Ranaan Meyer, Double Bass

Total Page:16

File Type:pdf, Size:1020Kb

Ranaan Meyer, Double Bass CENTER FOR THE PERFORMING ARTS AT PENN STATE ONSTAGE Chris O’Donovan Vanessa Briceno-Scherzer Vanessa Today’s performance is sponsored by Benson and Christine Lichtig William Rabinowitz COMMUNITY ADVISORY COUNCIL The Community Advisory Council is dedicated to strengthening the relationship between the Center for the Performing Arts and the community. Council members participate in a range of activities in support of this objective. Nancy VanLandingham, chair Bonnie Marshall Lam Hood, vice chair Pieter Ouwehand Melinda Stearns Judy Albrecht Lillian Upcraft William Asbury Pat Williams Lynn Sidehamer Brown Nina Woskob Philip Burlingame Deb Latta student representatives Eileen Leibowitz Brittany Banik Ellie Lewis Stephanie Corcino Christine Lichtig Jesse Scott Mary Ellen Litzinger CENTER FOR THE PERFORMING ARTS AT PENN STATE presents TIME FOR THREE Zach De Pue, violin Nick Kendall, violin Ranaan Meyer, double bass 7:30 p.m. Thursday, February 26, 2015 Schwab Auditorium The program will be announced from the stage. The concert is presented without an intermission. This concert is a component of the Center for the Performing Arts Classical Music Project. With support from The Andrew W. Mellon Foundation, the project provides opportunities to engage students, faculty, and the community with classical music artists and programs. Marica Tacconi, Penn State professor of musicology, and Carrie Jackson, Penn State associate professor of German and linguistics, provide faculty leadership for the curriculum and academic components of the project. sponsors Benson and Christine Lichtig William Rabinowitz media sponsor WPSU The Center for the Performing Arts at Penn State receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania, and the National Endowment for the Arts, a federal agency. PROGRAM Time for Three (Tf3) will perform works from the list below and will announce the selections from the stage. “Amazing Grace”............................................................Traditional/Arranged by Tf3 “Ashokan Farewell”....................................................... Jay Ungar/Arranged by Tf3 “Bach Double”.......................................Johann Sebastian Bach/Arranged by Tf3 “Banjo Love”.......Ranaan Meyer/Steve Hackman/Nick Kendall/Zach De Pue “Blackbird”.................................John Lennon/Paul McCartney/Arranged by Tf3 “Bradford Commission”.........................................................Kendall/De Pue/Meyer “Chaconne in Winter”................................Bach/Arranged by Hackman and Tf3 “Czardas”....................................................................Vittorio Monti/Arranged by Tf3 “Danny Boy”....Traditional/Arranged by Meyer/Rob Moose/Lily & Madeleine “Don Don”..................................................................................Meyer/Arranged by Tf3 “Ecuador”...................................................................................Meyer/Arranged by Tf3 “Firework”............................................Katy Perry/Arranged by Hackman and Tf3 “Forget About It”....................................................................Meyer/Arranged by Tf3 “Fox Down”...............................................................................Meyer/Arranged by Tf3 “Hallelujah”.............................................................Leonard Cohen/Arranged by Tf3 “Happy Day”....................................................................Kendall/Arranged by Moose “Hide and Seek”.......................................................Imogen Heap/Arranged by Tf3 “Hungarian Dance No. 5”.............................Johannes Brahms/Arranged by Tf3 “The Hymn”................................................................................Kendall/De Pue/Meyer “In the Dressing Room”...........................Meyer/Arranged by Meyer and Moose “Jazz Riff”.....................................................................................................................Meyer “Jerusalem’s Ridge”.....................................................Bill Monroe/Arranged by Tf3 “Kissing in the Tree”...........................................Meyer/Hackman/Kendall/De Pue “Little Lion Man”...................Mumford & Sons/Arranged by Hackman and Tf3 “Mohawk”...................................................................................Meyer/Arranged by Tf3 “Norwegian Wood”.........Lennon/McCartney/Arranged by Hackman and Tf3 “Of Time and Three Rivers”................................................Meyer/Arranged by Tf3 “Orange Blossom Special” .................................Charlie Rouse/Arranged by Tf3 “Ogden”.....................................Meyer/Arranged by Meyer/Josh Fobare/Kendall “Philly Phunk”...........................................................................Meyer/Arranged by Tf3 “Quail Hollow”........................................................................................................ Kendall “Queen of Voodoo”....................................... Meyer/Kendall/Arranged by Moose “Round About”...............................................................Kendall/Arranged by Moose “Amazing Grace”............................................................Traditional/Arranged by Tf3 “Shenandoah”..................................................................Traditional/Arranged by Tf3 “Stillness is the Move”..........Dirty Projectors/Arranged by Hackman and Tf3 “Stronger ” ....................... Kanye West/Arranged by Hackman/Moose and Tf3 “Sundays”......................................................................Meyer/Arranged by Hackman “Taszo Tango”................................................................ Kendall/Arranged by Moose “Thunder Stomp”....................................................................Meyer/Arranged by Tf3 “UFO”........................................................Coldplay/Arranged by Hackman and Tf3 “With or Without You” ...................................U2/Arranged by Hackman and Tf3 “Wyoming 307”........................................................................Meyer/Arranged by Tf3 Neilson Barnard TIME FOR THREE “Time for Three is the future of music.” – Sir Simon Rattle Time for Three—violinist Zachary “Zach” De Pue, violinist Nicolas “Nick” Kendall, and double bassist Ranaan Meyer—defies, happily and infectiously, any traditional genre classification. With an uncom- mon mix of virtuosity and showmanship, the American trio performs classical music from Johann Sebastian Bach, Johannes Brahms, and beyond; gives world premieres by Pulitzer Prize winners William Bol- com and Jennifer Higdon; and plays originals and its own arrange- ments of everything from bluegrass and folk tunes to ingenious mash- ups of hits by the Beatles, Kanye West, Katy Perry, Justin Timberlake, and others. Time for Three, or Tf3 for short, has performed at venues ranging from Carnegie Hall and the famed jazz club Yoshi’s in San Francisco to European festivals, the BBC Proms, the Melbourne Symphony Orchestra, NFL games, the Indianapolis 500, and most recently on the hit ABC show Dancing with the Stars. The group’s YouTube bullying- prevention video, “Stronger,” has inspired students across the globe, eliciting features on CNN and the Huffington Post. Since 2009, Tf3 has had a hugely successful residency with the Indianapolis Symphony Orchestra, helping to expand the orchestra’s audience with innovative outreach. The latest milestone for Tf3 was the June 2014 release of Time for Three, its debut on UMC. The album, with tracks co-produced by Bon Iver’s Rob Moose, showcases not only the trio’s melody-rich string weave but also its uncommon flair for collaboration. The group teamed with pop singer-songwriter Joshua Radin, jazz saxophone icon Branford Marsalis, Decca cello star Alisa Weilerstein, Hawaiian ukulele ace Jake Shimabukuro, Indianapolis folk-pop sister duo Lily & Madeleine, and others. Since the trio musicians were students together at Philadelphia’s Cur- tis Institute of Music, they have wowed media and fellow artists with their charismatic musicianship. “In person, the members of Time for Three come off as just three dudes in a band,” NPR noted. “But with their staggering technique and freewheeling genre-crossing, it’s hard not to be swept up in the force of their contagious energy.” The Wall Street Journal praised the trio’s rare blend of “spontaneity and preci- sion,” while the Indianapolis Examiner raved, “Demonstrating their ability to deeply connect with their audience in a most interactive way, they electrified a full-house crowd.” But perhaps no one has offered a more enthusiastic appraisal than the great Sir Simon Rattle, chief conductor of the Berlin Philharmonic. “Simply put, they’re a knockout! Three benevolent monsters—mon- sters of ability and technique surely. But also conveyers of an infec- tious joy that I find both touching and moving,” Rattle said. “I would recommend them not only for entertainment value, but also for anyone looking to see how all types of American music can develop when life and passion such as this are breathed into it.” Time for Three, the new album, sees the group explore the interac- tive possibilities of string instruments, projecting the trio’s onstage magnetism into pure aural allure. The recording also presents the collaborative essence of the group in the most organic fashion. The trio members have a personal connection to each of the guest art- ists. The centerpiece of Time for
Recommended publications
  • Laura Marling - Song for Our Daughter Episode 184
    Song Exploder Laura Marling - Song For Our Daughter Episode 184 Hrishikesh: You’re listening to Song Exploder, where musicians take apart their songs and piece by piece tell the story of how they were made. My name is Hrishikesh Hirway. (“Song for Our Daughter” by LAURA MARLING) Hrishikesh: Before we start, I want to mention that, in this episode, there’s some discussions of themes that might be difficult for some: sexual harassment and assault, as well as a mention of rape and suicide. Please use your best discretion. Laura Marling is a singer and songwriter from London. She won the Brit Award for Best British Female Solo Artist - she’s been nominated five times for that, along with the Mercury Prize, and the Grammy for Best Folk Album. Since 2008, she’s released seven albums. The most recent is called Song for Our Daughter. It’s also the name of the song that she takes apart in this episode. I spoke to Laura while she was in her home studio in London. (“Song for Our Daughter” by LAURA MARLING) Laura: My name is Laura Marling. (Music fades out) Laura: This is the longest I've ever taken to write a record. You know, I started very young. I put out my first album when I was 17, and I'm now 30. When I was young, in a really wonderful way, and I think everybody experiences this when they're young, you're kind of a functioning narcissist [laughter], in that you have this experience of the world, in which you are the central character.
    [Show full text]
  • To Read Or Download the Competition Program Guide
    THE KLEIN COMPETITION 2021 JUNE 5 & 6 The 36th Annual Irving M. Klein International String Competition TABLE OF CONTENTS Board of Directors Dexter Lowry, President Katherine Cass, Vice President Lian Ophir, Treasurer Ruth Short, Secretary Susan Bates Richard Festinger Peter Gelfand 2 4 5 Kevin Jim Mitchell Sardou Klein Welcome The Visionary The Prizes Tessa Lark Stephanie Leung Marcy Straw, ex officio Lee-Lan Yip Board Emerita 6 7 8 Judith Preves Anderson The Judges/Judging The Mentor Commissioned Works 9 10 11 Competition Format Past Winners About California Music Center Marcy Straw, Executive Director Mitchell Sardou Klein, Artistic Director for the Klein Competition 12 18 22 californiamusiccenter.org [email protected] Artist Programs Artist Biographies Donor Appreciation 415.252.1122 On the cover: 21 25 violinist Gabrielle Després, First Prize winner 2020 In Memory Upcoming Performances On this page: cellist Jiaxun Yao, Second Prize winner 2020 WELCOME WELCOME Welcome to the 36th Annual This year’s distinguished jury includes: Charles Castleman (active violin Irving M. Klein International performer/pedagogue and professor at the University of Miami), Glenn String Competition! This is Dicterow (former New York Philharmonic concertmaster and faculty the second, and we hope the member at the USC Thornton School of Music), Karen Dreyfus (violist, last virtual Klein Competition Associate Professor at the USC Thornton School of Music and the weekend. We have every Manhattan School of Music), our composer, Sakari Dixon Vanderveer, expectation that next June Daniel Stewart (Music Director of the Santa Cruz Symphony and Wattis we will be back live, with Music Director of the San Francisco Symphony Youth Orchestra), Ian our devoted audience in Swensen (Chair of the Violin Faculty at the San Francisco Conservatory attendance, at the San of Music), and Barbara Day Turner (Music Director of the San José Francisco Conservatory.
    [Show full text]
  • 2020-21 Season Brochure
    2020 SEA- This year. This season. This orchestra. This music director. Our This performance. This artist. World This moment. This breath. This breath. 2021 SON This breath. Don’t blink. ThePhiladelphiaOrchestra MUSIC DIRECTOR YANNICK NÉZET-SÉGUIN our world Ours is a world divided. And yet, night after night, live music brings audiences together, gifting them with a shared experience. This season, Music Director Yannick Nézet-Séguin and The Philadelphia Orchestra invite you to experience the transformative power of fellowship through a bold exploration of sound. 2 2020–21 Season 3 “For me, music is more than an art form. It’s an artistic force connecting us to each other and to the world around us. I love that our concerts create a space for people to gather as a community—to explore and experience an incredible spectrum of music. Sometimes, we spend an evening in the concert hall together, and it’s simply some hours of joy and beauty. Other times there may be an additional purpose, music in dialogue with an issue or an idea, maybe historic or current, or even a thought that is still not fully formed in our minds and hearts. What’s wonderful is that music gives voice to ideas and feelings that words alone do not; it touches all aspects of our being. Music inspires us to reflect deeply, and music brings us great joy, and so much more. In the end, music connects us more deeply to Our World NOW.” —Yannick Nézet-Séguin 4 2020–21 Season 5 philorch.org / 215.893.1955 6A Thursday Yannick Leads Return to Brahms and Ravel Favorites the Academy Garrick Ohlsson Thursday, October 1 / 7:30 PM Thursday, January 21 / 7:30 PM Thursday, March 25 / 7:30 PM Academy of Music, Philadelphia Yannick Nézet-Séguin Conductor Michael Tilson Thomas Conductor Lisa Batiashvili Violin Yannick Nézet-Séguin Conductor Garrick Ohlsson Piano Hai-Ye Ni Cello Westminster Symphonic Choir Ravel Le Tombeau de Couperin Joe Miller Director Szymanowski Violin Concerto No.
    [Show full text]
  • Vivaldi Four Seasons with Zachary Depue, Violin Soloist and the Gregory Hancock Dance Theatre Schubert Symphony No
    ARTISTIC DIRECTOR Masterworks 4 Vivaldi Four Seasons with Zachary DePue, Violin Soloist and the Gregory Hancock Dance Theatre Schubert Symphony No. 5 Saturday, March 13 • 7:30pm THIS EVENING’S PERFORMANCE Antonio Vivaldi The Four Seasons for Violin and Orchestra, Op. 8, Nos. 1-4 Concerto No. 1 in E Major, RV 269 “La primavera” (“Spring”) I. Allegro II. Largo e pianissimo III. Allegro Concerto No. 2 in G Minor, RV 315 “L’estate” (“Summer”) I. Allegro ma non molto II. Adagio-Presto III. Presto Concerto No. 3 in F Major, RV 293 “L’autunno” (“Autumn”) I. Allegro II. Adagio molto III. Allegro Concerto No. 4 in F Minor, RV 297 “L’inverno” (Winter”) I. Allegro non molto II. Largo III. Allegro Zachary DePue, violin Special appearance by the Gregory Hancock Dance Theatre Franz Schubert Symphony No. 5 in B-flat major, D. 485 Allegro Andante con moto Menuetto: Allegro molto Allegro vivace THIS EVENING’S MUSICIANS FLUTE VIOLIN II Tamara Thweatt, Interim Principal Nataliya Nizhalova, Principal Pam Close, Assistant Principal OBOE Jonathan Johnson Rebecca McGuire, Principal Kris Zaloudek Sharon McCullough Sandra Neel Candida Wiley BASSOON Kevin Shiue Ryan Caldwell, Principal Kathleen Moniaci VIOLA Rachel Gries, Principal HORN Julie Scull, Assistant Principal Dave Poncar, Principal Daniel Wunderle Ginny Kundrat Melinda Bowman Karen Hutchins HARPSICHORD Thomas Gerber CELLO Anna Thompson-Danilova, Interim Principal VIOLIN I Matthew Trefethen, Acting Assistant Principal Alan Snow, Concertmaster Jan Brill Madeleine Wething Joerg Schreiber Nicholas Drumm Amanda Baer BASS Angela Ruch Rose Meyers, Principal Reinhold Strnat Joseph Everett, Assistant Principal MinJi Kim Ann Manship In Memoriam - Jesse Hawkins 1956-2021 Our performance in Philadelphia, Jesse read quartets regularly with Opera.
    [Show full text]
  • TIME for THREE Today, the Concerts Feature Promising New Talent and Promote the Professional Development of Young Composers and Conductors
    From E.B. White’s Here is New York, 1949 free classical music, a service in harmony with our community nother hot night I stop off at the band concert “Queen Mary” announcing her intentions. She is in the Mall in Central Park. The people not on key; she is a half tone off. The trumpeter seated on the benches fanned out in front in the bandstand never flinches. The horns quarrel of the band shell are attentive, appreciative. savagely, but no one minds having the intimation AIn the trees the night wind sings, bringing leaves of travel injected into the pledge of love. “I leave,” to life, endowing them with speech; the electric sobs Mary. “And I will pledge with mine,” sighs lights illuminate the green branches from the the trumpeter. Along the asphalt paths strollers under side, translating them into a new language. pass to and fro; they behave considerately, On a bench directly in front of me, a boy sits with respecting the musical atmosphere. Popsicles are his arm around his girl; they are proud of each moving well. In the warm grass beyond the fence, other and are swathed in music. The cornetist forms wriggle in the shadows, and the skirts of steps forward for a solo, begins, “Drink to me girls approaching on the Mall are ballooned by only with thine eyes. .” In the wide, warm night the breeze, and their bare shoulders catch the the horn is startlingly pure and magical. Then from lamplight. “Drink to me only with thine eyes.” the North River another horn solo begins–the It is a magical occasion, and it’s all free.
    [Show full text]
  • Concerts from the Library of Congress 2012-2013
    Concerts from the Library of Congress 2012-2013 LIBRARY LATE ACME & yMusic Friday, November 30, 2012 9:30 in the evening sprenger theater Atlas performing arts center The McKim Fund in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson; the fund supports the commissioning and performance of chamber music for violin and piano. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: UNAUTHORIZED USE OF PHOTOGRAPHIC AND SOUND RECORDING EQUIPMENT IS STRICTLY PROHIBITED. PATRONS ARE REQUESTED TO TURN OFF THEIR CELLULAR PHONES, ALARM WATCHES, OR OTHER NOISE-MAKING DEVICES THAT WOULD DISRUPT THE PERFORMANCE. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. THE LIBRARY OF CONGRESS Atlas Performing Arts Center FRIDAY, NOVEMBER 30, 2012, at 9:30 p.m. THE mckim Fund In the Library of Congress American Contemporary Music Ensemble Rob Moose and Caleb Burhans, violin Nadia Sirota, viola Clarice Jensen, cello Timothy Andres, piano CAROLINE ADELAIDE SHAW Limestone and Felt, for viola and cello DON BYRON Spin, for violin and piano (McKim Fund Commission) JOHN CAGE (1912-1992) String Quartet in Four Parts (1950) Quietly Flowing Along Slowly Rocking Nearly Stationary Quodlibet MICK BARR ACMED, for violin, viola and cello Intermission *Meet the Artists* yMusic Alex Sopp, flutes Hideaki Aomori, clarinets C.J.
    [Show full text]
  • TIME for THREE Nick Kendall, Violin Zachary De Pue, Violin Ranaan Meyer, Double Bass January 30/31, February 1, 2015
    TIME FOR THREE Nick Kendall, violin Zachary De Pue, violin Ranaan Meyer, double bass January 30/31, February 1, 2015 Time for Three - Zachary (Zach) De Pue, violin; Nicolas (Nick) Kendall, violin; and Ranaan Meyer, double bass - defies traditional classification. Performing music from Bach and Brahms to their own arrangements of The Beatles, Katy Perry, Kanye West and Justin Timberlake, they have performed everywhere from Carnegie Hall to Jazz clubs, European festivals, NFL games and the Indy 500. Their hit YouTube anti-bullying video Stronger, featured on CNN and the Huffington Post, has inspired students around the globe. Their packed 2012/13 season will include the release of their second album, a return to Carnegie Hall, their first tour of Asia, and the world premiere of a new concerto by William Bolcom, in addition to their continuing residency with the Indianapolis Symphony Orchestra. What started as a trio of musicians who played together for fun while students at Philadelphia’s Curtis Institute for Music evolved into Time for Three, or Tf3 for short -- a charismatic ensemble with a reputation for limitless enthusiasm and no musical boundaries. Violinists Zachary De Pue and Nicolas Kendall first discovered their mutual love of fiddling in the country western and bluegrass styles. Then bassist Ranaan Meyer introduced them to his deep roots in jazz and improvisation. After considerable experimentation, the three officially formed Tf3 and for the first few years enjoyed a close affiliation with, and were presented in performances by Astral Artists. The ensemble gained instant attention in July 2003, during a lightning-induced power failure at Philadelphia’sMann Center for the Performing Arts.
    [Show full text]
  • 2O21-22 Season
    CELEBRATING 2O21-22 SEASON EST. 1996 2021-22 contents 5 Welcome 6 Season Calendar 8 Subscribe 10 Series 22 Performances 86 Performances for Young People 88 How to Order 89 Discounts 91 Helpful Information 92 Beyond the Footlights 94 Support On the cover: Hodgson Concert Hall 2Camerata RCO Painting: J.N. Smith 3 Welcome Back What a time it has been! Our world has experienced unprecedented disruption since we last gathered in the spring of 2020 in our beautiful venues to witness exquisite music, dance, and theatre together. Throughout these many long and painful months of separation and isolation, I have been yearning for the time when we can be together once again. It appears that time is finally now upon us! I am absolutely thrilled to share our plans for celebrating the University of Georgia Performing Arts Center’s historic 25th anniversary season throughout the fall of 2021 and spring of 2022. Our silver anniversary season will feature a variety of acclaimed guest artists—some new to us and some returning favorites—with an equally wide variety of personal life experiences. They will come to us from across the United States and several different countries. Their experiences inform their work, and we will, for a brief moment in time, commune together as the universal languages of music, spoken word, and movement unite us in hope and healing. Not only has the world changed significantly since we first opened our doors 25 years ago, it has changed dramatically in the last year as we have endured the devastating impact of a global pandemic, social injustice, political uncertainty, and any number of other things.
    [Show full text]
  • 001-24-PREMIERES PAGES-18/19(47L).Indd
    SEPTEMBRE – OCTOBRE CONCERTS JUILLET SEPTEMBRE OCTOBRE EN SEMAINE 25 025-075-1 CONCERTS septembre-octobre 18/19.indd 25 02/02/2018 17:28 FESTIVAL DAYS OFF DU 30 JUIN AU 8 JUILLET Le festival Days Off, qui fêtera sa 9e}édition, est le temps fort estival dédié aux musiques actuelles à la Philharmonie. Days Off présente des projets spéciaux, des têtes d’affiche rares sur la scène hexagonale comme les dernières émergences. De la pop au rock, en passant par l’électro et des rencontres avec la musique contemporaine, il affiche une diversité de styles et de formes réunis par une certaine vision de la modernité. Événement en ouverture du festival, le prodige Nils Frahm, qui mêle habilement musique électronique et piano acous- tique, a carte blanche pour investir les différents espaces de la Philharmonie. KEREN ANN Parmi les autres temps forts de cette nouvelle édition : le légendaire David Byrne, ex-leader des Talking Heads, DAVID BYRNE vient présenter en exclusivité son nouveau projet après une très longue absence ; Étienne Daho, icône de la pop française, fait son grand retour sur une scène parisienne après le succès de son dernier album ; Keren Ann revisite son répertoire en compagnie du Quatuor Debussy… Avec une vingtaine de groupes ou artistes invités, des soirées thématiques et des créations, le programme de Days Off reflète la richesse des musiques d’aujourd’hui. DAYOFF.FR PROGRAMMATION COMPLÈTE ANNONCÉE EN AVRIL 2018. PHILHARMONIE DE PARIS CITÉ DE LA MUSIQUE PRÉLUDE 27 025-075-1 CONCERTS septembre-octobre 18/19.indd 27 02/02/2018 17:28 FESTIVAL JAZZ À LA VILLETTE DU 30 AOÛT AU 9 SEPTEMBRE Jazz à la Villette, coproduit avec la Grande Halle, est le grand rendez-vous de la rentrée pour tous les amoureux de la note bleue et au-delà.
    [Show full text]
  • Acoustic Guitar
    45 ACOUSTIC GUITAR THE CHRISTMAS ACOUSTIC GUITAR METHOD FROM ACOUSTIC GUITAR MAGAZINE COMPLETE SONGS FOR ACOUSTIC BEGINNING THE GUITAR GUITAR ACOUSTIC METHOD GUITAR LEARN TO PLAY 15 COMPLETE HOLIDAY CLASSICS METHOD, TO PLAY USING THE TECHNIQUES & SONGS OF by Peter Penhallow BOOK 1 AMERICAN ROOTS MUSIC Acoustic Guitar Private by David Hamburger by David Hamburger Lessons String Letter Publishing String Letter Publishing Please see the Hal Leonard We’re proud to present the Books 1, 2 and 3 in one convenient collection. Christmas Catalog for a complete description. first in a series of beginning ______00695667 Book/3-CD Pack..............$24.95 ______00699495 Book/CD Pack...................$9.95 method books that uses traditional American music to teach authentic THE ACOUSTIC EARLY JAZZ techniques and songs. From the folk, blues and old- GUITAR METHOD & SWING time music of yesterday have come the rock, country CHORD BOOK SONGS FOR and jazz of today. Now you can begin understanding, GUITAR playing and enjoying these essential traditions and LEARN TO PLAY CHORDS styles on the instrument that truly represents COMMON IN AMERICAN String Letter Publishing American music: the acoustic guitar. When you’re ROOTS MUSIC STYLES Add to your repertoire with done with this method series, you’ll know dozens of by David Hamburger this collection of early jazz the tunes that form the backbone of American music Acoustic Guitar Magazine and swing standards! The and be able to play them using a variety of flatpicking Private Lessons companion CD features a
    [Show full text]
  • Pag 01 OK.Qxd 11/07/2014 20:20 Pægina 1 EL CULTURAL1 Euro
    pag 01 OK.qxd 11/07/2014 20:20 PÆgina 1 EL CULTURAL1 Euro. Venta conjunta e inseparable con El Mundo, y en librerías especializadas 18-24 de julio de 2014 www.elcultural.es Referentes intelectuales de los nuevos movimientos europeos Ideas que mecen la política emergente Un banco para su formación El banco que confía en el potencial de miles de estudiantes es el mismo que en 2013 concedió 22.422 becas y ayudas a universitarios y que apoya los sueños y proyectos de sus 100 millones de clientes en todo el mundo. santander.com/universidades Pag 03ok.qxd 11/07/2014 19:54 PÆgina 3 PRIMERA PALABRA LUIS MARÍA ANSON de la Real Academia Española Lecturas de verano adie discute la sabiduría iberoamericanos de los últimos Expósito como responsable li- Múgica ha escrito un relato literaria de Francisco Ro- cincuenta años sin leer al hom- terario. Gonzalo Santonja ha trepidante que desconcierta. Ndríguez Adrados. Desde bre que ha estado siempre en prologado el libro desde la se- No se arrepentirá el lector que Gilgamés y su influencia en Ho- contacto con los grandes nom- riedad literaria con que siem- se adentre en esta novela sin- mero hasta las vanguardias del bres de las letras, que ha con- pre aborda sus análisis. San- gular. siglo XXI nada escapa al co- tado con la estima de los escri- tonja robustece su crédito nocimiento del académico ni tores cimeros y que nunca cayó intelectual año tras año. Zama- *** a la sagacidad de su análisis crí- en la lisonja porque siempre ha cois habla de Unamuno, de Va- Desde Las ingles celestes he se- tico.
    [Show full text]
  • From the Emerald Lands of Mist and Myth Comes the Music of Celtic Traditions
    From the emerald lands of mist and myth comes the music of Celtic traditions. Maestro Wes Kenney and the Fort Collins Symphony invite you to enjoy the virtual on-demand concert Celtic Fantasy. Featuring a variety of traditional and contemporary Celtic music for strings, winds, piano, and percussion this concert will highlight the broad symphonic traditions of Ireland, Scotland, Wales, Cornwall, Brittany, and Galicia. A wealth of Celtic folk songs, jigs, reels, hornpipes, and airs emigrated to Appalachia where this unique genre has influenced American music for more than 300 years. This concert includes: Joan Trimble’sIrish Suite for Strings, Jay Ungar’s Ashokan Farewell (from Ken Burn’s award-winning documentary The Civil War), Gaelic Storm’s An Irish Party in Third Class (from the movie Titanic), Jennifer Barker’s Suilean a’Chloinne (Children’s Eyes), Arthur Duff’s Irish Suite for Strings, Victor Herbert’s Yesterthoughts, and Gwyneth Walker’s Light of Three Mornings. Finally, Herbert’s Punchinello, while not exactly Celtic, is a chipper and cheerful concert bonus (think mischief- making leprechauns!). The Fort Collins Symphony Association is deeply grateful to our Friends of the Symphony whose financial support helped make it possible for us to present the Celtic Fantasy concert. With appreciation, we acknowledge the following FoS donors: Oren & Jennifer Anderson . Karel Applebee . Kathleen Batterton . David & Alison Dennis Fund* . Paul & Katherine Dudzinski Fund* Kay & Larry Edwards . K. Dawn & David Grapes . Howard & Phyllis Hay . Charlene & David Jones in honor of David & Alison Dennis Mary & Paul Kopco . Barbara & Albert Leung . Kathleen McKeown & Gary Betow . Robert C. Michael . Sharyn & Larry Salmen in memory of Jerry Applebee & Leabelle Schwartz .
    [Show full text]