Flannery O'connor and Thomas Merton
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Flannery O'connor
ANALYSIS “The Artificial Nigger” (1955) Flannery O’Connor (1925-1964) “I suppose ‘The Artificial Nigger’ is my favorite…. And there is nothing that screams out the tragedy of the South like what my uncle calls ‘nigger statuary.’ And then there’s Peter’s denial. They all got together in that one. You are right about this negativity being in large degree personal. My disposition is a combination of Nelson’s and Hulga’s. Or perhaps I only flatter myself.” O’Connor, Letter (6 September 1955) “Well, I never had heard the phrase before, but my mother was out trying to buy a cow, and she rode up the country a-piece. She had the address of a man who was supposed to have a cow for sale, but she couldn’t find it, so she stopped in a small town and asked the countryman on the side of the road where the house was, and he said, ‘Well, you go into this town and you can’t miss it ‘cause it’s the only house in town with a artificial nigger in front of it.’ So I decided I would have to find a story to fit that.” O’Connor, Symposium, Vanderbilt U (1957) “’The Artificial Nigger’ is my favorite and probably the best thing I’ll ever write.” O’Connor, Letter (10 March 1957) “We begin here with nothing more uncommon than a rustic old man taking his rustic grandson for his first trip to the city. While their backwoodness is a bit grotesque and the old man’s vanity provides touching humor, metaphysical drama doesn’t overturn secular seeming until the man publicly denies his relationship to the boy to escape retribution and to give the humor a new dimension. -
Sermon on the Hood of an Essex: Flannery O'connor's Wise Blood Glenn Settle Version of Record First Published: 05 Aug 2008
This article was downloaded by: [Vancouver Island University] On: 18 October 2012, At: 14:55 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Text and Performance Quarterly Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rtpq20 Sermon on the Hood of an Essex: Flannery O'Connor's Wise Blood Glenn Settle Version of record first published: 05 Aug 2008. To cite this article: Glenn Settle (2001): Sermon on the Hood of an Essex: Flannery O'Connor's Wise Blood , Text and Performance Quarterly, 21:3, 183-201 To link to this article: http://dx.doi.org/10.1080/10462930108616169 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and- conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. Text and Performance Quarterly Vol. 21, No. -
NEW REVELATION of JESUS CHRIST
About BODY, SOUL and SPIRIT (Ed.. 1) Excerpts from THE NEW REVELATION of JESUS CHRIST www.new-revelation.ro THE NEW REVELATION From 1840 to 1864, and from 1870 to 1877, JESUS CHRIST dictated to the Austrian musician Jakob Lorber and to German Gottfried Mayerhofer the greatest and largest spiritual message ever offered to humanity. The revelations were received by the two scribes of the Lord through Inner Word, meaning Lorber and later, Mayerhofer heard them very clearly in the region of their heart and wrote them faithfully down, without adding any personal contribution. They were perfectly awake, they didn´t experience any states of altered consciousness, nor were they some mediums for automatic writing whose hands were guided by a spirit-entity. The writings of Lorber and Mayerhofer, comprising tens of volumes are known as THE NEW REVELATION, the extraordinary spiritual teaching that JESUS CHRIST brought to mankind, almost 1 2000 years after his earthly life. Many other revelations than those presented here concerning the subject of human triune constitution and each of its parts are to be found in various other texts of the New Revelation. The development of the form of the soul up to man Body, spirit and soul Human life The individual life-consciousness of man THE TRINITY IN MAN AS IN GOD SOUL SPIRIT AND BODY - The activities of the 3 bodies of man The living Spirit The Living Soul - between body and Spirit Why doesn't the soul remember previous existences The human soul. Its relations with the spirit and the body. Intelligence of the soul. -
Flannery O'connor's Images of the Self
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Fall 1978 CLOWNS AND CAPTIVES: FLANNERY O'CONNOR'S IMAGES OF THE SELF MICHAEL JOHN LEE Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation LEE, MICHAEL JOHN, "CLOWNS AND CAPTIVES: FLANNERY O'CONNOR'S IMAGES OF THE SELF" (1978). Doctoral Dissertations. 1210. https://scholars.unh.edu/dissertation/1210 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document ' ave been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or “ target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. -
The Wise Blood of Enoch Emery
The Corinthian Volume 10 Article 20 2009 The Wise Blood of Enoch Emery Susan Presley Georgia College & State University Follow this and additional works at: https://kb.gcsu.edu/thecorinthian Part of the English Language and Literature Commons Recommended Citation Presley, Susan (2009) "The Wise Blood of Enoch Emery," The Corinthian: Vol. 10 , Article 20. Available at: https://kb.gcsu.edu/thecorinthian/vol10/iss1/20 This Article is brought to you for free and open access by the Undergraduate Research at Knowledge Box. It has been accepted for inclusion in The Corinthian by an authorized editor of Knowledge Box. The Wise Blood of Enoch Emery Editor’s Note: This article is reprinted in Volume 10 due to an error in Volume 9. We offer our sincere apologies for our mistake. The Wise Blood of Enoch Emery Susan Presley Dr. Marshall Bruce Gentry Faculty Sponsor Some readers regard Enoch Emery of Wise Blood as a shallow, comic, even demonic character because of his seemingly meaningless rituals, his grotesque actions, and his secular state of living. In a lecture to the NEH Summer Institute “Reconsidering Flannery O’Connor” at GCSU in July 2007, Michael Kreyling described Enoch as “obviously deranged” and “only a molecule away from becoming Dick Hickock in In Cold Blood.” Enoch actually shares qualities with many common eighteen-year-old boys and is not the disturbing character many critics claim he is. Readers too easily have overlooked Enoch’s important role in the novel, because they have not considered the potential of this character who has “wise blood” (44). -
Region, Idolatry, and Catholic Irony: Flannery O'connor's Modest Literary Vision
01-logos-jackson-pp13-40 2/8/02 3:51 PM Page 13 Robert Jackson Region, Idolatry, and Catholic Irony: Flannery O’Connor’s Modest Literary Vision Introduction:On Adolescence and Authority,Region,and Religion Writing to his lifelong friend Walker Percy in 1969, the Mis- sissippi novelist and historian Shelby Foote assessed the life and career of their contemporary and fellow Southerner Flannery O’Connor: She had the real clew, the solid gen, on what it’s about; I just wish she’d had time to demonstrate it fully instead of in frag- ments. She’s a minor-minor writer,not because she lacked the talent to be a major one, but simply because she died before her development had time to evolve out of the friction of just living enough years to soak up the basic joys and sorrows. That, and I think because she also didn’t have time to turn her back on Christ, which is something every great Catholic writer (that I know of, I mean) has done. Joyce, Proust—and, I think, Dostoevsky, who was just about the least Christian man I ever encountered except maybe Hemingway....I always had the feeling that O’Connor was going to be one of our big talents; I didn’t know she was dying—which of course logos 5:1 winter 2002 01-logos-jackson-pp13-40 2/8/02 3:51 PM Page 14 logos means I misunderstood her. She was a slow developer, like most good writers, and just plain didn’t have the time she needed to get around to the ordinary world, which would have been her true subject after she emerged from the “grotesque” one she explored throughout the little time she had.1 Foote’s image of O’Connor is striking not only for what it express- es about her life and writings, but perhaps even more so for its imaginative portrait of the person who might have evolved into a very different writer with age and maturity. -
The Genesis and Development of "Parker's Back"
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 1976 The Genesis and Development of "Parker's Back" Kara Pratt Brewer University of the Pacific Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the English Language and Literature Commons Recommended Citation Brewer, Kara Pratt. (1976). The Genesis and Development of "Parker's Back". University of the Pacific, Dissertation. https://scholarlycommons.pacific.edu/uop_etds/3201 This Dissertation is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. THE GENESIS AND DEVELOPl'1ENT OF "PARKER'S BACK" by Kara Brewer An essay subrnitted.in partial fulfillment of the requirements for the degree of Doctor of Arts in the Depa~tment of English University of the Pacific IVJa.rch, 1976 This essay, written and submitted by Kara P. Brewer is approved for recommendation to the Graduate Council, University of the Pacific. Department Chairman or Dean: Essay Committee: Dated______ ~M~a~v~l~,~l~9~7~6~------------- "Parker's Back" is the last r-:~hort story Flannery 0' Connor wrote before the ravaging· disease Lupus took her• life in August of 1964. When Caroline Gordon visited her "in a hospital a fev1 weeks before her death," she spoke of her concern about finishing it. "She told me that the doc~~ tor had forbidden her to do any work. -
Revelation From, Everything That Rises Must Converge by Flannery O’Connor
PHILOSOPHY OF HUMAN EXPERIENCE 2004–05 Revelation From, Everything That Rises Must Converge By Flannery O’Connor The Doctor’s waiting room, which was very small, was almost full when the Turpins entered and Mrs. Turpin, who was very large, made it look even smaller by her presence. She stood looming at the head of the magazine table set in the center of it, a living demonstration that the room was inadequate and ridiculous. Her little bright black eyes took in all the patients as she sized up the seating situation. There was one vacant chair and a place on the sofa occupied by a blond child in a dirty blue romper who should have been told to move over and make room for the lady. He was five or six, but Mrs. Turpin saw at once that no one was going to tell him to move over. He was slumped down in the seat, his arms idle at his sides and his eyes idle in his head; his nose ran unchecked. Mrs. Turpin put a firm hand on Claud's shoulder and said in a voice that included anyone who wanted to listen, "Claud, you sit in that chair there," and gave him a push down into the vacant one. Claud was florid and bald and sturdy, somewhat shorter than Mrs. Turpin, but he sat down as if he were accustomed to doing what she told him to. Mrs. Turpin remained standing. The only man in the room besides Claud was a lean stringy old fellow with a rusty hand spread out on each knee, whose eyes were closed as if he were asleep or dead or pretending to be so as not to get up and offer her his seat. -
The Ideology of the John Birch Society
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-1966 The Ideology of the John Birch Society Max P. Peterson Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the Political Science Commons Recommended Citation Peterson, Max P., "The Ideology of the John Birch Society" (1966). All Graduate Theses and Dissertations. 7982. https://digitalcommons.usu.edu/etd/7982 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. THEIDEOLOGY OFTHE JOHN BIRCH SOCIETY by Y1ax P. Peterson A thesis submitted in partial fulfillment of the requirements for the degree of MASTEROF SCIENCE in Political Science Approved: Major Professor Head of Department Dean of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 1966 ACKNOWLEDGMENTS I wish to express my appreciation to Dr. Milton C. Abrams for the many hours of consultation and direction he provided throughout this study. To Dr. M. Judd Harmon, I express thanks, not only for his constructive criticism on this work, but for the constant challenge he offers as a teacher. A very special thanks is given my wife, Karen, for her countless hours of typing, but first and foremost for the encouragement, u nderstanding, and devotion that she has given me throu ghout my graduate studies. TABLE OF CONTENTS Introduction 1 Chapter I. The Background and Organization of the John Birch Society 4 The Beginning 4 The Symbol 7 The Founder 15 Plan of Action 21 Organizational Mechanics 27 Chapter II. -
|||GET||| the Simpsons and Philosophy the Doh! of Homer 1St Edition
THE SIMPSONS AND PHILOSOPHY THE DOH! OF HOMER 1ST EDITION DOWNLOAD FREE William Irwin | 9780812694338 | | | | | The Simpsons and Philosophy: The D'oh! of Homer Changing Minds on Climate Change. Are you kidding me? Unconditional Love. Technological Immortality. Where Does Morality Come From? Heck, I felt reeeally smug reading this book Since this book consists of eleven essays by eleven different authors, it's kind of hard to rate as a whole. Religion and philosophy in popular culture. Add to Cart. Archived from the original on December 13, The Simpsons and Philosophy The DOh! of Homer 1st edition book includes contributions from 18 philosophy academics. A great collection of essays by contemporary philosophers and academics, using the episodes and characters of The Simpson's as an The Simpsons and Philosophy The DOh! of Homer 1st edition into basic philosophical principles and fundamentals. David L. This series of essays claim to use the Simpsons as a way to get the layperson to read more philosophy, and does a patently terrible job of it. List of fictional religions List of religious ideas in science fiction List of religious ideas in fantasy fiction Parody religion Philosophy of religion Popular culture Pseudophilosophy Pseudoreligion Religion and video games Religious satire. Philosophy portal The Simpsons portal. Ashley Madison, accommodation, and silencing. The authors use too much jargon considering the subject and target audience. In fact, several authors did not seem to enjoy the Simpsons at all. The book was written inso there are lots of new episodes that, of course, haven't been touched. My Discovery of the X-Files. -
Demonizing Unions: Religious Rhetoric in the Early 20Th
DEMONIZING UNIONS: RELIGIOUS RHETORIC IN THE EARLY 20TH CENTURY AMERICAN STRIKE NOVEL A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by David Michael Cosca August 2019 © David Michael Cosca DEMONIZING UNIONS: RELIGIOUS RHETORIC IN THE EARLY 20TH CENTURY AMERICAN STRIKE NOVEL David Michael Cosca, Ph. D. Cornell University 2019 Demonizing Unions uncovers the significance of a Biblical idiom in American novels portraying violent labor conflicts from the 1910s to the 1930s. I reveal the different ways that Upton Sinclair’s King Coal and The Coal War, Mary Heaton Vorse’s Strike!, and Ruth McKenney’s Industrial Valley employ a Biblical motif both to emphasize the God-like power of Capital over society, and to critique an emergent socio-political faith in business power. The texts I examine demonstrate how it was clear to industrialists in the early 20th century that physical violence was losing its efficacy. Therefore, much of the brunt of the physical conflict in labor struggles could be eased by waging a war of ideas to turn public opinion into an additional, ultimately more powerful, weapon against the potential of organized labor. I argue that in these texts, the besmearing of the discontented workers as violent dupes of “outside agitators,” rather than regular folks with economic grievances, takes on Biblical proportions. In turn, these authors utilize Biblical stories oriented around conceptions of power and hierarchy to illuminate the potential of ordinary humans to effect their own liberation. BIOGRAPHICAL SKETCH David Cosca grew up in Santa Maria, CA. -
The Displaced Person
BOOKS BY Flannery O'Connor Flannery O'Connor THE NOV E L S Wise Blood COMPLETE The Violent Bear It Away STORIES STORIES A Good Man Is Hard to Find Everything That Rises Must Converge with an introduction by Robert Fitzgerald NON-FICTION Mystery and Manners edited and with an introduction by Robert and SaUy Fitzgerald The Habit of Being edited and with an introduction by Sally Fitzgerald Straus and Giroux New York ~ I Farrar, Straus and Giroux 19 Union Square West, New York 10003 Copyright © 1946, 194il, 195(l, 1957, 1958, 1960, [()61, Hi)2, 1963, 1964,l()65, 1970, 1971 by [he Estate of Mary Flannery O'Connor. © 1949, 1952, [955,1960,1\162 by Contents O'Connor. Introduction copyright © 1971 by Robert Giroux All rights reserved Distributed in Canada by Douglas & McImyre Ltd. Printed in the United States of America First published in J(171 by Farrar, Straus and (;iroux INTRODUCTION by Robert Giroux Vll Quotations from Inters are used by permission of Robert Fitzgerald and of the Estate and are copyright © 197 r by the Estate of Mary Flannery O'Connor. The ten stories The Geranium 3 from A Good ManIs Hard to Find, copyright © [953,1954,1955 by Flannery O'Connor, The Barber 15 arc used by special arrangement with Harcourt Hrace Jovanovich, Inc Wildcat 20 The Crop 33 of Congress catalog card number; 72'171492 The Turkey 42 Paperback ISBN: 0-374-51536-0 The Train 54 The Peeler 63 Designed by Herb Johnson The Heart of the Park ~h A Stroke of Good Fortune 95 Enoch and the Gorilla lOS A Good Man Is Hard to Find II7 55 57 59 61 62 60 58 56 A Late Encounter with the Enemy 134 The Life You Save May Be Your Own 14'5 The River 157 A Circle in the Fire 175 The Displaced Person 194 A Temple of the Holy Ghost The Artificial Nigger 249 Good Country People 27 1 You Can't Be Any Poorer Than Dead 292 Greenleaf 311 A View of the Woods 335 v The Displaced Person / I95 them.