2Ser Australia Jan 09

Total Page:16

File Type:pdf, Size:1020Kb

2Ser Australia Jan 09 The Spice of Life - 2/2/09 2:37 AM PROGRAMS WHAT'S ON SUPPORT US ABOUT US CONTACT US The Spice of Life Tuesday 1:30pm - 3:00pm Saturday 6:00pm - 7:30pm The Spice of Life with Hans Stoeve Today's show 27 January 2009 Amrhan An Ba / The Honest Bar- Michael Goldrick- CD Wired The New Post Office- Dennis Cahill & Martin Hayes- CD Welcome Here Again Baile Mhuirne- Iarla O'Lionaird- Music At Matt Malloys Kilkelly- Pat & Becky Egan- CD Music At Matt Malloys As Christy Roved Out / The KildaremansFactory- Planxty- Live 2004 Punjab- Karunesh- Global Spirit Tributo a Dorival- Baden Powell- Live at The Rio Jazz Club David Sylvian- Nine Horses 20 January 2009 Sandhya- Amjad Ali Khan- CD Moksha Yarimo / Ne Yalan Soyleyeyim- Duoud- CD Wild Serenade Black Temple- Steve Tibbetts- CD A Man About A Horse Obama / Dagna- Fula Flute- CD Mansa America (www.fulaflute.net) Poye / Ahe Sira Bila- Issa Bagayogo- CD Mali Koura (www.sixdegreesrecords.com) Roger Richards of Extreme Records talking about Robert Vincs Saraghina / Avatar- Robert Vincs- CD Vedic Kingdom Tion- Nils Peter Molvaer= CD Khmer Gula Gula remixed by Chilluminati- CD Mari Boine Remixed (Jazzland) Cuovgi Liekkas remixed by Jah Wobble-CD Mari Boine Remixed Revolution Blues- Neil Young- CD On The Beach 13 January 2009 Kim Cunio- Song for Dora- CD Infloressence Nitin Sawhney- Breathing Light- CD Prophesy Nitin Sawhney- Beyond Skin- CD Beyond Skin Jimmy Little- Into temptation- CD Messenger Chris Meyer- Dervish- CD Lucid Dreams Jah Wobble- I Love Everybody- CD Take Me To God Lloyd Cole- Big Snake- CD Mainstream James Franklin / Michael Atherton- Garden Meeting- CD Abundance http://www.2ser.com/programs/shows/the-spice-of-life Page 1 of 3 The Spice of Life - 2/2/09 2:37 AM Ros Bandt- Lost In Space / Paean- CD Stack Marie Brennan- Jealous Heart- CD Marie Hector Zazou- Ophelie- CD Sahara Blue Marcos Valle-On Line- CD Escape Cesaria Evora- Sangue de Bairona- CD Cabo Verde Jon Hassell- Sex Godess- CD Dressing for Pleasure Toumani Diabate- St Mani- The Mande Variations 06 January 2009 Keith Jarrett- When I fall In Love- CD Inside Out Mark Hannaford- All Booze / What Was That- The Garden of Forking Paths Arve Henriksen- Poverty & It's Opposite / Before & Afterlife- CD Cartography Jan Garbarek- Brother Wind March- CD Twelve Moons David Sylvian- Heartbeat / Every Colour You Are- CD Everything & Nothing Charles Lloyd- The Dirge- CD Fish Out of Water Jack de Johnette- John McKeetch- CD Parallel Realities (this replaced Arne Nordheim's Electric CD played on Tuesday) Jon Hassell & magazini- CD Sulla Strada 30 December 08 A very merry Christmas and a Happy New Year to all of our listeners. On the show today: Circle of Rhythm- CD Metrical- Yatra Anouar Brahem Live in Murnai 2005 (private recording) Speaking with Roger Richards from Extreme Scott Tinkler- CD Backwards Way Out West- CD New Grooves for Old Streets Bugge Wesseltoft- Sharing (Live in Paris) Circle of Rhythm- CD Metrical- Ochre Rachael Yamagata- Cd Happenstance- Paper Doll 16 December 08 (and in no order at time of writing) Artist- Release Ralph Towner- Ana Bally Sagoo- Bollywood Flashback Vol 2 Deepak Ram- A Night in Lenasia Issa Bagayogo- Sya Keith Jarrett- Always Let Me Go Harry Manx- Wise & Otherwise Charlie Parr- 1922 Ryan Adams- Heartbreaker Tom Waits- Blood Money Susheela Rahman- Salt Rain The Woohoo Revue- CD The Woohoo Revue http://www.2ser.com/programs/shows/the-spice-of-life Page 2 of 3 The Spice of Life - 2/2/09 2:37 AM http://www.2ser.com/programs/shows/the-spice-of-life Page 3 of 3.
Recommended publications
  • Live-Electronic Music
    live-Electronic Music GORDON MUMMA This b()oll br.gills (lnd (')uis with (1/1 flnO/wt o/Ihe s/u:CIIlflli01I$, It:clmulogira{ i,m(I1M/;OIn, find oC('(uimwf bold ;lIslJiraliml Iltll/ mm"k Ihe his­ lory 0/ ciec/muir 111111';(", 8u/ the oIJt:ninf!, mui dosing dlll/J/er.f IIr/! in {art t/l' l)I dilfcl'CIIt ltiJ'ton'es. 0110 Luerd ng looks UfI("/,- 1,'ulIl Ihr vll l/laga poillt of a mnn who J/(u pel'smlfl.lly tui(I/I'sscd lite 1)Inl'ch 0/ t:lcrh'Ollic tccJlIlulogy {mm II lmilll lIellr i/s beg-ilmings; he is (I fl'ndj/l(lnnlly .~{'hooletJ cOml)fJj~l' whQ Iws g/"lulll/llly (lb!Jfll'ued demenls of tlli ~ iedmoiQI!J' ;11(0 1111 a/rc(uiy-/orllleti sCI al COlli· plJSifion(l/ allillldes IInti .rki{l$. Pm' GarrlOll M umma, (m fllr. other IWfI((, dec­ lroll;c lerllll%gy has fllw/lys hetl! pre.telll, f'/ c objeci of 01/ fl/)sm'uillg rlln'osily (mrl inUre.fI. lu n MmSI; M 1I11111W'S Idslur)l resltllle! ",here [ . IIt:1lillg'S /(.;lIve,( nff, 1',,( lIm;lI­ i11g Ihe dCTleiojJlm!lIls ill dec/m1/ ;,. IIII/sir br/MI' 19j(), 1101 ~'/J IIIlIrli liS exlell­ siom Of $/ili em'fier lec1m%gicni p,"uedcnh b111, mOw,-, as (upcclS of lite eCQllol/lic lind soci(ll Irislm)' of the /.!I1riotl, F rom litis vh:wJ}f)il1/ Ite ('on,~i d ".r.f lHU'iQII.f kint/s of [i"t! fu! r/urmrl1lcI' wilh e/cclnmic medifl; sl/)""m;ys L'oilabomlive 1>t:rformrl1lce groU/JS (Illd speril/f "heme,f" of cIIgilli:C'-;lIg: IUltl ex/,/orcs in dt:lllil fill: in/tulmet: 14 Ihe new If'dllllJiolO' 011 pop, 10/1(, rock, nllrl jllu /Ill/SIC llJi inJlnwu:lI/s m'c modified //till Ille recording studio maltel'
    [Show full text]
  • JON HASSELL/FARAFINA Flash of the Spirit
    DESCRIPTION Tak:Til/Glitterbeat present the first ever reissue and remastering of Jon Hassell and Farafina 's prescient, "Fourth World" masterwork, Flash of the Spirit , originally released in 1988. Propulsive Burkinese rhythms meet revelatory, ambient soundscapes. Co-produced with the legendary studio team of Brian Eno and Dainel Lanois . Composer and trumpeter Jon Hassell has been an elusive, iconic musical figure for more than half a century. He's best known as the pioneer and propagandist of "Fourth World" music, mixing technology with the tradition and spirituality of non-western cultures. In 1987 he joined with Farafina, the acclaimed percussion, voice, and dance troupe from Burkina Faso, to record Flash of the Spirit . While the album is a natural extension of those "Fourth World" ideas, and a new strand of Possible Musics, it also a distinctive outlier in the careers of both artists; an unrepeated merging of sounds whose influence still reverberates today. The eight members of the band -- who had also collaborated with the Rolling Stones and Ryuichi Sakamoto -- brought their long apprenticed, virtuosic drumming, and melodic textures (balafon, flute, voices) to the sessions. They built up layers and patterns of rhythm, while producers Brian Eno and Daniel Lanois (fresh off the success of U2 's Joshua Tree ) created a sonic atmosphere in which they could creatively intertwine with Hassell's digitally processed trumpet and keyboards. Despite their initial skepticism, the musicians from Farafina ended up relishing their interaction with the studio team and the trumpeter/conceptualist Hassell. The music that emerged was rich and groundbreaking, a move to transcend the boundaries between jazz, avant-garde classical, ambient and the deep rhythmic tradition embodied by Farafina.
    [Show full text]
  • Drone Music from Wikipedia, the Free Encyclopedia
    Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice,
    [Show full text]
  • The Infinisphere: Expanding Existing Electroacoustic Sound Principles by Means of an Original Design Application Specifically for Trombone
    THE INFINISPHERE: EXPANDING EXISTING ELECTROACOUSTIC SOUND PRINCIPLES BY MEANS OF AN ORIGINAL DESIGN APPLICATION SPECIFICALLY FOR TROMBONE BY JUSTIN PALMER MCADARA SCHOLARLY ESSAY Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Jazz Performance in the Graduate College of the University of Illinois at Urbana-Champaign, 2020 Urbana, Illinois Doctoral Committee: Professor James Pugh, Chair and Director of Research Assistant Professor Eli Fieldsteel Professor Erik Lund Professor Charles McNeill DMA Option 2 Thesis and Option 3 Scholarly Essay DEPOSIT COVERSHEET University of Illinois Music and Performing Arts Library Date: July 10, 2020 DMA Option (circle): 2 [thesis] or 3 [scholarly essay] Your full name: Justin Palmer McAdara Full title of Thesis or Essay: The InfiniSphere: Expanding Existing Electroacoustic Sound Principles by Means of an Original Design Application Specifically for Trombone Keywords (4-8 recommended) Please supply a minimum of 4 keywords. Keywords are broad terms that relate to your thesis and allow readers to find your work through search engines. When choosing keywords consider: composer names, performers, composition names, instruments, era of study (Baroque, Classical, Romantic, etc.), theory, analysis. You can use important words from the title of your paper or abstract, but use additional terms as needed. 1. Trombone 2. Electroacoustic 3. Electro-acoustic 4. Electric Trombone 5. Sound Sculpture 6. InfiniSphere 7. Effects 8. Electronic If you need help constructing your keywords, please contact Dr. Bashford, Director of Graduate Studies. Information about your advisors, department, and your abstract will be taken from the thesis/essay and the departmental coversheet.
    [Show full text]
  • Live Performance
    LIVE PERFORMANCE LIVE PERFORMANCE AND MIDI Introduction Question: How do you perform electronic music without tape? Answer: Take away the tape. Since a great deal of early electroacoustic music was created in radio stations and since radio stations used tape recordings in broadcast, it seemed natural for electroacoustic music to have its final results on tape as well. But music, unlike radio, is traditionally presented to audiences in live performance. The ritual of performance was something that early practitioners of EA did not wish to forsake, but they also quickly realized that sitting in a darkened hall with only inanimate loudspeakers on stage would be an unsatisfactory concert experience for any audience. HISTORY The Italian composer Bruno Maderna, who later established the Milan electronic music studio with Luciano Berio, saw this limitation almost immediately, and in 1952, he created a work in the Stockhausen's Cologne studio for tape and performer. “Musica su Due Dimensioni” was, in Maderna’s words, “the first attempt to combine the past possibilities of mechanical instrumental music with the new possibilities of electronic tone generation.” Since that time, there have been vast numbers of EA works created using this same model of performer and tape. On the one hand, such works do give the audience a visual focal point and bring performance into the realm of electroacoustic music. However, the relationship between the two media is inflexible; unlike a duet between two instrumental performers, which involves complex musical compromises, the tape continues with its fixed material, regardless of the live performer’s actions. 50s + 60s 1950s and 60s Karlheinz Stockhausen was somewhat unique in the world of electroacoustic music, because he was not only a pioneering composer of EA but also a leading acoustic composer.
    [Show full text]
  • Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2021 T 09 Stand: 08. September 2021 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2021 ISSN 1613-8945 urn:nbn:de:101-202011201856 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]
  • Battles Around New Music in New York in the Seventies
    Presenting the New: Battles around New Music in New York in the Seventies A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Joshua David Jurkovskis Plocher IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY David Grayson, Adviser December 2012 © Joshua David Jurkovskis Plocher 2012 i Acknowledgements One of the best things about reaching the end of this process is the opportunity to publicly thank the people who have helped to make it happen. More than any other individual, thanks must go to my wife, who has had to put up with more of my rambling than anybody, and has graciously given me half of every weekend for the last several years to keep working. Thank you, too, to my adviser, David Grayson, whose steady support in a shifting institutional environment has been invaluable. To the rest of my committee: Sumanth Gopinath, Kelley Harness, and Richard Leppert, for their advice and willingness to jump back in on this project after every life-inflicted gap. Thanks also to my mother and to my kids, for different reasons. Thanks to the staff at the New York Public Library (the one on 5th Ave. with the lions) for helping me track down the SoHo Weekly News microfilm when it had apparently vanished, and to the professional staff at the New York Public Library for Performing Arts at Lincoln Center, and to the Fales Special Collections staff at Bobst Library at New York University. Special thanks to the much smaller archival operation at the Kitchen, where I was assisted at various times by John Migliore and Samara Davis.
    [Show full text]
  • 11.07.2013 Von Michael Thiem
    Musik Spezial - Radiophon 21.03 bis 22.00 Uhr Sendung: 11.07.2013 Von Michael Thiem 1. 50er Dampflok, im Führerstand CD: Stakkato 4 Audio CD 27000572 B, LC: 07684, T. 29 2. Klaus Lenz: Hallo, Igor Klaus Lenz Big Band LP: Klaus Lenz Big Band: Aufbruch Amiga Stereo 8 55 509, LC: -, T. B1 3. Andy Partridge: Train Running Low On Soul Coal XTC CD: XTC: The Big Express Virgin CDV 2325, LC: 03098, T. 14 4. Vorspannlok BR 02.0 LP: Von 01 bis 99 - Dampflokomotiven der Deutschen Reichsbahn Litera Stereo 8 65 252, LC: -, T. A2 5. Die Abfahrt des Dampfzuges 80106 CD: Ultraschall - Geräusche digital Intercord INT 845.107, LC: 01109, T. 19 6. Igor Stravinsky: Le Sacre du printemps Fazil Say CD: Stravinsky: Le Sacre du printemps Teldec Classics 8573-81041-2, LC: 06019, T.s 2 / 6 7. At Bromsgrove, at the foot of the Lickey Incline, on an August afternoon in 1959 CD: The Age Of Steam ASV Transacord CD ATR 7037, LC: -, T. 1 8. Igor Stravinsky: Le Sacre du printemps The Orchestra of St. Luke's, Robert Craft CD: Stravinsky: The Composer, Vol. 1 MusicMasters 01612-67078-2, DoCD, LC: -, T. B15 9. Moderner Güterzug CD: Super-Stakkato Audio CD 27000534 Z, LC: 07684, T. 54 10. Igor Stravinsky: Le Sacre du printemps Minneapolis Symphony Orchestra, Antal Dorati CD: Stravinsky: Petrouchka, Le Sacre du printemps Mercury Living Presence 434 331-2, LC: 00268, T.s 5 / 6 11. Irmin Schmidt & Bruno Spoerri: Springlight Rite Irmin Schmidt & Bruno Spoerri CD: Irmin Schmidt & Bruno Spoerri: Toy Planet Virgin CDVE 48, LC: 03098, T.
    [Show full text]
  • Spillers Records New Release List Friday 20Th March 2020
    UPDATE TO CUSTOMERS DURING THIS UNCERTAIN TIME: We hope everyone is as well as can be expected during this time and appreciate that visiting the shop is not possible for many people right now. We are still open but very much taking each day as it comes while knowing that at some point we may have to address this and close for a time. If you would like anything from us (New Release or otherwise) we offer a mail order service on 029 20 224905 and you can make enquries via [email protected] outside of shop hours. We are also able to keep items at the shop on a long term basis for collection in the future if payment is made on the above line. In the meantime, enjoy any additional time you get to spend with your music collection over the next few weeks / months and we will look forward to seeing you when circumstances allow us to. X NEW RELEASE CDs 20/3/20 BAXTER DURY The Night Chancers [PIAS] £9.99 BLACKBERRY SMOKE Homecoming: Live In Atlanta [2CD w/ Bonus Tracks on Earache] £12.99 DEAP LIPS (Deap Vally / Flaming Lips) Deap Lips [Cooking Vinyl] £9.99 **GEORGIA RUTH Mai [Bubblewrap] £9.99 **CD Stock Expected Tomorrow! (Friday) RHODRI DAVIES Transversal Time £9.99 ROGER ENO & BRIAN ENO Mixing Colours [Deutsche Grammophon] £10.99 RUSTIN MAN Clockdust [Domino] £9.99 THE SLOW READERS CLUB The Joy Of The Return £9.99 THERAPY? Greatest Hits (2020 Versions) [2CD Set] £11.99 “Die Laughing” Featuring James Dean Bradfield! TONY ALLEN & HUGH MASEKELA Rejoice [World Circuit] £10.99 BODY COUNT (Ice-T) Carnivore [Century Media] £10.99 GORDON LIGHTFOOT
    [Show full text]
  • Wörter Aus Der Fremde Für Ernst Müller Falko Schmieder, Georg Toepfer (Hg.)
    Wörter aus der Fremde Für Ernst Müller Falko Schmieder, Georg Toepfer (Hg.) Wörter aus der Fremde Begriffsgeschichte als Übersetzungsgeschichte Das dieser Publikation zugrunde liegende Forschungsvorhaben wurde vom Bundesministerium für Bildung und Forschung unter dem Förderkennzeichen 01UG1412 gefördert. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über <http: / / dnb.d-nb.de> abrufbar. Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Ver­­­­ wertung ist ohne Zustimmung des Verlages unzulässig. Das gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Copyright © 2018, Kulturverlag Kadmos Berlin Wolfram Burckhardt Alle Rechte vorbehalten Internet: www.kulturverlag-kadmos.de Gestaltung und Satz: readymade, Berlin Umschlaggestaltung: readymade, Berlin Umschlagfoto: Susanne Nilsson, CC BY-SA 2.0 (in Blau eingefärbt), https://flic.kr/p/J3kySY Druck: Standart Printed in EU ISBN 978-3-86599-373-1 WELTMUSIK PATRICK HOHLWECK »›Je n’en sais rien‹, répondit Andrew Stuart, ›mais, après tout, la terre est assez vaste.‹ — ›Elle l’était autrefois…‹ dit à mi-voix Phileas Fogg.«1 Der Begriff der Weltmusik produziert Fremdheit. Die Erzählung seiner Geschichte beginnt üblicherweise mit der Verwendung durch den Musikwissenschaftler Georg Capellen, der 1905 für einen neuen
    [Show full text]
  • College Albums "The Wild Ones" (Columbia) -LINDA RYAN So You LOVE & a 45 VELO-DELUXE Edge Samples
    ALTERNATIVE unadulturated power, and I guaran- New Releases tee you'll go giddy with the rush. THE LONDON SUEDE Life should be this good. College Albums "The Wild Ones" (Columbia) -LINDA RYAN So you LOVE & A 45 VELO-DELUXE edge samples. The nucleus of blue - think Soundtrack (Immortal/Epic) SUPERELASTIC (MAMMOTH, CARR MILL screen is Pete Scaturro (producer you've got Described to me as a -white-trailor- 2ND FLOOR, CARRBORO, NC 27510) for Disposable Heroes of these guys trash- sort of movie, Love & A 45 Guitarist John Strohm has finally Hiphoprisy) on Hammond organ, all figured boasts a soundtrack full of gems- shed the Blake Babies' legacy; after Brain (ex-Limbomaniacs/Praxis) on out, eh? A new gems, older gems and classic six years, he's fronting a band sans skins, Joe Gore on guitar and bit of '70s gems. I guess it was only a matter Blakes (wife Freda was a member Oakland -based programmer BLK glam and of time before someone covered of Antenna, Strohm's post -Hatfield Lion on samples and noises. a whole Nazareth's classic from the '70s. alliance). Strohm's new ensemble, Additional folks like RHCP bassist lotta This version has been "updated" Velo-Deluxe, offers a debut record Flea and gorefiend/guitar anti-hero camp, and turned into a duet between that draws from several oft -tapped Buckethead pop up on various right? One The Breeders' Kim Deal and alternative -rock wells, but it bor- tune, which makes for an eclectic listen to Guided By Voices' Bob Pollard- rows with so much enthusiasm and and wholly unpredictable record.
    [Show full text]
  • La Monte Young and Marian Zazeela at the Dream House in Conversation with Frank J
    La Monte Young and Marian Zazeela at the Dream House In Conversation with Frank J. Oteri From Wednesday, August 13, 2003 9:33 PM to Thursday, August 14, 2003 3:15 AM Videotaped by Randy Nordschow Transcribed by Frank J. Oteri, Randy Nordschow, Amanda MacBlane and Rob Wilkerson © 2003 La Monte Young & Marian Zazeela © 2003 NewMusicBox 1. Anahata Nada and Long Sustained Tones 2. Improvisation vs. Composition 3. The Guru-Disciple Relationship 4. The Evolution of The Well-Tuned Piano 5. La Monte's Approach to the Piano 6. The Theatre of Eternal Music 7. Discipline and Relationships 8. Pandit Pran Nath 9. How to Learn 10. On Minimalism 11. Alternative Concert Venues 12. The Experience of the Audience 13. Funding Serious Art in Today's Climate 14. The Record Business 15. DVD 16. The Tamburas of Pandit Pran Nath 17. Working with Musicians and Orchestras 18. The Sacred and the Profane 19. Fluxus 20. Piano Technique 21. Singing Raga 22. Future Interpreters 23. Choosing Intervals 24. Physical Limitations of Instruments 25. Perceptibility 26. Ragas Using Upper Primes? 27. Appreciation NewMusicBox 1 1. Anahata Nada and Long Sustained Tones LA MONTE YOUNG: Performance of music for me is a spiritual experience. I didn't exactly realize that that was what it was when I was a little boy and first began to perform music. But, in Indian musical theory, they conceive of two kinds of sound. Actually, it's best to think of it as two kinds of vibration: the struck sound, that is the sound that we can hear and feel manifest physically; and the unstruck sound, which is the Pythagorean equivalent of the music of the spheres.
    [Show full text]