancesurgeons.com without written permission is prohibited. 2 VILLAGE THEATRE EAP 1_6 H template.indd 1 9/30/16 11:56 AM ROBB HUNT Executive Producer STEVE TOMKINS Artistic Director HAIRSPRAY Book by Music by Lyrics by Mark O’Donnell Marc Shaiman Scott Wittman Thomas Meehan Marc Shaiman Based on the New Line Cinema film written and directed by JOHN WATERS Orchestrations by HAROLD WHEELER Arrangements by MARC SHAIMAN Francis J. Gaudette Theatre Everett Performing Arts Center May 10 – July 1, 2018 July 6 – 29, 2018 Directors STEVE TOMKINS TIMOTHY MCCUEN PIGGEE Choreographer Music Director Scenic Designer Costume Designer CRYSTAL DAWN MUNKERS R.J. TANCIOCO CAREY WONG ALEX JAEGER Lighting Designer Sound Designer Stage Managers MICHAEL GILLIAM BRENT WARWICK CATHERINE COSTANZO* MIRANDA C. PRATT* Assistant Stage Managers Properties Manager Wig Master MIRANDA C. PRATT* NICK HEGGESTAD DOUGLAS DECKER CAITLIN DENNEY-TURNER • ANNE L. HITT* Master Scenic Artist Technical Director Costume Shop Manager Production Manager JULIA B. FRANZ BRADLEY C. BIXLER ESTHER GARCIA JAY MARKHAM Hairspray is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com SHOW SPONSORS MEDIA SPONSOR SEASON SPONSORS PRODUCING SPONSORS Made possible in part by assistance from the Snohomish County hotel-motel tax fund. STARRING SPONSORS DIRECTING SPONSORS INDIVIDUAL SPONSORS IN-KIND SEASON SUPPORT Eric & Heather Emans VILLAGE THEATRE’S 2017–2018 SEASON INTO THE WOODS NEWSIES THE GIN GAME STRING HAIRSPRAY September 14 – November 19, 2017 November 9, 2017 – February 4, 2018 January 18 – March 25, 2018 March 15 – May 20, 2018 May 10 – July 29, 2018 Director's Note Cast Tracy Turnblad................................................................................................................... Callie Williams I am more than delighted to have Corny Collins .......................................................................................................................Jason Kappus* been asked to collaborate with Steve Edna Turnblad ....................................................................................................................Nick DeSantis* Tomkins on this, his final production Penny Pingleton .........................................................................................................................Becca Orts as artistic director of Village Theatre, Velma Von Tussle ................................................................................................................Beth DeVries* a place that feels like home to me. It Amber Von Tussle .............................................................................................................. Tori Gresham* Link Larkin ..................................................................................................................... Ethan Carpenter* is exactly 20 years ago that I made Seaweed J. Stubbs ......................................................................................................... Charles Simmons* my Village Theatre debut in Bells are Little Inez .................................................................................................................................... Belle Pugh Ringing. I believe Steve took what Little Inez (Alternate).................................................................................................Jayden Terry-Olson was then considered to be a bold Motormouth Maybelle ................................................................................................... Shaunyce Omar* risk by casting two African Americans Wilbur Turnblad .................................................................................................................... Peter Crook* to play the romantic leads in that Prudy Pingleton/Gym Teacher/Matron ........................................................................Christine Riippi beloved musical classic. My costar, Mr. Pinky/Harriman F. Spritzer/Principal ...................................................................John X. Deveney Lisa Estridge and I would engage Dynamites ...................................Alexandria J. Henderson*, Stephanie Anne Johnson, Elena Joyner in thoughtful discussions about the Council Members .............................................Tate Busby, Carly Squires Hutchison, Jordan Jackson, potency of what our casting meant Claire Marx, John David Scott*, Jasmine Jean Sim at the time. You see, representation Ensemble: Tate Busby, Alexandria J. Henderson*, Carly Squires Hutchison, Jordan Jackson, Stephanie Anne Johnson, Elena Joyner, Claire Marx, John David Scott*, Jimmy Shields*, Jasmine means everything, especially if you Jean Sim, Chandler T., William Dean, Imani Woodley see so little of yourself reflected back. Dance Captain: Jimmy Shields* The protagonists in Hairspray are struggling for just that; an opportunity UNDERSTUDIES to see themselves reflected as fully realized human beings in a world that Tracy Turnblad................................................................................................................... Cass Neumann institutionally excludes and minimizes Corny Collins .................................................................................................................John David Scott* them. Penny Pingleton ................................................................................................. Carly Squires Hutchison Thank you Steve Tomkins and thank Velma Von Tussle/Prudy Pingleton/Gym Teacher/Matron ......................................Jasmine Jean Sim you Village Theatre for consistently Amber Von Tussle ..................................................................................................... Emily Ann Johnson attempting to produce renderings Link Larkin ..........................................................................................................................Jordan Jackson Seaweed J. Stubbs ..................................................................................................................... Chandler T. of classic and original stories that Motormouth Maybelle ......................................................................................Stephanie Anne Johnson are populated by casts that more Edna & Wilbur Turnblad/Mr. Pinky/Harriman F. Spritzer/Principal ............. Andrew Eric Davison accurately reflect the world as it likely Dynamite ................................................................................................................................... Jalá Harper was, and even more importantly, the Council Members ..................................................................................Nik Hagen, Emily Ann Johnson world as it is now. Ensemble: Hiko Addison, Nik Hagen, Jalá Harper, Emily Ann Johnson —Timothy McCuen Piggee Hairspray was co-directed by Timothy McCuen Piggee and Village Theatre’s Discount Opportunities artistic director Steve Tomkins, who SEE IT AGAIN FOR SHARE THE STUDENT/MILITARY will retire in June after 25 years in that 1/2 PRICE! EXCITEMENT AND RUSH role. See page 25 of this playbill for a Come and see Hairspray a SAVE… WITH A GROUP Want a deal on your special message from Mr. Tomkins. second time for half price. DISCOUNT! next trip to the theatre? Limit one half-price ticket Does your company need Students and Military per paid ticket. Subject to boost morale? Want a (with a valid ID) may join to availability. Offer may group night on the town? us 30 minutes before only be redeemed for use Entertaining clients? Let curtain for a 50% discount by original patron, and Village Theatre provide on the single ticket price. proof of purchase may be the key to your success!
Recommended publications
  • Groundhog Day
    GROUNDHOG DAY TEACHING RESOURCES JUL—S E P 2 016 CONTENTS Company 3 Old Vic New Voices Education The Old Vic The Cut Creative team 7 London SE1 8NB Character breakdown 10 E [email protected] @oldvicnewvoices Synopsis 12 © The Old Vic, 2016. All information is correct at the Themes 15 time of going to press, but may be subject to change Timeline – Musicals adapted from American and 16 Teaching resources European films Compiled by Anne Langford Design Matt Lane-Dixon Rehearsal and production Interview with illusionist and Old Vic Associate, Paul Kieve 18 photography Manuel Harlan Interview with David Birch and Carolyn Maitland, 24 Old Vic New Voices Alexander Ferris Director Groundhog Day cast members Sharon Kanolik Head of Education & Community From Screen to Stage: Considerations when adapting films to 28 Ross Crosby Community Co-ordinator stage musicals Richard Knowles Stage Business Co-ordinator A conversation with Harry Blake about songs for musicals and 30 Tom Wright Old Vic New Voices Intern plays with songs and the differences between them. Further details of this production oldvictheatre.com Practical exercises – Screen to stage 33 A day in the life of Danny Krohm, Front of House Manager 37 Bibliography and further reading 39 The Old Vic Groundhog Day teaching resource 2 COMPANY Leo Andrew David Birch Ste Clough Roger Dipper Georgina Hagen Kieran Jae Julie Jupp Andy Karl Ensemble Ensemble Ensemble Ensemble Ensemble Ensemble Ensemble Phil Connors (Jenson) (Chubby Man) (Jeff) (Deputy) (Nancy) (Fred) (Mrs Lancaster) AndrewLangtree
    [Show full text]
  • This Is London Magazine Limited World of the Baroque Royal Court (Until 30 September)
    Celebrates the with an evening of coronation anthems, including Elgar’s Coronation Ode and the premiere of Ronald Corp’s This Sceptr’d Isle Saturday 9 June 2012 7.30pm Barbican Centre Silk Street London EC2Y 8DS With Geraldine McGreevy – soprano Frances McCafferty – alto 3KLOLS6KHIƄHOGtWHQRU Mark Stone – bass Ronald Corp – conductor New London Orchestra Free pre-concert talk in the auditorium at 6.50pm by Ronald Corp Tickets: £36 - £12 The City of London 020 7638 8891 Box office Corporation is the founder Reduced booking fee online and principal funder of the barbican.org.uk Barbican Centre Welcome to London CONTENTS This is a wonderful time to visit our capital city and enjoy the spectacular celebrations for Events 4 Her Majesty The Queen’s Diamond Jubilee and Regent Street Union Flags the London Olympics. At Historic Royal The Go!Go!Go! Show Palaces, we are delighted to offer an inspiring Music 8 programme of exhibitions, events and activities Wah Wah Girls at the Peacock in this very special year. Top Hat At the Tower of London, a major re-presentation of the Crown Jewels has Exhibitions 14 been unveiled with new displays showing the regalia as never before. A new Royal River at Greenwich introductory exhibition enables visitors to explore the importance of the Animal Art Fair Crown Jewels to the British Monarchy and the fascinating history of Theatre 18 coronations in England. Making Noise Quietly Kensington Palace has recently undergone a £12 million transformation Love, Love, Love with new exhibitions and displays bringing the stories of the palace and its former royal residents to life.
    [Show full text]
  • Billy Elliot a Young Boy with a Passion for Dance Michael Billy's Friend
    jan feb 14 6 2016 THEATRE FOR YOUNG AUDIENCES GENEROUSLY SUPPORTED BY STUDY GUIDE The Royal Manitoba Theatre Centre Production of Study Guide by Anna Schmidt THEATRE ETIQUETTE “The theater is so endlessly fascinating because it's so accidental. It's so much like life.” – Arthur Miller Arrive Early: Latecomers may not be admitted to a performance. Please ensure you arrive with enough time to find your seat before the performance starts. Cell Phones and Other Electronic Devices: Please TURN OFF your cell phones/iPods/gaming systems/cameras. We have seen an increase in texting, surfing, and gaming during performances, which is very distracting for the performers and other audience members. The use of cameras and recording devices is strictly prohibited. Talking During the Performance: You can be heard (even when whispering!) by the actors onstage and the audience around you. Disruptive patrons will be removed from the theatre. Please wait to share your thoughts and opinions with others until after the performance. Food/Drinks: Food and hot drinks are not allowed in the theatre. Where there is an intermission, concessions may be open for purchase of snacks and drinks. There is complimentary water in the lobby. Dress: There is no dress code at the Royal Manitoba Theatre Centre, but we respectfully request that patrons refrain from wearing hats in the theatre. We also strive to be a scent-free environment, and thank all patrons for their cooperation. Leaving During the Performance: If an audience member leaves the theatre during a performance, they will be readmitted at the discretion of our Front of House staff.
    [Show full text]
  • T a T U M B E
    T A T U M B E C K P H O N E : (614) 623-9613 | E M A I L : [email protected] H A I R : Brown | E Y E S : Green | H E I G H T : 5’6” P r o f e s s i o n a l T h e a t r e Otterbein Summer Theatre Guys and Dolls Sarah Brown Lenny Leibowitz Snoopy!!! Lucy Melissa Lusher E d u c a t i o n a l T h e a t r e Otterbein University Chicago Velma Kelly Melissa Lusher Singin’ in the Rain Lina Lamont Christina Kirk The Diary of Anne Frank Anne Frank Mark Mineart Damn Yankees Lola u/s/Ensemble Mark Mineart Big Fish Witch/Josephine u/s/Ensemble Thom Christopher Warren Dance Concert 2017: Move Me Featured Dancer/Ensemble Stella Kane E d u c a t i o n / T r a i n i n g BFA Musical Theatre, Otterbein University (2020) Acting Melissa Lusher, Thom Christopher Warren, Mark Mineart, Lenny Leibowitz, Christina Kirk Dance Jazz, Hip Hop, Modern, Ballet, Tap Stella Kane, Anna Elliott, Emily Glinski, Christeen Stridsberg, Scott Brown Voice Dr. Keyona Willis, Michael Hamilton Speech Melissa Lusher Masterclasses Andrew Lippa, Dick Scanlan, Randy Skinner, Cory Michael Smith, Mathew Edwards, Lili Froehlich, Lindsay Nicole Chambers, Jim Cooney S p e c i a l S k i l l s Piano (8 years), basic accordion, ZFX Flight Trained, improvisational comedy/musical comedy, Dialects (RP, Irish, Spanish, Southern/Deep South) KYLE BRACE Voice: Baritone (E2-G4) | Hair: Black | Eyes: Brown | Height: 6’1 [email protected] | 814-790-2439 | www.kylebrace.com PROFESSIONAL THEATRE OTTERBEIN SUMMER THEATRE Oklahoma Jud Fry Lenny Leibowitz Snoopy Charlie Brown Melissa Lusher SHENANDOAH SUMMER MUSIC THEATRE Ragtime Ensemble Jeremy Scott Blaustein Young Frankenstein Ensemble Edward Carignan WEATHERVANE PLAYHOUSE Meet Me in St.
    [Show full text]
  • Program Booklet
    AkeelahAkeelah and the BEE October 21 - November 20, 2016 Nov. 17, 18 & 20 2 Wheelock Family Theatre Akeelah and the BEE 3 October/November 2016 Dear Wheelock Family Theatre-goers, As the third show of our 35th season, we’re thrilled to be producing Robert and Willie Reale’s musical A Year with Frog and Toad, based on the beloved books by Arnold Lobel. Written for early readers, Lobel’s stories about friendship have been enjoyed for many generations by people of all generations. A Year with Frog and Toad was originally performed at Children’s Theatre Company and on Broadway by an ensemble of five adult actors. WFT continues to demonstrate its commitment to inclusive professional theatre experiences by casting 21 young thespians to perform alongside seven professional adult actors. WFT also has a strong commitment to accessibility and affordability, and provides tickets and tuition assistance for over 8,000 children, families, and organizations annually with our Theatre for All Fund. At a special benefit performance on April 30, we present the 2016 WHEEL Award – which celebrates individuals who share our commitment to children and families, and belief that the arts transform lives – to Willie Reale. Penning the book and lyrics of A Year with Frog and Toad is but one of Willie Reale’s con- tributions. In 1981, the same year our founders established WFT in Boston, Reale founded the 52nd Street Project to bring children from NYC’s Hell’s Kitchen together with professional theatre artists to create original plays. He was awarded a MacArthur Fellowship in recognition of his ingenuity in creating theatre education programs for young people in 1994.
    [Show full text]
  • A Celebration of Black Musical Theatre Curated by Marcus Nance
    A CELEBRATION OF BLACK MUSICAL THEATRE CURATED BY MARCUS NANCE PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY MARY ANN & ROBERT GORLIN PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY MARCUS NANCE THE SINGERS NEEMA BICKERSTETH ROBERT MARKUS MARCUS NANCE VANESSA SEARS THE BAND MUSIC DIRECTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS FRANKLIN BRASZ JON MAHARAJ ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT, ORCHESTRA SUPERVISOR KEVIN RAMESSAR DALE-ANNE BRENDON The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them.
    [Show full text]
  • Sweeney Todd Bios
    SWEENEY TODD PRODUCTION TEAM BIOGRAPHY RICK FISHER, Lighting Designer Rick Fisher (Lighting Designer) is an American lighting designer. Originally from Philadelphia, Mr. Fisher has spent most of his career in Great Britain where he has served as the Chairman of the British Association of Lighting Designers. He won the 2009 Tony Award for Best Lighting Design and Drama Desk Award for Outstanding Lighting Design for Billy Elliot: The Musical on Broadway, and he received the 2008 Helpmann Award for the Australian production of Billy Elliot. His Broadway credits also include Matthew Bourneʼs Swan Lake, Via Dolorosa, Some Americans Abroad, An Inspector Calls (Tony, Drama Desk awards) and Serious Money. Recent opera productions include A Heart of Darkness, Tsarina's Slippers, Wozzeck (Covent Garden); Radamisto and Turandot (English National Opera);Salome (Japan); Peter Grimes (Washington, Oslo, Santa Fe); Betrothal in a Monastery (Glyndebourne, Valencia); Madama Butterfly, Albert Herring, The Last Savage, Wozzeck, Billy Budd, Radamisto, La Bohème, Daphne, Tea and Madame Mao (Santa Fe); The Fiery Angel and Turandot (Bolshoi); A Midsummer Nightʼs Dream (La Fenice); Gloriana and La Bohème (Opera North); and The Little Prince (Houston, New York, San Francisco). Other awards include two Olivier Awards for Best Lighting. SAN FRANCISCO OPERA Education Materials SWEENEY TODD SWEENEY TODD PRODUCTION TEAM BIOGRAPHY JAMES LOWE, Conductor James Lowe (Conductor) Making his San Francisco Opera debut in 2015, James Lowe conducts Sweeney Todd, which he recently led at Houston Grand Opera. Other recent career highlights include Oklahoma! with Lyric Opera of Chicago; Catanʼs Florencia en el Amazonas and Floydʼs Of Mice and Men for Utah Opera; the world-premiere productions of Portmanʼs The Little Prince and Heggieʼs The End of the Affair at Houston Grand Opera, and Carmen, Le Nozze di Figaro, and Die Entführung aus dem Serail for that company; and Adamoʼs Little Women at Lyric Opera Cleveland.
    [Show full text]
  • Musical Theatre APTA CSM Handout Version 2015-Dec-02.Pptx
    Care of the Professional Theatrical Performer CARE OF THE PROFESSIONAL THEATRICAL PERFORMER CSM 2016 ANAHEIM, CALIFORNIA FEBRUARY 17-20, 2016 Jennifer Green, PT, MS, CFMT PhysioArts David S. Weiss, MD, FAAOS Harkness Center for Dance Injuries NYU Langone Medical Center Mark Hunter-Hall, MPT, CSCS Encore Physical Therapy DISCLOSURE No relevant financial relationships exist © 2016 Jennifer Green, David S.Weiss, Mark Hunter-Hall Page 1 Care of the Professional Theatrical Performer Physical therapists and/or orthopaedist for: 110 in the Shade Elf Pal Joey 13 Everyday Rapture Paul Simon’s The Capeman 9 to 5 Evita Promises, Promises A Christmas Carol Fame Becomes Me Radio City’s Christmas Spectacular A Gentleman’s Guide to Fences Ragtime Love and Murder Finian’s Rainbow Riverdance on Broadway A Little Night Music Follies Ruined A Tale of Two Cities Footloose Scandalous After Midnight Seascape Aladdin Fuerzabruta Shrek The Musical An American in Paris Ghost The Musical Something Rotten Annie Godspell Avenue Q Grease Sondheim on Sondheim Belle Epoque Guys & Dolls South Pacific Bernarda Alba Gypsy Spider-man, Turn Off the Dark Big Fish Hamilton Spring Awakening Billy Elliot: The Musical Happiness The Addams Family Bye Bye Birdie Hot Feet The Apple Tree Cabaret How to Succeed in Business Without The Book of Mormon Carnivale Really Trying (1995 & 2011) The Drowsy Chaperone Carousel Hugh Jackman, Back on Broadway The Frogs Cat on a Hot Tin Roof In the Heights The King and I Catch Me If You Can La Cage aux Folles The Music Man Cats Legally Blonde
    [Show full text]
  • <I>Billy Elliot the Musical</I>
    European Stages https://europeanstages.org Billy Elliot the Musical at the Hungarian State Opera When the conservative Fidesz party assumed power in 2010, Hungarian LGBTQ citizens had legitimate reasons for concern. Prime Minister Viktor Orbán rode to victory on a platform that promised a better future for Hungary with a renewed focus on “work, home, family, health, and order.” Within two years Orbán’s government enacted a new constitution, which does not protect individuals from discrimination based on sexual orientation and restricts marriage for heterosexual couples only. Robert Alföldi - the director of the National Theatre of Budapest - was one of the first casualties of this legalized homophobia. As Nick Cohen explained in a contemporary piece for The Guardian, Alföldi was ousted in 2013 amid protests from right-wing extremist members of the Hungarian Parliament who claimed Alföldi to be “a fag, a pervert, and a Jew,” and, consequently, unfit for the directorship. (Marvin Carlson writes extensively about the disconcerting situation in “Troubling Cross-Currents in the Budapest National Theatre,” European Stages, vol. 5.) Additionally, István Tarlós, who became the mayor of Budapest with the support of Fidesz in 2010, has exhibited similar disdain for the LGBTQ community and has (unsuccessfully) tried several times to cancel Budapest’s annual Pride Parade. In 2015, Tarlós told a morning talk show host that the parade “is not natural…is repulsive,” and “is unworthy of the historical environment of Andrássy út,” which is both the Pride Parade route and Budapest’s wealthiest thoroughfare. It is somewhat surprising then that within Hungary’s current political and social climate, one of the most ballyhooed productions in 2016 was Billy Elliot the Musical - Sir Elton John and Lee Hall’s film-to-stage adaptation that premiered in London in 2005 only to inspire numerous subsequent productions around the world.
    [Show full text]
  • COCA Presents Billy Elliot: the Musical
    COCA presents Billy Elliot: The Musical With Creative Team… Nancy Bell Christopher Page-Sanders, Choreographer Colin Healy Director Music Director Jennifer Wintzer, Delaney Piggins, Jimmy Bernatowicz, Artistic Director of Theatre Associate Producer Production Stage Manager About the Play Set in a village in northeast England during the miners’ strike of 1984–1985, Billy Elliot tells the story of a young boy who transcends class and circumstance to become a ballet star. The show follows Billy’s journey from boxing ring to ballet class where he discovers a passion for dance that unites his family, inspires his community and changes his life. The powerful melodies of Elton John’s score take us on the journey of a child’s emotional struggle. Based on the acclaimed film and garnering Tony, Drama Desk and Oliver Awards—Billy Elliot is a heartwarming and triumphant tale. The show is rated PG-13 due to mature language. Rehearsal/Show Info Rehearsals: June 7th-July 23rd, Mondays-Thursdays 3:30-8:30pm, Fridays 3:30-6:00pm Tech: July 24th-25th (10am-4pm, 6-10pm), July 26th-29th (5-10pm) Performances: July 30th @ 7pm, July 31st @ 2pm & 7pm, August 1st @ 3pm When/Where Dance Audition (In-Person) Sunday, January 24th by appointment Interviews & Callbacks (via Zoom) Monday & Tuesday, January 25th-26th by appointment How to Audition Follow the steps below in order to audition: 1. Contact COCA’s Registration office at [email protected] to sign up for an interview/callback on January 25 or 26 (virtual) and movement/dance appointment on January 24 (in-person). 2.
    [Show full text]
  • Wolfgram Memorial Library Mcnaughton Collection
    Wolfgram Memorial Library McNaughton Collection December 2019 - New Arrivals NOTES: Our McNaughton Collection delivers New York Times bestsellers to our patrons on or before street date, and are shelved by the author’s last name. Fictitious characters, series, or club names are in “quotes” for easy identification. Author - Title – Subject - Synopsis Albom, Mitch – Finding Chika: A Little Girl, an Earthquake, and the Making of a Family – Haiti Orphans, Inspirational Biography - Albom's powerful memoir is a tribute to Chika, an orphaned Haitian girl whom Albom and his wife, Janine, cared for from age five to age seven, when she died from a brain tumor. After the 2010 earthquake in Haiti, Albom took over the management of an orphanage there. In 2013, fun-loving Chika became a resident and, two years later, was diagnosed with an aggressive brain tumor. Doctors in Haiti didn't have the means to treat Chika, so Albom and his wife-who never had kids-brought her home to Michigan to help save her. Albom conveys the heartbreak of watching her suffer (Chika endured surgeries, and lost teeth and hair), while capturing Chika's sweet spirit and youthful resilience. He speaks candidly about being too career-focused and putting off having kids until it was too late, and shares how Chika allowed him and his wife to experience the glory of parenthood decades into their marriage. Albom addresses Chika directly: "You never have to worry about us forgetting you... we'd lose every memory we ever had before we would let go of yours." Both painfully sad and beautiful, this is an absolute tearjerker.
    [Show full text]
  • Florida State University Libraries
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 It's like I've Walked Right out of My Dreams: Dream Ballets in the Broadway Musical Natalia Alexis Perez Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC “IT’S LIKE I’VE WALKED RIGHT OUT OF MY DREAMS”: DREAM BALLETS IN THE BROADWAY MUSICAL By NATALIA ALEXIS PEREZ A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music 2017 Natalia Alexis Perez defended this thesis on July 13, 2017. The members of the supervisory committee were: Charles E. Brewer Professor Directing Thesis Michael Bakan Committee Member Michael Buchler Committee Member The Graduate school has verified and approved the above-named committee members and certifies that the thesis has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I am indebted to my advisor, Dr. Charles Brewer for his constant support and encouragement. Throughout this writing process, there were many moments of uncertainty, and without Dr. Brewer’s unwavering belief in me, I wouldn’t have been able to complete this project. I appreciate how he always let me come to conclusions on my own and encouraged me to be the scholar he knew I could be. I would also like to express my gratitude to my other committee members, Dr. Michael Bakan and Dr. Michael Buchler, both of whose suggestions helped this thesis reach its full potential.
    [Show full text]