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THE ALLNITERS Will Always Be Remembered for Their Big Sound, Cracking Tunes and Eccentric Exuberance
THE ALLNITERS will always be remembered for their big sound, cracking tunes and eccentric exuberance. Mischievous and a little bit cheeky, they’re the most successful ska act in Australian history and they’re back: bigger, bolder and brassier than ever after over 30 years, proving once and for all that THE ALLNITERS are Allriters … and evidently ska’d for life. It all began back in 1980 when a group of eight lads and one rude girl gravitated towards charismatic founding member Marty Fabok as the inner-city mod scene was percolating. They nattered, laughed and riffled through their favourite reggae, blues; disco, Jamaican blue beat and rock steady vinyl collections. Jaunty brass and tight rhythm sections were forged and THE ALLNITERS had officially arrived, donning their porkpie hats, braces and Doc Martens and chomping at the bit to burn up the live circuit with upbeat rhythms, walking bass-lines and contagious jocularity. The band cut its teeth as a live act at Sydney’s legendary Sussex Hotel and went on to become one of the hardest touring acts in the country. Attendance records were broken, as were stages, with audience members sometimes storming the stage to out-number the band, egged on by those spilling out the doors, thus threatening structural collapse. Regardless, THE ALLNITERS never failed to amuse, with hysterical, quick-witted onstage banter between vocalists Peter Travis and Brett Pattinson rivaling that of The Two Ronnie’s. The band rapidly became as renowned for their energetic sense of playfulness as for their larger than life new wave sound. -
Current Songs List
Current Songs List Printed on Monday, 12 January 2004 403 songs are listed. Some are in more than one category. Song Title and Artist Name Song Title and Artist Name Xmas Carols / Xmas Songs Teddy Bear - Elvis Presley That'll Be The Day - Buddy Holly & The Crickets Happy Christmas (War Is Over) - John Lennon The Great Pretender - The Platters Rudolph The Red Nosed Reindeer - Xmas Carol The Twist - Chubby Checker Special Event The Wanderer - Dion Auld Lang Syne - Traditional Arrangement Tutti Frutti - Little Richard Bridal Chorus (Here Comes The Bride) - Traditional Arrangement Twist And Shout - The Beatles (Wagner) Wake Up Little Susie - The Everly Brothers Happy Birthday To You - Orchestrated Arrangement Wild One - Bobby Rydell Wedding March (Out Of Church) - Traditional Arrangement (Mendelssohn) Rock - Hard / Heavy Always - Bon Jovi Rythym & Blues / Soul Am I Ever Gonna See Your Face Again - The Angels In The Midnight Hour - The Commitments Soundtrack Are You Gonna' Go My Way - Lenny Kravitz Mustang Sally - The Commitments Soundtrack Born To Be Wild - Steppenwolf Shake Your Tailfeather - From "The Blues Brothers" Film Soundtrack Gimme All Your Lovin' - Z.Z. Top Treat Her Right - The Commitments Soundtrack High Voltage - AC/DC When A Man Loves A Woman - Percy Sledge Jailbreak - AC/DC When A Man Loves A Woman (Original Version) - Percy Sledge Jump - Van Halen Wonderful World - Sam Cooke La Grange - Z.Z. Top Rock'N'Roll Rebel Yell - Billy Idol Ain't That A Shame - Fats Domino Sharp Dressed Man - Z.Z. Top All I Have To Do Is Dream - The -
Lobby Loyde: the G.O.D.Father of Australian Rock
Lobby Loyde: the G.O.D.father of Australian rock Paul Oldham Supervisor: Dr Vicki Crowley A thesis submitted to The University of South Australia Bachelor of Arts (Honours) School of Communication, International Studies and Languages Division of Education, Arts, and Social Science Contents Lobby Loyde: the G.O.D.father of Australian rock ................................................. i Contents ................................................................................................................................... ii Table of Figures ................................................................................................................... iv Abstract .................................................................................................................................. ivi Statement of Authorship ............................................................................................... viiiii Acknowledgements ............................................................................................................. ix Chapter One: Overture ....................................................................................................... 1 Introduction: Lobby Loyde 1941 - 2007 ....................................................................... 2 It is written: The dominant narrative of Australian rock formation...................... 4 Oz Rock, Billy Thorpe and AC/DC ............................................................................... 7 Private eye: Looking for Lobby Loyde ......................................................................... -
Hard Knocks Music Credits
(Cast) Maple Leaf Jazz Band Drums Roger Kennedy Bass Gary Dunbier Banjo John Withers Trombone Don Santin Trumpet Rob Green Alto sax Kim Rushworth Music Editor Zbigniew Friedrich Music Consultant Greg Pickhaver Hard Knocks Performed by Paul Kelly & the Dots Written by Kelly Published by Mushroom Courtesy of Mushroom Records Evie Part 1 Performed by Stevie Wright Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Most People I Know Performed by Aztecs Written by Thorpe Published by Rock of Ages Courtesy of Havoc Records Who Listens To The Radio Performed by Sports Written by Cummings/Pendelbury Published by Antipodes/Mushroom Courtesy of Mushroom Records My Little Angel Performed by William Shakespeare Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Take A Long Line Performed by Angels Written by Brewster/Neeson/Brewster Published by Alberts Courtesy of Albert Productions Where The Action Is Performed by John Paul Young Written by Vanda/Young Published by Alberts Courtesy of Albert Productions Birmingham Performed by John Paul Young Written by Vanda/Young Published by Alberts Courtesy of Albert Productions High Voltage Performed by AC/DC Written by Scott/Young/Scott Published by Alberts Courtesy of Albert Productions I Remember When I Was Young Performed by Matt Taylor Written by Matt Taylor Published by Mushroom Courtesy of Mushroom Records Breakfast at Sweethearts Performed by Cold Chisel Written by Walker Published by Rondor Courtesy of W.E.A. Records When The Heat's Off Performed by Richard Clapton Written by Richard Clapton Published by Gypsy Courtesy of Infinity Records High Class Women Performed by John St. -
Music Education a Sound Investment
Music Education A Sound Investment A report commissioned by PREPARED BY Dr Anita Collins Dr Rachael Dwyer Mr Aden Date Alberts is a 135-year-old family business that has played a vital role in the evolution of Australia’s media and popular culture since the early days of sheet music and music publishing, through to the birth of commercial radio and television, and the founding of the Australian pop and rock music industry. Founded in 1885 by Jacques Albert, the company is now run by members of the fifth generation under the guidance of fourth-generation member Robert Albert. Alberts was a co-founder of the Australasian Performing Right Association (APRA) in 1926, introduced to protect the rights of writers, composers and publishers. The company is known for its long association with local musicians including AC/DC, The Easybeats, Stevie Wright, Harry Vanda and George Young; and more recent support of Megan Washington, Wally DeBacker and Josh Pyke. Alberts has always believed in the power of music to change lives. In 2012 members of the fifth generation established The Tony Foundation, which strives to improve the lives of young Australians through music. Dr Anita Collins Dr Rachael Dwyer Mr Aden Date Dr Collins is an award-winning educator, Dr Dwyer is an educator, researcher and Mr Date is a social impact consultant researcher and writer in the field of advocate, who is focused on ensuring who focuses on driving ambitious and brain development and music learning. that all students have opportunities innovative projects within the arts She is best known for her role as on- to participate in quality music and arts and cultural sector. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
Jeff Apter @320Kbps.Mp3
Jeff Apter @320kbps.mp3 [00:00:00] Welcome to the Inner West Library Speaker series. Before we begin, I would like to acknowledge the Gadigal and Wangal people of the Eora nation and pay my respects to the elders past, present and emerging. Today's conversation will be with Jeff Apter, Jeff is the author of more than 20 music biographies, many of them bestsellers. His subjects include Johnny O'Keefe, Keith Urban, Johnny Farnham, the Bee Gees and AC/DC. Jeff worked with Rolling Stone for many years and has written about music legends Aretha Franklin, Bob Dylan and Patti Smith. In 2015, he worked on the Helpmann Award nominated live show A State of Grace, The music of Jeff and Tim Buckley. Today, we speak about his new book, Friday On My Mind, The Life of George Young. This podcast is relevant to the music library, which will open at Ashfield Library in November this year. So, Jeff, can you talk a little about George Young and his early relationship with Harry Vanda while staying at the Villawood migrant hostel? [00:01:04] George Young and his family. He was one of 10, came to Australia in nineteen sixty three. They were part of what we now know, known as the ten pound POM scheme. And they've been hoping they've been invited basically over to the sunny side of Australia. And they ended up in the Villawood Migrant Hostel, which was not the most hospitable place then or now. But George one day was walking around the hostel and he heard a sound coming from the laundry room. -
[Warning - This Film Contains Nudity and References to Drugs]
[Warning - This film contains nudity and references to drugs] [What A Life! Rock Photography by Tony Mott - a free exhibition until 7 February 2016. Solid Gold - Jeff Apter & Philip Morris, Metcalfe Theatre, State Library of NSW, 5th December 2015] [Dressed in a black shirt and dark jeans, grey-haired Philip Morris sits beside his interviewer Jess Apter, a bald man dressed casually] [JEFF APTER] Thank you. Before starting, I want to say I was really fortunate to be able to work with Philip on this book. [Jeff Apter holds up a coffee table book] [JEFF APTER] And it was one of the more interesting exercises, wasn't it? Because we were given a directive to come up with... Was it 200 photos? ..for this book. [PHILIP MORRIS] That's right. [JEFF APTER] And Philip's archive is so fantastic and so rich, that I think we got it down to, what, 600? [PHILIP MORRIS] Yeah. [Audience laughs] [JEFF APTER] Was it 600 to start with? It was something like that. And it's staggering, really. It's a really great document of Australian rock history at a really interesting turning point. So to get it down to this... It's begging for a second edition, by the way. There's so many great photos. So it was a real honour to be able to... to do that. It was a lot of fun. [PHILIP MORRIS] Yeah, it was. [JEFF APTER] We actually had built into our contract... Our agreement was an understanding that we would never work in a boring situation. -
Countdown and Cult Music Television Programmes
Giuffre, Liz Countdown and Cult Music Television Programmes Countdown and cult music television programmes: an Australian case study Liz Giuffre Abstract Music television programs, programs that focus on music for their core content, have been produced all over the world for all types of markets. However there remains little sustained work on them beyond studies of key production periods, franchise waves or biography-like narratives. This article shows that theories of Cult TV can be applied to music television programs to help explore this neglected form, as well as helping to expand Cult TV’s theoretical reach beyond its traditional fare of narrative driven, fiction series. This article offers 1970s and ‘80s Australian music television program Countdown as a prime example of Cult TV, first in the context of its initial production and consumption in 1970s and ‘80s Australia, and also in terms of its subsequent influence on contemporary audiences from a historical perspective. The Cult TV frame extends to the program itself in its original incarnation, as well as additional recontextualisations in new music television programs, and the continued work of its former host, Ian ‘Molly’ Meldrum. Introduction1 Music television is an unusual type of programming. It provides both regular entertainment that is watched intensely while on air, and produces key moments that survive well in audience collective memory. ‘Live’ music performance and interview series Countdown remains an icon of the Australian television and music industries.2 Created by the national public service broadcaster, the Australian Broadcasting Corporation (ABC),3 the show was broadcast from 1974 to 1987 on Sunday evenings and was highly influential with television audiences and the broader music industry.4 Countdown provided opportunities for music artists and audiences to engage with each other in a way that had not previously been possible. -
Advance Praise for Something to Believe In
Advance praise for Something To Believe In ‘Andrew Stafford’sSomething To Believe In is quite an achievement. It’s all here: part tragicomic tale of a fanboy writer struggling to translate his primal affair with music into a “real” job; part exco- riating account of his ride from adolescence to adulthood and self-discovery; and part blossoming tale of love and forgiveness. Written with great humanity and girded by a soundtrack to die for – which he almost did on more than one occasion – this memoir is a punchy, unputdownable must-read.’ PETER GARRETT ‘A pulsing, rattling jukebox of a music memoir. Drop a coin, find your sound. Rock and punk and pop; the rock bottom and the very top. Love, family, sorrow, pain; the birds, the blues, the brain. A pull out your heart and feed it to anyone rock & roll sock to the core, Something To Believe In is a soaring, sweat-soaked tribute to life’s two great miracles: music and waking up each day to hear it.’ TRENT DALTON ‘Lyrical, wise and full of wonder. Andrew Stafford strips himself bare with courage, candour, and vulnerability.’ TRACEY SPICER ‘Andrew Stafford takes us on an exhilarating ride through his life as birdwatcher, cab driver, roadie, son, lover and writer. His astute and insightful observations on music and politics in Brisbane in particular from the late eighties provide a stunning backdrop to this personal expression of his life story.’ LINDY MORRISON ‘This beautifully written book reminded me of how much music helps us navigate through life, in all its complicated glory.’ MYF WARHURST Andrew Stafford is a freelance journalist and the author of Pig City: From The Saints To Savage Garden, a musical and political history of Brisbane first published in 2004. -
Dogs in Space Tail Credits
Title: For Christine Introducing MICHAEL HUTCHENCE as Sam SASKIA POST as Anna DEANNA BOND as The Girl NIQUE NEEDLES as Tim TONY HELOU as Luchio CHRIS HAYWOOD as Chainsaw Man Also with Anthony Peter Walsh Clare Laura Swanson Grant Adam Briscomb Leanne Sharon Jessop Nick Edward Clayton-Jones Mark Martii Coles Charles Chuck Meo Jenny Caroline Lee Barbara Fiona Latham Erica Stephanie Johnson Barry Gary Foley Lisa Glenys Osborne Anna's Girlfriends Allanah Hill Robyn McLellan Skinhead Troy Davies Leanne's Brothers John Murphy Troy Davies Owen Roberson Stacey Helen Phillips Chainsaw Woman Kelly Hoare Chainsaw Baby Robyn Lowenstein The Dealer Robert Ratti Sam's Mother Barbara Jungwirth Hardcore Hippie Beamish Elliot Policemen Noel Pennington Ted Fahrner Grant's Girls Michelle Bennett Lian Lunson Crazy George George Maleckas Pierre Hugo Race Terry Towelling Man Joe Camilleri Sales People Liz Meyers Tim McLaughlan Mount Waverley Mum Lillian Wilson Champion Girls Emma Di Clario Sybil Gibb TV Interviewer Helen Gianevsky Anna's Mum Jean Osborne Countdown Announcer Gavin Wood 3RRR D. J. Bohdan and Martha Butler, Kate Doherty, Harriet Freeman, Kelly Gallagher, Angela Howard, Tim Millikan, Marie Hoy, John Murphy, Sarah Newsome, Ollie Olsen, Miriam Smith, Miles Standish and Noah Taylor THE BANDS 'Dogs in Space' 'Whirlywirld' Edward Clayton-Jones Arnie Hanna Michael Hutchence David Hoy Chuck Meo John Murphy Nique Needles Ollie Olsen Glenys Osborne 'Too Fat To Fit Through the Door' 'Thrush and the C...S' Marcus Bergner Denise Grant Marie Hoy Marie Hoy John -
SYLLABUS Music 15
SYLLABUS Music 15 – Australian Popular Music Winter 2019 Lecture: Thursday 6:30-9:20pm, SOLIS 107 Final Exam: March 19th, 7pm Professor: Fiona Digney – [email protected] Office Hours: Fridays 2:00–5:00pm, or by appointment, CPMC 155 Teaching Assistants: Berk Schneider - [email protected] Sections: A01 (Monday 10:00am CPMC 136) A02 (Monday 11:00am CPMC 136) Office Hours: TBD Barbara Byers - [email protected] Sections: A03 (Wednesday 11:00am, CPMC 136) A04 (Wednesday 12:00pm, CPMC 136) Office Hours: TBD Juliana Gaona - [email protected] Sections: A05 (Friday 10:00am CPMC 145) A06 (Friday 11:00am CPMC 145) Office Hours: TBD Stephen De-Filippo - [email protected] Sections: A07 (Friday 12:00pm CPMC 145) A08 (Friday 1:00pm CPMC 145) Office Hours: TBD General Overview For a very large country with a relatively small population, Australian popular musicians have had great success worldwide. From ACDC, Skyhooks, Midnight Oil, Jimmy Barnes, and Kylie Minogue, to Temper Trap, Pendulum, Tame Impala, Sia, and Vance Joy, Australians have set out to change the history of music. This course will explore the political and social landscapes that made way for, and were created by these artists, including the Whitlam government initiatives, Triple J radio station, pub rock, and the culture of mateship. Prerequisite: None. Assessment 15% Attendance, preparation, and participation Attendance will be taken at all discussion sections. It is expected you have read and listened to all required materials. Arrive prepared to contribute in discussions. 30% Quizzes Three short quizzes are to be completed online through TritonED. They will be administered weeks four (due: February 3rd), six (due: February 17th), and eight (due: March 3rd).