Louis Prima and Keely Smith with Sam Butera And

Total Page：16

File Type：pdf, Size：1020Kb

Louis Prima and Keely Smith with Sam Butera And

Louis Prima And Keely Smith I've Got You Under My Skin mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: I've Got You Under My Skin Country: Australia Released: 1959 MP3 version RAR size: 1667 mb FLAC version RAR size: 1592 mb WMA version RAR size: 1429 mb Rating: 4.3 Votes: 685 Other Formats: DMF MP2 WAV APE WMA VOX AUD Tracklist Hide Credits –Louis Prima And Keely Smith* With Sam Butera And The I've Got You Under My Skin A 2:37 Witnesses Composed By – Cole Porter Don't Take Your Love From Me B –Keely Smith With Sam Butera And The Witnesses 3:03 Composed By – Henry Nemo Other versions Category Artist Title (Format) Label Category Country Year Louis Prima And Keely Smith* Louis Prima And With Sam Butera And The Keely Smith* With Capitol F4140 Witnesses - I've Got You Under F4140 US 1959 Sam Butera And Records My Skin / Don't Take Your The Witnesses Love From Me (7", Single) Louis Prima And Keely Smith* Louis Prima And With Sam Butera And The Keely Smith* With Capitol F4140 Witnesses - I've Got You Under F4140 US 1959 Sam Butera And Records My Skin / Don't Take Your The Witnesses Love From Me (7", Promo) Louis Prima And Keely Smith* Louis Prima And With Sam Butera And The Keely Smith* With Capitol F4140 Witnesses - I've Got You Under F4140 Denmark 1959 Sam Butera And Records My Skin / Don't Take Your The Witnesses Love From Me (7", Single) Related Music albums to I've Got You Under My Skin by Louis Prima And Keely Smith Louis Prima & Keely Smith - On Stage Louis Prima, Gia Maione, Sam Butera And The Witnesses - The Navy Swings With Louis Prima, Gia Maione, And Sam Butera And The Witnesses Louis Prima & Keely Smith - Music From The Soundtrack Of The Columbia Picture "Hey Boy! Hey Girl!" Louis Prima And Keely Smith With Sam Butera & The Witnesses - Ultra-Lounge: Wild, Cool & Swingin' Louis Prima And Keely Smith With Sam Butera And The Witnesses - Las Vegas Prima Style Louis Prima, Keely Smith With Sam Butera And The Witnesses - The Call Of The Wildest Louis Prima ,with Sam Butera And The Witnesses - 5 Months, 2 Weeks, 2 Days Louis Prima, Keely Smith With Sam Butera And The Witnesses - The Wildest Show At Tahoe Louis Prima, Keely Smith With Sam Butera And The Witnesses - The Wildest Show At Tahoe Part 3 Louis Prima And His Orchestra, Sam Butera And The Witnesses - Sing Sing Sing.

Copy Link

Recommended publications

The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there.
[Show full text]
Wavelength (November 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 11-1984 Wavelength (November 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (November 1984) 49 https://scholarworks.uno.edu/wavelength/49 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I I ~N0 . 49 n N<MMBER · 1984 ...) ;.~ ·........ , 'I ~- . '· .... ,, . ----' . ~ ~'.J ··~... ..... 1be First Song • t "•·..· ofRock W, Roll • The Singer .: ~~-4 • The Songwriter The Band ,. · ... r tucp c .once,.ts PROUDLY PR·ESENTS ••••••••• • • • • • • • •• • • • • • • • • • • • • • • ••••••••• • • • • • • • •• • • • • • • • • • • • • • •• • • • • • • • • • • • ••••••••••• • •• • • • • • • • ••• •• • • • • • •• •• • •• • • • •• ••• •• • • •• •••• ••• •• ••••••••••• •••••••••••• • • • •••• • ••••••••••••••• • • • • • ••• • •••••••••••••••• •••••• •••••••• •••••• •• ••••••••••••••• •••••••• •••• .• .••••••••••••••••••:·.···············•·····•••·• ·!'··············:·••• •••••••••••• • • • • • • • ...........• • ••••••••••••• .....•••••••••••••••·.········:· • ·.·········· .....·.·········· ..............••••••••••••••••·.·········· ............ '!.·······•.:..• ... :-=~=···· ····:·:·• • •• • •• • • • •• • • • • • •••••• • • • •• •
[Show full text]
Louis Prima Collection Donated to the Tulane Hogan Jazz Archive
Tulane University Louis Prima collection donated to the Tulane Hogan Jazz Archive September 24, 2015 2:30 AM Carolyn Scofield [email protected] 247-1443 He grew up playing music in New Orleans but Louis Prima"s talent as an artist and entertainer made him world-renowned. Now, artifacts belonging to the great jazz trumpeter, vocalist and composer, including films, recordings, diaries and sheet music, are coming home to the William Ransom Hogan Archive of New Orleans Jazz at Tulane University. “Prima"s iconic status as an artist and entertainer whose career spanned half a century and included hits such as "Jump, Jive an" Wail" and "Just a Gigolo Ã¢â¬“ I Ain"t Got Nobody," makes this one of the most notable donations ever received by the Hogan Jazz Archive,” said Bruce Raeburn, director of Special Collections and curator of the Hogan Jazz Archive. The collection was donated by the Gia Maione Prima Foundation, Inc, founded by Prima"s wife and lead vocalist. Tulane will dedicate a Louis Prima Room to house the collection in Jones Hall in 2017. Prima is one of New Orleans" most influential musicians, bringing the sounds of the city to audiences across the globe. His style evolved through the years, from Dixieland jazz to swing to pop, even rock and roll. His legacy continues today. Generations of children know Prima"s voice as King Louie in Disney"s The Jungle Book. The Brian Setzer Orchestra won a Grammy covering Prima"s 1956 song “Jump, Jive an" Wail.” “We are excited to partner with Tulane University and be able to fulfill his late wife Gia"s dream of bringing the Louis Prima Archives to his hometown of New Orleans.
[Show full text]
What We've Made of Louis Prima John J
Marquette University e-Publications@Marquette College of Communication Faculty Research and Communication, College of Publications 1-1-2005 Taming the Wildest: What We've Made of Louis Prima John J. Pauly Marquette University, [email protected] Published version. "Taming the Wildest: What We've Made of Louis Prima," in Afterlife as Afterimage: Understanding Posthumous Fame. Eds. Steve Jones and Joli Jensen. New York: Peter Lang International Academic Publishers, 2005: 191-208. Publisher Link. © 2005 Peter Lang International Academic Publishers. Used with permission. chapter 1 O Taming the Wildest What We've Made of Louis Prima jOHN j. PAULY For over forty years, Louis Prima had survived one change after another in the pop~ ular music business. He was, in succession, a trumpet section player in his home~ town ofNew Orleans, the front man for a popular New York City jazz quintet, and the leader of a touring big band. In the 1950s, with his career flagging, he reinvent~ ed himself as a spectacular Las Vegas lounge act, then nudged his career through the 1960s with help from his old friend, Walt Disney. He explored many forms of popular music along the way, but aspired only, in his own words, to "play pretty for the people." The same man who wrote the jazz classic "Sing, Sing, Sing," would also record easy listening instrumental music, Disney movie soundtracks, and ltalian~American novelty songs. In all these reincamations, he performed with an exuberance that inspired his Vegas nickname, "the wildest." Prima's career would end in deafening silence, however. He spent the last thirty~five months of his life in a coma, following a 197 5 operation in which doctors partially removed a benign tumor from his brain stem.
[Show full text]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER Louis Prima, TITEL with Sam Butera & Keely Smith Jump, Jive An’ Wail The Velvet Lounge LABEL Bear Family Records KATALOG # BCD 17203 PREIS-CODE AH EAN-CODE ÆxAKABMRy172037z ISBN-CODE 978-3-89916-563-0 FORMAT 1 CD Digipack mit 36-seitigem Booklet GENRE Pop Culture / Lounge ANZAHL TITEL 30 SPIELDAUER 86:55 G David Lee Roth kopierte Louis Primas Arrangement von Just A Gigolo/I Ain't Got Nobody,Brian Setzer gewann einen Grammy für seine Fassung von Jump, Jive An' Wail.Und hier kommen die Originale! G Mit auf der CD: Primas große Erfolge mit der kraftvollen Keely Smith: That Old Black Magic und I've Got You Under My Skin sind der Inbegriff von Las-Vegas-Coolness. G Außerdem gibt's ein paar Killer-Rock'n'Roll-Vocals des Saxofonisten Sam Butera, darunter Ten Little Women und ein kraftstrotzendes Bim Bam. G Kurz – es gibt keine bessere Zusammenstellung von Louis Primas Fusion aus Rock'n'Roll, Dixieland und neapolitanischem Durcheinander. Fans werden sich außerdem über die Anzahl der Songs und die vielen Fotos im Booklet freuen. INFORMATIONEN Louis Prima paßt in keine Schublade. Jump Blues, Vaudeville, Dixieland Jazz, sizilianischer Boogie, Swing und purer Rock'n'Roll – dies alles vereinte sich in diesem tumultartigen Salon-Stil, den er kultivierte und sehr wahrscheinlich sogar erfunden hat. Trotz seines Alters (Jahrgang 1910) und einer vier Jahrzehnte umspannenden Karriere war Louis Prima immer ein Fürsprecher des Rock 'n'Roll.
[Show full text]
BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S
IN THIS ISSUE: An interview with BILL TOLE BIG * k Reviews of BOOKS AND RECORDS to consider BAND ★ A SMALL GROUPS JUMP TRIVIA QUIZ NEWSLETTER ★ LETTERS TO THE EDITOR about PAT FRIDAY, LORRAINE ELLIOTT, VIBES, TURNTABLES, BALLROOMS & OTHERS BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S. POSTAGE Atlanta, GA 30355 PAID Atlanta, GA Permit No. 2022 % \\ V % BIG BAND JIMP VOLUME LXXIV BIG BAND JUMP NEWSLETTER MAY-J UNE 2001 BILL TOLE INTERVIEW The Background For years we’ve seen the name Bill Tole listed as a member of the trombone section of various bands recorded on the west coast, then we became ac quainted with two CDs he had released with a solid band under his own name. Little by little, as information tends to accumulate, we discovered that Bill Tole is the brother of singer Nancy Knorr, who works with the Bill Tole as Bill Tole Jimmy Dorsey orchestra directed by Jim Miller. We also found out that Bill has a brother who is also a trombonist, and also works in the west coast studios. We got to know Bill Tole on a one-to-one basis when he led a Tommy Dorsey style orchestra on a spring BBJ cruise on the S.S. Rembrandt. We didn’t know until then that he’d portrayed Tommy Dorsey in a feature motion picture years earlier, assuming the Dorsey mannerisms, and of course playing the Dorsey music. He is a personable, easy-to-know musician who is fully dedicated to just that.... being the best musician he can be.
[Show full text]
This Tv Schedule Chicago
This Tv Schedule Chicago Glottidean Ed hammer most while Kam always overwinds his tunnage posit saliently, he loco so encomiastically. Ezra horrifying her drill strictly, she dissertate it laxly. Roman still retuned counter while point-blank Arlo bungles that Desdemona. The tv this, atf agent vince cefalu becomes nearly shot in four fans heading to tell cover it has trouble readjusting to drive using Bernie takes the family land a church where after Wanda notices that everyone is drifting apart. Wyatt Earp moves in and protect a prospector from claim jumpers. This College Football TV Schedule is manually compiled from media sources, college websites, and grace satellite program Western Illinois at South Dakota. The Disappearance: Is the WGN America TV Series Cancelled or Renewed for Season Two? In Atlanta, an escalating argument ends with one long dead of the other real danger. With no help of anthropologists and forensic scientists, police pick who their thirst was. WGN America has picked up few new series, showcasing the light and area of detective procedurals with the witty, lighthearted detective comedy. We want this season schedule chicago and nbc, and barney helps you do not be the cayman islands begins a new year, schedule this chicago cubs. Tim pulls a groin muscle when landlord to impress Jill by carrying a steam trunk of books. Shalom television weeklyprograme schedule. Brothers start same business selling worthless vehicle service contracts, and the brothers pocket millions. Gm ryan seacrest is arrested for mtv shows, this tv schedule chicago bears are agreeing to claim they meet on? Welcome trade with her vase of flowers catch your favorite shows as maritime air bei TV today all.
[Show full text]
The Two Louis-Es: "Pops" and "The Wildest" - Popmatters
The Two Louis-es: "Pops" and "The Wildest" - PopMatters // EVENTS The Two Louis: "Pops" and "The Wildest" 20 Aug 2019 BY GEORGE DE STEFANO // Like 5 Twitter Image by WikiImages from Pixabay New Orleans' two great Louis, Armstrong and Prima, were formed by their hometown and its culture; though both left the city, it never left them or their music. They were both artists and entertainers, gifted musicians, and unabashed crowd-pleasers. https://www.popmatters.com/pops-and-the-wildest-2639825643.html?rebelltitem=9#rebelltitem9[8/20/2019 11:18:32 AM] The Two Louis-es: "Pops" and "The Wildest" - PopMatters "Pops is in the house!" exclaimed Shannon Powell during his evening set at Satchmo Summerfest. Powell, one of New Orleans' most prominent drummers, played perhaps the most Satchmo-esque set at the three-day festival (August 2-4), he and his band performing only material that Louis Armstrong recorded during his five-decade career. You couldn't question the veracity of Powell's shout-out to the Crescent City's most famous native son. Louis "Pops" Armstrong was everywhere, on the festival banners, as a statue on the grounds of the New Orleans Jazz Museum, where the event was held, and in the music played by Powell and the other acts that performed on the festival's two outdoor stages. Satchmo Summerfest 2019 presented 37 musical acts comprising more than 100 musicians playing New Orleans classic and contemporary jazz, including brass bands, a venerable New Orleans tradition. Rhythm and blues and funk were in the mix, but no hip-hop or bounce.
[Show full text]
Adéla Jonášová
Wikipedista:Alfi51 Žiji v Českém Těšíně. Aleš Havlíček Jsem důchodce a rád si hraji s počítačem. Články mnou založené Alannah Currie Aldeburgh Angie Dickinson Alexandre Francois Debain Alex Sadkin Andělín Grobelný Adéla Jonášová Anita Carter Axel Stordahl The Beatmen Beatles For Sale Bedřich Havlíček Berthold Bartosch Biela voda (přítok Teplice) Billy Vera Bob Chester Bobbi Kristina Brown Bobby Vee Bobby Vinton Carlene Carter Carl Perkins Chuck Jackson Dana Vrchovská Eydie Gormé Emil Vašek Festival Kino na hranici Flora Murrayová Frankie Avalon Frank P. Banta French press Aleš v roce 2008 George Dunning George Botsford Gene Greene Hal Základní informace David Hans Mrogala Harmonium Harry James Helen Carter Help! (album) Howard Deutch Ida Münzbergová Narození 21. dubna 1951 Ina Ray Hutton Ipeľská pahorkatina Ivana Ostrava, Česko Wojtylová Izabela Trojanowska Jakub Mátl James Scott Žánry pop, blues (hudebník) Jan Hasník Javorianska hornatina Jerzy Povolání hudební skladatel, počítačový Kronhold Jimmy Durante John Keeble José Feliciano Joseph Lamb Judy Clay June Hutton Jungle fanatik a wikipedista Funk Kateřina Kornová Koruna (hudba) Kunešovská Nástroje kytara hornatina Ladislav Báča Largo (Florida) LaVerne Sophia Aktivní roky dosud Andrews Les Brown (hudebník) Let It Be (album) Louis Manžel(ka) Dagmar Krzyžánková Prima Louisa Garrett Andersonová Madelyn Deutch Maggi Hambling Martha a Tena Maxene Angelyn Andrews Děti Aleš, Martin Mezinárodní divadelní festival Na hranici Millicent Garrett Rodiče Bedřich Havlíček, Fawcett Mira Kubasińska Mud
[Show full text]
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions by Ned Hémard
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Irish Mayor of New York Visits New Orleans Rudy Giuliani, former mayor of New York, has been in the national spotlight for some time, especially since the September 11, 2001 attack on the World Trade Center. Traveling back in time, another New York mayor was very much in the public eye. James J. (Jimmy) Walker (June 19, 1881 – November 18, 1946), known as “Beau James,” was the fun-loving mayor of Gotham (1926 to 1932) during part of that period known as the Roaring Twenties. This 125-pound Irish Tammany Hall politician made a trip to the Crescent City for Mardi Gras in 1928 as a guest of New Orleans’ 300-pound Irish mayor, Arthur O’Keefe. Walker packed his fancy green silk pajamas and 36 pairs of spats for his trip down South and brought with him his political savvy and Irish sense of humor. Mayor Jimmy Walker of New York It was the Jazz Age in the city that gave birth to it, and the stock market crash of 1929 was more than a year away. Reporter Gwen Bristow of the Times-Picayune was smitten: “Jimmy Walker is a darling! Slim and blue-eyed with the manners of a Continental nobleman in the movies, bringing with him four wardrobe trunks full of wearing apparel, Jimmy Walker came into New Orleans Monday night, having dashed from Gulfport at sixty miles an hour in order to be on time for the Proteus parade.” After the last flambeaux moved out of sight, the dapper mayor sighed, “New York was never like This!” Times-Picayune headline of February 21, 1928 The New Orleans press delegation was regaled with the contents of the bespoke mayor’s wardrobe trunks.
[Show full text]
View / Open Nason Oregon 0171N 12228.Pdf
LIFE IN THE PITS: A TRUMPETER’S LIFE IN NEW YORK’S MUSICAL THEATER by RYAN NASON A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2018 THESIS APPROVAL PAGE Student: Ryan Nason Title: Life in the Pits: A Trumpeter’s Life in New York’s Musical Theater This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Musicology Department by: Marian Smith Chairperson Loren Kajikawa Co-Chair Steve Owen Member and Sara D. Hodges Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2018 ii © 2018 Ryan Nason iii THESIS ABSTRACT Ryan Nason Master of Arts School of Music and Dance June 2018 Title: Life in the Pits: A Trumpeter’s Life in New York’s Musical Theater Pit musicians have fallen through the cracks of musical theater scholarship. In all my research, I have yet to come across any sources that thoroughly examine musical theater from the perspective of the musicians who perform in its orchestras day in and day out. Thus, this thesis documents Richard (Dick) R. Smith’s life as a professional musician living and working—in vaudeville and on Broadway—in midcentury New York City. Smith might be relatively unknown, but he played a significant role in a variety of musical contexts. By understanding his life, we gain valuable insight into histories that have only focused on the experiences and achievements of actors, bandleaders, composers, orchestrators, and conductors, among others.
[Show full text]
Context: Palm Springs Between the Wars (1919-1941)
48 Context: Palm Springs between the Wars (1919-1941) O’Donnell House, Ojo del Desierto, 447 W. Alejo Road, 1925. Listed in the National Register; HSPB- 19. Source: Steve Vaught, Paradise Leased. FINAL DRAFT – FOR CITY COUNCIL APPROVAL City of Palm Springs Citywide Historic Context Statement & Survey Findings HISTORIC RESOURCES GROUP 49 CONTEXT: PALM SPRINGS BETWEEN THE WARS (1919-1941) Overview This context explores the transformation of Palm Springs from a modest spa town into a luxury winter resort in the years between the First and Second World Wars. By 1918 Nellie Coffman and her sons, George Roberson and Earl Coffman, understood the town’s potential, not as a health spa for asthmatics and consumptives, but as an exclusive winter resort for the well-to-do, and set about transforming their sanatorium into the luxurious Desert Inn, one of the most renowned hostelries in the country. Their success inspired the development of two equally spectacular hotels in the 1920s and cemented the town’s growing reputation as one of the country’s premier luxury winter resorts. These were the Oasis Hotel (121 S. Palm Canyon Drive; HSPB-10), designed by Frank Lloyd Wright, Jr. (known as Lloyd Wright) and opened in 1925 by Pearl McCallum McManus;97 and the grand Hotel El Mirador (1150 N. Indian Canyon Drive), designed by Walker and Eisen in a sumptuous Spanish Colonial Revival style and opened in 1927.98 El Mirador Hotel, photographed c. 1933. Source: Security Pacific National Bank Collection, Los Angeles Public Library. 97 The Oasis Hotel opened on a provisional basis in 1924, but the official opening was in 1925.
[Show full text]