The Leader Programme As an Impulse for New Projects in Rural Areas
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The University of Chicago Objects of Veneration
THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies............................................................................... -
2009 YEARBOOK 2008 Proceedings
CASUALTY ACTUARIAL SOCIETY ORGANIZED 1914 2009 yearbook and 2008 proceedings Published by the casualty actuarial society 4350 North Fairfax Drive, Suite 250 Arlington, Virginia 22203 Telephone: 703-276-3100 Fax: 703-276-3108 E-Mail: [email protected] CAS Web Site: www.casact.org © Copyright 2009, Casualty Actuarial Society All Rights Reserved ISSN 0895-6022 No. 88 foreword Actuarial science originated in England in 1792 in the early days of life insurance. Because of the technical nature of the business, the first actuaries were mathematicians. Eventually, their numerical growth resulted in the formation of the Institute of Actuaries in England in 1848. Eight years later, in Scotland, the Faculty of Actuaries was formed. In the United States, the Actuarial Society of America was formed in 1889 and the American Institute of Actuaries in 1909. These two American organizations merged in 1949 to become the Society of Actuaries. In the early years of the 20th century in the United States, problems requiring actuarial treatment were emerging in sickness, disability, and casualty insurance—particularly in workers compensation, which was introduced in 1911. The differences between the new problems and those of traditional life insurance led to the organization of the Casualty Actuarial and Statistical Society of America in 1914. Dr. I.M. Rubinow, who was responsible for the Society’s formation, became its first president. At the time of its formation, the Casualty Actuarial and Statistical Society of America had 97 charter mem- bers of the grade of Fellow. The Society adopted its present name, the Casualty Actuarial Society, on May 14, 1921. -
Synopsis Cast Credits Alexander Payne on I Knew Her Well
Alexander Payne presents a film by Antonio I Knew Pietrangeli starring Stefania Her Well Sandrelli Synopsis Following the gorgeous, seemingly liberated Adriana (Divorce Italian Style’s Stefania Sandrelli) as she chases her dreams in the Rome of La dolce vita, I Knew Her Well is at once a delightful immersion in the popular music and style of Italy in the sixties and a biting critique of its sexual politics and the culture of celebrity. Over a series of intimate episodes, just about every one featuring a different man, a new hairstyle, and an outfit to match, the unsung Italian master Antonio Pietrangeli, working from a script he cowrote with Ettore Scola, composes a deft, seriocomic character study that never strays from its complicated central figure.I Knew Her Well is a thrilling rediscovery, by turns funny, tragic, and altogether jaw-dropping. Janus Films is proud to present the U.S. theatrical premiere of a new 4K digital restoration undertaken by the Criterion Collection in partnership with the Cineteca di Bologna. Alexander Payne on I Knew Her Well My favorite national cinemas, other than American, are Japanese and Italian from the forties to the seventies—and particularly from the fifties and sixties. As one continues to dig, one finds in this period an inexhaustible supply of gems, and I Knew Her Well is nothing short of pay dirt. It stands with La dolce vita, Il sorpasso, and Michelangelo Antonioni’s trilogy as a brilliant—and brilliantly entertaining—document of Italy’s contradictions in the second decade after the war, and, like Antonioni, Pietrangeli put women at the center of his films. -
Newsletter 05/09 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 05/09 DIGITAL EDITION Nr. 247 - März 2009 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 05/09 (Nr. 247) März 2009 Die FANTASY FILMFEST NIGHTS 2009 Ein kurzes Resumee von Wolfram Hannemann DEADGIRL (1:2.35, DVD, DS) HORSEMEN (1:1.85, DD 5.1) USA 2008 / ENGLISCHE OV USA 2009 / ENGLISCHE OV REGIE Marcel Sarmiento / Gadi Harel REGIE Jonas Åkerlund DARSTELLER DARSTELLER Noah Segan / Shiloh Dennis Quaid / Ziyi Zhang / Patrick Fugit / Fernandez / Candice Accola / Eric Podnar / Lou Taylor Pucci / Clifton Collins Jr. / Eric Jenny Spain / Andrew DiPalma / Nolan Balfour / Peter Stormare DREHBUCH Da- Gerard Funk / Michael Bowen DREH- vid Callaham PRODUZENTEN Michael BUCH Trent Haaga PRODUZENTEN Bay / Andrew Form / Brad Fuller VERLEIH Marcel Sarmiento / Gadi Harel VERLEIH Concorde Filmverleih Ascot Elite Home Entertainment Wenn einem schon in den ersten Minuten Da finden zwei Schüler in einem verlasse- des Films das Bauchgefühl sagt, dass man nen Krankenhaus im allerletzten Winkel im den Mörder bereits kennt, dann sollte man Kellergeschoss eine nackte Frau, die auf sich auf dieses Bauchgefühl verlassen. einen Tisch gefesselt ist. Und offensicht- Nachteil ist dann natürlich, dass der dann lich ist die Dame nicht von dieser Welt: folgende Film extrem langweilig wirkt. weder Pistolenkugeln noch Messerstiche HORSEMEN ist ein solches Beispiel. Da können ihr etwas anhaben. Die Jungs be- soll ein stark gealterter Dennis Quaid als schließen, die Dame als ihr persönliche Ermittler eine Serie von grausamen Morden Sexsklavin zu benutzen.. -
Redalyc. the SOCIO-ECONOMIC DETERMINANTS of INTERNATIONAL SOCCER PERFORMANCE. Journal of Applied Economics
Journal of Applied Economics Universidad del Centro de Estudios Macroeconómicos de Argentina [email protected] ISSN 1514-0326 ARGENTINA 2002 Robert Hoffmann, Lee Chew Ging, Bala Ramasamy THE SOCIO-ECONOMIC DETERMINANTS OF INTERNATIONAL SOCCER PERFORMANCE Journal of Applied Economics. Noviembre. Vol. 5. Núm. 2 Universidad del CEMA Buenos Aires, Argentina pp. 253-272 http://redalyc.uaemex.mx Journal of Applied Economics, Vol. V, No. 2 (Nov 2002), 253-272 THE SOCIO-ECONOMIC DETERMINANTS 253 THE SOCIO-ECONOMIC DETERMINANTS OF INTERNATIONAL SOCCER PERFORMANCE ROBERT HOFFMANN, LEE CHEW GING AND BALA RAMASAMY* The University of Nottingham This paper reports regression results identifying the variables influencing a country’s performance in international soccer games. The results reveal that economic, demographic, cultural and climatic factors are important. In particular, inverted U-shape relationships are identified with respect to temperature and per-capita wealth. We also find a significant interaction between Latin cultural origin and population size, while both variables are individually insignificant. Explanations for our results are offered. JEL classification codes: L83, H50 Key words: football, FIFA World Ranking, Latin culture I. Introduction Football1 is commonly regarded as the most popular sport in the world. During the 2002 world championship in Korea/Japan, 32 survivors of the 170-nation qualifying tournament competed for the coveted FIFA2 World Cup. The tournament was watched by over a billion television viewers worldwide. In terms of participation, football is one of the few sports played in all parts of the world (Murray, 1996, p. 4). According to FIFA estimates, there are a currently around two hundred million active players. -
A N N U a L R E P O Rt 2 0 0 6 Annual Report 2006
2006 Annual Report CSSF 110, route d’Arlon L-2991 LUXEMBOURG Annual Report 2006 Commission de Surveillance du Secteur Financier 110, route d’Arlon L-2991 LUXEMBOURG Tel.: (+352) 26 251-1 Fax: (+352) 26 251-601 E-mail: [email protected] Website: http://www.cssf.lu Cut-off date: 1 March 2007. The reproduction of the annual report is authorised, provided the source is acknowledged. Design: metaph Printed by: Imprimerie Centrale s.a., Luxembourg PREFACE The year 2006 was an excellent year for the financial centre as a whole. Without wanting to be overenthusiastic, I deem it justified and appropriate to be optimistic as regards the future of our financial centre which, in my opinion, will continue to largely contribute to the prosperity of the national economy. The scepticism of the previous years must give way to confidence and I really encourage the youth to seek employment in the financial sector, which, more than ever, offers job opportunities for qualified experts. I am certain that the financial centre, which developed over years, stands on sound grounds. Luxembourg must be proud thereof and should not have false modesty in this regard. Over the last years, our financial centre was able to diversify by discovering and developing niche activities, thus giving it new impetus. No need, therefore, to fear for its future, even if some element was to change afterwards, notably due to decisions taken abroad. There is no “global risk” likely to shake our centre as a whole, because it is already diversified and because the products are diversified. I would like to list four conditions that I deem essential to ensure that the financial centre will be as successful in the coming years. -
The American Giallo
Georgi Wehr THE AMERICAN GIALLO The Italian Giallo and its Influence on North-American Cinema DOCTORAL THESIS submitted in fulfilment of the requirements for the degree of Doktor der Philosophie Alpen-Adria-Universität Klagenfurt Fakultät für Kulturwissenschaften Supervisor Assoc.-Prof. PD Dr. Angela Fabris Alpen-Adria-Universität Klagenfurt Institut für Romanistik Supervisor Univ.-Prof. Dr. Jörg Helbig, M.A. Alpen-Adria-Universität Klagenfurt Institut für Anglistik und Amerikanistik Evaluator Univ.-Prof. Dr. Jörg Helbig, M.A. Alpen-Adria-Universität Klagenfurt Institut für Anglistik und Amerikanistik Evaluator Assoc. Prof. Srećko Jurišić University of Split Klagenfurt, February 2020 i Affidavit I hereby declare in lieu of an oath that - the submitted academic paper is entirely my own work and that no auxiliary materials have been used other than those indicated, - I have fully disclosed all assistance received from third parties during the process of writing the thesis, including any significant advice from supervisors, - any contents taken from the works of third parties or my own works that have been included either literally or in spirit have been appropriately marked and the respective source of the information has been clearly identified with precise bibliographical refer- ences (e.g. in footnotes), - to date, I have not submitted this paper to an examining authority either in Austria or abroad and that - when passing on copies of the academic thesis (e.g. in bound, printed or digital form), I will ensure that each copy is fully consistent with the submitted digital version. I understand that the digital version of the academic thesis submitted will be used for the purpose of conducting a plagiarism assessment. -
Romy Schneider Eine Deutsche Schauspielerin Aus Österreich in Frankreich
DIPLOMARBEIT Titel der Diplomarbeit Romy Schneider eine deutsche Schauspielerin aus Österreich in Frankreich Verfasserin Isabella Lukas angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin: Univ. - Prof. Dr. Hilde Haider Danksagung In erster Linie möchte ich meiner Familie, vor allem meiner Mama, für die langjährige emotionale und auch finanzielle Unterstützung danken. Ohne euch hätte ich diese Arbeit nie zu Ende geschrieben. Danke für alles. Außerdem danke ich meinen Freunden. Danke, dass ihr da seid, wenn ich euch brauche und danke für das ehrliche Feedback, das ihr mir gegeben habt. Und danke Sabrina für das fantastische Titelblatt. Inhaltsverzeichnis Einleitung .................................................................................................................................... 7 I. Biografische Hintergründe ...................................................................................................... 9 II. Der große Durchbruch in Österreich und Deutschland ........................................................ 12 II.1. Wenn der weiße Flieder wieder blüht ........................................................................... 12 II.2. Mädchenjahre einer Königin ......................................................................................... 15 II.3.1. Sissi – ein Film trifft den Nerv der Zeit .....................................................................