The Bates Student the VOICE of BATES COLLEGE SINCE 1873
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Lesser Feasts and Fasts 2018
Lesser Feasts and Fasts 2018 Conforming to General Convention 2018 1 Preface Christians have since ancient times honored men and women whose lives represent heroic commitment to Christ and who have borne witness to their faith even at the cost of their lives. Such witnesses, by the grace of God, live in every age. The criteria used in the selection of those to be commemorated in the Episcopal Church are set out below and represent a growing consensus among provinces of the Anglican Communion also engaged in enriching their calendars. What we celebrate in the lives of the saints is the presence of Christ expressing itself in and through particular lives lived in the midst of specific historical circumstances. In the saints we are not dealing primarily with absolutes of perfection but human lives, in all their diversity, open to the motions of the Holy Spirit. Many a holy life, when carefully examined, will reveal flaws or the bias of a particular moment in history or ecclesial perspective. It should encourage us to realize that the saints, like us, are first and foremost redeemed sinners in whom the risen Christ’s words to St. Paul come to fulfillment, “My grace is sufficient for you, for my power is made perfect in weakness.” The “lesser feasts” provide opportunities for optional observance. They are not intended to replace the fundamental celebration of Sunday and major Holy Days. As the Standing Liturgical Commission and the General Convention add or delete names from the calendar, successive editions of this volume will be published, each edition bearing in the title the date of the General Convention to which it is a response. -
The Use of Metonymic Principles in Presentation of Battle Scenes In
Kostyantyn Gulyy 1 THE LINGUOPOETIC USE OF THE METONYMIC PRINCIPLE IN THE PRESENTATION OF BATTLE SCENES IN BEOWULF 1. Introduction The aspectual and thematic diversity of existing research works on Beowulf is well-known. This paper presents yet another distinctive trait of the poem’s text. In Anglo-American scholarly literature, the area to which this research work belongs is generally known as poetic diction . The essence of this research area, however, is arguably better represented by the term lingu- opoetics used in Central and Eastern European works. Linguopoetics can be loosely defined as the features of the language of a literary work that reflect the world outlook and the aesthetic-philosophical conceptions and artistic vision pertaining to a particular author, a literary school or even a whole lit- erary epoch. A stricter definition still continues to be a task of theoreticians. The current state of fundamental research in the field is still rather at the phase described by Akhmanova and Zadornova decades ago: “Linguopoetics 1 Kostyantyn Gulyy specialises in linguistic approaches to literary poetics: historical and comparative aspects. Kazimierz Wielki University, Bydgoszcz, Poland; email: [email protected]. Linguistics Applied vol. 4 (2011), pp. 94-108 Kostyantyn Gulyy, The linguopoetic use of the metonymic principle in the presentation of battle scenes in “Beowulf” The linguopoetic use of the metonymic principle... as a separate linguistic discipline still presents a tangle of different strains whose natural relationship is often obscured by the variety of materials and incompatibility of approaches” (Akhmanova and Zadornova 1977: 250). The specific purpose of this study is to analyze the metonymic principle underly- ing the verbal presentation of a number of battle scenes in Beowulf . -
ROMAN EMPERORS in POPULAR JARGON: SEARCHING for CONTEMPORARY NICKNAMES (1)1 by CHRISTER BRUUN
ROMAN EMPERORS IN POPULAR JARGON: SEARCHING FOR CONTEMPORARY NICKNAMES (1)1 By CHRISTER BRUUN Popular culture and opposite views of the emperor How was the reigning Emperor regarded by his subjects, above all by the common people? As is well known, genuine popular sentiments and feelings in antiquity are not easy to uncover. This is why I shall start with a quote from a recent work by Tessa Watt on English 16th-century 'popular culture': "There are undoubtedly certain sources which can bring us closer to ordinary people as cultural 'creators' rather than as creative 'consumers'. Historians are paying increasing attention to records of slanderous rhymes, skimmingtons and other ritualized protests of festivities which show people using established symbols in a resourceful way.,,2 The ancient historian cannot use the same kind of sources, for instance large numbers of cheap prints, as the early modern historian can. 3 But we should try to identify related forms of 'popular culture'. The question of the Roman Emperor's popularity might appear to be a moot one in some people's view. Someone could argue that in a highly 1 TIlls study contains a reworking of only part of my presentation at the workshop in Rome. For reasons of space, only Part (I) of the material can be presented and discussed here, while Part (IT) (' Imperial Nicknames in the Histaria Augusta') and Part (III) (,Late-antique Imperial Nicknames') will be published separately. These two chapters contain issues different from those discussed here, which makes it feasible to create the di vision. The nicknames in the Histaria Augusta are largely literary inventions (but that work does contain fragments from Marius Maximus' imperial biographies, see now AR. -
Great Cloud of Witnesses.Indd
A Great Cloud of Witnesses i ii A Great Cloud of Witnesses A Calendar of Commemorations iii Copyright © 2016 by The Domestic and Foreign Missionary Society of The Protestant Episcopal Church in the United States of America Portions of this book may be reproduced by a congregation for its own use. Commercial or large-scale reproduction for sale of any portion of this book or of the book as a whole, without the written permission of Church Publishing Incorporated, is prohibited. Cover design and typesetting by Linda Brooks ISBN-13: 978-0-89869-962-3 (binder) ISBN-13: 978-0-89869-966-1 (pbk.) ISBN-13: 978-0-89869-963-0 (ebook) Church Publishing, Incorporated. 19 East 34th Street New York, New York 10016 www.churchpublishing.org iv Contents Introduction vii On Commemorations and the Book of Common Prayer viii On the Making of Saints x How to Use These Materials xiii Commemorations Calendar of Commemorations Commemorations Appendix a1 Commons of Saints and Propers for Various Occasions a5 Commons of Saints a7 Various Occasions from the Book of Common Prayer a37 New Propers for Various Occasions a63 Guidelines for Continuing Alteration of the Calendar a71 Criteria for Additions to A Great Cloud of Witnesses a73 Procedures for Local Calendars and Memorials a75 Procedures for Churchwide Recognition a76 Procedures to Remove Commemorations a77 v vi Introduction This volume, A Great Cloud of Witnesses, is a further step in the development of liturgical commemorations within the life of The Episcopal Church. These developments fall under three categories. First, this volume presents a wide array of possible commemorations for individuals and congregations to observe. -
Panther in the Hunt For
20100823-NEWS--1-NAT-CCI-CL_-- 8/20/2010 3:57 PM Page 1 Vol. 31, No. 33 $1.50/AUGUST 23 - 29, 2010 INSIDE Panther in the hunt for IPO High-profile developer deals with debt issues for the offering.)Panther in its SEC the IPO to buy $16.4 million in Shopping center developer John Provider of freight services looks to move filing did not estimate a price range preferred stock owned by Fenway McGill says business won’t ever for the stock, nor say how much it and another $2 million in preferred be the way it toward profitability through sale of stock intends to raise through an IPO, but it owned by Panther founder and used to be for did outline what it will do with the current chairman Dan Sokolowski. him as he strug- By DAN SHINGLER $110 million in high-cost debt that’s proceeds if the offering is successful. Panther says it also would pay at gles through a [email protected] been gnawing at its bottom line. If the offering raises enough mon- least part of the $20.6 million in personal bank- Executives at Panther and its ey, Panther said it will use its proceeds accumulated dividends owed to ruptcy reorgani- Panther Expedited Services Inc. in- majority owner, private equity firm to repay a portion of a $64.3 million those preferred shareholders. zation that tends to sell more than freight Fenway Partners of New York, both term loan that carries an interest rate Fenway bought a majority interest involves $18 services in the near future. -
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Advances in Social Science, Education and Humanities Research, volume 447 Proceedings of the International Scientific Conference on Philosophy of Education, Law and Science in the Era of Globalization (PELSEG 2020) Stylistic Devices of Creating a Portrait of the Character Artistic Image (Based on the Work of Thomas Mayne Reid) V. Vishnevetskaya 1Novorossiysk Polytechnic Institute (branch) of Kuban State Technological University 20, ul. Karl Marx, Novorossiysk, 353900, Russia. E-mail: [email protected] Abstract —The article considers the stylistic devices used for II. MATERIALS AND METHODS the portrait description of the character of the artwork. It is necessary to emphasize that stylistic devices play quite an In our work, we use the methods of comparing and important role in creating the artistic image of the character. At contrasting which help the author to create special portrait of a the same time, stylistic devices mainly emphasize not only the character. Stylistic devices are important line elements of the specific features of the exterior, but also various aspects of the portrait description. The process of creating a character visual impression, while bringing to the forefront the features of portrait image uses all the existing stylistic devices that are the drawing image that seem important to the author for one used in the English language system. The most used stylistic reason or another. And, here, the emotional characteristic of the devices are metaphor, epithet, comparison, metonymy and portrait described is becoming significant, and the impression others. that the image formed by the author can make. Stylistic devices are an important line element of the portrait description. -
Create Your Own Epithet
Create your own Epithet Epithets Homer repeatedly describes many of his characters or objects in his story with the same phrase. This phrase is called an epithet. Epithets are common epic elements which allow the reader to easily identify the character or object. Epithets stress a quality of what they are describing. The same character often is given several different epithets. The epithet was used as by oral poets to help them "catch their breath" whenever they mention a major figure or describe something familiar and recurring. The epithets were not used to illustrate a specific aspect of the figure at the moment he (she) is being spoken of, but were chosen to fit the meter of the line. Many translators, however, like to fit the epithet to an aspect of the character that is relevant to the moment. Examples of epithets used in the Odyssey are: "The great tactician" - This term creates the image of Odysseus as being intelligent, and probably comes his being the initiator of the idea for the "Trojan horse." "The clear eyed goddess" - This helps the reader imagine that Athena is alert, and wise - farseeing. Here are some more epithets: "The man of twists and turns" ( Odysseus) "wine-dark sea " "The bewitching nymph" (Calypso) "Son of Cronos" (Zeus) "Who marshals the thunderheads" (Zeus) "Cool headed" (Telemachus) "Lord of the war cry" (Menelaus) Assignment: Create an original epithet using your name. Your epithet must use words (adjectives) that describe YOU! Your epithet should be colorful and artistic. Please refer to the examples shown in class. ______/10 creative name ______/5 Colorful . -
The Indexing of Welsh Personal Names
The indexing of Welsh personal names Donald Moore Welsh personal names sometimes present the indexer with problems not encountered when dealing with English names. The Welsh patronymic system of identity is the most obvious; this was normal in the Middle Ages, and traces of its usage survived into the mid-nineteenth century. Patronymics have since been revived as alternative names in literary and bardic circles, while a few individuals, inspired by the precedents of history, are today attempting to use them regularly in daily life. Other sorts of alternative names, too, have been adopted by writers, poets, artists and musicians, to such effect that they are often better known to the Welsh public than the real names. A distinctive pseudonym has a special value in Wales, where a restricted selection of both first names and surnames has been the norm for the last few centuries. Apart from the names themselves, there is in Welsh a linguistic feature which can be disconcerting to those unfamiliar with the language: the 'mutation' or changing of the initial letter of a word in certain phonetic and syntactic contexts. This can also occur in place-names, which were discussed by the present writer in The Indexer 15 (1) April 1986. Some of the observations made there about the Welsh language will be relevant here also. Indexing English names 'Fitzwarin family' under 'F' and 'Sir John de la Mare' According to English practice a person is indexed under 'D' (the last, though French, being domiciled in under his or her surname. First names, taken in England).1 alphabetical order, word by word, are then used to Indexing Welsh names determine the sequence of entries when the same English conventions of nomenclature apply today in surname recurs in the index ('first' = 'Christian' = Wales as much as in England, but there are three 'baptismal' = 'given' = 'forename'). -
Hebrew Names and Name Authority in Library Catalogs by Daniel D
Hebrew Names and Name Authority in Library Catalogs by Daniel D. Stuhlman BHL, BA, MS LS, MHL In support of the Doctor of Hebrew Literature degree Jewish University of America Skokie, IL 2004 Page 1 Abstract Hebrew Names and Name Authority in Library Catalogs By Daniel D. Stuhlman, BA, BHL, MS LS, MHL Because of the differences in alphabets, entering Hebrew names and words in English works has always been a challenge. The Hebrew Bible (Tanakh) is the source for many names both in American, Jewish and European society. This work examines given names, starting with theophoric names in the Bible, then continues with other names from the Bible and contemporary sources. The list of theophoric names is comprehensive. The other names are chosen from library catalogs and the personal records of the author. Hebrew names present challenges because of the variety of pronunciations. The same name is transliterated differently for a writer in Yiddish and Hebrew, but Yiddish names are not covered in this document. Family names are included only as they relate to the study of given names. One chapter deals with why Jacob and Joseph start with “J.” Transliteration tables from many sources are included for comparison purposes. Because parents may give any name they desire, there can be no absolute rules for using Hebrew names in English (or Latin character) library catalogs. When the cataloger can not find the Latin letter version of a name that the author prefers, the cataloger uses the rules for systematic Romanization. Through the use of rules and the understanding of the history of orthography, a library research can find the materials needed. -
12 Reasons Why Baptism Is Not Essential for Salvation
Twelve Baptist Objections Met & Answered A series of radio addresses directed at answering twelve objections raised by a Baptist preacher to the Bible doctrine concerning baptism “for the remission of sins” as taught in Acts 2:38 and other New Testament texts. These sermons were delivered by Jeff Asher over KGAS 1590AM on the Words of Life Broadcast sponsored by the Northside Church of Christ which meets at 701 West Cottage Road in Carthage, Texas. Prepared by Jeff Asher (2005) 12 Reasons Why Baptism Is Not Essential For Salvation By Dr. Robert Morey The idea that baptism is essential for salvation is a pernicious doctrine taught by Roman Catholics, Mormons, Lutherans, United Pentecostals, and the Campbellites who have the gall to call themselves the “Church of Christ.” The Campbellites are referring only to those baptisms performed according to their doctrine of baptism. No one else’s baptisms are viewed as valid, not even those done by other Campbellite cults! While the first reason applies only to the Campbellites, the other arguments can be used against anyone who claims that baptism is essential for salvation. The Twelve Reasons 1. If the Campbellite doctrine of baptism is true then the very men who founded the “Restoration Movement” which later developed into the “Church of Christ” churches were never saved! All Thomas and Alexander Campbell had was the infant baptism they received from the Presbyterians and the adult baptism they received from the Baptists! They were never baptized a third time “in order to obtain remission of sins” according to the Campbellite doctrine of baptism. -
Chapter 2. Style
Chapter 2. Style This chapter addresses a few of the more common or troublesome questions of style in terms of ASA, CSSA, and SSSA publication requirements and guidelines. It only inciden- tally covers English grammar, style, and usage. To improve the quality of your writing, consult this manual and any of the excellent books available that cover grammar, punctuation, and other points of English usage (APA, 2020; Burchfield, 2004; Skillin & Gay, 1974; Strunk & White, 1999; UCP, 2010). The ACS Style Guide (Coghill & Garson, 2006) and Scientific Style and Format (CSE, 2006) address scientific writing and usage in general and provide detailed guidelines and examples within the sciences. Strategies for eliminating awkwardness and cumbersome constructions include writing short, declarative sentences; keeping subjects and verbs as close together as pos- sible; and, given a choice, selecting shorter and simpler rather than longer words (try vs. endeavor, show vs. demonstrate). In addition, a sentence recast in the active voice is often both shorter and clearer than the passive form. ABBREVIATIONS AND SYMBOLS Define abbreviations at first mention in the abstract and main text and again in the tables and figures. Provide an alphabetical list of abbreviations, placed after the abstract. The common abbreviations in Table 2–1 do not need definition, nor do SI units (Chapter 7) or chemical element symbols. For commonly used abbreviations and statistics that do not need definition, see Table 4–1. Rules for abbreviating and lists of many accepted abbreviations and acronyms are given in Scientific Style and Format (CSE, 2006, p. 135–140) and in the ACS Style Guide (Coghill & Garson, 2006, Chapter 10). -
Sean Dorsey's Message to Trans, Gender- Nonconforming & Queer
The Dance Enthusiast Asks Sean Dorsey's Message To Trans, Gender- Nonconforming & Queer Communities By Sammi Lim/Follow @ilikeloofahs on Instagram View Profile | More From This Author Published on June 17, 2019 Sean Dorsey Dance in BOYS IN TROUBLE. Photo by: Kegan Marli In Conjunction with The 18th Fresh Meat Festival in San Francisco WHO: Acclaimed transgender choreographer and activist Sean Dorsey. WHAT: The 18th Fresh Meat Festival featuring transgender & queer performance WHEN: Thursday-Saturday, June 20-22, 2019 WHERE: Z Space, 450 Florida Street, Between 17th Street and Mariposa, San Francisco TICKETS: http://freshmeatproductions.org/fresh-meat-festival-2019/ Sammi Lim for The Dance Enthusiast: Happy 15th anniversary to Sean Dorsey Dance! Was there a moment when you felt the company was officially on a trajectory to success? What areas did you focus on up to that point? Sean Dorsey, Artistic Director of Sean Dorsey Dance: Thank you! It’s amazing to be at this 15-year milestone and look at the scope of my journey so far. Being recognized as the nation’s first acclaimed transgender modern dance choreographer has been an intense mix of success and accolades along with intense discrimination and loneliness. Ultimately I feel incredibly blessed! At the heart of EVERYTHING is my love for dance and my love for the transgender & queer community. I love making dances; I love performing dances; I love teaching trans/gnc/nb/queer classes with an explicitly trans-supportive pedagogy; I love speaking out and fighting for trans equity in the dance field. I try to focus on my heart, the healing power of Dance, and to my faith in the long arc of justice.