Valmiki Ramayana – Bala Kanda – Chapter 18

Total Page:16

File Type:pdf, Size:1020Kb

Valmiki Ramayana – Bala Kanda – Chapter 18 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Bala Kanda – Chapter 18 Birth of Rama, Bharata, Lakshmana and Shatrughna Summary After the completion of Vedic ritual all the kings and Sage Rishyasringa took leave of Dasharatha and went away to their countries. After some time Rama, Lakshmana, Bharata, and Shatrughna are born. Their virtues in childhood and rituals connected thereto are depicted [described] here. Dasharatha then contemplates [consider with continued attention] the marriages of the princes, since marrying sons after completion of education is customary. At that juncture Sage Vishvamitra arrives at the court of Dasharatha seeking help from the king. Dasharatha receives him adoring [regarding with loving admiration and devotion] in high esteem. Chapter [Sarga] 18 in Detail nirhvritte tu kratau tasmin hayamedhe mahaatmanah | prati grihya amaraa bhaagaan pratijagmuh yathaa aagatam || 1-18-1 On the completion of the horse ritual of high-souled Dasharatha, the Gods having received their portion of sacrificial oblation [the act of offering the eucharistic elements to God] returned to their abodes as they have come. [1-18-1] samaapta diiksaa niyamah patnii gana samanvitah | pravivesha puriim raajaa sa bhritya bala vaahanah || 1-18-2 The king completing his consecratory [sacred] vows held for horse ritual, entered Ayodhya city along with the company of his queens, servants, guards and vehicles. [1-18-2] Page 1 of 13 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Bala Kanda – Chapter 18 yathaa arham puujitaah tena raajnaa cha prithiviishvaraah | muditaah prayayuh deshaan pranamya muni pu.ngavam || 1-18-3 The other kings who arrived for the ritual are delighted when befittingly honored by the king Dasharatha, and they too returned to their countries, after suitably adoring the eminent [famous] sage Vashishta. [1-18-3] shriimataam gacchataam tesaam svagrihaani puraat tatah | balaani raajnaam shubhraani prahristaani chakaashire || 1-18-4 The entourages [attendants or associates] of those kings who set forth homeward from that city are highly gladdened and shone forth in fine fettle [state or condition of health, fitness, wholeness, spirit, or form]. [1-18-4] gatesu prithiviishesu raajaa dasharathah punah | pravivesha puriim shriimaan puraskritya dvijottamaan || 1-18-5 On the departure of visiting kings, then that fortunate king Dasharatha entered the city Ayodhya, keeping eminent [famous] Brahman priests ahead of him in the procession. [1-18-5] shaantayaa prayayau saardham risyashringah supuujitah | anugamyamaano raajnaa cha saanuyaatrena dhiimataa || 1-18-6 Well adored by king Dasharatha sage Rishyasringa also traveled along with his wife Shanta, followed by his father-in-law King Romapada, and along with other co-travelers, namely the entourage [attendants or associates] of Romapaada. [1-18-6] evam visrijya taan sarvaan raajaa sampurna maanasah | uvaasa sukhitah tatra putra utpattim vichi.ntayan || 1-18-7 On dispersing all of them king Dasharatha gratifyingly dwelled there in Ayodhya, with a satiated [as a need or desire] heart dwelling upon the birth of his sons. [1-18-7] Page 2 of 13 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Bala Kanda – Chapter 18 tato yajne samaapte tu ritunaam sat samatyayuh | tatah ca dvaadashe maase chaitre naavamike tithau || 1-18-8 nakxatre aditi daivatye sva uccha sa.nstheshu pa.nchasu | graheshu karhkate lagne vaakpataa i.ndunaa saha || 1-18-9 prodyamaane jagannaatham sarva loka namaskritam | kausalyaa ajanayat raamam sarva laksana sa.myutam || 1-18-10 visnoh ardham mahaabhaagam putram aixvaaku na.ndanam | lohitaaksham mahaabaahum rakta ostam du.ndubhi svanam || 1-18-11 On completion of the ritual, six seasons have passed by and then in the twelfth month, on the ninth day of Chaitra month [April-May,] when the presiding deity of ruling star of the day is Aditi, where the ruling star of day is punarvasu, the asterism is in the ascendant, and when five of the nine planets viz., Sun, Mars, Jupiter, Saturn, and Venus are at their highest position, when Jupiter with Moon is ascendant in Cancer, and when day is advancing, then Queen Kausalya gave birth to a son with all the divine attributes like lotus-red eyes, lengthy arms, roseate [resembling a rose especially in color] lips, voice like drumbeat, and who took birth to delight the Ikshvaku dynasty, who is adored by all the worlds, and who is the greatly blessed epitome [a typical or ideal example] of Vishnu, namely Rama. [1-18-8, 9, 10, 11] kausalyaa shushubhe tena putrena amita tejasaa | yathaa varena devaanaam aditih vajra paaninaa || 1-18-12 Kausalya shone forth with such a son whose resplendence [brilliance] is unlimited, as with lady Aditi who once stood out with her son Indra, the best one among gods. [1-18-12] bharato naama kaikeyyaam jajne satya paraakramah | saaksaat visnoh caturtha bhaagah sarvaih samudito gunaih || 1-18-13 Queen Kaikeyi gave birth to Bharata, one embodied with all merits, and whose truthfulness itself is his valor and who is fourth component of manifest Vishnu, namely Rama. [1- 18-13] Page 3 of 13 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Bala Kanda – Chapter 18 atha laxmana shatrughnau sumitraa ajanayat sutau | viirau sarva astra kushalau visnoh ardha samanvitau | 1-18-14 Queen Sumitra then gave birth to two sons who are the embodied [incarnation] epitomes [typical or ideal example] of Vishnu, namely Lakshmana, and Shatrughna, who are valiant ones and experts in all kinds of weaponry. [1-18-14] pushye jaatah tu bharato mina lagne prasanna dhih | saarpe jaatau tu saumitri kulire abhyudite ravau || 1-18-15 The fair-minded Bharata is born under Pisces where pusyami is the star of day and the sons of Sumitra, namely Lakshmana and Shatrughna are born under Cancer, where aasresa is the star of the day and when sun is rising. [1-18-15] raajnah putraa mahaatmaanah catvaaro jajnire prithak | gunavantah anuruupaah ca rucyaa prostha padopamaah || 1-18-16 Thus there are four great-souled sons of Dasharatha, born on separate instances, who are virtuous, charming, and by brilliance they are in similitude [likeness] with two stars of each of the asterisms called puurva bhadra and uttara bhadra. [1-18-16] jaguh kalam cha ga.ndharvaa nanrituh cha apsaro ganaah | deva du.ndubhayo neduh puspa vristih cha khaat patat || 1-18-17 utsavah cha mahaan aasiit ayodhyaayaam janaakulah | The celestial singers sang melodiously, paradisiacal [resembling paradise] dancing parties’ danced, divine drums drummed and heavens rained flowers, with all this there is a great festivity in Ayodhya with thronging [crowding] people. [1-18-17, 18a] Page 4 of 13 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Bala Kanda – Chapter 18 rathyaah cha jana sambaadhaa nata nartaka sa.nkulaah || 1-18-18 gaayanaih cha viraavinyo vaadanaih cha tatha aparaih | virejur vipulaah tatra sarva ratna samanvitaah || 1-18-19 Hilarity [boisterous merriment or laughter] filled the streets with people stampeding them and with the flurry of actors, dancers, singers and instrumentalists, as well by other onlookers, and there on the streets widely strewn [scattered] are all kinds of gems appreciating the artists. [1-18-18b, 19] pradeyaamshcha dadau raajaa suta maagadha vandinaam | braahmanebhyo dadau vittam go dhanaani sahasrashah || 1-18-20 The king gave worthy gifts to eulogizers [one who speaks or write in high praise of], bard [poet] singers, and panegyrists [one who speaks or write in high praise of], and to Brahmans he gave funds and wealth in the form of thousands of cows. [1-18-20] atiitya ekaadasha aaham tu naama karma tathaa akarot | jyestham raamam mahaatmaanam bharatam kaikayii sutam || 1-18-21 saumitrim laksmanam iti shatrughnam aparam tathaa | vasisthah parama priito naamaani kurute tadaa || 1-18-22 Elapsed are eleven days and the naming ceremony is performed, then Vashishta, the chief priest, named the high-souled elder one as Rama, Kaikeyi's son as Bharata, and one son of Sumitra as Lakshmana and the other as Shatrughna [1-18-21, 22] Page 5 of 13 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Bala Kanda – Chapter 18 braahmanaan bhojayaamaasa pauraan jaanapadaan api | udadad braahmanaanaam cha ratnaugham amalam bahu || 1-18-23 tesaam janma kriya aadini sarva karmaani akaarayat | The king feasted Brahmans, urbanites and villagers and he gifted many valuable gems to Brahmans in an unlimited way, and all the rituals of birth and ceremonies sequel [subsequent development] to it like naming ceremony, first-food-feeding ceremony, first-hair-removal ceremony, and sacred thread ceremony are performed in respect of the princes. [1-18-23, 24a] tesaam ketuh iva jyestho raamo ratikarah pituh |1-18-24 babhuuva bhuuyo bhuutaanaam svayam bhuuh iva sammatah | Among those princes the eldest one Rama is like a flagstaff and a delight of his father Dasharatha, and he became acceptable to all beings like the self-created Brahma. [1-18-24b, 25a] sarve veda vidah shuuraah sarve lokahite rataah || 1-18-25 sarve jnaanopasampannaah sarve samuditaa gunaih | All the princes are scholars in Veda-s, valiant ones, all are interested in the welfare of the world, all are intellectuals and all of them possess an air of probity [adherence to the highest principles and ideals]. [1-18-25b, 26a] tesaam api mahaatejaa raamah satya paraakramah || 1-18-26 istah sarvasya lokasya shashaa.nka iva nirmalah | Among them the great resplendent [brilliant] Rama, whose valor itself is his truthfulness, is the dear one to the entire world like the tranquil [calm] moon. [1-18-26b, 27a] Page 6 of 13 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Bala Kanda – Chapter 18 gaja skandhe ashwa priste cha ratha charyaasu sammatah || 1-18-27 dhanurhvede cha niratah pituh shushrisane ratah | Rama is admittedly a champion of riding elephants and horses, also in tactical charioting, and he rejoices in the art of archery, and absorbed in the obedient service of his father. [1-18- 27b, 28a] baalyaat prabhriti susnigdho laksmano laksmi vardhanah || 1-18-28 raamasya lokaraamasya bhraatuh jyesthasya nityashah | Right from childhood Lakshmana, the enhancer of prosperity, is always amiable towards his world-charming elder brother Rama.
Recommended publications
  • Lakshmana Lakshmana
    Srinivasa Bala Bharati - 132 LAKSHMANA (Children Series) - Dr. B. Rama Rao LAKSHMANA Telugu Version Dr. Iriventi Krishnamurthy English Translation Dr. B. Rama Rao Published by Tirumala Tirupati Devasthanams Executive Officer Tirupati Tirumala Tirupati Devasthanam, Tirupati 2013 Srinivasa Bala Bharati - 132 FOREWORD (Children Series) If a beautiful garden is to be raised, one needs to take proper LAKSHMANA care of tender flower plants. In the same way in order to create a good society, great care needs to be taken of young children who are going to be future citizens of India. All their intellectual attainments Telugu Version will be futile if they fail to learn of their culture and its greatness. Dr. Iriventi Krishnamurthy They need to be told of great men and women of this country so that they are inspired by their ideals. The essentials of our culture English Translation should be given to them in the form of simple and charming stories. Dr. B. Rama Rao They will cherish these ideals and be guided by them. They will Editor-in-Chief promote good, and they will love the society they live in. They make Prof. Ravva Sri Hari their families proud and bring great prestige to their country when they grow up into good citizens. Tirumala Tirupati Devasthanams have brought out these T.T.D. Religious Publications Series No. 987 booklets in Telugu for children under Srinivasa Bala Bharathi Series. ©All Rights Reserved Although meant for children, they are useful to the elderly too. They First Edition - 2013 have found place in the book shelves of every family.
    [Show full text]
  • Signatory ID Name CIN Company Name 02700003 RAM TIKA
    Signatory ID Name CIN Company Name 02700003 RAM TIKA U55101DL1998PTC094457 RVS HOTELS AND RESORTS 02700032 BANSAL SHYAM SUNDER U70102AP2005PTC047718 SHREEMUKH PROPERTIES PRIVATE 02700065 CHHIBA SAVITA U01100MH2004PTC150274 DEJA VU FARMS PRIVATE LIMITED 02700070 PARATE VIJAYKUMAR U45200MH1993PTC072352 PARATE DEVELOPERS P LTD 02700076 BHARATI GHOSH U85110WB2007PTC118976 ACCURATE MEDICARE & 02700087 JAIN MANISH RAJMAL U45202MH1950PTC008342 LEO ESTATES PRIVATE LIMITED 02700109 NATESAN RAMACHANDRAN U51505TN2002PTC049271 RESHMA ELECTRIC PRIVATE 02700110 JEGADEESAN MAHENDRAN U51505TN2002PTC049271 RESHMA ELECTRIC PRIVATE 02700126 GUPTA JAGDISH PRASAD U74210MP2003PTC015880 GOPAL SEVA PRIVATE LIMITED 02700155 KRISHNAKUMARAN NAIR U45201GJ1994PTC021976 SHARVIL HOUSING PVT LTD 02700157 DHIREN OZA VASANTLAL U45201GJ1994PTC021976 SHARVIL HOUSING PVT LTD 02700183 GUPTA KEDAR NATH U72200AP2004PTC044434 TRAVASH SOFTWARE SOLUTIONS 02700187 KUMARASWAMY KUNIGAL U93090KA2006PLC039899 EMERALD AIRLINES LIMITED 02700216 JAIN MANOJ U15400MP2007PTC020151 CHAMBAL VALLEY AGRO 02700222 BHAIYA SHARAD U45402TN1996PTC036292 NORTHERN TANCHEM PRIVATE 02700226 HENDIN URI ZIPORI U55101HP2008PTC030910 INNER WELLSPRING HOSPITALITY 02700266 KUMARI POLURU VIJAYA U60221PY2001PLC001594 REGENCY TRANSPORT CARRIERS 02700285 DEVADASON NALLATHAMPI U72200TN2006PTC059044 ZENTERE SOLUTIONS PRIVATE 02700322 GOPAL KAKA RAM U01400UP2007PTC033194 KESHRI AGRI GENETICS PRIVATE 02700342 ASHISH OBERAI U74120DL2008PTC184837 ASTHA LAND SCAPE PRIVATE 02700354 MADHUSUDHANA REDDY U70200KA2005PTC036400
    [Show full text]
  • Contents Vol
    Contents Vol. 32, No. 2 Selfless Service 5 “Isn’t all time Amma’s?” 7 swami amritaswarupananda puri The Bee Trapped in the Flower 14 swami tureeyamritananda puri “Remember Me and fight!” 15 swami amritageetananda puri The Lord’s Guarantee 19 br. devidasa chaitanya Sumantra 26 c.v. rajan, india Chapter 9: Yoga of the Royal Knowledge 35 prof. v. muraleedhara menon, india Lilas Around Amma 38 News 41 Some articles use the masculine pronoun when referring to God, in keeping with convention and to avoid the clumsiness of constructions such as ‘He or She’ or ‘Him or Her.’ Printed and Published by Swami Jnanamritananda Puri on behalf of M.A. Mission Trust, Amritapuri P.O., Kollam, Kerala 690 546, India. Printed at Amrita Offset Printers, Amritapuri P.O., Kollam, Kerala 690 546, India. Published at M.A. Math, Amritapuri P.O., Kollam, Kerala 690 546, India. Phone: (0476) 289 6278/7578/6399. Matruvani Office Phone: 08589003341 Editor: Br. Brahmamrita Chaitanya Letters and Submissions: [email protected] September 2020 3 4 Matruvani AMMA’S MESSAGE Selfless Service hildren, all religions give a lot of importance Cto selfless service. It purifies the mind and makes one worthy of God’s grace. However, the service we render should be without any expecta- tion. We should not expect even a word of thanks or appreciation. If we do, it will be like working for wages; such work will not help to purify the mind. When we act without any desire for personal gain, selfishness leaves our heart, at least while we are working.
    [Show full text]
  • Ramayana of * - Valmeeki RENDERED INTO ENGLISH with EXHAUSTIVE NOTES BY
    THE Ramayana OF * - Valmeeki RENDERED INTO ENGLISH WITH EXHAUSTIVE NOTES BY (. ^ ^reenivasa jHv$oiu$ar, B. A., LECTURER S. P G. COLLEGE, TRICHINGj, Balakanda and N MADRAS: * M. K. PEES8, A. L. T. PRKS8 AND GUARDIAN PBE8S. > 1910. % i*t - , JJf Reserved Copyright ftpfiglwtd. 3 [ JB^/to PREFACE The Ramayana of Valmeeki is a most unique work. The Aryans are the oldest race on earth and the most * advanced and the is their first ; Ramayana and grandest epic. The Eddas of Scandinavia, the Niebelungen Lied of Germany, the Iliad of Homer, the Enead of Virgil, the Inferno, the Purgatorio, and the Paradiso of Dante, the Paradise Lost of Milton, the Lusiad of Camcens, the Shah Nama of Firdausi are and no more the Epics ; Ramayana of Valmeeki is an Epic and much more. If any work can clam} to be the Bible of the Hindus, it is the Ramayana of Valmeeki. Professor MacDonell, the latest writer on Samskritha Literature, says : " The Epic contains the following verse foretelling its everlasting fame * As long as moynfain ranges stand And rivers flow upon the earth, So long will this Ramayana Survive upon the lips of men. This prophecy has been perhaps even more abundantly fulfilled than the well-known prediction of Horace. No pro- duct of Sanskrit Literature has enjoyed a greater popularity in India down to the present day than the Ramayana. Its story furnishes the subject of many other Sanskrit poems as well as plays and still delights, from the lips* of reciters, the hearts of the myriads of the Indian people, as at the 11 PREFACE great annual Rama-festival held at Benares.
    [Show full text]
  • Gluck CORD: the Ramayana in Balinese Shadow Puppet Theater-Astara Light
    Gluck CORD: The Ramayana in Balinese Shadow Puppet Theater-Astara Light Balinese Shadow Puppets are an artistic narrative tradition used to perform epic adventure stories such as the Ramayana. These performances are considered magical because the puppets become and bring to life the characters they represent. Also, events that take place during a performance might happen in real life! During a shadow puppet performance the audience actually sees the shadows of the puppets as the shadow puppet master manipulates them, hence the name “shadow puppet”. The Ramayana is an adventure tale like Star Wars, Shrek, or Frozen because it center on journeys to find something, or help someone. This is a moral story that teaches qualities like friendship, compassion, loyalty, bravery and wisdom. The Ramayana illustrates conflict between good and evil and how friendship and magic can overcome obstacles. The Ramayana has similar main characters as these adventure stories: a heroine, or Princess; a hero, good guy, or Prince; a sidekick or brave friend (like Kristoff in Frozen); and a bad guy or villain. Ramayana Characters: Hanuman Rama (Prince and hero) (Monkey warrior and sidekick) Ravana Sita (Princess and heroine) (Demon King and bad guy/villain) Gluck CORD: The Ramayana in Balinese Shadow Puppet Theater-Astara Light Questions related to the characters of the Ramayana: How might you identify each of these characters based off their physical traits? • Which character looks like an animal or a person, and why? • Does one character look scarier than the others, and why? • What are the characters wearing, can you identify them based on their clothing? • What are your favorite adventure stories and why? (Example: Shrek, Star Wars, Frozen) • What are the main characters in these adventure stories? • Which character is your favorite, and why? Story Synopsis of the Ramayana: This adventure tale begins with three friends, a prince named Rama who is a wise ruler and has supernatural abilities.
    [Show full text]
  • Hinduism and Hindu Philosophy
    Essays on Indian Philosophy UNIVE'aSITY OF HAWAII Uf,FU:{ Essays on Indian Philosophy SHRI KRISHNA SAKSENA UNIVERSITY OF HAWAII PRESS HONOLULU 1970 Library of Congress Catalog Card Number 78·114209 Standard Book Number 87022-726-2 Copyright © 1970 by University of Hawaii Press All Rights Reserved Printed in the United States of America Contents The Story of Indian Philosophy 3 Basic Tenets of Indian Philosophy 18 Testimony in Indian Philosophy 24 Hinduism 37 Hinduism and Hindu Philosophy 51 The Jain Religion 54 Some Riddles in the Behavior of Gods and Sages in the Epics and the Puranas 64 Autobiography of a Yogi 71 Jainism 73 Svapramanatva and Svapraka!;>atva: An Inconsistency in Kumarila's Philosophy 77 The Nature of Buddhi according to Sankhya-Yoga 82 The Individual in Social Thought and Practice in India 88 Professor Zaehner and the Comparison of Religions 102 A Comparison between the Eastern and Western Portraits of Man in Our Time 117 Acknowledgments The author wishes to make the following acknowledgments for permission to reprint previously published essays: "The Story of Indian Philosophy," in A History of Philosophical Systems. edited by Vergilius Ferm. New York:The Philosophical Library, 1950. "Basic Tenets of Indian Philosophy," previously published as "Are There Any Basic Tenets of Indian Philosophy?" in The Philosophical Quarterly. "Testimony in Indian Philosophy," previously published as "Authority in Indian Philosophy," in Ph ilosophyEast and West. vo!.l,no. 3 (October 1951). "Hinduism," in Studium Generale. no. 10 (1962). "The Jain Religion," previously published as "Jainism," in Religion in the Twentieth Century. edited by Vergilius Ferm.
    [Show full text]
  • The Story of Rama and Sita Play Script
    The Story of Rama and Sita Play Script Cast: Rama Sita King Rama’s stepmother The King’s Son Rama’s Wife An old, The king’s wife who and rightful heir tired man wants her own son to the throne to be the next king Lakshmana Ravana Hanuman Rama’s brother The demon-king The monkey king with ten heads Cast continued: Fawn Monkey Army Narrator 1 Monkey 1 Narrator 2 Monkey 2 Narrator 3 Monkey 3 Narrator 4 Monkey 4 Monkey 5 Prop Ideas: Character Masks Throne Cloak Gold Bracelets Walking Stick Bow and Arrow Diva Lamps (Health and Safety Note-candles should not be used) Audio Ideas: Bird Song Forest Animal Noises Lights up. The palace gardens. Rama and Sita enter the stage. They walk around, talking and laughing as the narrator speaks. Birds can be heard in the background. Once upon a time, there was a great warrior, Prince Rama, who had a beautiful Narrator 1: wife named Sita. Rama and Sita stop walking and stand in the middle of the stage. Sita: (looking up to the sky) What a beautiful day. Rama: (looking at Sita) Nothing compares to your beauty. Sita: (smiling) Come, let’s continue. Rama and Sita continue to walk around the stage, talking and laughing as the narrator continues. Rama was the eldest son of the king. He was a good man and popular with Narrator 1: the people of the land. He would become king one day, however his stepmother wanted her son to inherit the throne instead. Rama’s stepmother enters the stage.
    [Show full text]
  • Download the Fall Commencement 2020 Program
    FALL 2020 ACADEMIC REGALIA Though our ceremonies look different this year, regalia traditions are beloved, timeless and span decades — and pandemics. Our graduates have earned the right to don regalia and adornments for the rest of their lives that reflect the dedication they have shown to their field and the love they have for their alma mater. The custom of recognizing the accomplishments of scholars through distinctive dress, color and ceremony began in the Middle Ages and has been adopted by various academic institutions throughout the world. American academic regalia developed from the English traditions that originated at the University of Cambridge and the University of Oxford and has been in continuous use in this country since Colonial times. Institutions of higher learning in the United States have adopted a system for identifying different academic degrees by use of specific gowns, hoods and colors. The baccalaureate (bachelor’s) gown is identified by long pointed sleeves. The master’s gown has a very long sleeve, closed at the bottom, and the wearer’s arm is placed through an opening in the front of the sleeve. Master’s gowns also are distinguished by green panels down the front of the gown. Doctoral gowns are distinguished by velvet panels around the neck and down the front of the gown. Three horizontal velvet bars on each sleeve also may mark the doctorate. The colorful hoods worn by master’s and doctoral graduates represent the specific degree earned and the degree-granting institution. Hoods for UNT are distinguished by a kelly-green-and-white chevron lining.
    [Show full text]
  • Harmony and Beauty in Ramayana 3
    36 Summer Showers - 2002 3 Harmony and Beauty in Ramayana Daivadhinam jagat Sarvam Sathyadhinam tu Daivatam Tat Sathyam Uttamadhinam Uttamo Paradevata The entire creation is under the control of God. That God is under the control of Truth. That truth is under the control of noble ones. The noble people are greater than gods. (Sanskrit Verse) Embodiments of Love! HE society today is in utter need of Ramayana. We do not have children who re- Tspect their parents, nor do we have parents who have great affection for their children. We do not have disciples today who revere their preceptors; nor do we have preceptors who have great love for their 38 Summer Showers - 2002 Summer Showers - 2002 39 disciples. We do not have homes where parents shine as And moderately. role models for their children. We do not have homes Go to school where brothers live with mutual love and affection; nor And study diligently. do we have homes where wives and husbands shine as Earn a good name that ideals to others by virtue of their mutual love and You are an obedient student. affection. Good manners and courtesies have vanished. The Ramayana stands as an ideal for the trouble-torn Don’t move society of today in various fields of activities. When weather is damp. House is the First School And never go near ditches. Run and play The parents of today do not bother to find out the ways and means of bringing up their children and Have fun and frolic. keeping them under control. They think that their If you abide by responsibility is over after admitting them into a primary All the principles mentioned above school or a village school.
    [Show full text]
  • Inquiries Into the Absolute
    Inquiries into the Absolute (A collection of thought provoking & intriguing answers given by His Holiness Romapada Swami for questions raised by devotees on various spiritual topics) Shri Shri Radha Govinda, Brooklyn, NY We invite you to immerse yourself into the transcendental answers given by Srila Romapada Swami! These sublime instructions are certain to break our misconceptions into millions of pieces and to deepen our understanding of various topics in Krishna consciousness. Compilation of weekly digests 1 to 242 (Upto December 2007) His Holiness Srila Romapada Swami Maharaj! Everyone one likes to inquire. Srila Prabhupada writes, "The whole world is full of questions and answers. The birds, beasts and men are all busy in the matter of perpetual questions and answers... Although they go on making such questions and answers for their whole lives, they are not at all satisfied. Satisfaction of the soul can only be obtained by questions and answers on the subject of Krishna." -- Purport to Srimad Bhagavatam 1.2.5 "Inquiries into the Absolute" is a wonderful opportunity provided by Srila Romapada Swami to help us fruitfully engage our propensity to inquire and seek answers. Please take advantage! Guide to “Inquiries into the Absolute” om ajïäna-timirändhasya jïänäïjana-çaläkayä cakñur unmélitaà yena tasmai çré-gurave namaù I offer my respectful obeisances unto my spiritual master, who has opened my eyes, blinded by the darkness of ignorance, with the torchlight of knowledge. ‘Inquiries into the Absolute’, is a weekly email digest comprising of thought provoking and sublime answers given by His Holiness Romapada Swami Maharaj to the questions raised by devotees on myriad spiritual topics.
    [Show full text]
  • The Literary Herald an International Refereed English E-Journal
    ISSN : 2454-3365 THE LITERARY HERALD AN INTERNATIONAL REFEREED ENGLISH E-JOURNAL A Quarterly Indexed Open-access Online JOURNAL Vol.1, Issue 2 (September 2015) Editor-in-Chief: Dr. Siddhartha Sharma www.TLHjournal.com [email protected] www.TLHjournal.com The Literary Herald ISSN:2454-3365 An International Refereed English e-Journal Wronged, Wrong Sita: a Feminist Critique of Devdutt Pattanaik’s Sita: an Illustrated Retelling of the Ramayana Madhulika Dash PhD Scholar, Dept of English Central University of Karnataka The paper attempts to look at retellings of the Ramayana through a feminist perspective focusing on Devdutt Pattanaik’s Sita: An Illustrated Retelling of the Ramayana. The Ramayana is vastly popular to this day despite having oral traditions beginning somewhere in the 2nd Century BCE which were later written, translated in several languages and much later retold, enacted and televised. Pattanaik’s work is a recent retelling of the Ramayana with the title of Sita and was published in the year 2013. There have been several studies on the Ramayana from several perspectives and on all its various genres. I chose Pattanaik’s retelling as the title ‘Sita’ held great promise for I expected a different interpretation. Instead I found a celebration of the conventional and typical Sita. Pattanaik’s treatment is dignified and magnanimous with Sita as a Goddess. His tone is formal and reverential and at the end of each chapter there are stories from various retellings with critical references. Despite all this the narrative, I believe is limited and does not the raise the societal arguments necessary.
    [Show full text]
  • Valmiki Ramayana – Bala Kanda – Chapter 3
    “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Bala Kanda – Chapter 3 Valmiki Summarizes the Ramayana Summary The scheming [high-level overview] of the composition of epic Ramayana is described here. Whole of the epic is rendered in its quintessence [representation], as to how Sage Valmiki scheduled the narration of important milestones of the epic. Chapter [Sarga] 3 in Deyail shrutvaa vastu samagram tat dharma ardha sahitam hitam | vyaktam anveshhate bhuuyo yadvrittam tasya dhiimatah || 1-3-1 On hearing the essence of Ramayana from Sage Narada, which is abound with probity [adherence to the highest principles and ideals] and prosperity, and a propitious one too, that virtue-souled Valmiki started searching for further known details in the legend of that dexterous [skillful] Rama. [1-3-1] upasprisya udakam samyak munih sthitvaa kritaanjalih | praachiina agreshhu darbheshhu dharmena anveshhate gatim || 1-3-2 Valmiki sitting on a sacred grass mat, whose apices [the uppermost point or vertex] are towards east, touched waters, and made his palms adjoined in reverence, and then by his yogic insight started to search comprehensively [broadly], for the narrative course of Ramayana. [1-3-2] Page 1 of 9 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Bala Kanda – Chapter 3 raama lakshmana siitaabhih raajnaa dasharathena cha | sa bhaaryena sa raashhtrena yat praaptam tatra tattvatah || 1-3-3 hasitam bhaashhitam cha eva gatiryaayat cha cheshhtitam | tat sarvam dharma viiryena yathaavat sa.mprapashyati || 1-3-4 Of Rama, Lakshmana and Seetha, also of King Dasharatha and his wives, and what bechanced [befell] on Rama when he was in kingdom Ayodhya; Valmiki veritably [being in fact] discerned [distinguished] all that.
    [Show full text]