DOCSLIB.ORG

Frances Myers Department of Art University of Wisconsin-Madison [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Frances Myers Department of Art University of Wisconsin-Madison Fjmyers@Facstaff.Wisc.Edu Frances Myers Department of Art University of Wisconsin-Madison [email protected] http://www.francesmyers.com BIOGRAPHY: Born, Racine, Wisconsin BS, MS, MFA, University of Wisconsin-Madison (printmaking and painting) Studied, San Francisco Art Institute TEACHING: 1996- Professor, University of Wisconsin-Madison 1990-96 Associate Professor, University of Wisconsin-Madison 1988-89 Assistant Professor, University of Wisconsin-Madison 1986-88 1983-84, 1980-82, Lecturer, University of Wisconsin-Madison 1982 Lecturer, University of California-Berkeley 1979 Distinguished Professor of Art, Lucie Stern Chair, Mills College, Oakland, California 1974-75 St. Martin’s School of Art, London, England 1974-75 Birmingham College of Art and Design, Birmingham. England HONORS AND GRANTS: 2007 Research Grant, UW Graduate School, Research Assistant 2006 Graduate School Grant for Travel Abroad 2006 Sabbatical (semester research Leave) 2000 Research Grant, Univ. of Wisconsin Graduate School (semester research leave) 1999 Kellett Mid-Career Award, Univ. of Wisconsin Graduate School 1999 Sabbatical (semester research leave) 1998 Professional Dimensions, Milwaukee, Wisconsin, the Sacajawea Award Commission Artist 1997-98 Vilas Associates Fellow, Graduate School Award, Univ. of Wisconsin/Madison 1995 Faculty Development Grant, University of Wisconsin-Madison, Semester I 1995 Graduate School Research Grant, University of Wisconsin-Madison, summer salary/equipment 1994 Elected Full Member (Academician): National Academy ofArt, New York City 1994 Graduate School Research Grant, University of Wisconsin-Madison, summer research 1994 Invited to apply for the Dodd Chaired Professorship, University of Georgia-Athens 1993 Elected Associate Member: National Academy of Design, New York City 1993 Graduate School Research Grant, University of Wisconsin-Madison (travel, equipment) 1991 H.I. Romnes Faculty Fellowship, University of Wisconsin-Madison, academic year research 1991 Graduate School Research Grant, University of Wisconsin-Madison (equipment) 1990 Graduate School Research Grant, University of Wisconsin-Madison, summer research 1989 Graduate School Research Grant, University of Wisconsin-Madison, summer research 1987 Artwork of the Month (July), Elvehjem Museum of Art, University of Wisconsin-Madison 1986 AVA Nomination, Awards in the Visual Arts, SECCA, Winston-Salem, North Carolina 1985-86 National Endowment for the Arts Artist’s Fellowship 1977-78 Wisconsin Arts Board Grant 1977 H. Lester Cooke Foundation Grant, Washington, D.C. 2 1974-75 National Endowment for the Arts Artist’s Fellowship SELECTED PUBLIC COLLECTIONS: Fogg Art Museum, Harvard University, Cambridge, Massachusetts National Museum of American History, Washington, D.C. Musee des Arts Decoritif, Paris, France United States Department of State British Print Council, London, England Grunwald Center for the Graphic Arts, University of California-Los Angeles Museum of Fine Arts, Boston, Massachusetts Mint Museum, Charlotte, North Carolina Victoria & Albert Museum, London, England Metropolitan Museum of Art, New York, New York Library of Congress, Washington, D.C. Chicago Art Institute, Chicago, Illinois Museum of Contemporary Art, Chicago, Illinois Brooklyn Museum, Brooklyn, New York Corcoran Museum of Art, Washington, DC Portland Oregon Art Museum National Museum of American Art, Smithsonian Institution, Washington, D.C. University of North Carolina-Charlotte Boston Public Library, Boston, Massachusetts Museum of Fine Arts, Houston, Texas Achenbach Foundation, Museum of Fine Arts, San Francisco, California British Arts Council, London, England Philadelphia Museum of Art, Philadelphia, Pennsylvania United States Information Service Carnegie-Mellon Museum of Art, Pittsburgh, Pennsylvania Cincinnati Museum of Art, Cincinnati, Ohio Columbia University, New York, New York Santa Clara College, Santa Clara, California Duke University Museum of Art, Durham, North Carolina Minneapolis Institute of Art, Minneapolis, Minnesota Kalamazoo Institute of Art, Kalamazoo, Michigan Chazen Museum of Art, University of Wisconsin-Madison University of Minnesota-Minneapolis University of Georgia, Athens Madison Art Center, Madison, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Lakeview Museum of Arts and Sciences, Peoria, Illinois University of Southern Illinois-Carbondale University of Wisconsin-Green Bay Wisconsin Center for Educational Research University of Dallas, Irving, Texas Texas Tech University-Lubbock Bradley University, Peoria, Illinois 3 Memorial Library, University of Wisconsin-Madison Wustum Museum of Art, Racine, Wisconsin INVITATIONAL EXHIBITIONS: 2011 185th Annual Exhibition of Contemporary American Art, National Academy Museum, New York, New York, catalogue 2011 RAM, Racine (Wisconsin) Art Museum, “Tribute to Frank Lloyd Wright”, 3-person exhibition of artists who include Wright’s buildings in their oeuvre, catalogue 2010 Wisconsin Triennial, Madison Museum of Contemporary Art, a Survey of Wisconsin Art 2010 “New World/Old World” curated invitational exhibition, Nash gallery, Univ. of Minnesota, in conjunction with the Mid –America Print Council Conference, Oct-Nov, featured in the catalogue 2010 “Patterned Remarks” Print Portfolio exhibited at the Southern Graphics Conference in Philadelphia; subsequent exhibitions at the San Francisco State University, Univ. of Puget Sound, and Minneapolis College of Art & Design 2010 “The Women’s Show”, Peltz Gallery, Milwaukee, WI 2009-10 Sundance Cinema, Madison, WI, group exhibition 2009 “Prints as Activism”, Urban Institute for Contemporary Arts, Grand Rapids, MI, group 2009 “184th Annual Exhibition of Contemporary Art,” National Academy Museum, New York, NY, color catalogue 2009 Smart Video Festival, “The Mountain Moves,” Grand Rapids, MI 2009 “Something Wicked This Way Comes,” Madison Museum of Contemporary Art, group exhibition 2008 Columbia College Gallery, Chicago, IL, Southern Graphics Traveling Exhibition; enlarged image of Myers’ print on window. 2008 “Remarkable Women,” annual show, Peltz Gallery, Milwaukee, WI 2008 “Girls and Company,” Madison Museum of Contemporary Art, group 2009 “The Allure of the Multiple,” group exhibition, 7th Floor Gallery, UW Art Dept, Madison, WI 2008 “Four Aces, Large-Scale Prints,” Bruno David Gallery, St. Louis, MO, and Louisiana State University Galleries 2008 “Women Artists of the 20th Century,” Anne Gary Pennell Art Gallery, Sweet Briar college, Virginia, Color catalogue 2008 “Printed in Omaha,” a Retrospective Exhibition of the UNO Print Workshop, University of Nebraska at Omaha Gallery, Color catalogue, Myers print on cover 2008 “Remarkable Women Show,” Peltz Gallery, Milwaukee, WI 2008 “The Horizon is Dead, Long Live the Horizon,” Video screenings, Dept of Art & Design, Grand valley State Univ, Allendale, MI 2008 “Remarkable Women Show,” Peltz Gallery, Milwaukee, WI 2008 UW Faculty Exhibition, Chazen Museum of the Univ of Wisconsin-Madison 2008 “Governor’s Awards in Support of the Arts: A 25-year Retrospective,” Wilson Center for the Arts, Brookfield, WI 2007 “The 182nd Annual Exhibition of Contemporary American Art,” National Academy Museum, New York, NY, catalogue 2007 “Tracing Distant Shorelines,” An International Portfolio Exchange Between China Academy of Art, Hangzhou, China, and the University of Wisconsin-Madison, 4 presented at the Southern Graphics Council Conference, Richmond, VA 2007 “Video: Fruit Loops,” An exhibition and performance of Contemporary Animation & Video shown at the Southern Graphics Conference, Kansas city, MO 2007 “The Exquisite Snake,” Mary and Leigh Block Museum of Art, Northwestern University, Evanston, IL, group exhibition 2006 “Ideas, Dialogue, Conscience: Current Work by UW Madison Print Faculty,” Watrous Gallery, Overture Center, Madison, WI 2005 “Deseigno,” 180th Annual Exhibition of American Art, National Academy Museum, New York, NY 2005 The Frank Lloyd Wright Building Conservancy Exhibition and Auction, Los Angeles, California 2005 “The RAIN Event: Postcards to the CAC (Contemporary Arts Center),” New Orleans, LA 2005 “Cultural Transport/Moving targets Project,” IMPACT 4 International Printmaking Conference, Poznan, Germany 2005 “Printmakers Ball Preview Exhibition,” Anchor Graphics, Chicago, Illinois 2005 “Turn the Tide” silent auction and benefit for New Orleans flood victims, Winnebago Studio, Madison, WI 2005 “Remarkable Women,” Peltz Gallery, Milwaukee, WI 2004 “Artists Interrogate: Politics and War,” video, “Breakfast with Iraq,” The Milwaukee Museum of Art, Milwaukee, WI 2004 “A Decade of Art from the Wisconsin Academy Gallery,” the Overture Center, Madison, WI 2004 The Frank Lloyd Wright Building Conservancy Exhibition and auction, Madison, WI 2004 “Contemporary Paintings, Drawings and Prints,” RiverEdge Galleries, Mishicot, Wisconsin 2004 “Remarkable Women Show,” Peltz Gallery, Milwaukee, WI 2004 “Multiple Perspectives,” Macalester College, St. Paul, MN 2004 “Mind Travel,” Artist Print exchange: National Art School, Sydney, Australia and School of Applied Art, Border Technikon, East London, South Africa 2004 “Beyond the Boundaries: Digitally Enhanced Photographs,” Fairfield Art Museum, Sturgeon Bay, WI 5 2003 International Independent Film/Video Series, at CESTA, Tabor, Czech Republic, videos shown 2003 Anthology Film Archives, New York City supported by the Czech Center, videos shown 2003 National Academy of Design, New York, 178th Annual Members’ Exhibition (color catalogue) 2003 “IMPACT III,” conference, exhibitions, Johannesberg, South Africa,
Load more

Recommended publications
  • Pat Adams Selected Solo Exhibitions
    PAT ADAMS Born: Stockton, California, July 8, 1928 Resides: Bennington, Vermont Education: 1949 University of California, Berkeley, BA, Painting, Phi Beta Kappa, Delta Epsilon 1945 California College of Arts and Crafts, summer session (Otis Oldfield and Lewis Miljarik) 1946 College of Pacific, summer session (Chiura Obata) 1948 Art Institute of Chicago, summer session (John Fabian and Elizabeth McKinnon) 1950 Brooklyn Museum Art School, summer session (Max Beckmann, Reuben Tam, John Ferren) SELECTED SOLO EXHIBITIONS 2017 Bennington Museum, Bennington, Vermont 2011 National Association of Women Artists, New York 2008 Zabriskie Gallery, New York 2005 Zabriskie Gallery, New York, 50th Anniversary Exhibition: 1954-2004 2004 Bennington Museum, Bennington, Vermont 2003 Zabriskie Gallery, New York, exhibited biennially since 1956 2001 Zabriskie Gallery, New York, Monotypes, exhibited in 1999, 1994, 1993 1999 Amy E. Tarrant Gallery, Flyn Performing Arts Center, Burlington, Vermont 1994 Jaffe/Friede/Strauss Gallery, Dartmouth College, Hanover, New Hampshire 1989 Anne Weber Gallery, Georgetown, Maine 1988 Berkshire Museum, Pittsfield, Massachusetts, Retrospective: 1968-1988 1988 Addison/Ripley Gallery, Washington, D.C. 1988 New York Academy of Sciences, New York 1988 American Association for the Advancement of Science, Washington, D.C. 1986 Haggin Museum, Stockton, California 1986 University of Virginia, Charlottesville, Virginia 1983 Image Gallery, Stockbridge, Massachusetts 1982 Columbia Museum of Art, University of South Carolina, Columbia,
    [Show full text]
  • SYLLABUS Printmaking III ARTS 4355-01 Lamar University, SPRING
    SYLLABUS Printmaking III ARTS 4355-01 Lamar University, SPRING 2018 TR 2:20-5:15PM , Room # 101 Associate Professor Xenia Fedorchenko Office hours by appointment and: TR 10AM-11AM Office Room # 101A; Ext. 8914 e-mail: [email protected] COURSE DESCRIPTION This course is a continuation of Printmaking II with a focus in combining new and previously learnt techniques with individually selected content. COURSE CONTENT Students will continue to learn about Printmaking through assigned readings, demonstrations of techniques, hands-on experience, and self-directed research. Students will work on plates or stones incorporating both hand-drawn and basic photographic imagery. This course is designed to encourage experimentation with the processes covered. Understanding of presenting ones work to a group, writing a statement, safe studio practices, press characteristics and operation, various ink traits (water-based, intaglio and lithographic inks), comparative qualities of diverse papers and studio equipment (rollers, brayers, etc) as they relate to ones oeuvre will be gained. Further study will occur through a series of incrementally challenging projects outside of class. Students should allow for customization of the semester’s assignments to their own artistic inquiries. Further study will also occur in the form of time spent in the library or through gallery visits. At the end of the semester, students will have the skills and visual vocabulary necessary to create unique and editioned prints that coherently combine technique and content. STUDENT LEARNING OUTCOMES At the end of this course students should be able to: −Understand and utilize various intaglio, monoprinting and planographic matrix-producing techniques. −Gain an in-depth understanding of a chosen process within printmaking −Understand color mixing and color interactions in printmaking and apply these to various printing processes.
    [Show full text]
  • Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints Alison Buinicky Dickinson College
    Dickinson College Dickinson Scholar Student Scholarship & Creative Works By Year Student Scholarship & Creative Works 1-28-2005 Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints Alison Buinicky Dickinson College Sarah Rachel Burger Dickinson College Blair Hetherington Douglas Dickinson College Michelle Erika Garman Dickinson College Danielle Marie Gower Dickinson College See next page for additional authors Follow this and additional works at: http://scholar.dickinson.edu/student_work Part of the Contemporary Art Commons Recommended Citation Hirsh, Sharon, et al. Woodcuts to Wrapping Paper: Concepts of Originality in Contemporary Prints. Carlisle, Pa.: The rT out Gallery, Dickinson College, 2005. This Exhibition Catalog is brought to you for free and open access by the Student Scholarship & Creative Works at Dickinson Scholar. It has been accepted for inclusion in Student Scholarship & Creative Works By Year by an authorized administrator of Dickinson Scholar. For more information, please contact [email protected]. Authors Alison Buinicky, Sarah Rachel Burger, Blair Hetherington Douglas, Michelle Erika Garman, Danielle Marie Gower, Blair Lesley Harris, Laura Delong Heffelfinger, Saman Mohammad Khan, Ryan McNally, Erin Elizabeth Mounts, Nora Marisa Mueller, Alexandra Thayer, Heather Jean Tilton, Sharon L. Hirsh, and Trout Gallery This exhibition catalog is available at Dickinson Scholar: http://scholar.dickinson.edu/student_work/9 WOODCUTS TO Concepts of Originality in Contemporary Wrapping Paper Prints WOODCUTS TO Concepts of Originality in Contemporary Wrapping Paper Prints January 28 – March 5, 2005 Curated by: Alison Buinicky Sarah Burger Blair H. Douglas Michelle E. Garman Danielle M. Gower Blair L. Harris Laura D. Heffelfinger Saman Khan Ryan McNally Erin E. Mounts Nora M.
    [Show full text]
  • Annual Report 2012
    Cover Back Spine: (TBA) Front PMS 032U Knock out Annual Report 2012 LETTER FROM THE MAYOR 4 PART I: 2007–2012: A PERIOD OF AGENCY INNOVATION 11 PART II: AGENCY PORTFOLIO, FY12 37 PROGRAMSERVICES 39 PROGRAM SERVICES AWARD RECIPIENTS 40 CULTURAL DEVELOPMENT FUND PANELISTS 50 CULTURAL AFTER SCHOOL ADVENTURES GRANT RECIPIENTS 53 CULTURAL INSTITUTIONS GROUP 58 CAPITALPROJECTS 63 CAPITAL PROJECTS FUNDED 66 RIBBON CUTTINGS 68 GROUNDBREAKINGS 69 EQUIPMENT PURCHASES 69 COMMUNITY ARTS DEVELOPMENT PROGRAM 70 30TH ANNUAL AWARDS FOR EXCELLENCE IN DESIGN RECIPIENTS 71 PERCENT FOR ART PROGRAM 72 MATERIALS FOR THE ARTS 74 RECIPIENTS OF DONATED GOODS 76 PARTICIPATING SCHOOLS IN ARTS EDUCATION PROGRAMS 88 CULTURAL AFFAIRS ADVISORY COMMISSION 90 MAYOR’S AWARDS FOR ARTS AND CULTURE 91 DEPARTMENT OF CULTURAL AFFAIRS STAFF 92 P HO TO CREDITSPHOTO 94 ACKNOWLEDGEMENTS 95 4 Letter from The Mayor NEW YORK CITY: STRENGTHENING INVESTMENT IN THE ARTS Our City’s cultural organizations are essential arts are to New York City’s vibrancy and to improving to ensuring that New York remains one of the world’s the lives of New Yorkers and visitors from around the great cities. A magnet for talent from around the world, world. In addition, the development of new information our creative community is also a thriving small business technology systems has enabled the Department to track sector that exists in every neighborhood throughout these services and further advocate on behalf of culture’s the five boroughs. That is why our Administration has tremendous impact on our City. made supporting the arts a top priority, and why over And we continue to push boundaries in expanding our the past five years—despite challenging times—we have service to the creative sector.
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • 105 Hudson Street, New York NY
    TRIBECA NEW YORK NY 105 HUDSON STREET SPACE DETAILS LOCATION COMMENTS Northwest corner of Franklin Street Strong corner with tremendous wraparound frontage APPROXIMATE SIZE Strong retail adjacencies to fashion, design and restaurant tenants Space A One block from the subway station and critically acclaimed Greenwich Hotel Ground Floor 4,030 SF * All uses allowed Lower Level 820 SF * Lower Level is selling, has a sidewalk hatch facing Hudston Street and a loading elevator facing Franklin Street Space B Direct deal, no key money, fully vented restaurant opportunity with infrastucture Ground Floor 2,390 SF * in place Lower Level 2,590 SF * Gorgeous retail space at the base of Carrere and Hastings Powell building Total 9,830 SF *Can be combined POSSESSION Immediate TERM Long term FRONTAGE Space A 35 FT on Hudson Street 95 FT on Franklin Street Space B 20 FT on Hudson Street SITE STATUS Formerly Nobu and Nobu Next Door NEIGHBORS Mr. Chow, Bubby’s, Shinola, Issey Miyake, Thom Browne, Tamarind, everafter, Locanda Verde, Noted Tribeca (coming soon), Maison Kayser, Patron of the New and Thierry Despont Gallery VIEW FROM HUDSON STREET FLOOR PLANS GROUND FLOOR LOWER LEVEL HUDSON STREET 20 FT 35 FT SPACE B SPACE A 95 FT SPACE B 2,390 SF 4,030 SF 2,590 SF FRANKLIN STREET SPACE A 820 SF AREA NEIGHBORS TRIBECA · NEW YORK, NY Ã Tribeca Spa of Tranquility S Crave I Expresso Bar ST JOHN'S LANE X T H Brilliant Bicycle Company A CANAL STREET VARICK STREET V DESBROSSES STREET United Pupculture E Grocery N Michael K Innovation U Pepolino Sea Shades E Church Street Surplus N Q R W Nancy Whiskey Pub Saluggis Pizza Mercato Goldfeder / Kahan Framing Fabbrica Cafe Bari Hudson Wine & Spirits LISPENARD STREET Art Project Maharishi Montauk FoundRae Empire Luggage Gallery Plastic Land Store Sofa John Allan's Antique Garage Kong W.
    [Show full text]
  • Official Guide
    CODE: SPE-11-1 PUB/POST: Tribeca - TONY, materials due: PRODUCTION: M. Piscatelli LIVE: 4.875” x 7.25” DESCRIPTION: Tribeca - Guide Cover TRIM: 5.375” x 7.75” Delivery Support: 212.237.7000 FILE: 01A-002278-01D-SPE-11-1.indd SAP #: AP.APSPE.11009.K.011 BLEED: 5.875” x 8.25” AMERICAN EXPRESS THE PROUDLY PRESENTS 2011 OFFICIAL TRIBECA FILM FESTIVAL GUIDE TRIBECAFILM.COM APR 20 - MAY 1 REALIZE THE POTENTIALSM FEATURING FILM SUMMARIES | COMPLETE SCHEDULE | GUIDE TO MAKING THE MOST OF TRIBECA SPECIAL OFFERS FOR AMERICAN EXPRESS CARDMEMBERS CODE: SPE-11-2 PUB/POST: Tribeca - TONY, materials due: PRODUCTION: M. Piscatelli LIVE: 4.875” x 7.25” DESCRIPTION: Tribeca - EOS TRIM: 5.375” x 7.75” Delivery Support: 212.237.7000 FILE: 02D-002278-03C-SPE-11-2.indd SAP #: AP.APSPE.11009.K.011 BLEED: 5.875” x 8.25” 1 4/20 – 5/01 TRIBECAFILM.COM NEW York’s DOWNTOWN GET TICKETS GLOBAL CINEMA WHILE THE POPCORN IS STILL HOT. CARDMEMBERS CAN GET ADVANCE TICKETS TO THE TRIBECA FILM FESTIVAL FROM 4/12 TO 4/16. VISIT TRIBECAFILM.COM/FESTIVAL OR CALL 1-866-941-FEST. ENTERING ITS 10TH SEASON THIS YEAR, the Tribeca Film Festival has become a signature New York experience with a built-in global reach. With the support of founding sponsor American Express, the Festival has developed into a unique platform for showcasing some of the best new voices, ideas and narratives in cinema today. The Festival’s range, depth and diversity reflect not only the fabric of New York but also the larger world community beyond.
    [Show full text]
  • MANU SALUJA [email protected] IG: @Manu.Saluja
    MANU SALUJA [email protected] www.manusaluja.com IG: @manu.saluja Born. 1971, Brooklyn, NY EDUCATION 2013 MFA, Painting, New York Academy of Art 1997 BFA, Illustration, School of Visual Arts 1993 BA, Psychology, Barnard College, Columbia University SOLO EXHIBITIONS 2016 Passage, Hersh Fine Art, Glen Cove, NY 2009 Kings of the Punjab, the Royal Ontario Museum, Toronto, Canada SELECTED GROUP EXHIBITIONS 2020 BP Portrait Award/BP Travel Award 2019 Exhibition, National Portrait Gallery, London, England WOMAN, James Baird Gallery, Pouch Cove, Canada NYC, DFN Projects and 33 Contemporary, On-Line Exhibition Ambivalence, 33 Contemporary, On-Line Exhibition The Creator and the Muse, 33 Contemporary, On-Line Exhibition 2019 BP Portrait Award Exhibition, National Portrait Gallery, London, England The Figure In Art, 33 Contemporary, On-Line Exhibition Face to Face, Exhibition of BP Portrait Award Artists, Islington Art Space, London, England Ninth Anniversary Show, Dacia Gallery, New York, NY NTD Fifth International Figure Painting Competition, Salmagundi Club, New York, NY 2018 2nd Annual National Juried Exhibition, Wausau Museum of Contemporary Art, Wausau, WI Take Home A Nude, Benefit Auction, Sotheby’s, New York, NY Artists’ Fellowship Inc. Benefit Auction, National Arts Club, New York, NY Anything But Painting The Figure, Virtual Exhibition, Artsy through Zhou B Art Center, Chicago, IL Faculty Show of The Long Island Academy of Fine Art, Hersh Fine Art, Glen Cove NY 2017 Women Painting Women, In Earnest, Customs House Museum, Clarksville,
    [Show full text]
  • Modern Love Club 156 1St Avenue, New York, NY 10002
    Modern Love Club 156 1st Avenue, New York, NY 10002 FOMO A Group Exhibition curated by Marina Press Granger December 1, 2019 - January 4, 2020 Opening Reception: Sunday, December 1, 6 - 9 pm ”The expression on Clementine’s face, the subject of Nadine Robbins’ painting Try and Stop Me, is a reaction to not having the opportunities she deserves. The opportunities she is missing out on because of her gender. Clementine asked her father for a small loan to jump start her business. Her father explained that he would rather give the loan to her brother because, as a man, he can maintain a business. Here we see Clementine’s visceral reaction of not having the support of the better option when starting her business based on her gender.” — Marina Granger, curator. The Modern Love Club is pleased to present a group exhibition entitled FOMO, featuring a ​ ​ dozen contemporary artists and curated by Marina Press Granger. FOMO is an acronym for ​ ​ Fear of Missing Out, a condition identified in the early 2000s by Patrick J. McGinnis in an article for The Harvard Business School magazine, The Harbus. Over a decade later, FOMO, now a ​ ​ noun and not just an acronym, affects us all. As a society, we are constantly bombarded by information especially information about other people’s fun; their travel, their successes, their failures, and all the details of their lives. And so, we are oversaturated with this information and face FOMO in that way. We constantly think we could be doing something else or may have a better option of what to do.
    [Show full text]
  • ALONSA GUEVARA Born 1986, Rancagua, Chile Lives and Works
    ALONSA GUEVARA Born 1986, Rancagua, Chile Lives and works in New York Education and Residencies 2020 Eric Fischl ’66 Artist-in-Residence Teaching Program, West Nottingham Academy, Colora, Maryland 2014 MFA, New York Academy of Art, New York City 2009 BFA, Catholic University of Chile, Santiago, Chile Honors and Awards 2015 New York Academy of Art FellowshiP, New York City 2013 The Michele and Timothy Barakett ScholarshiP, New York City 2013 Terra Foundation Residency, Giverny, France 2013 Elizabeth Greenshields Grant, Montreal, Canada 2011 First Place Award FEAST Contest, Stamford Art Association, Stamford, Connecticut 2010 First Place Award, Bicentennial Contest of Rengo, Rengo, Chile 2008 Ministry of Education ScholarshiP, Santiago, Chile 2007 ScholarshiP of Honor, Awarded for Academic Excellence, PUC, Chile Solo Exhibitions 2021 Apparitions, Anna Zorina Gallery, New York City 2018 Espíritu, Anna Zorina Gallery, New York City 2016 Ceremonies, Anna Zorina Gallery, New York City 2014 Paper Girls, Muchmore’s, Brooklyn, New York 2014 Over Skin, GunMetal Ink, BridgePort, Connecticut 2013 FUGITIVAS, ExPressiones Cultural Center, New London, Connecticut 2012 Latintempo, Visual At Sur private exhibition, Greenwich, Connecticut 2010 The Wine’s Environment, Las Niñas Vineyard, Santa Cruz, Chile 2009 Women Imprint, Cultural Center of La Reina, Casona Nemesio Antunez 2009 The Culture Begins at Home, Lirios Golf Club, Rancagua, Chile Group Exhibitions 2021 3Dimensional, Gallery Pousen, CoPenhagen, Denmark 2020 Apocalypse Now, Gallery Poulsen, CoPenhagen,
    [Show full text]
  • Course Catalog & on Your Tracking Sheet)  Review the Courses You Have Already Completed
    General Information REGISTRATION All continuing students in good academic and financial standing are eligible to register for courses. Students must register in person during the scheduled registration period. Registration in a given semester is for the following term. Please see the Academic Calendar and the course guide for registration dates and times. 4th-year undergraduate students are eligible to drop off their registration rosters the week before pre-registration in a given semester. These students still have to meet with an advisor but do not have to attend pre-registration. DROPPING AND ADDING COURSES Students may adjust their schedules, free of charge, by completing a Drop/Add form at the Registrar’s Office. The Drop/Add period is the first two weeks of classes in any given semester. Drop/Add can be used to change a schedule or add an audit. Please see the Academic Calendar for exact dates. REGISTRATION HOLDS Registration holds may be placed on student records by the Bursar’s Office, Library, or Financial Aid due to outstanding financial obligation. A hold on a student's record prohibits the student from registering until the obligation is fulfilled. In some cases a hold can lead to the deactivation of a student ID, temporarily limiting access to PAFA facilities. Please be sure to check your PAFA email account and voicemail for an indication you may have a hold. If you find a notice indicating you need to see any of these offices, you will need to resolve the problem before registration begins to register for your classes. It is recommended you check with the following offices to confirm you are not on hold PRIOR to pre-registration.
    [Show full text]
  • The Pamphlet Files 1
    The Pamphlet Files 1 The Pamphlet Files The Pamphlet Files were established as an original resource, part of the Library’s traditional and strong interest in the preservation of ephemera. Some of the material in these files dates back to the late nineteenth century. The Pamphlet Files are often the only record that a gallery or organization existed. They are not catalogued, and there are no references to them in our online catalogue. The files include exhibition brochures, fliers, small exhibition catalogues, gallery announcements, newsletters and other ephemera relating predominately to New York City and state galleries, museums, colleges and universities, professional associations, foundations, non-profit organizations, and other arts organizations. In addition, there are files for one-time arts events and movements, such as “New York State Exposition” and “Art for Peace.” Unless otherwise noted, all files originated from one of the five boroughs of New York City. The list of entries is arranged in alphabetical order; for galleries that have a given name and a surname, i.e. “Martha Jackson Gallery,” the entry will be alphabetized according to the first name. [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [X] [Y] [Z] Harriet Burdock Art & Architecture Collection ***Entries arranged by Serena Jimenez Updated and edited by Lauren Stark, 2010 The Pamphlet Files 2 A • A/D • A & M ARTWORKS • AARGAUER KUNSTHAUS • AARON BERMAN GALLERY • AARON FABER GALLERY • AARON FURMAN • ABC NO RIO • ABINGDON SQUARE PAINTERS • ACA GALLERY, 26 W. 8th St. & 52 W.
    [Show full text]