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Saints Vs Colts Tickets
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An Interview with Judith Nies
BOSTON inside: WnBA Award nRGM RECAP ASSEMBlinG A BOOk proposal package DETROIT LOS ANGELES NASHVILLE President’s Message: One Path to Publication NEW YORK CITY How does an author sell 4,000 copies of a historical novel and then land a two-book, six-figure deal with Random SAN FRANCISCO House? How does a therapist and writing coach build a national network, write and publish two books under her own SEATTLE imprint, and then sell her book to a national publisher? How does a first-time poet sell almost 2,000 copies, a figure WASHINGTON, D.C. unheard of in the poetry world? Some might say luck—but these writers would beg to differ. Various as their topics appear, what these authors have in common is a strategy they carefully designed and then diligently worked. On top of a marketing and publicity plan, on top of self-publishing their first editions and then tirelessly and strategically promoting them, they created a commu- nity through WNBA and other organizations, leveraged the power of the Internet, and built national networks of sup- porters and advocates. Commonly called a "platform," this is what publishers require from any writer seeking a publishing deal. continued on page 11 The Vol. 72, No. 1 The Official Publication of the Winter 2009 Women’s National Book Association Writing from the Heart An Interview with Judith Nies by Janet Hulstrand by Jonatha Ceely “Everybody is talented, original, and has some- i first met Judith nies when we, by chance, sat next to each other at a Boston thing important to say.” WnBA annual dinner in June of 2007; Judith has been a WnBA member since 2003. -
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ARTICLE ADAPTING COPYRIGHT FOR THE MASHUP GENERATION PETER S. MENELL† Growing out of the rap and hip hop genres as well as advances in digital editing tools, music mashups have emerged as a defining genre for post-Napster generations. Yet the uncertain contours of copyright liability as well as prohibitive transaction costs have pushed this genre underground, stunting its development, limiting remix artists’ commercial channels, depriving sampled artists of fair compensation, and further alienating netizens and new artists from the copyright system. In the real world of transaction costs, subjective legal standards, and market power, no solution to the mashup problem will achieve perfection across all dimensions. The appropriate inquiry is whether an allocation mechanism achieves the best overall resolution of the trade-offs among authors’ rights, cumulative creativity, freedom of expression, and overall functioning of the copyright system. By adapting the long-standing cover license for the mashup genre, Congress can support a charismatic new genre while affording fairer compensation to owners of sampled works, engaging the next generations, and channeling disaffected music fans into authorized markets. INTRODUCTION ........................................................................ 443 I. MUSIC MASHUPS ..................................................................... 446 A. A Personal Journey ..................................................................... 447 B. The Mashup Genre .................................................................... -
Volume 40 - Issue 20 - Friday, March 18, 2005
Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Thorn Archive Student Newspaper Spring 3-18-2005 Volume 40 - Issue 20 - Friday, March 18, 2005 Rose Thorn Staff Rose-Hulman Institute of Technology, [email protected] Follow this and additional works at: https://scholar.rose-hulman.edu/rosethorn Recommended Citation Rose Thorn Staff, "Volume 40 - Issue 20 - Friday, March 18, 2005" (2005). The Rose Thorn Archive. 240. https://scholar.rose-hulman.edu/rosethorn/240 THE MATERIAL POSTED ON THIS ROSE-HULMAN REPOSITORY IS TO BE USED FOR PRIVATE STUDY, SCHOLARSHIP, OR RESEARCH AND MAY NOT BE USED FOR ANY OTHER PURPOSE. SOME CONTENT IN THE MATERIAL POSTED ON THIS REPOSITORY MAY BE PROTECTED BY COPYRIGHT. ANYONE HAVING ACCESS TO THE MATERIAL SHOULD NOT REPRODUCE OR DISTRIBUTE BY ANY MEANS COPIES OF ANY OF THE MATERIAL OR USE THE MATERIAL FOR DIRECT OR INDIRECT COMMERCIAL ADVANTAGE WITHOUT DETERMINING THAT SUCH ACT OR ACTS WILL NOT INFRINGE THE COPYRIGHT RIGHTS OF ANY PERSON OR ENTITY. ANY REPRODUCTION OR DISTRIBUTION OF ANY MATERIAL POSTED ON THIS REPOSITORY IS AT THE SOLE RISK OF THE PARTY THAT DOES SO. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Thorn Archive by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. ROSE-HULMAN INSTITUTE OF TECHNOLOGY T ERRE HAUTE, INDIANA Friday, March 18, 2004 Volume 40, Issue 20 News Briefs Closing 2015 forum By Alexander J. Clerc Angela Smiley ing the forum. -
September 2015
http : //www. theleafchronicle. com/r Stewart County kids attend Drum Line Tune Up Day I I jE a m ODT Seprember l, 201 5 On Saturday, August 22, the Stewart County High School Drum Line participated in the UT Martin Drum Line Tune Up Day The Drum Line worked with famed percussionist, educator and composer Julia Davila as well as Dr Julie Hill and Dr Dan Piccolo from the UTM Faculty The professors taught the students a variety of ways to improve the individual and ensemble playing skills, from (Photo: Contrlbuted photo) fu ndamentals to performance practices The students performed for other participating drum lines and learned new ways to rehearse, practice and play in an ensemble This was just one of the many music events the music students of Stewart County will have this year that allows the students to make contact with local universities, familiarize themselves with professors and college students and make lasting connections http : I lbulletinti me snews. c orn/r LOCAL STUDENT BEGINS CLASSES AT UT MARTIN ilrrl i:\t,.i i ; rrq i a 1, )) 'j2 1 Gerpourial,,4nter,of\ruhttevle,andLatrcelunley oflv4emphs pauseoncampusdurifgthefirstdayoifa classes at the Univers ly of Tennessee at l\,4art n on Aug 24 l,4rnterrsasenormalorlngrnfoodardnltTrton/dreletrcs,afdl-luntey sasenormaloring nsoctology Afreshmancassof moTethaf 'l,000studentsbeqanarfivLngAug 21 topa.ticrpate ntheufrversity'sFrst Year ln hat ve We come Weekend, an onentat on pr ogra r that prepaTes students to navigate the !ntvet stty env ronment A i day and evening classes begaf lvlofday Local student begins classes at UT Martin THE WEAKLEY COUNTY PRESS TUESDAY, SEPTEMBER 1, 2015 Final Flight awarded Fami$ Owned Business of the Year It's all about family. -
Patty Griffin Is Among the Most Consequential Singer-Songwriters Of
Patty Griffin is among the most consequential singer-songwriters of her generation, a quintessentially American artist whose wide-ranging canon incisively explores the intimate moments and universal emotions that bind us together. Over the course of two decades, the 2x GRAMMY® Award winner – and 7x nominee – has crafted a remarkable body of work in progress that prompted the New York Times to hail her for “[writing] cameo-carved songs that create complete emotional portraits of specific people…[her] songs have independent lives that continue in your head when the music ends.” 2019 saw the acclaimed release of the renowned artist’s GRAMMY® Award-winning 10th studio recording, PATTY GRIFFIN, on her own PGM Recordings label via Thirty Tigers. An extraordinary new chapter and one of the most deeply personal recordings of Griffin’s remarkable two-decade career, the album collects songs written during and in the aftermath of profound personal crisis, several years in which she battled - and ultimately defeated - cancer just as a similar and equally insidious disease metastasized into the American body politic. As always, Griffin’s power lies in how, as writer Holly Gleason observed in Martha’s Vineyard Gazette, “her songs seem to freeze life and truth in amber.” Griffin’s first-ever eponymous LP, PATTY GRIFFIN made a top 5 debut on Billboard’s “Independent Albums” chart amidst unprecedented worldwide acclaim – and later, a prestigious GRAMMY® Award for “Best Folk Album,” Griffin’s first win and second consecutive nomination in that category following 2015’s SERVANT OF LOVE. “A master class in vivid, empathetic roots music that’s both about taking responsibility for the choices we’ve made and surrendering to those made for us,” raved Entertainment Weekly. -
Vs. NEW ENGLAND PATRIOTS (7-2) DATE: Sunday, November 21, 2010 SITE: Gillette Stadium KICKOFF: 4:15 P.M
REGULAR SEASON GAmE 10 INDIANAPOLIS COLTS (6-3) vs. NEW ENGLAND PATRIOTS (7-2) DATE: Sunday, November 21, 2010 SITE: Gillette Stadium KICKOFF: 4:15 p.m. (EST) CAPACITy: 68,756 SURFACE: FieldTurf Renewing one of the National Football League’s most prominent ri - valries, the Indianapolis Colts, 6-3, visit the New England Patriots, 7-2, COLTS 2010 S CHEDULE on Sunday, November 21. Kickoff for the contest in Gillette Stadium, REGULAR SEASON broadcast by CBS Sports and Westwood One, is 4:15 p.m. (EST). DAy DATE OPPONENT TImE /R ESULT The Colts and Patriots will be meeting for the eleventh time since the Sun. Sept. 12 at Houston Texans L 24-34 2003 season. Eight of the past nine Indianapolis-New England games has Sun. Sept. 19 NEW yORK GIANTS W 38-14 been contested before a nationally-televised audience, with the Colts own - ing a 5-4 edge in those battles. Three of the games have been playoff af - Sun. Sept. 26 at Denver Broncos W 27-13 fairs, with two of those battles deciding the AFC champion. The Patriots Sun. Oct. 3 at Jacksonville Jaguars L 28-31 topped the Colts on January 18, 2004, 24-14 in Foxborough, to win the Sun. Oct. 10 KANSAS CITy CHIEFS W 19- 9 conference title. New England beat Indianapolis the next season in the Sun. Oct. 17 at Washington Redskins W 27-24 Divisional Playoffs, 20-3 on January 16, 2005 in Gillette Stadium. Indi - mon. Nov. 1 HOUSTON TEXANS W 30-17 anapolis took consecutive November contests in Foxborough, 40-21 on Sun. -
Crowns, Contracts, and the Rebekah Revels Litigation
William & Mary Journal of Race, Gender, and Social Justice Volume 15 (2008-2009) Issue 1 William & Mary Journal of Women and Article 4 the Law October 2008 Uneasy Lies the Tiara: Crowns, Contracts, and the Rebekah Revels Litigation Amanda Harmon Cooley Follow this and additional works at: https://scholarship.law.wm.edu/wmjowl Part of the Contracts Commons Repository Citation Amanda Harmon Cooley, Uneasy Lies the Tiara: Crowns, Contracts, and the Rebekah Revels Litigation, 15 Wm. & Mary J. Women & L. 91 (2008), https://scholarship.law.wm.edu/wmjowl/ vol15/iss1/4 Copyright c 2008 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/wmjowl UNEASY LIES THE TIARA: CROWNS, CONTRACTS, AND THE REBEKAH REVELS LITIGATION AMANDA HARMON COOLEY* Uneasy lies the head, that wears a crown.1 Beauty queens don't walk; they glide.' ABSTRACT In the last five years, news of various scandals in the pageant industry has inundated media outlets. These recent incidents are by no means outliers in the history of pageantry. This article ex- plores the significance of one of these controversies - the Rebekah Revels litigation, which stemmed from the disputed 2002 Miss North Carolina pageant. For context, this article first outlines allegations of wrongdoing in early pageants. It proceeds with an analysis of how the Revels liti- gation serves as an exemplar of the types of contract lawsuits that may continue to entangle pageant organizations in the future. Finally, the article provides an examination of the specific legal, economic, and sociocultural effects that the Revels litigation has had, and likely will continue to have, upon the business model of the pageant industry. -
Clarksvillepartnership.Com 25 Jefferson Street, Suite 300 • Clarksville, TN 800-530-2487 • 931-647-2331 • [email protected] Experience Shopping
A REGIONAL LOOK AT CLARKSVILLE- MONTGOMERY COUNTY, TENNESSEE clarksvillepartnership.com 25 Jefferson Street, Suite 300 • Clarksville, TN 800-530-2487 • 931-647-2331 • [email protected] ExpEriENCE ShoppiNg Clarksville is home To An Array of Locally owned Specialty Stores As Well As Multiple Nationally recognized Favorites. BiNk’S ouTFiTTErS Bink’s Outfitters is Middle Tennessee’s premier outdoors store, with locations in Clarksville, Nashville, Franklin & Murfreesboro, Tennessee. binksoutfitters.com BriggS MEN’S CLoThiNg STorE For 41 years, Briggs Clothiers has been Clarksville’s premier men’s clothing store. Briggs Men’s Clothing Store carries prestigious name brand suits, jackets, ties, sport coats, vests, walking shorts, golf shirts, belts and a wide variety of dress pants. briggsclothier.com CouTurE CruSh Couture Crush is an upscale women’s fashion boutique that carries unique designer clothing from a variety of labels, as well as home decor, books, local art and stationary. thecouturecrush.com CouTurE CruSh FLoWEr LiLy A truly one-of-a-kind boutique with the little ones in mind, Flower Lily offers clothing and accessories for boys and girls. Find us on Facebook MiLdrEd ANd MABLE’S A unique and fun gift boutique offering something special for every occasion. Custom monogramming and gifts available for babies, birthdays, weddings and more. Visit their full-service salon, Isabella-Sophia, or Horsefeathers for painting and pottery studio. Find us on Facebook MiSS LuCiLLE’S MArkETpLACE Miss Lucille’s is an eclectic antiques marketplace located off of Exit 11. Home to over 52,000 SF of vendor booth spaces and quality consignment furniture. They offer a wide variety of merchandise ranging from rare antiques, shabby chic, handmade, vintage and skilled craftsmen. -
Foster Kid Hall of Famer Open Their Hearts Lynnette Cole, Miss USA, Model, Actress to Children in Need
FCN Foster PareNt Newsletter 1-800-4-KIDS-27 • www.fostercarenetwork.org aPril 2011/May 2011 Help us find more This month’s caring families to Foster Kid Hall of Famer open their hearts Lynnette Cole, Miss USA, Model, Actress to children in need. As a foster parent, you are making a difference. Now we need your help finding others who can provide the loving home environment that a growing number of children so desperately need. So many of the kids in our community do not get a fair chance. It’s not their fault, but they are the ones who suffer. Their lives and futures are in our hands. More foster parents are the answer. Do you know someone who you think would be a great foster Lynnette Cole was born in 1978 in Columbia, Tennessee. She was placed in foster care with her parent? Have them call Belinda at older brother by the time she was 10 months old. Shortly after, they were both adopted by Gail and the Foster Care Network’s Hotline: Larry Cole, who had previously been foster parents to a succession of over 100 children. Lynnette took to beauty competitions at an early age and had her first major pageant win in 1995 when she 1-800-4-KIDS-27, ext. 107. won the title of Miss Tennessee Teen USA. In 2000, she continued her success by being crowned Miss Tennessee USA and Miss USA. Later that year, she represented the United States at the Miss Universe pageant, finishing in 5th place. Lynnette went on to have a successful television career Foster Parent FYI as a host for various programs on NBC, CMT, ESPN, MTV, VH-1 as well as a role on the popular soap opera As the World Turns. -
Year Name State 2017 Kára Mccullough District of Columbia
Year Name State 2017 Kára McCullough District of Columbia 2016 Deshauna Barber District of Columbia 2015 Olilvia Jordan Oklahoma 2014 Nina Sanchez Nevada 2013 Erin Brady Connecticut 2012 Olivia Culpo * Cranston 2012 Nana Meriwether Maryland 2011 Alyssa Campanella California 2010 Rima Fakih Michigan 2009 Kristen Dalton North Carolina 2008 Crystle Stewart Texas 2007 Rachel Smith Tennessee 2006 Tara Conner Kentucky 2005 Chelsea Cooley North Carolina 2004 Shandi Finnessey Missouri 2003 Susie Castillo Massachusetts 2002 Shauntay Hinton District of Columbia 2001 Kandace Krueger Texas 2000 Lynnette Cole Tennessee 1999 Kimberly Ann Pressler New York 1998 Shawnae Jebbia Massachusetts 1997 Brook Lee * Hawaii 1997 Brandi Sherwood Idaho 1996 Ali Landry Louisiana 1995 Chelsi Smith * Texas 1995 Shanna Lynn Moakler New York 1994 Frances Louise “Lu” Parker South Carolina 1993 Kenya Moore Michigan 1992 Shannon Marketic California 1991 Kelli McCarty Kansas 1990 Carole Gist Michigan 1989 Gretchen Polhemus Texas 1988 Courtney Gibbs Texas 1987 Michelle Royer Texas 1986 Christy Fichtner Texas 1985 Laura Martinez-Herring Texas 1984 Mai Shanley New Mexico 1983 Julie Hayek California 1982 Terri Utley Arkansas 1981 Kim Seelbrede Ohio 1980 Shawn Weatherly * South Carolina 1980 Jineane Ford Arizona 1979 Mary Therese Friel New York 1978 Judi Anderson Hawaii 1977 Kimberly Tomes Texas 1976 Barbara Peterson Minnesota 1975 Summer Bartholomew California 1974 Karen Morrison Illinois 1973 Amanda Jones Illinois 1972 Tanya Wilson Hawaii 1971 Michele McDonald Pennsylvania -
Three 6 Mafia Most Known Unknown Mp3, Flac, Wma
Three 6 Mafia Most Known Unknown mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Most Known Unknown Country: US Released: 2006 Style: Gangsta MP3 version RAR size: 1630 mb FLAC version RAR size: 1361 mb WMA version RAR size: 1969 mb Rating: 4.8 Votes: 588 Other Formats: TTA AA AIFF ASF MIDI WAV AUD Tracklist Hide Credits 1 Most Known Unknown Hits Stay Fly 2 Featuring – Eightball & MJG*, Young Buck Roll WIth It 3 Featuring – Project Pat Don't Violate 4 Featuring – Frayser Boy Swervin' 5 Featuring – Mike Jones , Paul Wall Knock The Black Off Yo Ass 6 Featuring – Project Pat Poppin' My Collar 7 Featuring – Project Pat Hard Hittaz 8 Featuring – Boogiemane Side 2 Side 9 Featuring – Kanye West, Project Pat 10 Half On A Sack 11 Skit When I Pull Up At The Club 12 Featuring – Paul Wall Pussy Got Ya Hooked 13 Featuring – Remy Ma* Don't Cha Get Mad 14 Featuring – Lil' Flip Body Parts 3 15 Featuring – Boogiemane, Chrome , Crunchy Black, D.J. Paul*, Frayser Boy, Grandaddy Souf, Juicy "J"*, Lil' Wyte, Project Pat Hard Out Here For A Pimp 16 Featuring – Paula Campbell Stay Fly (Still Fly Remix) 17 Featuring – Project Pat, Slim Thug, Trick Daddy 18 Outro Bonus Tracks: Got It 4 Sale 19 Featuring – Chrome 20 Let's Plan A Robbery Side 2 Side 21 Featuring – Bow Wow, Project Pat 22 Ain't Got Time For Gamez Companies, etc. Pressed By – Sonopress Arvato, USA – F702501 Credits A&R – Dino G. DelVaille* Mastered By – James Cruz Producer, Executive-Producer, Recorded By, Mixed By, Programmed By – D.J.