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ARSC Journal
THE GILBERT AND SULLIVAN OPERETTAS ON 78s: COMPLETE SETS AND ABRIDGEMENTS, 1906. 1950 John W. N. Francis In 1877 Richard D'Oyly Carte commissioned Gilbert and Sullivan to write The Sorcerer, and organized an ensemble of singer-actors to perform the new piece under the author's artistic direction. Also in 1877, of course, Charles Cros and Thomas Edison invented sound recording. More than a century later both the music and the medium continue to flourish, and indeed they have come together often and success fully--notably in the many complete versions by the D'Oyly Carte Opera Company, which have set standards of style and ensemble for generations of devotees and amateur performers. This discography documents the complete recordings of the Gilbert and Sullivan operettas made at 78 rpm, not only by the D'Oyly Carte company or under its aegis, but also by others with lesser claims to authenticity. Also included are substantial abridgements and sets of excerpts--groups of five or more sides made at essentially the same time and place and with the same performers, whether or not they were ever issued collectively or with consecutive numbering. The following comments set the recordings in the context of the D'Oyly Carte Opera Company's history. THE ACOUSTIC RECORDINGS When Richard D'Oyly Carte died in 1901, his widow Helen assumed manage ment of the businesses he had built, including the Savoy Theatre in London and the opera company, which was then on tour. In 1906 she brought the troupe back to the Savoy for a repertory season of Gilbert and Sullivan, its very first. -
If You Love Music
of the singers. Apart from Alfred Deller's, Patience herself, even Sargent's lovelybard? it doesn't sound like Leslie Rands). no such attempts come to mind. Yet one of Elsie Morison can't match the indomitable K.F. the best things about the performance is its Margaret Mitchell in the D'Oyly Carte's pacing. Particularly in this style of fluid postwar mono set,formerly on Rich- recitative, with its witty exchanges and rap- HAYDN: Symphonies (11)-See page mond. 58. id shifts in tone, the ever changing move- The Gondoliers excerpts, not to be ment of the music requires the utmost con- confused with the differently cast 1927 trol in order to seem natural. To Jacobs' complete recording conducted by HarryLEONCAVALLO: La Bohente. credit, Orontea seems as brisk and as much Norris (Arabesque 8058-2L), comprise CAST: fun as a Hollywood comedy. something under half the score, concentrat- Mimi Lucia Popp (s) The recording qualityisexcellent, ing on the gondoliers themselves and their Musette Alexandrina Milcheva (ms) with sound-intimate rather than spectacu- wives. I prefer the excerpts to the complete Eufemia Sofia Lis (ms) lar-that befits the scale of the work. It is a recording. They're performed with agree- Marcello Franco Bonisolli (t) Gaudenzio Friedrich Lenz (t) pleasure that the clearly produced but unob- able spirit, if again without much vocal dis- Durand Norbert Orth (t) trusive digital sound and the excellent tinction, one exception being the fine "Ris- II Signore del primo pianoAlbert Gassner (t) pressing allow Cesti's Orontea to shine for ing early in the morning" !Leonard Hub- Rodolfo Bernd Weikl (b) itself. -
The Bruce Doery Collection (Members Are Able to Borrow Items from This Collection)
The Bruce Doery Collection (Members are able to borrow items from this collection) TITLE AUTHOR YEAR WSG 2.1 Libretti (individual) Thespis TerrenceRees 1964 2003 (revised Thespis Terrence Rees edition) 1979 Flint/Brock The Mikado illustrations 1979 Flint/Brock The Yeomen of the Guard illustations 2.2 Libretti collected. 1951 The Savoy Operas MacMillan 1975 The Savoy Operas MacMillan Annotated Ian Bradley 1996 The First Night G&S Reginald Allen 1975 2.3 Gillbert Without Sullivan Gilbert Before Sullivan Jane W. Stedman 1969 2.5 Prose and Verse The Bab Ballads 1953 The Lost Stories of W. S. Gilbert Peter Hainin Ed. 1982 2.6 Story adaptations The Savoy Stories Evelyn Gatliff 1950 Stories from G&S Gladys Davidson 1952 The Nightmare Song Angie Sage 1981 3 Biographies Gilbert His Life and Strife Hesketh Pearson 1957 W.S. Gilbert The Classic Victorian and His Theatre Jane W. Steadman 1996 3.2 A.S.S. Sir Arthur Sullivan H.Sullivan /N. Flower 1950 Sir Arthur Sullivan Percy M. Young 1971 Arthur Sullivan A Victorian Musician Arthur Jacobs 1984 Sullivan and the Scott Russells John Wolfson 1984 Uncle Arthur Californian Connection Scott Hayes 2003 3.3 Savoyards Page 1 of 4 The Bruce Doery Collection (Members are able to borrow items from this collection) Muriel Dickson Michael Walters 2004 Aileen Davies 1920'2 Soubrette Tony Joeseph 2002 George Grossmith Tony Joeseph 1982 Charles Goulding Bristol Tennor Tony Joeseph 2001 Evelyn Gardiner Flying Opera Singer Tony Joeseph 2004 1952 (UK Here's A How-de-do Martin Green Version) A Song To Sing-O! Winifred Lawson 1955 The Secret's Of A Savoyard Henry A. -
Norbeck, Peters & Ford
Auction #151 • - - AUCTION Closing Date: Tuesday, 26 November, 2019 Norbeck, Peters & Ford Regarding AUCTION #151 (Closing Date: Tuesday, 26 November, 2019), The Minimum Bid ("MB") is a guide . in cases of extreme rarity, the actual realized price may far exceed the Minimum Bid, while in other cases an item may realize a price very close to the Minimum Bid, and, occasionally, the Minimum Bid itself. Please bid in accordance with whatever a given item means to you . HOW TO PLACE BIDS We are pleased to receive bids via PHONE: [(802) 524-7673]. TELEPHONE HOURS are 10:00 am - 5:00 PM, EST - Monday – Friday, when PETER FORD is available to take bids and answer any questions - or FAX [1 888 819 4831], or E-MAIL ([email protected]), 24 hours a day, 7 days a week. When placing your bids, please list the ITEM NUMBER (in the left column of catalogue) and a brief description of the item. Include your phone & e-mail address and shipping address to which your parcel will be sent on all orders. TABLE OF CONTENTS: VOCAL N0101 - N1077 VICTOR‘GEMS’ N1078 - N1139 LIGHTOPERA N1141 - N1156 GILBERT & SULLIVAN N1157 - N1166 SPOKEN WORD N1167 - N1202, plus N0988 N0101. ALEKSANDR VERTINSKY: Tango 'Magnolia' / Chanson d’amour (both Sung by the ‘Composer’). 10” dark-blue PW Eng. Col. DC 28 (WL 2158/57), POM-1926. A to M-A, excellent copy has faintest rubs, inaud. MB 45 "At the beginning of 1916, Aleksandr Vertinsky came up with an original stage idea – he began to play the powdered-face character Pierrot. -
OPERAS > Synopsis of the Gilbert and Sullivan Operas to Be §Iwn by the D'oyly Carte Opera Company During Their First American Tour, 1929
TEE GILBERT S TRIAL-iS' JURY I f 7/ie SORCERER 1 HMS PINAFORE PATIENCE I IOLANTHE j SUUJVAN IMf AND 7'n-"1 EOMEN rf'th, CJ'JAH D GONDOUERS OPERAS > Synopsis of the Gilbert and Sullivan Operas to be §iwn by the D'Oyly Carte Opera Company during their First American Tour, 1929 THE MIKADO NANKI Poo,son of the Mikado of Japan, comes to the town of Titipu disguised as a wandering minstrel. He loves Yum Yum, and has fled from his father's Court to escape the attentions of Ka• tisha, an elderly lady. To his despair he finds that Yum Yum is to marry KoKo,a cheap tailor who has been pro• moted to the rank of Lord High Ex• ecutioner of Titipu. When Nanki Poo learns this he decides to hang himself, but is prevented by Ko Ko, who prom• ises to let him marry Yum Yum for a month on condition that he allows him• self to be publicly executed at the end of it. The reason Ko Ko wishes to have public execution is because he has received a letter from the Mikado threatening to reduce the town to the rank of a village unless an execution takes place immediately. Nanki Poo agrees. He has already disclosed his identity to Yum Yum, although Ko Ko does not know that he is the son of the Mikado. Ko Ko then discovers that when a Japanese husband is beheaded his wife must be buried alive with him. Yum Yum cannot face this, but when Ko Ko hears that the Mikado is approaching he bundles Yum Yum off to marry Nanki Poo and makes a false certificate of the execution.