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72Nd CANNES FILM FESTIVAL « Pierre Angénieux Excellens In
Press Release – April 2019 72nd CANNES FILM FESTIVAL (May 14-25, 2019) « Pierre Angénieux ExcelLens in Cinematography » Tribute to Bruno Delbonnel (A.F.C. and A.S.C.) Friday, May 24, 2019 – 8pm Buñuel Theater, Palais des Festivals Since 2013, as an official partner of the Cannes Film Festival, Angénieux has been paying a tribute to a prominent director of photography during the « Pierre Angénieux ExcelLens in Cinematography » ceremony. This event turns the spotlight on worldwide masters of light, directors of photography, without whom cinema would not exist. After Philippe Rousselot (AFC*, ASC*) in 2013, Vilmos Zsigmond (HSC*, ASC) in 2014, Roger A. Deakins (BSC*, ASC) in 2015, Peter Suschitzky (ASC) in 2016, Christopher Doyle (HKSC*) in 2017 and Edward Lachman (ASC), it is Bruno Delbonnel’s turn to be honored in 2019, at the 72nd Cannes Film Festival, during an exceptional eveninG opened by Thierry Frémaux, presented by French journalist Pierre Zéni and in presence of some of his closest collaborators. Bruno Delbonnel is a world-renowned French director of photography. Born in Nancy in 1957, Bruno Delbonnel first studied philosophy, then graduated from ESEC in the camera and light section, before filming his first and only film at the age of 20 : a short film, Rare Realities. On this film, Jean-Pierre Jeunet was his assistant and Henri Alekan, his DOP… AlonGside the master of black and white photoGraphy, he discovered his passion for liGht was stronGer than directing. He then beGan workinG as a camera assistant during fifteen years for commercials and some feature films, then as a DOP. -
Introduction
CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills...................................................... -
Cinematographer As Storyteller How Cinematography Conveys the Narration and the Field of Narrativity Into a Film by Employing the Cinematographic Techniques
Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. This page intentionally left blank. 4 The alteration Note: The alteration of my MPhil thesis has been done as was asked for during the viva for “Cinematographer as Storyteller: How cinematography conveys narration and a field of narrativity into a film by employing cinematographic techniques.” The revised thesis contains the following. 1- The thesis structure had been altered to conform more to an academic structure as has been asked for by the examiners. -
PRESALES LINE-UP 2021 ©Mastiff
C=0 M=56 Y=75 K=0 reservoir docs PRESALES LINE-UP 2021 ©Mastiff TEASER LEGACY Password: jazz By Manal Masri (filmmaker of the awardedLetters to a Serial Killer) Sweden • 90’ & 6X30’ 1 PRESALES LINE-UP 2021 • RESERVOIR DOCS Legacy The Scandinavian legacy of American jazz musicians Imagine that Drake, Kendrick Lamar, Beyonce and Cardi B all Production: moved to Scandinavia. They played gigs at local clubs and toured Mastiff school auditoriums all over their adopted countries, while finding In coproduction with partners and having children at the same time. SVT, DR, YLE Budget: This did happen, just in a previous era. From the late 1950s up to 591K€ the 1970s, some of the greatest African-American jazz musicians Expected delivery: moved to Sweden/Scandinavia, making new families and a lasting Winter 2021/2022 musical impression on the country. Assets already available: Teaser, Project description with Legacy is an account of their lives, their music and their families comprehensive cast (Quincy and their legacies. We follow their children, now grown, who share Jones, Clint Eastwood, …) their stories for the first time: about growing up with a world-fa- What we are looking for: mous father, yet getting teased at school about their dark skin. Presales (TV and all rights distribution deals), A European coproduction This series is as much a documentary about music as it is a por- partner, trait of how individual experiences of race, visions of society and a passionate US executive artistic dreams intersect, giving rise to an entirely new musical -
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC -
BAM/PFA Program Guide
B 2012 B E N/F A J UC BERKELEY ART MUSEum & PacIFIC FILM ARCHIVE PROGRAM GUIDE AnDY WARHOL RAY JOHNSON & ROBERT WARNER RICHARD MISRACH rOBERT BRESSON hOWARD HAWKS HENRI-GEORGES CLOUZOt dOCUMENTARY VOICES aFRICAN FILM FESTIVAL GREGORY MARKOPOULOS mARK ISHAM BAM/PFA EXHIBITIONS & FILM SERIES The ReaDinG room P. 4 ANDY Warhol: PolaroiDS / MATRIX 240 P. 5 Tables OF Content: Ray Johnson anD Robert Warner Bob Box ArchiVE / MATRIX 241 P. 6 Abstract Expressionisms: PaintinGS anD DrawinGS from the collection P. 7 Himalayan PilGrimaGE: Journey to the LanD of Snows P. 8 SilKE Otto-Knapp: A liGht in the moon / MATRIX 239 P. 8 Sun WorKS P. 9 1 1991: The OAKlanD-BerKeley Fire Aftermath, PhotoGraphs by RicharD Misrach P. 9 RicharD Misrach: PhotoGraphs from the Collection State of MinD: New California Art circa 1970 P. 10 THOM FaulDers: BAMscape Henri-GeorGes ClouZot: The Cinema of Disenchantment P. 12 Film 50: History of Cinema, Film anD the Other Arts P. 14 BehinD the Scenes: The Art anD Craft of Cinema Composer MARK Isham P. 15 African film festiVal 2012 P. 16 ScreenaGers: 14th Annual Bay Area HIGH School Film anD ViDeo FestiVal P. 17 HowarD HawKS: The Measure of Man P. 18 Austere Perfectionism: The Films of Robert Bresson P. 21 Documentary Voices P. 24 SeconDS of Eternity: The Films of GreGory J. MarKopoulos P. 25 DiZZY HeiGhts: Silent Cinema anD Life in the Air P. 26 Cover GET MORE The Big Sleep, 3.13.12. See Hawks series, p. 18. Want the latest program updates and event reminders in your inbox? Sign up to receive our monthly e-newsletter, weekly film update, 1. -
Sven Vosloo Sasc
svengali cinematography Sven Vosloo sasc Director of Photography Curriculum Vitae - Features Personal Information Nationality: South African I D Number: 650923 5110 081 Date of Birth: 23 September 1965 Passport: South African 1stLanguage: English Contact Information Email: [email protected] Website: www.svenvosloo.co.za Telephone: + 27 (0) 82 557 1166 svengali cinematography 2018 Production Title: American Monster 3 Production Co.: Arrow Media / Trilogy Creative Studios Directors: Bill Thomas, Neil Rawles, Nick Davies, Stephen Oxenham DOP: Paul Jenkins Position: B camera operator & 2nd unit DP 2017 Production Title: Deep Blue Sea II Production Co.: Warner Brothers / Film Afrika Director: Darrin Scott DOP: Thomas Callaway Position: A camera operator & 2nd unit DP Production Title: Maze Runner : The Death Cure (2nd unit) Production Co.: 20th Century Fox / Light Stuff Trading - OOA Director: Vic Armstrong DOP: Josh Bleibtreu Position: 2nd unit camera operator Production Title: Maze Runner : The Death Cure (main unit) Production Co.: 20th Century Fox / Light Stuff Trading - OOA Director: Wes Ball DOP: Gyula Pados Position: Additional camera operator (daily) Production Title: Outlander Season 3 (block 6) Production Co.: Left Bank Pictures / Film Afrika Director: Charlotte Brandstrom DOP: Alisdair Walker Position: Additional camera operator (daily) Production Title: The Kissing Booth Production Co.: Komixx Entertainment / Out of Africa Entertainment Director: Vince Marcello DOP: Anastas Michos Position: A camera operator Production Title: -
Camera Operator & Director of Photography
PRINCESTONE ! +44 (0) 208 883 1616 " [email protected] NIC MILNER assoc. B.S.C. / G.B.C.T. Camera Operator & Director of Photography FEATURES & TV DRAMA: Title Director / DOP Production Co THE PERIPHERAL Vincenzo Natali Warner Bros / Amazon Studios Series: 2nd Unit D.o.P Cast: Gary Carr, T’Nia Miller, Chloe Grace Moretz DREAM HORSE Euros Lyn/Erik Wilson Ffilm Cymru Wales Feature: Race camera operator Cast: Toni Collette, Sian Phillips, Judi Dench BLITHE SPIRIT Edward Hall/Ed Wild Fred Films Feature, 2nd unit camera opereator Cast: Isla Fisher, Dan Stevens, Judi Dench JUDY Rupert Goold / BBC Films / Calamity Films / Pathe UK / Feature, B camera Ole Bratt Birkeland Twentieth Century Fox Cast: Renee Zellweger, Rufus Sewell THE CROWN series 1, 2, 3 & 4 Stephen Daldry, Benjamin Caron, Left Bank Pictures / Sony Pictures Series 1 Daily credits Philip Martin, Julian Jarrold, for Netflix Series 2 A cam - eps 5&6 + Dailies eps 1-4, 7&8 Philippa Lowthorpe, Series 3 A cam - eps 5&6 + Dailies eps. 1-4 Christian Schwochow / Frank Lamm Series 4 tbc Cast: Claire Foy, Olivia Coleman, Matt Smith, Adriano Goldman, Stuart Howell, Tobias Menzies Ole Bratt Birkeland LONDON HAS FALLEN Babak Najafi / Millennium Films / LHF Film / Feature, B camera Ed Wild GBAS Entertainment Cast: Gerard Butler, Morgan Freeman JACK THE GIANT KILLER Bryan Singer / Legendary Films 35mm 2nd unit B camera operator Newton Thomas Sigel Cast: Ewan McGregor, Ian McShane HARRY POTTER & David Yates / Heyday Films / Warner Bros. THE DEATHLY HALLOWS p. 1 & 2 Eduardo Serra / Mike Brewster 35mm 2nd unit B camera operator / D.o.P. -
Télécharger La Lettre 292 (Pdf)
décembre 2018 la lettre n° 292 u entretiens AFC Dominique Colin > p. 42 Alfonso Cuarón > p. 22 AFC, ASC Bruno Delbonnel > p. 16 AFC Benoît Delhomme > p. 10 Diego Garcia > p. 38 BSC Florian Hoffmeister > p. 18 FSF Linus Sandgren > p. 19 BSC, ISC Robbie Ryan > p. 21 David Ungaro AFC > p. 36 p Jean-Pierre Beauviala, "ASC Special Award" > p. 3 - 5 Films AFC sur les éCrAns > p. 2 ACtuAlités AFC > p. 5, 29 CAmerimAge 2018 > p. 6 - 27 çà et là > p. 28, 30, 31, 35 vie proFessionnelle > p. 28 in memoriAm > p. 32 - 34 Association Française des directeurs de la photographie Cinématographique lA Cst > p. 31 nos AssoCiés > p. 44 - 50 leCture > p. 50 sur les éCrAns : Les Confins du monde Maya de Guillaume Nicloux, photographié par de Mia Hansen-Løve, photographié par David Ungaro AFC Hélène Louvart AFC Avec Gaspard Ulliel, Guillaume Gouix, Avec Roman Kolinka, Aarshi Banerjee, Gérard Depardieu Alex Descas Sortie le 5 décembre 2018 Sortie le 19 décembre 2018 [ u p. 36 ] [ u p. 40 ] Ma mère est folle The Book Shop de Diane Kurys, photographié par d’Isabel Coixet, photographié par Gilles Henry AFC Jean-Claude Larrieu AFC Avec Fanny Ardant, Vianney, Avec Emily Mortimer, Bill Nighy, Patrick Chesnais Patricia Clarkson Sortie le 5 décembre 2018 Sortie le 19 décembre 2018 production : Alexandre Films Coproduction : nexus Factory opérateur steadicam : Benoît theunissen Au bout des doigts 1ers assistants opérateur : luc Frisson, Benjamin Hautenauve de Ludovic Bernard, photographié par es 2 assistants opérateur : olivier martin, guillaume epars Thomas Hardmeier AFC Chef électricien : vincent piette - Chef machiniste : Dimitri Doulkeridis effets numériques : Christophe laya Avec Jules Benchetrit, Lambert Wilson, monteur : manu de souza - mixeur : Christian Fontaine Kristin Scott Thomas matériel Caméra, lumière et machinerie : tsF Bruxelles Sortie le 26 décembre 2018 (Arri Alexa Xt et Alexa mini, master prime) [ u p. -
Join Us. 100% Sirena Quality Taste 100% Pole & Line
melbourne february 8–22 march 1–15 playing with cinémathèque marcello contradiction: the indomitable MELBOURNE CINÉMATHÈQUE 2017 SCREENINGS mastroianni, isabelle huppert Wednesdays from 7pm at ACMI Federation Square, Melbourne screenings 20th-century February 8 February 15 February 22 March 1 March 8 March 15 7:00pm 7:00pm 7:00pm 7:00pm 7:00pm 7:00pm Presented by the Melbourne Cinémathèque man WHITE NIGHTS DIVORCE ITALIAN STYLE A SPECIAL DAY LOULOU THE LACEMAKER EVERY MAN FOR HIMSELF and the Australian Centre for the Moving Image. Luchino Visconti (1957) Pietro Germi (1961) Ettore Scola (1977) Maurice Pialat (1980) Claude Goretta (1977) Jean-Luc Godard (1980) Curated by the Melbourne Cinémathèque. 97 mins Unclassified 15+ 105 mins Unclassified 15+* 106 mins M 101 mins M 107 mins M 87 mins Unclassified 18+ Supported by Screen Australia and Film Victoria. Across a five-decade career, Marcello Visconti’s neo-realist influences are The New York Times hailed Germi Scola’s sepia-toned masterwork “For an actress there is no greater gift This work of fearless, self-exculpating Ostensibly a love story, but also a Hailed as his “second first film” after MINI MEMBERSHIP Mastroianni (1924–1996) maintained combined with a dreamlike visual as a master of farce for this tale remains one of the few Italian films than having a camera in front of you.” semi-autobiography is one of Pialat’s character study focusing on behaviour a series of collaborative video works Admission to 3 consecutive nights: a position as one of European cinema’s poetry in this poignant tale of longing of an elegant Sicilian nobleman to truly reckon with pre-World War Isabelle Huppert (1953–) is one of the most painful and revealing films. -
PROGRAM C 7. JANUÁR – 3. FEBRUÁR 2014 Predpremiéry a Premiéry
KINO SLOVENSKÉHO FILMOVÉHO ÚSTAVU ŠPITÁLSKA UL. 4 BRATISLAVA PROGRAM c 7. JANUÁR – 3. FEBRUÁR 2014 Predpremiéry a premiéry k 12 rokov otrokom r. Steve McQueen V USA V 2013 k Futurologický kongres r. Ari Folman V Izrael/Nemecko/Poľ./Lux./Fran./Bel. V 2013 Večer s Nymfomankou 31. január 18.30 k Kapitál r. Costa-Gavras V Francúzsko V 2012 19. ročník putovnej edukatívnej prehliadky PROJEKT 100 ukončí premiéra dlho očakávaného filmu k Nymfomanka I r. Lars von Trier V Dánsko V 2013 Larsa von Triera Nymfomanka. Film je uvádzaný do distribúcie v dvoch častiach s premiérami 9. ja- k Nymfomanka II r. Lars von Trier V Dánsko V 2013 nuára a 6. februára 2014. V rámci večera s Nymfomankou budú mať návštevníci kina jedinečnú k Špinavý trik r. David O. Russell V USA V 2013 šancu vidieť v rámci exkluzívnej projekcie obe časti naraz a ešte aj za zvýhodnených podmienok: k Vlk z Wall Street r. Martin Scorsese V USA V 2013 k Nymfomanka I + II: 7,00 € /5,00 € pre držiteľov preukazov Filmových klubov, Music & Film seniorov, ZŤP a ZŤPs. k The Rolling Stones – Some Girls: Live in Texas ´78 r. Lynn Lenau Calmes V USA V 1978 Európske nominácie na Oscara j Predpredaj vstupeniek aj cez ticketportal.sk. Dňa 17. januára budú vyhlásené nominácie na Oscarov 2013, výročné filmové ceny, ktoré udeľuje americká Akadémia filmových umení a vied. V priebehu januára uvedieme prehľad najvýraznejších English friendly Slovak Films | Slovenské filmy s anglickými titulkami európskych filmov roku 2013, ktoré sa uchádzajú za jednotlivé európske krajiny o užšiu nomináciu k My Dog Killer V Môj pes Killer d. -
LUCAS-DISSERTATION.Pdf (3.422Mb)
Copyright by Robert Christopher Lucas 2011 The Dissertation Committee for Robert Christopher Lucas Certifies that this is the approved version of the following dissertation: Crafting Digital Cinema: Cinematographers in Contemporary Hollywood Committee: Thomas Schatz, Supervisor Sharon Strover Nancy Schiesari Bruce Hunt James Hay Crafting Digital Cinema: Cinematographers in Contemporary Hollywood by Robert Christopher Lucas, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2011 Dedication For Julie Acknowledgements I am very grateful for my committee members‟ support through this long process. Thomas Schatz showed unflagging confidence in the project‟s value and in my ability to finish it. Sharon Strover offered feedback and encouragement at key moments and generously provided workspace in the crucial last months. James Hay was a wonderful source of challenging questions and reassurance. Bruce Hunt and Nancy Schiesari provided new perspectives on this subject that I greatly appreciated. Also, William Christ and Jennifer Henderson kindly hired me to teach at Trinity University for several semesters running and another Trinity colleague, Patrick Keating, helped invigorate this project with his research and our conversations. My graduate colleagues Kyle Barnett, Avi Santo, Hollis Griffin, Alison Perlman, and Holly Custard have encouraged me with welcome feedback and timely commiseration. The cinematographers and filmmakers that spoke with me were remarkably generous with their time. There are too many to thank here, but Curtis Clark, the chairman of the ASC Technology Committee, deserves a special mention for sharing his unique perspective and great knowledge.