2021 Event Results Galveston II
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Tom and Emma by Kate Simon
Tom and Emma by Kate Simon 1 Tom Winters sat at an outdoor table of his favorite coffee shop. They served strong, real coffee and a decent bear claw. They also had some fairly cute waitresses. A smile and a harmless flirt with a sweet young thing wasn't a bad way to start the day. It didn't hurt that they flirted back. He may be a couple of decades older than they were but he wasn't dead yet. He looked down at his watch and saw it wasn't quite nine. He still had time to kill before he walked up the block to his shop. He had a ten o'clock appointment with an old client, Jimmy. He was a buddy from their bike club. A good guy, a little out there, but you could count on him to have your back in a bar fight. He'd been doing Jimmy's ink for years. He was surprised the old coot still had any room for new ink. Tom took a sip of his coffee and glanced at the blonde a few tables over. She'd sat down about twenty minutes ago. He'd noticed her because she was at least five foot eight. That, and she was stunning. But there were a lot of stunning women in LA. She looked vaguely familiar but she was a tall blonde in LA, not exactly unusual. Her waist length hair was pulled into a tight ponytail. She wasn't wearing any makeup and somehow that made her even more beautiful. -
Voices from the Fringe Final.Pdf
The edge of one world may be the center of another. Table Of Contents Verge • Erica Seward 02 My Knowledge • Tyler Redlich 03 The Circus • Siena Krueger 05 Endless Possibilities • Taylor Brill 06 Where The Wild Is • Tyler Redlich 07 Clock Dictation • Niki Lytton 08 Time/Progress • Stephan Stenger 09 Air Conditioned • Lucas Trahan 10 Jumanji • Zoha Syed 13 Progress • Stephan Stenger 14 Ethereal • Jade Halliburton 16 Those Mornings • Feimei Zeng 16 Taking a Walk • Erinn Stepniak 17 Four and Twenty Blackbirds • Feimei Zeng 18 to wait • Rachel Grove 19 A Devil’s Attraction • Alexandria Johnson 20 To Remember • Janice Jia 28 Mister • Emily Geffert 29 Paranoia •Stephan Stenger 30 Post-Catharsis • Siena Krueger 32 Slammed • Caitlin Coghlan 33 Rain • Ella Watkins 36 Clear Minded • Taylor Brill 37 Flightless Bird • Jessie Riley 38 Untitled • Siena Krueger 39 Open a Window to a World of Possibilities • Brooke Brezette 40 Dreams •Jade Halliburton 41 In All Seriousness • Feimei Zeng 42 Through the Blind Eyes of Life • Robin Ahmadi 43 The Phoenix Soul • Cullon Oldham-Greene 44 Everyday • Abby Campbell 45 Star Dancers • Zoha Syed 46 Wholly Wheel • Connor Walden 47 Thoughts • Jessica Cruz 48 “Closure” • Megan Atkinson 49 ? • Janice Jia 50 Verge By Erica Seward The edge of Madness Open wounds Broken down in Sadness That all consumes Jagged mirrors Reflect unshed tears Voices echo in the empty halls The decay is setting in Fevered whispers Of both Anger and Shame In the darkness Rest beings with no name Soft walls of White Yet chaos from within Everything far too bright Sanity the only sin Spiraling down Falling backward Eyes open to look around Back to reality and onward 2 My Knowledge By Tyler Redlich I write my thoughts down because knowledge is found within all things, and knowledge is meant to be shared with all that listen. -
Taylor Swift New Album Target Code Digital Download Taylor Swift Says She Will Release Surprise Album at Midnight
taylor swift new album target code digital download Taylor Swift says she will release surprise album at midnight. Taylor Swift surprised fans Thursday morning by announcing that she would release her eighth studio album at midnight. Swift's new album, "Folklore," will be available to stream and purchase on Friday. In a series of tweets, Swift described the new record as one in which she's "poured all of my whims, dreams, fears, and musings into." Swift said that while the album was recorded entirely in isolation, she was still able to collaborate with several other musical artists, including Bon Iver, Jack Antonoff and Aaron Desner. Swift added that the standard album would include 16 songs, and the "deluxe" version will include one bonus track. Surprise Tonight at midnight I’ll be releasing my 8th studio album, folklore; an entire brand new album of songs I’ve poured all of my whims, dreams, fears, and musings into. Pre-order at https://t.co/zSHpnhUlLb pic.twitter.com/4ZVGy4l23b — Taylor Swift (@taylorswift13) July 23, 2020. She also announced she would release a music video on Thursday night for the song "Cardigan." "Folklore" will mark Swift's first full album release since last year, when she released her album "Lover." Digital Downloads. To access your files on an iOS device, you’ll need to first download to a desktop computer and then transfer the files to your device. Unfortunately, iOS devices don’t allow you to download music files directly to your phone. We apologize for the inconvenience! How to access your files on your Android Phone: To access the album on your phone, follow the link provided and click "Download" You will then be taken to the downloaded folder and you will then need to click "extract all" Once the album is finished downloading, a new folder will pop up to confirm that the files are in MP3 format You can then listen to the album on your phone's music app. -
Hollywood Foreign Press Association 2019 Golden Globe Awards for the Year Ended December 31, 2018 Press Release
HOLLYWOOD FOREIGN PRESS ASSOCIATION 2019 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2018 PRESS RELEASE 1. BEST MOTION PICTURE – DRAMA a. BLACK PANTHER Marvel Studios; Walt Disney Studios Motion Pictures b. BLACKKKLANSMAN QC Entertainment / Blumhouse / Monkeypaw / 40 Acres and a Mule; Focus Features c. BOHEMIAN RHAPSODY Twentieth Century Fox and Regency Enterprises; Twentieth Century Fox d. IF BEALE STREET COULD TALK Annapurna Pictures / Plan B Entertainment / We Pastel; Annapurna Pictures e. A STAR IS BORN Warner Bros. Pictures / Live Nation Productions / Metro Goldwyn Mayer Pictures / Jon Peters Production / Bill Gerber Production / Joint Effort Production; Warner Bros. Pictures 2. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA a. GLENN CLOSE THE WIFE b. LADY GAGA A STAR IS BORN c. NICOLE KIDMAN DESTROYER d. MELISSA MCCARTHY CAN YOU EVER FORGIVE ME? e. ROSAMUND PIKE A PRIVATE WAR This document is being provided to the media pertaining to the nominations announcements for the 76th Annual Golden Globe Awards. The official press release is presented in PDF format and contains the official results. As a courtesy to the media, this version of the press release in Microsoft Word format is provided for ease of use. Ernst & Young LLP takes no responsibility for errors or changes made by the users of the Word file or the resulting impacts on their reporting. The official press release in PDF format represents the only official results. HOLLYWOOD FOREIGN PRESS ASSOCIATION 2019 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2018 PRESS RELEASE 3. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA a. -
Plicka, Joseph 05-03-11
Stories for the Mongrel Heart A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Joseph B. Plicka June 2011 © 2011 Joseph B. Plicka. All Rights Reserved. 2 This dissertation titled Stories for the Mongrel Heart by JOSEPH B. PLICKA has been approved for the Department of English and the College of Arts and Sciences ___________________________________________________________ Darrell Spencer Professor of English ____________________________________________________________ Benjamin M. Ogles Dean, College of Arts and Sciences 3 ABSTRACT PLICKA, JOSEPH, B., Ph.D., June 2011, English Stories for the Mongrel Heart Director of Dissertation: Darrell Spencer A collection of six short stories, generally of a realist, minimalist aesthetic. They center around middle‐class Americans stumbling through changes, looking for work, distraction, renewal. Other subjects include flies, gorillas, infertility, ducks, basketball, telepathy, marriage, Chinook jargon, spear fishing, tourism, impending nuclear doom, and dogs. Lots of dogs. Critical introduction seeks to examine how fiction operates, paying special attention to the “elasticity” of literary language and drawing on the ideas of William Gass, Flannery O’Connor, John Gardner, Roland Barthes, James Wood, and others, as well on personal observations on the craft and process of writing fiction. Approved:___________________________________________________________________________________ -
"My Gut Is Telling Me That If You Make Something You Love, You Should Just
Everlore: Two Albums that Accurately Portray the Melancholic Mood of a Pandemic By Jannie Gowdy, 12 When I was seven years old, my mom took me to a Taylor Swift concert in Des Moines. I was obsessed with the artist, and I showed up with a paper guitar and my favorite dress on, elated that I was going to finally see my role model perform. My greatest hope was fulfilled: Taylor put on a phenomenal show, gliding over the audience and displaying her powerful vocals. I left there holding her in the highest regard. Over the course of her career, I followed her albums as she went from one era to the next, loving every style change. After all, Taylor Swift is the queen of evolving her discography. She started out with country roots in her debut album, Fearless, and Speak Now, and progressed to pop in Red and 1989. While her next two albums, Reputation and Lover, are also categorized as pop albums as well, they each have a very unique tone displayed by differing characteristics. Reputation’s electro-backing and musical mixing songs are powerful and fierce, while Lover contrasted sharply with softer instrumentals and a self-discovery theme. While Swift’s style is characterized by more specific ‘eras’ and there is always fan speculation about her next era, no one expected her to go the route of indie-folk music. On July 23rd, Swift announced n social media platforms that her eighth album would be dropping at midnight. She wrote in an accompanying statement, "Before this year I probably would’ve overthought when to release this music at the ‘perfect’ time, but the times we’re living in keep reminding me that nothing is guaranteed." She went on to say, "My gut is telling me that if you make something you love, you should just put it out into the world.” The sixteen songs she released (later releasing “The Lakes” as a bonus track) incorporated bleak and soft themes, reflecting life during the pandemic. -
The Top Albums of the Year Ranked Pg.12-13
CORRAL Parkway Central High School, Chesterfield, MO 63017 Grammy Vol 65, Issue 2 February 24, 2021 Season The Top Albums of the Year Ranked pg.12-13 Illustration by senior Danielle Malt 2 From the Editor M e e t t h e C o r r a l S t a ff The Corral is a student-writ- ten, edited and produced publication of Parkway Central High School, 369 N. Woods Mill Road, Chesterfield, MO 63017; 314-415-7978. The Corral is given away free of charge to students and Abby Prywitch Trey Williams Sydney Stahlschmidt Gabby Abowitz faculty. Subscriptions and Editor- in-Chief Managing Editor Copy Editor Art Director patronships for one year may be Years on Staff: 4 Years on Staff: 3 Years on Staff: 4 Years on Staff: 4 purchased, starting at $20. The goal of this publication is to provide accurate, informative and entertaining information in the true spirit of responsible journalism and to operate as an open forum for students, faculty, administrators and parents. The Corral is created on Hewlett-Packard and Mac computers using Adobe Creative Brooke Kraizer Alex Maisenhelder Ellie Mueller Maddie Hewgley Suite 6 and is published by PJ News/Features Editor Online Managing Editor Staff Reporter Staff Reporter Years on Staff: 2 Years on Staff: 4 Years on Staff: 1 Years on Staff: 1 Printing. Unsigned editorials reflect the views of the editorial board. Signed columns and artwork re- flect the views of that individual. The staff appreciates com- ments and suggestions. Letters to the editor, guest editorials and other correspondence are encouraged but must be signed. -
Album of the Year Record of the Year
Album of the Year I, I Bon Iver NORMAN F—ING ROCKWELL! Lana del Rey WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? Billie Eilish THANK U, NEXT Ariana Grande I USED TO KNOW HER H.E.R. 7 Lil Nas X CUZ I LOVE YOU Lizzo FATHER OF THE BRIDE Vampire Weekend Record of the Year HEY MA Bon Iver BAD GUY Billie Eilish 7 RINGS Ariana Grande HARD PLACE H.E.R. TALK Khalid OLD TOWN ROAD Lil Nas X ft. Billy Ray Cyrus TRUTH HURTS Lizzo SUNFLOWER Post Malone Song of the Year ALWAYS REMEMBER US THIS WAY Natalie Hemby, Lady Gaga, Hillary Lindsey and Lori McKenna, songwriters (Lady Gaga) BAD GUY Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish) BRING MY FLOWERS NOW Brandi Carlile, Phil Hanseroth, Tim Hanseroth and Tanya Tucker, songwriters (Tanya Tucker) HARD PLACE Ruby Amanfu, Sam Ashworth, D. Arcelious Harris, H.E.R. & Rodney Jerkins, songwriters (H.E.R.) LOVER Taylor Swift NORMAN F***ING ROCKWELL Jack Antonoff and Lana del Ray, songwriters (Lana del Rey) SOMEONE YOU LOVED Tom Barnes, Lewis Capaldi, Pete Kelleher, Benjamin Kohn and Sam Roman, songwriters (Lewis Capaldi) TRUTH HURTS Steven Cheung, Eric Frederic, Melissa Jefferson and Jesse Saint John, songwriters (Lizzo) Best New Artist BLACK PUMAS BILLIE EILISH LIL NAS X LIZZO MAGGIE ROGERS ROSALíA TANK AND THE BANGAS YOLA Best Pop Solo Performance SPIRIT Beyoncé BAD GUY Billie Eilish 7 RINGS Ariana Grande TRUTH HURTS Lizzo YOU NEED TO CALM DOWN Taylor Swift Best Pop Duo/Group Performance BOYFRIEND Ariana Grande & Social House SUCKER Jonas Brothers OLD TOWN ROAD Lil Nas X Featuring Billy -
Final Nominations List the National Academy of Recording Arts & Sciences, Inc
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 63rd Annual GRAMMY® Awards For recordings released during the Eligibility Year September 1, 2019 through August 31, 2020 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. SAVAGE Record Of The Year Megan Thee Stallion Featuring Beyoncé Award to the Artist and to the Producer(s), Recording Engineer(s) Beyoncé & J. White Did It, producers; Eddie “eMIX” and/or Mixer(s) and mastering engineer(s), if other than the artist. Hernández, Shawn "Source" Jarrett, Jaycen Joshua & Stuart White, engineers/mixers; Colin Leonard, mastering 1. BLACK PARADE engineer Beyoncé Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer 2. COLORS Black Pumas Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer 3. ROCKSTAR DaBaby Featuring Roddy Ricch SethinTheKitchen, producer; Derek "MixedByAli" Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer 4. SAY SO Doja Cat Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer 5. EVERYTHING I WANTED Billie Eilish Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer 6. DON'T START NOW Dua Lipa Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer 7. CIRCLES Post Malone Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2020 - all rights reserved 1 Not for copy or distribution 63rd Finals - Press List General Field Category 2 8. -
Interpersonal Meaning of Mood Choices on Taylor Swift’S Song Lyrics in Folklore Album
INTERPERSONAL MEANING OF MOOD CHOICES ON TAYLOR SWIFT’S SONG LYRICS IN FOLKLORE ALBUM THESIS By: Adistia Mursyidatul Kamaliah NIM 17320072 DEPARTMENT OF ENGLISH LITERATURE FACULTY OF HUMANITIES UNIVERSITAS ISLAM NEGERI MAULANA MALIK IBRAHIM MALANG 2021 INTERPERSONAL MEANING OF MOOD CHOICES ON TAYLOR SWIFT’S SONG LYRICS IN FOLKLORE ALBUM THESIS Presented to Universitas Islam Negeri Maulana Malik Ibrahim Malang in Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra (S.S) By: Adistia Mursyidatul Kamaliah NIM 17320072 Advisor: Masrokhin, MA NIP 19780410201608011035 DEPARTMENT OF ENGLISH LITERATURE FACULTY OF HUMANITIES UNIVERSITAS ISLAM NEGERI MAULANA MALIK IBRAHIM MALANG 2021 i MOTTO اَل َّر ْح ٰم ُن َع َّل َم ا ْلقُ ْر ٰا َن َخ َل َق ا ْ ِْل ْن َسا َ ن َع َّل َمهُ ا ْلبَيَا َن “(God) Most Gracious! It is He Who has Taught the Qur-ān, He has created man, He has taught him speech (And Intelligence).” (Ar-Rahman: 1-4) v DEDICATION This thesis is proudly dedicated to: My beloved father, Mr. Asmawi Kamal, S.Pd. & my beloved mother, Mrs. Ismah Robbil Izzah, S.Ag. as my best motivators who always support me with prayers all the time, endless love, and unconditional attentions to pass the journey of my life. My one and only little sister, Adinda Rizqiyatul Hasanah, who accompany me with joy and love. My beloved big family who always give me spirit for finishing this thesis. Thank you so much from the bottom of my heart! vi ACKNOWLEDGEMENT My foremost thanks go to Allah SWT, the Almighty, the Most Gracious, and the Most Merciful for His blessings and His graces upon me during my undergraduate study. -
Absolute Midget
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-22-2006 Absolute Midget Mitchell Sommers University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Sommers, Mitchell, "Absolute Midget" (2006). University of New Orleans Theses and Dissertations. 440. https://scholarworks.uno.edu/td/440 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ABSOLUTE MIDGET A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Fine Arts In Drama and Communications Creative Writing By Mitchell A. Sommers B.A. Franklin and Marshall College, 1980 J.D. The Dickinson School of Law, 1983 May 2006 Table of Contents January, 2001………………………………………………………………..….…1 April, 2001, Thursday……………………………………………………..………4 January, 2001………………………………………………………………….…45 Friday………………………………………………………………….…………48 January, 2001…………………………………………………………………...156 Saturday………………………………………………………………………...159 January, 2001, Philadelphia…………………………………………………….250 Sunday………………………………………………………………………….251 January, 2001, Philadelphia…………………………………………………….291 Monday…………………………………………………………………………292 January, 2001, Philadelphia…………………………………………………….297 Vita……………………………………………………………………………..327 iv January, 2001 Rudy has said nothing to me for at least ten minutes now. -
Taylor Swift “Folklore” (2020) Th Published August 20 , 2020 Listen Here on Themcelroy.Family
Still Buffering 224: Taylor Swift “Folklore” (2020) th Published August 20 , 2020 Listen here on TheMcElroy.family [theme music plays] Rileigh: Hello, and welcome to Still Buffering, a cross-generational guide to the culture that made us. I am Rileigh Smirl. Sydnee: I'm Sydnee McElroy. Teylor: And I'm Teylor Smirl. Sydnee: Well, how are you all doing today? [laughs quietly] Teylor: That's a funny question. Sydnee: I feel like— Rileigh: Hmm… Sydnee: [laughs] I feel—that felt very weird. Rileigh: [quietly] How am I? Sydnee: I think I almost slipped into doctor mode there. "Well, tell me what's goin' on." Rileigh: "How are you feeling today?" Sydnee: "How are you feeling today?" Teylor: It just seems like… I feel like the question of, "How are you?" is almost offensive right now in the world. [laughs] Sydnee: [laughs] Teylor: It's like, "What do you think?!" Rileigh: I feel like I have lived this day… Teylor: [laughs] Rileigh: —every day, for the past five months. [laughs] Sydnee: Mm-hmm, mm-hmm. Yep. Teylor: It's Groundhog's Day, but much worse. I don't think there was a plague in that movie. Sydnee: No, that's very true. I have—I have had similar feelings. The days just sort of melt together, 'cause they're all— Rileigh: And now I have to start school? And I'm like, "I haven't used my brain in almost half a year." I had a sign a document the other day and I forgot how to sign my name! [laughs quietly] I hadn't picked up a pen in months! Sydnee: I'll tell you, uh, what threw me for a loop… 'cause everything seems odd and off right now, and I'm always desperate for, like, new information to enter my brain, because I get so much—so little new sensory input.