The Book of Chuang Tzu
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The Unity of Yin and Yang: a Philosophical Assessment
The Unity of Yin and Yang: A Philosophical Assessment Thaddeus T'ui-chieh Hang National Chengchi University, Taipei "One yin ^ and one yang d, constitute what is called Tao 51"; "When yin and yang are united in their virtue, the soft and the hard attain their physical shape." These famous statements are drawn from the "Appended Remarks" (Hsi-tz'u Slit?) of the / Ching %M.. Since they were uttered more than two thousand years ago, they became the metaphysical foun- dation for the two great philosophical schools of China, namely, Taoism and Confucianism. For both these schools, yin and yang, two contrasting but mutually compensating components constitute unity in harmony. We shall endeavor to give an historical account of this concept, describe it phenomenologically, and venture a philosophical assessment from cos- mological, anthropological, as well as theological points of view. I. An Historical Account The origin of yin-yang ideas must be sought in very ancient times. In the Book of Poetry (Shih-ching I^M?i<) the words "yin" and "yang" signified the north and south sides of a mountain.1 In the Book of Historical Documents (Shu-ching US?) the two words never appeared together ex- cept in the apocryphal "Chou-kuan" /SJ1T. Even in the Analects of Con- fucius there is no mention of yin-yang. However, the eight trigrams were probably in use at the beginning of the Chou )*] dynasty (late 12th cen- tury B.C.). Since the eight trigrams consist of combinations of broken and 'James Legge, The Chinese Classics: Vol. IV, Book of Poetry (Taipei, 1972), Ode 19, p. -
Tao Te Ching LAO-TZU
Tao Te Ching LAO-TZU Tao Te Ching Introduced by BURTON WATSON Translated, with Translators’ Preface, Glossary, & Pronunciation Guide, by STEPHEN ADDISS & STANLEY LOMBARDO Ink Paintings by STEPHEN ADDISS Hackett Publishing Company Indianapolis/Cambridge Copyright © 1993 by Hackett Publishing Company, Inc. All rights reserved Printed in the United States of America 14 13 12 11 10 7 8 9 10 Cover art by Stephen Addiss: Lao-tzu For further information, please address Hackett Publishing Company, Inc. P.O. Box 44937 Indianapolis, Indiana 46244-0937 www.hackettpublishing.com Library of Congress Cataloging-in-Publication Data Lao-tzu. [Tao te ching. English] Tao te ching/Lao-tzu; introduced by Burton Watson; translated, with translators’ preface, glossary, & pronunciation guide, by Stephen Addiss & Stanley Lombardo; ink paintings by Stephen Addiss. p. cm. ISBN 0-87220-233-X (alk. paper) ISBN 0-87220-232-1 (pbk.: alk. paper) I. Watson, Burton, 1925– . II. Addiss, Stephen, 1935– . III. Lombardo, Stanley, 1943– . IV. Title. BL1900.L26E5 1993b 299’.51482—dc20 93-21939 CIP ISBN-13:978-0-87220-233-7 (cloth) ISBN-13:978-0-87220-232-0 (pbk.) ePub ISBN: 978-1-60384-637-0 Contents Introduction Translators’ Preface Chinese Pronunciation Guide Tao Te Ching Glossary of Chinese Words Captions Introduction Ancient China Traditional accounts of Chinese history customarily begin by describing certain ancient rulers such as the Yellow Emperor or Yao and Shun, paragons of virtue and wisdom, who first taught the arts of civilization to the Chinese people. Scholars now agree that in all probability these figures were originally local deities who, in the process known as euhemerism, were in later ages divested of their more blatantly supernatural characteristics and made to look like historical personages. -
Daodejing-Ivanhoe.Pdf
CHAPTER FOUR Laozi (“The Daodejing” ) Introduction Traditionally, Laozi q! is said to have been an older contemporary of Confucius and the author of the Laozi or Daodejing /-r. But most con- temporary scholars regard Laozi (literally “Old Master”) as a mythical char- acter and the Laozi to be composite work. The present version of the text consists of short passages, from a variety of sources, over half of which are rhymed. These were collected together into a single volume of eighty-one chapters that were then divided into two books. Book I consists of chap- ters one through thirty-seven, the dao /, “Way,” half of the text; Book II consists of chapters thirty-eight through eighty-one, the de -, “Virtue,” half. On the basis of this organization, this version of the text came to be known as the Daodejing, which means simply “The Classic of Dao and De.” This division in no way reflects the contents of the chapters them- selves, except that the first chapter begins with the word dao and the thirty- eighth chapter begins by describing the highest de. The text may have reached its present form sometime during the third or perhaps second cen- tury B.C.E. Another version of the text, named after its place of discovery, Mawangdui s™u, is similar in content and firmly dated to the middle of the second century B.C.E.But in the Mawangdui version, the order of the Books is reversed, giving us the Dedaojing. Though it was probably cobbled together from different sources, the Laozi may well have been assembled during a relatively short period of time and perhaps by a single editor. -
List 3. Headings That Need to Be Changed from the Machine- Converted Form
LIST 3. HEADINGS THAT NEED TO BE CHANGED FROM THE MACHINE- CONVERTED FORM The data dictionary for the machine conversion of subject headings was prepared in summer 2000 based on the systematic romanization of Wade-Giles terms in existing subject headings identified as eligible for conversion before detailed examination of the headings could take place. When investigation of each heading was subsequently undertaken, it was discovered that some headings needed to be revised to forms that differed from the forms that had been given in the data dictionary. This occurred most frequently when older headings no longer conformed to current policy, or in the case of geographic headings, when conflicts were discovered using current geographic reference sources, for example, the listing of more than one river or mountain by the same name in China. Approximately 14% of the subject headings in the pinyin conversion project were revised differently than their machine- converted forms. To aid in bibliographic file maintenance, the following list of those headings is provided. In subject authority records for the revised headings, Used For references (4XX) coded Anne@ in the $w control subfield for earlier form of heading have been supplied for the data dictionary forms as well as the original forms of the headings. For example, when you see: Chien yao ware/ converted to Jian yao ware/ needs to be manually changed to Jian ware It means: The subject heading Chien yao ware was converted to Jian yao ware by the conversion program; however, that heading now -
The Reception and Translation of Classical Chinese Poetry in English
NCUE Journal of Humanities Vol. 6, pp. 47-64 September, 2012 The Reception and Translation of Classical Chinese Poetry in English Chia-hui Liao∗ Abstract Translation and reception are inseparable. Translation helps disseminate foreign literature in the target system. An evident example is Ezra Pound’s translation based on the 8th-century Chinese poet Li Bo’s “The River-Merchant’s Wife,” which has been anthologised in Anglophone literature. Through a diachronic survey of the translation of classical Chinese poetry in English, the current paper places emphasis on the interaction between the translation and the target socio-cultural context. It attempts to stress that translation occurs in a context—a translated work is not autonomous and isolated from the literary, cultural, social, and political activities of the receiving end. Keywords: poetry translation, context, reception, target system, publishing phenomenon ∗ Adjunct Lecturer, Department of English, National Changhua University of Education. Received December 30, 2011; accepted March 21, 2012; last revised May 13, 2012. 47 國立彰化師範大學文學院學報 第六期,頁 47-64 二○一二年九月 中詩英譯與接受現象 廖佳慧∗ 摘要 研究翻譯作品,必得研究其在譯入環境中的接受反應。透過翻譯,外國文學在 目的系統中廣宣流布。龐德的〈河商之妻〉(譯寫自李白的〈長干行〉)即一代表實 例,至今仍被納入英美文學選集中。藉由中詩英譯的歷時調查,本文側重譯作與譯 入文境間的互動,審視前者與後者的社會文化間的關係。本文強調翻譯行為的發生 與接受一方的時代背景相互作用。譯作不會憑空出現,亦不會在目的環境中形成封 閉的狀態,而是與文學、文化、社會與政治等活動彼此交流、影響。 關鍵字:詩詞翻譯、文境、接受反應、目的/譯入系統、出版現象 ∗ 國立彰化師範大學英語系兼任講師。 到稿日期:2011 年 12 月 30 日;確定刊登日期:2012 年 3 月 21 日;最後修訂日期:2012 年 5 月 13 日。 48 The Reception and Translation of Classical Chinese Poetry in English Writing does not happen in a vacuum, it happens in a context and the process of translating texts form one cultural system into another is not a neutral, innocent, transparent activity. -
Lao Tzu and Francis Libermann on Living the Mystery Binh the Quach C.S.Sp
Spiritan Horizons Volume 2 | Issue 2 Article 9 Fall 2007 Lao Tzu and Francis Libermann on Living the Mystery Binh The Quach C.S.Sp. Follow this and additional works at: https://dsc.duq.edu/spiritan-horizons Part of the Catholic Studies Commons Recommended Citation Quach, B. T. (2007). Lao Tzu and Francis Libermann on Living the Mystery. Spiritan Horizons, 2 (2). Retrieved from https://dsc.duq.edu/spiritan-horizons/vol2/iss2/9 This Wellsprings is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Spiritan Horizons by an authorized editor of Duquesne Scholarship Collection. Horizons Lao Tzu and Francis Libermann on Living The Mystery MY sticism Binh The Quach, Contemporary uses of the term ‘mysticism’ include the whole C.S.Sp. gamut of experiences, teachings, techniques, lifestyles, etc., of A native of Vietnam and ‘mystics.’ One of the clearest definitions of ‘mysticism’ is that of currently serving as a missionary William Johnston. He defines it as the “wisdom or knowledge that in Hsinchu, Taiwan, Binh The is found through love; it is loving knowledge.” 1 He further asserts, Quach is a Spiritan from the “Mysticism is the core of authentic religious experience.” 2 This loving USA Western Province. He knowledge is efficacious because it leads to the transformation of holds M.A. and M.Div. degrees the individual. With this understanding of mystical theology in Biblical Studies from the Pontifical College Josephinum, as transforming mystical experience, we can eliminate those Columbus, Ohio, and a Ph.D. contemporary usages that equate mystical theology with mere in the Philosophy of World doctrines and theories of mystical experience, ignoring its Religions from the Graduate transforming effect. -
Destiny, Vital Force, Or Existence? on the Meanings of Ming in Daoist Internal Alchemy and Its Relation to Xing Or Human Nature*
《道教研究學報:宗教、歷史與社會》第六期(2014) Daoism: Religion, History and Society, No. 6 (2014), 157–218 Destiny, Vital Force, or Existence? On the Meanings of Ming in Daoist Internal Alchemy and Its Relation to Xing or Human Nature* Fabrizio Pregadio Abstract Neidan or Internal Alchemy has developed two main modes of self- cultivation. The first is based on cultivating the mind and intends to remove the causes that prevent one from “seeing one’s true nature,” which is equated with the Elixir. The second is based on purifying the main components of the human being—Essence (jing 精 ), Breath (qi 氣 ), and Spirit (shen 神 )—so that they may serve as ingredients of the Elixir. These two modes of self-cultivation are said to place an emphasis on xing 性 and on ming 命 , respectively. However, Neidan texts repeat time and again that xing and ming can only be understood and realized in conjunction with one another. Fabrizio Pregadio is Guest Professor of Daoist Anthropology at the Friedrich- Alexander-Universität Erlangen-Nürnberg, Germany, and a research associate of the International Consortium for Research in the Humanities “Fate, Freedom and Prognostication,” directed by Professor Michael Lackner at the same university. His research focuses on the Daoist views of the human being and the Daoist traditions of self-cultivation. His current projects include a study of the intersection of Daoist, Buddhist, and Neo-Confucian doctrines in Internal Alchemy (Neidan). * This article is a contribution to the research project on “Fate, Freedom and Prognostication,” directed by Prof. Michael Lackner at the International Consortium for Research in the Humanities, University Erlangen-Nuremberg. -
John Steinbeck As a Modern Messenger of Taoism
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2005 We should be like water: Choosing the lowest place which all others avoid: John Steinbeck as a modern messenger of Taoism Andrea Marie Hammock Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the American Literature Commons Recommended Citation Hammock, Andrea Marie, "We should be like water: Choosing the lowest place which all others avoid: John Steinbeck as a modern messenger of Taoism" (2005). Theses Digitization Project. 2757. https://scholarworks.lib.csusb.edu/etd-project/2757 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. WE SHOULD BE LIKE WATER, CHOOSING THE LOWEST PLACE WHICH ALL'OTHERS AVOID: JOHN STEINBECK AS A MODERN MESSENGER OF TAOISM A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition: English Literature by Andrea Marie Hammock December 2005 WE SHOULD BE LIKE WATER, CHOOSING THE LOWEST PLACE WHICH ALL OTHERS AVOID: JOHN STEINBECK AS A MODERN MESSENGER OF TAOISM A Thesis Presented to the Faculty of California State University, San Bernardino Andrea Marie Hammock December 2005 Approved by Dr. Suzanne Lane, Chair, English Date ABSTRACT John Steinbeck's Cannery Row, written in 1944/ is, virtually plotless, metaphorical, and interspersed with chapters that, seem irrelevant. -
Painting Outside the Lines: How Daoism Shaped
PAINTING OUTSIDE THE LINES: HOW DAOISM SHAPED CONCEPTIONS OF ARTISTIC EXCELLENCE IN MEDIEVAL CHINA, 800–1200 A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN RELIGION (ASIAN) AUGUST 2012 By Aaron Reich Thesis Committee: Poul Andersen, Chairperson James Frankel Kate Lingley Acknowledgements Though the work on this thesis was largely carried out between 2010–2012, my interest in the religious aspects of Chinese painting began several years prior. In the fall of 2007, my mentor Professor Poul Andersen introduced me to his research into the inspirational relationship between Daoist ritual and religious painting in the case of Wu Daozi, the most esteemed Tang dynasty painter of religious art. Taken by a newfound fascination with this topic, I began to explore the pioneering translations of Chinese painting texts for a graduate seminar on ritual theory, and in them I found a world of potential material ripe for analysis within the framework of religious studies. I devoted the following two years to intensive Chinese language study in Taiwan, where I had the fortuitous opportunity to make frequent visits to view the paintings on exhibit at the National Palace Museum in Taipei. Once I had acquired the ability to work through primary sources, I returned to Honolulu to continue my study of literary Chinese and begin my exploration into the texts that ultimately led to the central discoveries within this thesis. This work would not have been possible without the sincere care and unwavering support of the many individuals who helped me bring it to fruition. -
History of China: Table of Contents
History of China: Table of Contents ● Historical Setting ● The Ancient Dynasties ❍ Dawn of History ❍ Zhou Period ❍ Hundred Schools of Thought ● The Imperial Era ❍ First Imperial Period ❍ Era of Disunity ❍ Restoration of Empire ❍ Mongolian Interlude ❍ Chinese Regain Power ❍ Rise of the Manchus ● Emergence Of Modern China ❍ Western Powers Arrive First Modern Period ❍ Opium War, 1839-42 Era of Disunity ❍ Taiping Rebellion, 1851-64 ❍ Self-Strengthening Movement ❍ Hundred Days' Reform and Aftermath ❍ Republican Revolution of 1911 ● Republican China ❍ Nationalism and Communism ■ Opposing the Warlords ■ Consolidation under the Guomindang ■ Rise of the Communists ❍ Anti-Japanese War ❍ Return to Civil War ● People's Republic Of China ❍ Transition to Socialism, 1953-57 ❍ Great Leap Forward, 1958-60 ❍ Readjustment and Recovery, 1961-65 ❍ Cultural Revolution Decade, 1966-76 ■ Militant Phase, 1966-68 ■ Ninth National Party Congress to the Demise of Lin Biao, 1969-71 ■ End of the Era of Mao Zedong, 1972-76 ❍ Post-Mao Period, 1976-78 ❍ China and the Four Modernizations, 1979-82 ❍ Reforms, 1980-88 ● References for History of China [ History of China ] [ Timeline ] Historical Setting The History Of China, as documented in ancient writings, dates back some 3,300 years. Modern archaeological studies provide evidence of still more ancient origins in a culture that flourished between 2500 and 2000 B.C. in what is now central China and the lower Huang He ( orYellow River) Valley of north China. Centuries of migration, amalgamation, and development brought about a distinctive system of writing, philosophy, art, and political organization that came to be recognizable as Chinese civilization. What makes the civilization unique in world history is its continuity through over 4,000 years to the present century. -
China and the West: Music, Representation, and Reception
Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. paper) | ISBN 9780472122714 (e- book) Subjects: LCSH: Music—Chinese influences. | Music—China— Western influences. | Exoticism in music. -
Book of Lieh-Tzu / Translated by A
ft , I ' * * < The B 2 I it* o f Lieh- i - I /\ Classic of Tao i > *• A Translated by A. C. GRAHAM . t The Book o f Lieh-tzu A Classic o f the Tao translated by A. C. GRAHAM Columbia University Press New York Columbia University Press Morningside Edition 1990 Columbia University Press New York Copyright © 1960, 1990 by A. C. Graham Preface to the Morningside Edition copyright © 1990 by Columbia University Press Library of Congress Cataloging-in-Publication Data Lieh-tzu, 4th cent. B.C. [Lieh-tzu. English] The book of Lieh-tzu / translated by A. C. Graham, p cm.—(Translations from the Oriental classics) Translation of: Lieh-tzu. Includes bibliographical references. ISBN 0-231-07236-8 ISBN 0-231-07237-6 (pbk.) I Graham, A. C. (Angus Charles) II. Title. III. Series. BL1900.L482E5 1990 181'.114-dc2o 89-24°35 CIP All rights reserved Casebound editions of Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 Translations from the Asian Classics EDITORIAL BOARD Wm. Theodore de Bury, Chair Paul Anderer Irene Bloom Donald Keene George A. Saliba Haruo Shirane David D. W. Wang Burton Watson Contents Preface to the Morningside Edition xi Preface xvii Dramatis Personae xviii—xix Introduction i HEAVEN'S GIFTS 14 2 THE YELLOW EMPEROR 32 3 KING MU OF CHOU 58 4 CONFUCIUS 74 5 THE QUESTIONS OF T'ANG 92 6 ENDEAVOUR AND DESTINY 118 7 YANG CHU 135 8 EXPLAINING CONJUNCTIONS t58 Short Reading List 182 Textual Notes 183 i x Preface to the Morningside Edition A significant change since this book was first published in 196o is that we have learned to see philosophical Taoism in a new historical perspective.