The 2020 Virtual Christmas Concert
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Quicktime Music Architecture
QuickTime Music Architecture September 17, 2002 MANUAL IS SOLD ªAS IS,º AND YOU, THE PURCHASER, ARE ASSUMING THE ENTIRE Apple Computer, Inc. RISK AS TO ITS QUALITY AND ACCURACY. © 2004 Apple Computer, Inc. IN NO EVENT WILL APPLE BE LIABLE FOR All rights reserved. DIRECT, INDIRECT, SPECIAL, INCIDENTAL, OR CONSEQUENTIAL DAMAGES RESULTING FROM ANY DEFECT OR No part of this publication may be INACCURACY IN THIS MANUAL, even if reproduced, stored in a retrieval system, or advised of the possibility of such damages. transmitted, in any form or by any means, THE WARRANTY AND REMEDIES SET FORTH ABOVE ARE EXCLUSIVE AND IN mechanical, electronic, photocopying, LIEU OF ALL OTHERS, ORAL OR WRITTEN, recording, or otherwise, without prior EXPRESS OR IMPLIED. No Apple dealer, agent, or employee is authorized to make any written permission of Apple Computer, Inc., modification, extension, or addition to this with the following exceptions: Any person warranty. is hereby authorized to store documentation Some states do not allow the exclusion or on a single computer for personal use only limitation of implied warranties or liability for incidental or consequential damages, so the and to print copies of documentation for above limitation or exclusion may not apply to personal use provided that the you. This warranty gives you specific legal rights, and you may also have other rights which documentation contains Apple’s copyright vary from state to state. notice. The Apple logo is a trademark of Apple Computer, Inc. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. -
KLOS March 30Th 2014 Denny Laine
1 1 2 2 3 9AM I’m sad to say that I’m dedicating this first couple of songs here to our dear friend Stan …you know him as Stan the Hot Sauce Man….whose Mom Marion passed away yesterday…Now we got to know Marion here on BWTB quite well…as she came hung out with us more than a few times She also made me that British Flag quilt blanket And BWTB pillow…that we often talked about…she came down to all the events at Capitol Records…Just Imagine shows…everyone loved her…and she will certainly be missed…and here is Marion’s favorite Beatles song. 3 4 The Beatles - If I Fell - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John and Paul John Lennon’s stunning ballad “If I Fell” was by far the most complex song he had written to date. It could be considered a progression from “This Boy” with its similar chord structure and intricate harmonies by John and Paul, recorded – at their request – together on one microphone. Performed live on their world tour throughout the summer of 1964. Completed in 15 takes on February 27, 1964. Flip side of “And I Love Her” in the U.S. On U.S. album: A Hard Day’s Night - United Artists LP Something New - Capitol LP The Beatles - In My Life - Rubber Soul (Lennon-McCartney) Lead vocals: John with Paul Recorded October 18, 1965 and written primarily by John, who called it his “first real major piece of work.” Of all the Lennon-McCartney collaborations only two songs have really been disputed by John and Paul themselves -- “Eleanor Rigby” and “In My Life.” Both agree that the lyrics are 100% Lennon, but John says Paul helped on the musical bridge, while Paul recalls writing the entire melody on John’s Mellotron. -
NI-488.2 for Macos Getting Started Guide
GETTING STARTED GUIDE NI-488.2™ for macOS Install the NI-488.2 Software Insert the NI-488.2 media and double-click the NI-488.2 installer package as shown below. Install the NI-488.2 Hardware For more information about installing GPIB hardware, refer to the GPIB Hardware Installation Guide and Specifications and the NI-488.2 User Manual. Both documents are in PDF format on your installation media and at ni.com/manuals. 2 | ni.com | NI-488.2™ for macOS Getting Started Guide Plug and Play Interfaces (PCI Express and USB) Install the interface as shown below. Note Some plug and play GPIB interfaces require a shutdown of your machine before installation. Caution Ensure that the GPIB devices and the computer containing the GPIB-USB interface share the same ground potential. Refer to the GPIB Hardware Installation Guide and Specifications for more information. PCI Express USB NI-488.2™ for macOS Getting Started Guide | © National Instruments | 3 Non Plug and Play Interfaces (Ethernet) Run GPIB Explorer and add your interface as shown below. To start GPIB Explorer from the Finder, double-click Applications» National Instruments»NI-488.2»GPIB Explorer. To complete installation, click New and follow the prompts in the Add GPIB Hardware Wizard. 4 | ni.com | NI-488.2™ for macOS Getting Started Guide Troubleshooting Your Installation Use the Troubleshooting Wizard to verify your hardware and software installation. To start the Troubleshooting Wizard from the Finder, double-click Applications»National Instruments»NI-488.2» Troubleshooting Wizard. The Troubleshooting Wizard tests your GPIB interface and displays the results, as shown below. -
Final Readme Xcode 4.1 for Lion
About Xcode 4.1 Developer tools for Mac OS X 10.7 Lion and iOS 4 Contents Introduction About SDKs Installation Deprecation Notice Introduction Xcode is the complete developer toolset for creating applications for Mac, iPhone, and iPad. This package installs the Xcode IDE, Instruments analysis tool, iOS Simulator, and OS framework bundles in the form of Mac OS X SDKs and iOS SDKs. What’s New in Xcode 4.1 for Lion • Interface Builder support for Auto Layout and new Aqua controls such as NSPopover • Project modernization identifies possible build settings errors and can fix them for you • Full screen is fully supported by the main Xcode workspace and organizer windows • Source control enhancements to pushing, pulling, and management of remotes • View generated assembly and pre-processed output within the Assistant editor • Fixed a bug in LLVM GCC 4.2 and LLVM compiler 2 for iOS projects • Additional bug fixes and stability improvements What’s New in Xcode 4 • Xcode 4 has a brand new, single window interface for all major workflows • Interface Builder is now integrated within the main Xcode IDE • Assistant shows a paired editor with complementary files, e.g.: header or UI controller • Live Issues display coding errors as you type, and Fix-it can correct the mistake for you Compatibility: Xcode 4 requires an Intel-based Mac running Mac OS X 10.7 Lion or later, and includes Mac OS X SDK 10.7 and 10.6, and iOS SDK 4.3. To develop apps targeting prior versions of Mac OS X or iOS, see the section titled About SDKs and the iOS Simulator below. -
Vocals Syllabus
VOCALS SYLLABUS BEYONCÉ Qualification specifications for graded exams from 2018 AEROSMITH BLONDIE THE ROLLING STONES TAYLOR SWIFT RED HOT CHILI PEPPERS DUSTY SPRINGFIELD AMY WINEHOUSE QUEEN DAVID BOWIE THE XX OASIS SIA U2 WHAT’S CHANGED? This syllabus features the following changes from the 2015–2017 syllabus: New selection of songs at all levels, expertly arranged for the grade and in a wide range of styles Revised marking criteria, providing examiners, teachers and candidates with increased detail on how exams are marked (see pages 36–39) Revised parameters for own-choice songs (see pages 22–27) Revised requirements for using a microphone when performing songs Technical focus songs now feature two technical elements Band exams are no longer offered KEEP UP TO DATE WITH OUR SYLLABUSES Please check trinityrock.com to make sure you are using the current version of the syllabus and for the latest information about our Rock & Pop exams. You can also check out our syllabuses and graded songbooks for: Bass Drums Guitar Keyboards OVERLAP ARRANGEMENTS This syllabus is valid from 1 January 2018. The 2015–2017 syllabus will remain valid until 31 December 2018, giving a one year overlap. During this time, candidates may present songs from the 2015–2017 syllabus or the syllabus from 2018, but not both. Candidates should indicate which syllabus they are presenting on the appointment form handed to the examiner at the start of the exam. VOCALS SYLLABUS Qualification specifications for graded exams from 2018 Trinity College London trinitycollege.com -
Baltic Blast:TM Macmaniatm 3.5 Concurrent With
June 30–July 10,2005 ® Baltic Blast:TM MacManiaTM 3.5 concurrent with TM Enrich your mind in the Northern Light glow of the midnight sun … permit yourself A Digital Camera Workshop to be pampered,body, mind,and soul … unwind in the romantic Baltic aboard a luxurious cruise ship … come along with us! ▼ We’ll be here,We’ll in Stockholm, on July 6. TOWARD MAC OS XX It took Apple 17 years to get us from System 1.0 to Mac OS X … from128K of Baltic Blast:MacMania3.5 memory to 128 megs … from a 400K disks to 40 gigabytes.What will the Mac look like in another 17 years? In this half-crazy,half-serious presenta- You may choose any combination of full-day, Creating Practical Projects with iMovie iMovie in Real Time (quarter day) tion,David Pogue takes af unny,whirlwind half-day,or quarter-day seminars for a total of (half day) Speaker:David Pogue look back at Apple’s greatest (and dimmest) two (2.5) days’worth of sessions.The conference Speaker:Christopher Breen moments … pauses to analyze the fee is $595 and includes all courses*,course This one is really a blast.Armed with a cam- promise and perils of Mac OS X … and materials,and the Bon Voyage Cocktail Party. iMovie is a terrific tool for making home movies, corder and a laptop,David Pogue (author of the then fast-forwards to 2020 to imagine but beneath its gentle exterior is a reasonably bestselling iMovie & iDVD:The Missing Manual) *NOTE: The Northern Light Digital Photography what Apple — and Microsoft — might- powerful video editor that’s capable of creating will attempt to make a complete digital movie, bring us on the road to Mac OS XX. -
Band-In-A-Box™ Coremidi and Quicktime Options
Band-in-a-Box™ CoreMIDI and QuickTime Options Selecting a MIDI Driver Band-in-a-Box for OS X offers two MIDI Output options - QuickTime Music Instruments and CoreMIDI. QuickTime Music does not require a Mac MIDI Interface or external synthesizer. The OSX version of QT Music has better fidelity and lower latency than the old Mac Classic QuickTime Music Synthesizer. The QuickTime Music option is the simplest way to quickly make Music with Band-in- a-Box. For best results, get the latest QuickTime download update from www.quicktime.com. CoreMIDI is the OS X standard MIDI driver method. CoreMIDI facilitates communication with external MIDI devices, and it also enables inter-application “piping” of MIDI data between MIDI applications. CoreMIDI requires some setup, but is not terribly complicated. CoreMIDI with a MIDI Interface and External Synthesizers If you have not done so already, follow the manufacturer’s instructions to install your MIDI interface. Installation details may vary, depending on the manufacturer and the model of your MIDI Interface. Hint: It is helpful to occasionally check your manufacturer’s web site, and download/install MIDI Interface driver updates which might become available. Apple “Audio MIDI Setup” Application ‘Audio MIDI Setup’ is usually found in your ‘Applications’ folder. It can be helpful to locate ‘Audio MIDI Setup’ in the Finder, then drag its icon to the Dock, so it will be easy to launch the program (from the Dock) when necessary. Audio MIDI Setup can also be launched from Band-in-a-Box— Specific details of your Audio MIDI Setup screen will differ from this example, depending on your MIDI interface and your connected external MIDI devices. -
Direct-To-Master Recording
Direct-To-Master Recording J. I. Agnew S. Steldinger Magnetic Fidelity http://www.magneticfidelity.com info@magneticfidelity.com July 31, 2016 Abstract Direct-to-Master Recording is a method of recording sound, where the music is performed entirely live and captured directly onto the master medium. This is usually done entirely in the analog domain using either magnetic tape or a phonograph disk as the recording medium. The result is an intense and realistic sonic image of the performance with an outstandig dynamic range. 1 The evolution of sound tracks can now also be edited note by note to recording technology compile a solid performance that can be altered or \improved" at will. Sound recording technology has greatly evolved This technological progress has made it pos- since the 1940's, when Direct-To-Master record- sible for far less competent musicians to make ing was not actually something special, but more a more or less competent sounding album and like one of the few options for recording music. for washed out rock stars who, if all put in the This evolution has enabled us to do things that same room at the same time, would probably would be unthinkable in those early days, such as murder each other, to make an album together. multitrack recording, which allows different in- Or, at least almost together. This ability, how- struments to be recorded at different times, and ever, comes at a certain cost. The recording pro- mixed later to create what sounds like a perfor- cess has been broken up into several stages, per- mance by many instruments at the same time. -
TR Operation Guide
Operation Guide E 2 To ensure long, trouble-free operation, THE FCC REGULATION WARNING (for U.S.A.) please read this manual carefully. This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Precautions Rules. These limits are designed to provide reasonable protec- tion against harmful interference in a residential installation. This Location equipment generates, uses, and can radiate radio frequency Using the unit in the following locations can result energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communi- in a malfunction. cations. However, there is no guarantee that interference will not • In direct sunlight occur in a particular installation. If this equipment does cause • Locations of extreme temperature or humidity harmful interference to radio or television reception, which can • Excessively dusty or dirty locations be determined by turning the equipment off and on, the user is • Locations of excessive vibration encouraged to try to correct the interference by one or more of the following measures: Power supply • Reorient or relocate the receiving antenna. Please connect the designated AC/AC power sup- • Increase the separation between the equipment and receiver. ply to an AC outlet of the correct voltage. Do not • Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. connect it to an AC outlet of voltage other than that • Consult the dealer or an experienced radio/TV technician for for which your unit is intended. -
Audio Plug-Ins Guide Version 9.0 Legal Notices This Guide Is Copyrighted ©2010 by Avid Technology, Inc., (Hereafter “Avid”), with All Rights Reserved
Audio Plug-Ins Guide Version 9.0 Legal Notices This guide is copyrighted ©2010 by Avid Technology, Inc., (hereafter “Avid”), with all rights reserved. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Avid. 003, 96 I/O, 96i I/O, 192 Digital I/O, 192 I/O, 888|24 I/O, 882|20 I/O, 1622 I/O, 24-Bit ADAT Bridge I/O, AudioSuite, Avid, Avid DNA, Avid Mojo, Avid Unity, Avid Unity ISIS, Avid Xpress, AVoption, Axiom, Beat Detective, Bomb Factory, Bruno, C|24, Command|8, Control|24, D-Command, D-Control, D-Fi, D-fx, D-Show, D-Verb, DAE, Digi 002, DigiBase, DigiDelivery, Digidesign, Digidesign Audio Engine, Digidesign Intelligent Noise Reduction, Digidesign TDM Bus, DigiDrive, DigiRack, DigiTest, DigiTranslator, DINR, DV Toolkit, EditPack, Eleven, EUCON, HD Core, HD Process, Hybrid, Impact, Interplay, LoFi, M-Audio, MachineControl, Maxim, Mbox, MediaComposer, MIDI I/O, MIX, MultiShell, Nitris, OMF, OMF Interchange, PRE, ProControl, Pro Tools M-Powered, Pro Tools, Pro Tools|HD, Pro Tools LE, QuickPunch, Recti-Fi, Reel Tape, Reso, Reverb One, ReVibe, RTAS, Sibelius, Smack!, SoundReplacer, Sound Designer II, Strike, Structure, SYNC HD, SYNC I/O, Synchronic, TL Aggro, TL AutoPan, TL Drum Rehab, TL Everyphase, TL Fauxlder, TL In Tune, TL MasterMeter, TL Metro, TL Space, TL Utilities, Transfuser, Trillium Lane Labs, Vari-Fi, Velvet, X-Form, and XMON are trademarks or registered trademarks of Avid Technology, Inc. Xpand! is Registered in the U.S. Patent and Trademark Office. All other trademarks are the property of their respective owners. -
A History of Audio Effects
applied sciences Review A History of Audio Effects Thomas Wilmering 1,∗ , David Moffat 2 , Alessia Milo 1 and Mark B. Sandler 1 1 Centre for Digital Music, Queen Mary University of London, London E1 4NS, UK; [email protected] (A.M.); [email protected] (M.B.S.) 2 Interdisciplinary Centre for Computer Music Research, University of Plymouth, Plymouth PL4 8AA, UK; [email protected] * Correspondence: [email protected] Received: 16 December 2019; Accepted: 13 January 2020; Published: 22 January 2020 Abstract: Audio effects are an essential tool that the field of music production relies upon. The ability to intentionally manipulate and modify a piece of sound has opened up considerable opportunities for music making. The evolution of technology has often driven new audio tools and effects, from early architectural acoustics through electromechanical and electronic devices to the digitisation of music production studios. Throughout time, music has constantly borrowed ideas and technological advancements from all other fields and contributed back to the innovative technology. This is defined as transsectorial innovation and fundamentally underpins the technological developments of audio effects. The development and evolution of audio effect technology is discussed, highlighting major technical breakthroughs and the impact of available audio effects. Keywords: audio effects; history; transsectorial innovation; technology; audio processing; music production 1. Introduction In this article, we describe the history of audio effects with regards to musical composition (music performance and production). We define audio effects as the controlled transformation of a sound typically based on some control parameters. As such, the term sound transformation can be considered synonymous with audio effect. -
Multi-Purpose Consoles Spirit Range Brochure
MULTI-PURPOSE CONSOLES FX16 16 Mono Channels with onboard Lexicon Effects FX8 8 Mono Channels with onboard Lexicon Effects SX SPIRIT RANGE 12 Mono & 4 Stereo Inputs BROCHURE M SERIES 4/8/12 Mono & 4 Stereo Inputs E SERIES 6 or 8 Mono & 4 Stereo Inputs NOTEPAD 4 Mono & 2 Stereo Inputs CONTENTS Quick Selector Compare Spirit Mixer Inputs & Features Quickly Features Table Page 4 Spirit Mixers at a glance 4 ? Power Features What makes Spirit consoles special Features in depth Pages 4 - 7 Power Features 4 - 7 FX16 16 Mono Channels with onboard Lexicon Effects Full Product Description Pages 8 & 9 The Mixers in detail 8 - 18 Dimensions Page 24 Specifications Page 25 FX8 8 Mono Channels with onboard Lexicon Effects Full Product Description Pages 10 & 11 Dimensions Page 24 Specifications Page 25 sx 12 Mono & 4 Stereo Inputs Full Product Description Pages 12 & 13 Dimensions Page 24 Specifications Page 25 M Series 4/8/12 Mono & 4 Stereo Inputs Full Product Description Pages 14 & 15 Dimensions Page 24 Specifications Page 25 E Series 6 or 8 Mono & 4 Stereo Inputs Full Product Description Pages 16 & 17 Dimensions Page 24 Specifications Page 25 Notepad 4 Mono & 2 Stereo Inputs Full Product Description Page 18 Dimensions Page 24 Specifications Page 25 Applications Using Spirit Mixers in Various Situations Introduction Page 19 Mic/Line Live Mixing Page 20 Insert Houses of Worship Page 21 Installed Sound Page 21 Mic/Line Mixer Applications 19 - 23 Submixing Page 22 Mic/Line Video Editing Page 22 Small/Home Studio Page 22 Dimensions & 24 - 25 Mic/Line Studio Recording Page 23 Specifications Mic/Line Frequently Asked 26 Other Soundcraft Products Questions How to find out more See Back Cover Glossary of 27 Technical Terms Other Soundcraft back cover products 2 WORLD CLASS MIXERS TEXAS When the Spirit range was first launched, mixing desks were either large and expensive, or small but ineffective.