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Lyrical Ballads
LYRICAL BALLADS Also available from Routledge: A SHORT HISTORY OF ENGLISH LITERATURE Second Edition Harry Blamires ELEVEN BRITISH POETS* An Anthology Edited by Michael Schmidt WILLIAM WORDSWORTH Selected Poetry and Prose Edited by Jennifer Breen SHELLEY Selected Poetry and Prose Edited by Alasdair Macrae * Not available from Routledge in the USA Lyrical Ballads WORDSWORTH AND COLERIDGE The text of the 1798 edition with the additional 1800 poems and the Prefaces edited with introduction, notes and appendices by R.L.BRETT and A.R.JONES LONDON and NEW YORK First published as a University Paperback 1968 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Second edition published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Introduction and Notes © 1963, 1991 R.L.Brett and A.R.Jones All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Wordsworth, William 1770–1850 Lyrical ballads: the text of the 1978 edition with the additional 1800 poems and the prefaces. -
1 MISS MORRIS and the STRANGER By
MISS MORRIS AND THE STRANGER better eyelashes than mine. I write quite seriously. There is one woman who is above the common weakness of by Wilkie Collins vanity--and she holds the present pen. I. So I gave my lost stranger a lesson in politeness. The lesson took the form of a trap. I asked him if he would WHEN I first saw him, he was lost in one of the Dead like me to show him the way to the inn. He was still Cities of England--situated on the South Coast, and called annoyed at losing himself. As I had anticipated, he Sandwich. bluntly answered: "Yes." Shall I describe Sandwich? I think not. Let us own the "When you were a boy, and you wanted something," I truth; descriptions of places, however nicely they may be said, "did your mother teach you to say 'Please'?" written, are always more or less dull. Being a woman, I naturally hate dullness. Perhaps some description of He positively blushed. "She did," he admitted; "and she Sandwich may drop out, as it were, from my report of our taught me to say 'Beg your pardon' when I was rude. I'll conversation when we first met as strangers in the street. say it now: 'Beg your pardon.'" He began irritably. "I've lost myself," he said. This curious apology increased my belief in his redeeming qualities. I led the way to the inn. He followed "People who don't know the town often do that," I me in silence. No woman who respects herself can endure remarked. -
Samuel Baker the University of Texas at Austin [email protected]
Samuel Baker The University of Texas at Austin [email protected] 5/13/2009 Scott’s Stoic Characters: Ethics, Sentiment, and Irony in The Antiquary, Guy Mannering, and “The Author of Waverley” Published in Modern Language Quarterly (2009) 70 (4): 443–471: Cite only from published version. https://doi-org.ezproxy.lib.utexas.edu/10.1215/00267929-2009-011 Whomever one reads on the question, it seems that Walter Scott created “the classical form of the historical novel” by standing at a locus of contradiction. According to the most influential such accounts, Scott “portrayed objectively the ruination of past social formations, despite all his human sympathy for, and artistic sensitivity to, the splendid, heroic qualities which they contained”; he could accomplish such feats of mediation because he was “two men … both the prudent Briton and the passionate Scot."1 These accounts of Scott’s contradictory investments–by Georg Lukács and David Daiches, respectively–find an emblem in the title Virginia Woolf gave her essay on Scott's late-life journal. Referring to how Scott installed modern lighting at his pseudo- medieval estate, Woolf calls her piece “Gas at Abbotsford.”2 Such formulations became 1 Georg Lukács, The Historical Novel [1937], Hannah and Stanley Mitchell, tr. (Lincoln, Neb.: Univ. of Nebraska Press, 1983), pp.54-55; David Daiches, “Scott’s Achievement as a Novelist” [1951], in Literary Essays (Chicago: Univ. of Chicago Press, 1967), 92. 2 Virginia Woolf, “Gas at Abbotsford” [1940], in Collected Essays, 4 vols. (New York: Harcourt Brace, 1967), 1:128-138. touchstones for Scott criticism some decades ago.3 Many critics since have adopted the concept of a split Scott that, whatever their other differences, Lukács, Daiches, and Woolf share. -
Ephesians: a Kingdom Perspective
Ephesians: a kingdom perspective Allen J Browne Ephesians: a kingdom perspective Ephesians 1 Copyright 2020 © Allen J Browne, Perth, Western Australia (unpublished) About the author: https://allenbrowne.blog/about/ All rights reserved. Permission is granted to distribute the contents of this book in part or in whole for personal or educational use, but not for profit. This permission is conditional on a) giving attribution to the author, and b) not altering the content or misrepresenting the author’s meaning. Scripture quotations: • NIV: The Holy Bible, New International Version, Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc. • ESV: English Standard Version Copyright © 2001 by Crossway Bibles, • NLT: New Living Translation, Copyright © 1996, 2004, 2015 by Tyndale House Foundation. • Translations and paraphrases by the author. Cover photo: Amphitheatre at Ephesus, Copyright © Allen J Browne, 2014. Version: 2020-05 (last saved 2020-05-21) Page 2 Ephesians: a kingdom perspective Ephesians 1 Contents Foreword 5 Part 1: The good news message (Ephesians 1 – 3) 6 Ephesians 1 6 The significance of kingdom in New Testament letters (Eph 1:1) ..................................... 6 The destiny God has planned for us (Eph 1:4-10) ............................................................. 8 Kingdom or Church? (Eph 1:18-23) ................................................................................. 10 Excursus: why “church”? .................................................................................................. 11 Ephesians -
ALASKAN SN Not Good with Any Other Promotion Or Discount
Mr mmagazine Hi -fr- ,„ If- * , -.^.; •F- . * .-.'• • : •:•,• .'•' • (V it IS, PRIME TIME!! Served with baked Idaho potato & corn on the cob ALASKAN SN Not good with any other promotion or discount. p - Sat @11 asrra Suraday SsCMSaHfs This promotion good through December 3 and subject to change at any time. ALL TW CM BT EVERYDAY 2330 Palm Ridge Rd. Sanibel Island No Holidays Must present ad.__ _ _ :_ „_ | 37 H*ms en the "Considet1 the Kids" menu. 5 Ml specials subje*t i« availatriHty,. V*.*- • Served wKh French Fries i corn on the cob Master Card, Vka, Diitover Credit C.uds Accepted Sunday '):(K<' I2:!/O.lfon "1 2 • Week of November 25 - December 1, 2005 ISLANDER Confirmed Nile Monitor Lizard Sightings Based upon confirmed sightings, we are Sanibcl Police Department af 472-3111 focusing our efforts to capture and remove (not 911). Please remain in eye contact this dangerous exotic lizard from your with the animal until police arrive. neighborhood before it breeds. You can Thank you for your help! _ greatly help our efforts by keeping a watch- Together we can prevent this aggres- ful eye out for this animal, especially in the sive predator from attacking our wildlife Sanibcl Bayous/Heron's Landing area. and pets. If you see this lizard, anytime, day or night, please do not disturb it, get a cell City of Sanibel phone and while keeping an eye on it Department of Natural Resources. from a safe distance, immediately call the :""" •/•/:• ~,\ /3 •;• ;•:-, .•-"..•.;•;#* ilil 'it" "* mil San-Cap Art League News :.-* i" Oils, watercolors, and prints by Ann expanded media addition housing comput- Bishoff, Pat Smart and Betty Weise are on ers, periodicals, magazines, tapes, CD's and display at the Sanibel Library until DVD's is at 700 Dunlop Road. -
Carmelized Civilization Traein: a Curated Collection of Poems and Prose Edited by Hilary Downey, John F Sherry Jr and John Schouten
Carmelized Civilization Traein: A curated collection of poems and prose edited by Hilary Downey, John F Sherry Jr and John Schouten Downey, H., Sherry, J. F., & Schouten, J. W. (Eds.) (2020). Carmelized Civilization Traein: A curated collection of poems and prose edited by Hilary Downey, John F Sherry Jr and John Schouten. 1-75. Consumer Culture Theory , Leicester, United Kingdom. Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Copyright 2020 the Authors. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:07. Oct. 2021 New Street and S. Martins Church by Miss E. S. Paget Image from Glimpses of Ancient Leicester by Mrs T. Fielding Johnson Foreword Written by Hilary Downey This year has brought unimaginable changes to work and lifestyle, beyond our comprehension. -
The Prelude As Spiritual Autobiography
This dissertation has been 61—5131 microfilmed exactly as received WENZEL, Elizabeth Brown, 1927- THE PRELUDE AS SPIRITUAL AUTOBIOGRAPHY. The Ohio State University, Ph.D., 1961 Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan Copyright by izab eth Brovm Wenzel 1962 THE PRELUDE AS SPIRITUAL AUTOBIOGRAPHY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School o f The Ohio S ta te U n iv ersity By Elizabeth Brown Wenzel, B. A., M. A. ***** The Ohio State University 1961 Approved by ^ Adviser v Department of English CONTENTS Introduction............................................................ 1 I "These Autobiographical times of ours" . 10 II "We see but darkly Even when we look • . behind us" 55 III "A linked lay of Truth" .................................................96 IV "Each man is a memory to himself". • • 128 V "Him s e lfe . .a true Poem" .... 172 VI "Ce qu'on dit de soi est toujours poesie" 212 Bibliography .................................................................................... 2J0 Autobiography .................................................................................... 2^5 ii INTRODUCTION 11 The Prelude is not an autobiography," v/rites the most recent of Wordsworth's biographers, but one hundred and forty-one pages la t e r , th e same w riter d e cla r e s th a t in th e poem, "we fin d [Wordsworth] writing what was in effect his spiritual autobiography." Mrs. Mary Moorman's seeming contradiction reflects a confusion that exists in the use of the term "autobiography" both in Wordsworth criticism and in general. Scholars have used the term more and less generically as a category for The Prelude, from de Selincourt's in ju n c tio n th a t "The Prelude i s a great poem, but i t i s a lso the frank autobiography of a great man. -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
Roxbox by Artist (Hed) Planet Earth 2 Play Feat
RoxBox by Artist (Hed) Planet Earth 2 Play Feat. Thomas Jules & Bartender Jucxi D Blackout Careless Whisper Other Side 2 Unlimited 10 Years No Limit Actions & Motives 20 Fingers Beautiful Short Dick Man Drug Of Choice 21 Demands Fix Me Give Me A Minute Fix Me (Acoustic) 2Pac Shoot It Out Changes Through The Iris Dear Mama Wasteland How Do You Want It 10,000 Maniacs Until The End Of Time Because The Night 2Pac Feat Dr. Dre Candy Everybody Wants California Love Like The Weather 2Pac Feat. Dr Dre More Than This California Love These Are The Days 2Pac Feat. Elton John Trouble Me Ghetto Gospel 101 Dalmations 2Pac Feat. Eminem Cruella De Vil One Day At A Time 10cc 2Pac Feat. Notorious B.I.G. Dreadlock Holiday Runnin' Good Morning Judge 3 Doors Down I'm Not In Love Away From The Sun The Things We Do For Love Be Like That Things We Do For Love Behind Those Eyes 112 Citizen Soldier Dance With Me Duck & Run Peaches & Cream Every Time You Go Right Here For You Here By Me U Already Know Here Without You 112 Feat. Ludacris It's Not My Time (I Won't Go) Hot & Wet Kryptonite 112 Feat. Super Cat Landing In London Na Na Na Let Me Be Myself 12 Gauge Let Me Go Dunkie Butt Live For Today 12 Stones Loser Arms Of A Stranger Road I'm On Far Away When I'm Gone Shadows When You're Young We Are One 3 Of A Kind 1910 Fruitgum Co. -
Clemson Chronicle, 1926-1927 Clemson University
Clemson University TigerPrints Clemson Chronicle Publications 1926 Clemson Chronicle, 1926-1927 Clemson University Follow this and additional works at: https://tigerprints.clemson.edu/clemson_chronicle Materials in this collection may be protected by copyright law (Title 17, U.S. code). Use of these materials beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. For additional rights information, please contact Kirstin O'Keefe (kokeefe [at] clemson [dot] edu) For additional information about the collections, please contact the Special Collections and Archives by phone at 864.656.3031 or via email at cuscl [at] clemson [dot] edu Recommended Citation University, Clemson, "Clemson Chronicle, 1926-1927" (1926). Clemson Chronicle. 24. https://tigerprints.clemson.edu/clemson_chronicle/24 This Book is brought to you for free and open access by the Publications at TigerPrints. It has been accepted for inclusion in Clemson Chronicle by an authorized administrator of TigerPrints. For more information, please contact [email protected]. 'fft CLEMSON COLLEGE CHRONICLE VOL. 25 [i.e. 30] 1926/27 Lacks Nos. 1 and 3 and any after No. 5 ~ '^^^v30 (\^'^^.l^~1) ^ v2 Digitized by the Internet Archive in 2013 http://archive.org/details/clenisonchronicle19clem_25 5 VOLUME ^XV^. T^h^ DECEMBER NUMBER 2 I Ale: 1926 Gbronicle Edited by J. E. YOUiXGBLOOD THE STAFF tV. L. BAKER-J. KERSHAW—J. R. McTEER—G. C. DiiPRE— S. R. ALEXANDER .M. A. JONES—H. S. GAVLT—C. D. GREEN—M. D. CROOK—W. J. GOOGE M. H. WOODWARn—J. T. MINDY—J. C. GARRISON Faculty Advisor —PROF. -
Childe Harold's Pilgrimage Canto Iv
CHILDE HAROLD’S PILGRIMAGE CANTO IV Look at the end for Appendix 1: Hobhouse’s four stanzas “in the Childe’s style” and Appendix 2: Gibbon, Chapter 71. Background Byron arrived in Venice on November 10th 1816, and stayed while Hobhouse travelled with members his family to Naples. Unwillingly – for he was most attached to his Venetian mistress, Mariana Segati – Byron went south on April 17th 1817. He paid a short visit to Florence on April 22nd, and then proceeded to Rome, where, with Hobhouse, he stayed between April 29th and May 20th. 1 He returned to Venice on May 28th. He started Childe Harold IV on June 26th, and had finished the first draft by July 29th. He worked on the poem throughout the autumn, stopping only to rough-out Beppo , a poem so diametrically opposed to Childe Harold in matter and idiom that it might have come from another pen. Hobhouse left Venice on January 7th 1818, and Byron wrote to Murray My dear Mr Murray, You’re in damned hurry To set up this ultimate Canto, But (if they don’t rob us) You’ll see M r Hobhouse Will bring it safe in his portmanteau. 2 – The poem was published on April 28th 1818. Influence The fourth and last canto of Byron’s poem shows his holiday with Shelley (palpable for much of Canto III) to be over, and the baleful influence of Hobhouse to have returned. Claire Claremont wrote to her ex-lover on January 12th 1818, after the poem had been dispatched, with Hobhouse, to London. -
Jackson Ryder Jones 42 the Map of My Palm Is a Road Straight Into the Ocean 43 Enjambment 44
Acknowledgments My eternal gratitude to Professor Major Jackson for his advice, encouragement, kindness, and perhaps most of all his endless patience. Writing this was not any easy task and without his guidance it would have been an impossible one. And a special thanks to my mother for the beautiful cover photograph and for the years of sage gardening advice. 2 Contents Introduction 5 I. My Mother’s Garden 14 Psychiatrist’s Notes (The Way) 15 Fragments 16 Manic 17 Depressive 19 Abilify 20 Seroquel 20 Clozapine 21 Lithium 21 Home 22 Scientific America 23 Psychiatrist’s Notes (Family History) 24 II. The Lies I Tell 26 Fragments 27 Journal, August 18 28 Explaining Death 29 Wanting 30 Waiting 31 Psychiatrist’s Notes (The Numbers) 32 In Response to the Psychiatrist Asking Why I Didn’t Leave a Note 33 3 And It Isn’t That She Didn’t Love Me 34 Psychiatrist’s Notes (Motivation) 35 III. This Weather 37 According to the Intake Nurse 38 When 39 Mis Hijas 40 Ward B 41 Jackson Ryder Jones 42 The Map of My Palm Is a Road Straight Into the Ocean 43 Enjambment 44 IV. Mythology Tells Us 46 Navel Gazing 47 Fragments 48 July 13 50 Transcendence 51 About Her 52 Psychiatrist’s Notes (Flight) 53 4 Introduction Structure & Inspiration This project was born out of a fascination with nontraditional forms of storytelling. While reading works like Don’t Let Me Be Lonely (2004) by Claudia Rankine, The Autobiography of My Mother (1995) by Jamaica Kincaid, and The Beauty of The Husband (2001) by Anne Carson, I was struck by their lack of traditional narrative frameworks.