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ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Limp Bizkit (From the 1999 Album SIGNIFICANT OTHER) Transcribed by Danj Inc Words and Music by Limp Bizkit ([email protected]) Arranged by Limp Bizkit
RE-ARRANGED As recorded by Limp Bizkit (From the 1999 Album SIGNIFICANT OTHER) Transcribed by danj_inc Words and Music by Limp Bizkit ([email protected]) Arranged by Limp Bizkit A Intro/Verse Downtuned 7-string guitar arr. for 6-string Moderate Nu-Metal = 105 SEE PERFORMANCE NOTES P 8 1 g I 4 Gtrs I, II, III, IV, V T A B N.C. 8x VV VV VV VV 8x 9 g VV VV VV V V VV VV VV V V V V VV VV VV VV V VV VV VV V V V V I V V V V V V V V V V V V V V V V Gtrs I, II 3 0 3 0 7 7 0 8 T 3 0 3 0 7 7 0 8 A 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 B 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 T T T T T T T T T T T T T T T T T P T T T P T T T T T T T T P T T T T N.C. 11 g V V V V V V I V V V V V V } } } V V V V V V } } } Gtr II V V } } } } } V V } } } } } T A 14 17 14 x x x 14 17 14 x x x B x x x x x x 12 12 3 15 15 3 12 12 x x x x x 12 12 3 15 15 3 12 12 x x x x x T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T B Interlude 4 13 g I T A B Generated using the Power Tab Editor by Brad Larsen. -
Epsiode 20: Happy Birthday, Hybrid Theory!
Epsiode 20: Happy Birthday, Hybrid Theory! So, we’ve hit another milestone. I’ve rated for 15+ before like 6am, when it made 20 episodes of this podcast – which becomes a Top 50 countdown. When I was is frankly very silly – and I was trying younger, it was the quickest way to find to think about what I could write about new music, and potentially accidentally to reflect such a momentous occasion. see something that would really scar I was trying to think of something that you, music-video wise. Like that time I was released in the year 2000 and accidentally saw Aphex Twin’s Come to was, as such, experiencing a similarly Daddy music video. momentous 20th anniversary. The answer is, unsurprisingly, a lot of things But because I was tiny and my brain – Gladiator, Bring It On and American was a sponge, it turns out a lot of what Psycho all came out in the year 2000. But I consumed has actually just oozed into I wasn’t allowed to watch any of those every recess of my being, to the point things until I was in high school, and they where One Step Closer came on and I didn’t really spur me to action. immediately sang all the words like I was in some sort of trance. And I haven’t done And then I sent a rambling voice memo a musical episode for a while. So, today, to Wes, who you may remember from we’re talking Nu Metal, baby! Hell yeah! such hits as “making this podcast sound any good” and “writing the theme tune I’m Alex. -
Taken by an Unknown 17-Year-Old Photography Student – Published Posthumously for the First Time in a New Limited Edition Publication, Woodstock Experience
UNSEEN ARCHIVE OF WOODSTOCK IMAGES UNEARTHED Taken by an unknown 17-year-old photography student – published posthumously for the first time in a new limited edition publication, Woodstock Experience. London August 2009: A forgotten archive of photographs, taken at the Woodstock Music & Art Fair 40 years ago has been unearthed by UK-based limited edition publishers Genesis Publications. Taken by 17-year-old high school student Dan Garson, the archive has spent the last four decades in a basement, stored in a cardboard box. As well as images of the mud, rain, trampled fences, drugs, skinny dippers and eccentric festival goers that have made Woodstock so iconic, the archive features previously unseen shots of Jimi Hendrix, Joan Baez, Ravi Shankar, Arlo Guthrie and The Band in performance. Rona Elliot, the former entertainment correspondent for NBC!s Today Show, worked at Woodstock as a community relations officer and helped track down Dan Garson!s archive and researched his story. RONA ELLIOT: Dan!s remarkable photographs reveal an exceptional talent, fully formed at 17 years of age. His pictures provide a cohesive narrative of his own Woodstock experience. They demonstrate that he understood, perfectly, both where he was at that moment in time, and the culturally shifting spectacle he was recording. While Dan worked in the photo pit, shooting the musicians onstage, he separated himself from the other photographers. Rather than huddle together with the group, Dan stationed himself adjacent to the film crew. As a result, his images are both unfamiliar and fresh to the eye nearly 40 years after they were taken. -
For Immediate Release
FOR IMMEDIATE RELEASE presents A TESTAMENT TO THE SHEER JOY OF LIVING A LIFE OF SERVICE TO HUMANKIND AND OUR PLANET THE WAVY GRAVY MOVIE: SAINT MISBEHAVIN' RELEASES NOVEMBER 15 ON DIGITAL AND DVD An unforgettable trip through the extraordinary life of a poet, clown, activist and FUNdraiser “’Saint Misbehavin’’ is an unabashed love letter to the world that defies the cynicism of our age.” – The New York Times September 19, 2011 – “Some people tell me I’m a saint, I tell them I’m Saint Misbehavin’.” Poet, activist, entertainer, clown. These are a few ways to describe Wavy Gravy, an activist and prominent figure during the Woodstock era who continues to spread a message that we can make a difference in the world and have fun doing it! THE WAVY GRAVY MOVIE paints a moving and surprising portrait of his lifelong passion for peace, justice and understanding. The film features extensive verité footage and interviews with Wavy telling his own stories: from communal life with The Hog Farm, to his circus and performing arts camp, Camp Winnarainbow, to the epic cross-continent bus trip through Europe and South Asia that led to the founding of the Seva Foundation. Award-winning director Michelle Esrick weaves together this compelling film with rare footage from key events: Greenwich Village beat poets and folk music, Woodstock, non- violent protests, and many seminal moments of the ‘60s and ‘70s, and Wavy’s present day life. The Gaslight Café The year was 1958. The Vietnam War had just begun. Born as Hugh Romney, Wavy commanded the stage as a poet, comedian “tongue dancer,” and MC at The Gaslight Café in New York City’s Greenwich Village. -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
Nu-Metal As Reflexive Art Niccolo Porcello Vassar College, [email protected]
Vassar College Digital Window @ Vassar Senior Capstone Projects 2016 Affective masculinities and suburban identities: Nu-metal as reflexive art Niccolo Porcello Vassar College, [email protected] Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Porcello, Niccolo, "Affective masculinities and suburban identities: Nu-metal as reflexive art" (2016). Senior Capstone Projects. Paper 580. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. ! ! ! ! ! ! ! ! ! ! ! AFFECTIVE!MASCULINITES!AND!SUBURBAN!IDENTITIES:!! NU2METAL!AS!REFLEXIVE!ART! ! ! ! ! ! Niccolo&Dante&Porcello& April&25,&2016& & & & & & & Senior&Thesis& & Submitted&in&partial&fulfillment&of&the&requirements& for&the&Bachelor&of&Arts&in&Urban&Studies&& & & & & & & & _________________________________________ &&&&&&&&&Adviser,&Leonard&Nevarez& & & & & & & _________________________________________& Adviser,&Justin&Patch& Porcello 1 This thesis is dedicated to my brother, who gave me everything, and also his CD case when he left for college. Porcello 2 Table of Contents Acknowledgements .......................................................................................................... 3 Chapter 1: Click Click Boom ............................................................................................. -
Family Values Tour 1998 (1998) Un Film Di Genere Musicale Durata 86 Minuti
Family Values Tour 1998 (1998) Un film di Genere Musicale durata 86 minuti. Produzione USA 1998. Family Values Tour 1998: Korn; Rammstein; Ice Cube; Limp Bizkit ; Orgy. Tracking list: 1 Opening... Family Values Tour 1998: Korn; Rammstein; Ice Cube; Limp Bizkit ; Orgy. Tracking list: 1 Opening Montage - me Lapse2 Interview: Fieldy "I'm Not A Control Freak"3 Cambodia live version - Limp Bizkit 4 Interview: Fred 'Narrow minds man?'5 Counterfeit Video Version - Limp Bizkit 6 Faith live version - Limp Bizkit 7 Jump Around live version - Limp Bizkit 8 Interview: Ice Cube 'The crowd, the audience?'9 Montage# 2 : Shot Liver Medley10 Interview: Ice Cube 'Handy-Cam' Rap'11 Intro Ice Cube12 Interview: Ice Cube 'I'm just teaching my family?'13 Check Yo Self (Remix) live version - Ice Cube 14 F**k Dying Video Version - Ice Cube 15 It Was A Good Day Video Version - Ice Cube 16 Theme from JAWS - John Williams 17 F**k Tha Police Video Version - Ice Cube 18 Behind The Scene: Orgy DR/T-Shirt Sign/Lottery/Bus Party19 Blue Monday live version - Orgy 20 Behind The Scene: Party Off the Bus21 Stitches Video Version - Orgy 22 Revival Video Version - Orgy,Jonathan Davis 23 Behind the Scene: Walk Down the Hall - gy Kiss24 Montage #3 Shot Liver Medley25 Interview: Flake 'Watch American TV for real violence?'26 Bück Dich Video Version - Rammstein 27 Interview: Flake 'I close my eyes and think of beautiful?'28 Du Hast live version - Rammstein 29 Behind the Scene 'Rammstein Party'30 Interview: Korn 'We'd go on a plane and he'd harass'31 Interview: Korn 'If parents start to like Korn?'32 Blind Video Version - Korn 33 Interview: Korn 'The most memorable?'34 All In The Family Video Version - Korn 35 Got The Life live version - Korn 36 Behind the Scene: Korn Family Values Pkg.37 A.D.I.D.A.S. -
Woodstock Festival ´69
Woodstock Festival ´69 The Woodstock Music and Art Festival was a rock music festival at Max Yasgur´s 600 acre (2.4km2) dairy farm in town of Bethel, New York between 15 August and 18 August 1969. It might be the most famous rock concert and festival ever held. For many, it showed the counterculture of the 1960´s and the “Hippie movement”. Many of the most famous musicians at the time showed up during the weekend, as can be seen in a 1970 movie called Woodstock. Joni Mitchell´s song “Woodstock”, about the event, also became a major hit song for Crosby, Stills, and Nash & Young. In recent years, a number of attempts were made to recreate it, but the original Woodstock´69 has proven to be legendary. The Festival was Called “Woodstock”, because “Woodstock Ventures” an investment company had put money into the concert, it was supposed to be in the town of Wallkill, in Ulster County; but the town would not give a place for such a large event, because they thought that over a million people would come. A place was found in the town of Bethel, Max Yasgur let the concert happen on the family´s dairy farm. Although the show was planned for as many as 200.000 fans, over 400.000 came; most of these did not pay to get in. The roads to the concert were jammed with traffic. People left their cars and walked for miles to get the concert area. The weekend was rainy and overcrowded, and fans shared food, alcoholic drinks, and drugs. -
Cannabis@Fests Forum Sponsor Deck @Festforums @Festforums OVERVIEW @Festforums @Festforums @Festforums16® @Festforums
WHERE FESTIVALS CONVERGE Cannabis@Fests Forum Sponsor Deck @festforums @festforums OVERVIEW @FestForums @FestForums @FestForums16® @FestForums FESTFORUMS SantaBarbara 2016 NYC 2017 750 350 Attendees 120 60 Speakers Robert Richards (Glastonbury Music Festival) & Michael Lang (Woodstock) 90 40 FestForums® Santa Barbara (Nov 16-18, 2017) Sponsors is an interactive conference and networking event for music, film, food + beverage festival organizers. Addressing cutting-edge technology, 60 20 sponsorships, talent,ticketing, scheduling, Exhibitors merchandising, operations, sustainability, charitable work, innovation and safety, FestForums® brings together festivals and events of all sizes for collaboration and professional development. FestForums® in Santa Barbara culminates with "Best of the Fests," an annual festival award ceremony recognizing North America’s innovative festivals and industry leaders. festforums.com 2 Program: Weeding out what works at Festivals Mainstream events and festivals have now jumped into the cannabis world and incorporated marijuana into their “gardens,” infused their meals, as well as activated in other creative ways. Given the uncertain state of the law, the decision does not come without risks. Let’s hear how it played out in real time. Legal & logistical considerations when incorporating cannabis into your festival Permitting, ticketing, accepting funds, and where cannabis use and/or sampling can occur are all front and center when making the decision to bring cannabis into your festival. Our experts dissect and lay out the steps necessary to take in establishing a “risk- proof” cannabis event. Sponsorship - Show me the CANNABIS Money! The sponsorship money is flowing into the cannabis world, but for events there are many complicating factors: competing sponsors, how to receive sponsorship dollars, appropriate marketing, compliant activations and so much more… What do the Brands want from you? We assemble the top cannabis brands to give you the 411 on 420 sponsorships. -
October 8, 2003 Civil Engineering Technology Hosts Open House Ing
Des Moines Area Community College, Boone Campus Volume 3, Issue 3 October 8, 2003 Civil Engineering Technology hosts open house ing. Laura Griffin Students in the program take courses Banner Staff in surveying, global positioning systems, construction materials and design, high- The Civil Engineering Technology way design, computer aided drafting, Materials Lab held an open house on mathematics and human relations. Sept. 30. Students have a paid internship in their Faculty and staff were greeted by Renee second year of the program to give them White, CET instructor, who showed them experience. A CET graduate gets paid around the lab. between $14 to $18 per hour. Visitors to the CET lab are met at the Civil engineers survey, inspect and front door by Kelli Bennett at the recep- design highways and bridges. They also tion desk. Also in the building is a com- test soil and structural materials. puter lab, and two regular classrooms, one The Civil Engineering Technology pro- with dual monitors, a conference room, gram is part of the Accelerated Career a materials laboratory area, two spacious Education program. offices and rest rooms. Steve Rittger teaches the math and Vending machines inside the entrance automated design courses. Rittger teaches provide snacks for students and faculty in the classroom with the dual monitors. who are there during the day. “The programs we use require a lot of Tracey Kingsley, a freshman in the pro- screen space for multiple tools and views,” gram, said, “I am excited because when Rittger said, about why dual monitors are I graduate from the Civil Engineering used. -
Korn Highlights a Comprehensive List of Accomplishments While Brian "Head" Welch Was a Member of Korn
Korn Highlights A comprehensive list of accomplishments while Brian "Head" Welch was a member of Korn AWARDS Won a Grammy for Best Metal Performance – 2003 Won a Grammy for Short Form Music Video – 2000 Won a MTV Video Music Award for Best Rock Video – 2000 Won a MTV Video Music Award for Best Editing – 1999 Won a MTV Video Music Award for Best Heavy Metal / Hard Rock Video – 1999 NOMINATIONS Grammys Best Metal Performance – 2004 Hard Rock Performance – 2000 Best Metal Performance – 1997 MTV Video Music Awards Best Rock Video – 2002 Best Art Direction – 1999 Video of the Year – 1999 Best Direction – 1999 Best Special Effects – 1999 Best Cinematography – 1999 Best Breakthrough Video – 1999 Viewer’s Choice – 1999 MTV Europe Awards Best Live Act – 2002 SALES HISTORY 16 Million albums sold to date in the US 32 Million albums sold worldwide as of 2009 ALBUMS Life Is Peachy (1996) Sold more than 106,000 copies its first week Follow The Leader (1998) Sold 268,000 copies its first week Certified 5x Platinum by RIAA and sold 10 million copies worldwide Issues (1999) Sold 573,000 copies Certified 3x Platinum SALES HISTORY (continued) Untouchables (2002) Sold 434,000 copies Certified Platinum Paradigm Shift (2013) Sold 113,000 DISCOGRAPHY Korn (1995) #1 on Heatseekers #72 on The Billboard 200 Life Is Peachy (1996) #3 on The Billboard 200 Follow the Leader (1998) #1 on The Billboard 200 #1 on Top Canadian Albums Issues (1999) #1 on The Billboard 200 #2 on Top Canadian Albums #2 on Top Internet Albums Untouchables (2002) #2 on The Billboard 200 #2 on Top Internet Albums #3 on Top Canadian Albums Take a Look in the Mirror (2003) #9 on Top Internet Albums #9 on The Billboard 200 Greatest Hits Vol.