Timeline of Formation of American Culture
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Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
A Look Inside Central Library
A LOOK INSIDE CENTRAL LIBRARY With its breathtaking façade, sweeping grand lobby and vast contemporary and historical collections, OUR Central Library is a Brooklyn icon. The building’s history dates to 1898, when the Brooklyn Park Commission was authorized to select a location for the library. In 1912, ground was broken on architect Raymond F. Almirall’s imposing Beaux-Arts design, HISTORY but construction slowed and eventually ceased as the nation and the borough endured economic difficulties brought on by World War One and the Great Depression. A single unfinished wing sat empty on Flatbush Avenue for more than two decades, until construction resumed on a redesigned Central Library in 1935. The building finally opened to the public on February 1, 1941. At 352,000 square feet, with a circulation of more than 1.7 million materials and an annual door count of 1.3 million visits, Central is Brooklyn’s home library, one of New York City’s foremost cultural, civic and educational institutions. Designed to resemble an open book, Central Library is clad in limestone with 1 2 3 impressive Art Deco detailing by sculptors Thomas Hudson Jones and Carl P. Jennewein. Perhaps the building’s most striking feature is its 50-foot-high entry portico, set into a concave façade that reflects the elliptical configuration of Grand Army Plaza. The dramatic entrance is adorned by fifteen bronze sculptures of famous characters and personages from American literature, framed by columns with a series of gilded bas-reliefs depicting the evolution of art and science. THE 4 5 6 ENTRANCE 7 8 9 10 11 12 10 1. -
Reinventing Grand Army Plaza Grand Army Plaza
REINVENTING REINVENTING GRAND ARMY PLAZA GRAND ARMY PLAZA A PROJECT OF THE DESIGN TRUST FOR PUBLIC SPACE WITH THE GRAND ARMY PLAZA COALITION REINVENTING GRAND ARMY PLAZA REINVENTING GRAND ARMY PLAZA Visionary designs for the heart of Brooklyn DESIGN Trust FOR PUBLIC Space http://designtrust.org Copyright 2009 by the Design Trust for Public Space. All rights reserved. ISBN: 978-0-9777175-3-8 AUTHORS Megan Canning Stephanie Elson Chris Kannen Deborah Marton EDITOR Megan Canning Book Design Jena Sher Printed and bound in the USA by Printcraft, Inc. Design Trust for Public Space is committed to environmentally responsible practices, including sustainable materials and printing practices for all printed matter. Contents 04 Prefaces TOP 30 ENTRANTS 06 About the Design Trust and GAPCo 27 Themes and Strategies PROJECT OVERVIEW THE EXHIBIT 08 Timeline 63 Designing the Exhibit 09 Numbers 64 Building the Exhibit 10 The Project 66 Opening Day Celebration 11 The Competition 68 Press Conference & Awards Ceremony 11 The Selection Process 70 Press Coverage 12 The Exhibit 14 Ideas Into Reality 72 Acknowledgments GRAND ARMY Plaza THE HEART OF BROOKLYN 16 History 17 The Site 18 Surrounding Neighborhoods 19 The Community Speaks 20 Response from Around the World THE COMPETITION 22 Competition Brief 22 Competition Requirements 23 Selection Criteria 24 Competition Jury 01 Designed in 1867 by Olmsted and Vaux, Grand Army Plaza’s mag- Prefaces nificent 11-acres are home to the Soldiers’ and Sailors’ Memorial Arch, the elegant Bailey Fountain, the Greenmarket, and the entrance to Prospect Park. Despite its identity as the historic, cultural and geographic heart of Brooklyn, hazardous conditions force pedestrians and cyclists to skirt the Plaza’s edges instead of passing through its spectacular center, impeding access to neighborhoods, cultural institutions, and preventing use of the Plaza itself. -
German Jews in the United States: a Guide to Archival Collections
GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ................................................................................................... -
Old Buildings, New Views Recent Renovations Around Town Have Uncovered Views of Manhattan That Had Been Hiding in Plain Sight
The New York Times: Real Estate May 7, 2021 Old Buildings, New Views Recent renovations around town have uncovered views of Manhattan that had been hiding in plain sight. By Caroline Biggs Impressions: 43,264,806 While New York City’s skyline is ever changing, some recent construction and additions to historic buildings across the city have revealed some formerly hidden, but spectacular, views to the world. These views range from close-up looks at architectural details that previously might have been visible only to a select few, to bird’s-eye views of towers and cupolas that until The New York Times: Real Estate May 7, 2021 recently could only be viewed from the street. They provide a novel way to see parts of Manhattan and shine a spotlight on design elements that have largely been hiding in plain sight. The structures include office buildings that have created new residential spaces, like the Woolworth Building in Lower Manhattan; historic buildings that have had towers added or converted to create luxury housing, like Steinway Hall on West 57th Street and the Waldorf Astoria New York; and brand-new condo towers that allow interesting new vantages of nearby landmarks. “Through the first decades of the 20th century, architects generally had the belief that the entire building should be designed, from sidewalk to summit,” said Carol Willis, an architectural historian and founder and director of the Skyscraper Museum. “Elaborate ornament was an integral part of both architectural design and the practice of building industry.” In the examples that we share with you below, some of this lofty ornamentation is now available for view thanks to new residential developments that have recently come to market. -
Extra-Governmental Censorship in the Advertising Age
Loyola of Los Angeles Entertainment Law Review Volume 12 Number 2 Article 5 3-1-1992 Extra-Governmental Censorship in the Advertising Age Steven C. Schechter Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Steven C. Schechter, Extra-Governmental Censorship in the Advertising Age, 12 Loy. L.A. Ent. L. Rev. 367 (1992). Available at: https://digitalcommons.lmu.edu/elr/vol12/iss2/5 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. EXTRA-GOVERNMENTAL CENSORSHIP IN THE ADVERTISING AGE Steven C. Schechter* I. INTRODUCTION "Throughout history, families and religious groups have recognized their influence over the lives of their members and have used this influ- ence to maintain unity and adherence to a given set of values."' Vocal activists have for generations waged wars against works of literature and 2 art that they have found offensive to their religious or moral beliefs. They have attempted to exert their influence over society as a whole and to impose their values over all others. These activists believed that they were providing an invaluable service to society. From the time of the colonization of the United States through the 1950's, moral activists had the weapon of choice on their side: the strong-arm censorship powers of the law and the courts. -
Aliyah and Settlement Process?
Jewish Women in Pre-State Israel HBI SERIES ON JEWISH WOMEN Shulamit Reinharz, General Editor Joyce Antler, Associate Editor Sylvia Barack Fishman, Associate Editor The HBI Series on Jewish Women, created by the Hadassah-Brandeis Institute, pub- lishes a wide range of books by and about Jewish women in diverse contexts and time periods. Of interest to scholars and the educated public, the HBI Series on Jewish Women fills major gaps in Jewish Studies and in Women and Gender Studies as well as their intersection. For the complete list of books that are available in this series, please see www.upne.com and www.upne.com/series/BSJW.html. Ruth Kark, Margalit Shilo, and Galit Hasan-Rokem, editors, Jewish Women in Pre-State Israel: Life History, Politics, and Culture Tova Hartman, Feminism Encounters Traditional Judaism: Resistance and Accommodation Anne Lapidus Lerner, Eternally Eve: Images of Eve in the Hebrew Bible, Midrash, and Modern Jewish Poetry Margalit Shilo, Princess or Prisoner? Jewish Women in Jerusalem, 1840–1914 Marcia Falk, translator, The Song of Songs: Love Lyrics from the Bible Sylvia Barack Fishman, Double or Nothing? Jewish Families and Mixed Marriage Avraham Grossman, Pious and Rebellious: Jewish Women in Medieval Europe Iris Parush, Reading Jewish Women: Marginality and Modernization in Nineteenth-Century Eastern European Jewish Society Shulamit Reinharz and Mark A. Raider, editors, American Jewish Women and the Zionist Enterprise Tamar Ross, Expanding the Palace of Torah: Orthodoxy and Feminism Farideh Goldin, Wedding Song: Memoirs of an Iranian Jewish Woman Elizabeth Wyner Mark, editor, The Covenant of Circumcision: New Perspectives on an Ancient Jewish Rite Rochelle L. -
By Joseph Aquino December 17, 2019 - New York City
New York’s changing department store landscape - by Joseph Aquino December 17, 2019 - New York City Department stores come and go. When one goes out of business, it’s nothing unusual. But consider how many have gone out of business in New York City in just the past generation: Gimbels, B. Altman, Mays, E. J. Korvette, Alexanders, Abraham & Straus, Gallerie Lafayette, Wanamaker, Sears & Roebuck, Lord & Taylor, Bonwit Teller, and now Barneys New York—and those are just the ones I remember. The long-time survivors are Bloomingdale’s, Saks Fifth Avenue, Bergdorf Goodman and Macy’s. The new kids on the block are Nordstrom (which has had a chance to study their customer since they have operated Nordstrom Rack for some time) and Neiman-Marcus, which has opened at Hudson Yards with three levels of glitz, glam, luxury, and fancy restaurants. It’s unfortunate to see Lord & Taylor go, especially to be taken over by a group like WeWork, which has been on a meteoric rise to the top of the heap and controls a lot of office space. I was disappointed at this turn of events but I understood it, and was not surprised. Lord & Taylor had the best ladies’ department (especially for dresses) in Manhattan. I know, because I try to be a good husband, so I shop with my wife a lot! But that was a huge amount of space for the company to try to hold onto. Neither does the closing of Barneys comes as any shock. I frequented Fred’s Restaurant often and that was the place to see and be seen. -
For Immediate Release
FOR IMMEDIATE RELEASE Contact: Lisa A. Batitto, Public Relations Manager, Newark Museum Phone: 973-596-6638, e-mail: [email protected] Newark Museum Exhibition Celebrates Sparkling Gift of Steuben Glass Unexpected Color: A Journey Through Glass Opens May 1, 2019 Newark, NJ – A sparkling, colorful gift of Steuben glass from The Thomas N. Armstrong III Collection will be on display in an upcoming exhibition at the Newark Museum. Unexpected Color: A Journey Through Glass, opening on May 1, 2019, showcases more than 130 works in glass designed by Frederick Carder for the famed Steuben Glass Works from 1903 to 1933 and used in a variety of settings by the collector. The exhibition presents a jewel box of shimmering glass, organized by Carder’s colors that he created and patented. Carder was fascinated with ancient glass colors and forms, and he worked to recreate the iridescent colors of excavated ancient Greek and Roman glass. He also designed new shapes inspired by Chinese and Venetian glass as well as shapes influenced by Art Nouveau and Art Deco styles, modern at the time. Carder kept detailed notebooks of his color formulas and glass types, revealing the glassblowing chemistry and techniques used to create the variety of functional and decorative glassware in the exhibition, including vases, bowls, candlesticks and stemware. The exhibition will include interactive tablets to connect Carder’s formulas and shapes with the colors and forms on display. Audio recordings of Carder interviews will also heighten the story of the experimentation behind the creation of this colorful glass. “Carder’s work for Steuben is particularly appropriate for Newark’s collection,” said Amy Simon Hopwood, the Museum’s Associate Curator of Decorative Arts. -
Jessie Franklin Turner: American Fashion and "Exotic" Textile Inspiration
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1998 Jessie Franklin Turner: American Fashion and "Exotic" Textile Inspiration Patricia E. Mears Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Mears, Patricia E., "Jessie Franklin Turner: American Fashion and "Exotic" Textile Inspiration" (1998). Textile Society of America Symposium Proceedings. 191. https://digitalcommons.unl.edu/tsaconf/191 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Jessie Franklin Turner: American Fashion and "Exotic" Textile Inspiration by Patricia E. Mears Jessie Franklin Turner was an American couturier who played a prominent role in the emergence of the high-fashion industry in this country, from its genesis in New York during the First World War to the flowering of global influence exerted by Hollywood in the thirties and forties. The objective of this paper is not only to reveal the work of this forgotten designer, but also to research the traditional and ethnographic textiles that were important sources of inspiration in much of her work. Turner's hallmark tea gowns, with their mix of "exotic" fabrics and flowing silhouettes, evolved with the help of a handful of forward-thinking manufacturers and retailers who, as early as 1914, wished to establish a unique American idiom in design. -
Carder & Steuben Bibliography Steuben and Frederick Carder
Carder & Steuben Bibliography Steuben and Frederick Carder Compiled by Alan Shovers Selected Bibliography Basic References Currently Available Dimitroff, Thomas P. Frederick Carder and Steuben Glass: American Classics. Atglen, PA: Schiffer Publishing, 1998. (CMGL: NK5198.C3.D58) Gardner, Paul V. The Glass of Frederick Carder. New York: Atglen, PA. Schiffer Publishing Ketchum, Marshall. Frederick Carder's Steuben Glass, Guide to Shapes, Numbers, colors, Finished, and Values. Atglen, PA. Schiffer Publishing. Luther, Louise. Miller's Art Glass, How to Compare & Value. Pp. 76-82. London, E. Octopus Publishing Group, Ltd. Basic References Available Ericson, Eric E. A Guide to Colored Steuben Glass 1903-1933, Bks. 1 & 2. Loveland, CO: Lithographic Press, 1963, 1965. (CMGL: NK5198.C3.E68) Gardner, Paul V. Frederick Carder: Portrait of a Glassmaker. [Exhibition]: The Corning Museum of Glass, April 20-Oct. 20, 1985. Corning, NY: The Corning Museum of Glass, 1985. (CMGL: NK5198.C3.G22f) Grover, Ray and Lee. Art Glass Nouveau. Rutland, Vermont: Charles E. Tuttle Company, 1967. (CMGL: NK5109.G88) Hotchkiss, John F. Carder's Steuben Glass, Index and Price Guide. [2nd ed.] Pittsfield, NY, 1972. (CMGL: NK5198.C3.H83 1972) Revi, Albert C. American Art Nouveau Glass. Camden, NJ: Thomas Nelson and Sons,1973. (CMGL: NK5112.58.R45) Rockwell, Robert F. Frederick Carder and His Steuben Glass, 1903-1933: From the Rockwell Gallery, Corning, N.Y. Text by Jack Lanahan. West Nyack, NY: Dexter Press, 1966. 33 pp., ill. (CMGL: NK5198.C3.R68 1968) Other Alfred University. Glass Art Reflects the Future: Art and technical glass from the collection of The Paul Vickers Gardner Glass Center. -
To Inflame the Censors: Hemingway's Use of Obscenity in to Have And
OF LEGAL AND LITERARY INTEREST To Inflame the Censors Hemingway’s Use of Obscenity in To Have and Have Not BY HON. MONA K. MAJZOUB AND CHRISTOPHER J. DOYLE Ernest Hemingway’s dedication to “full use of the English language” provoked a backlash culminating in the 1938 Detroit ban of To Have and Have Not. The legal battle over the ban of the controversial novel was mired by procedural irregularities, but the litigation catalyzed legal and artistic breakthroughs that ultimately furthered Hemingway’s objective of promoting realism in literature. EDITOR’S NOTE: THIS ARTICLE CONTAINS LANGUAGE WHICH SOME READERS MAY FIND OFFENSIVE. INTRODUCTION In the cabin of a rescue boat at sea between Cuba and Key West, Harry Morgan lies dying. Shot in the stomach by bank robbers This article would never have during a getaway gone wrong, the protagonist of Ernest been written without the urging Hemingway’s To Have and Have Not uses his last breaths to and encouragement of my stammer through a soliloquy that embodies a raw and fatalistic dear colleague, Judge Avern view of humanity: Cohn. Judge Cohn is an ardent student of both liter- “A man,” Harry Morgan said, looking at them both. ature and history, and he “One man alone ain’t got. No man alone now.” He never embraces one without stopped. “No matter how a man alone ain’t got no considering the other. He is bloody fucking chance.” indeed the literary sleuth whose relentless efforts uncovered the Famous for its uncensored use of the f-word, this signature only existing copy of Wayne County Chancery Judge passage of To Have and Have Not epitomizes Hemingway’s Ira Jayne’s December 20, 1939 order denying the commitment to “full use of the [English] language.” But the injunction sought by Detroit book dealer Alvin Hamer author did not use profanity for shock value.