Holocaust Filmography & Tvography
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The Empty Mirror screenplay by Barry Hershey and R. Buckingham Story by Barry Hershey Walden Woods Film Company, Inc. June 5, 1995 THE EMPTY MIRROR - final production script - June 5, 1995 p.1 FADE IN: 1 PROLOGUE - (ACCOMPANIED BY A WAGNERIAN OVERTURE) A SERIES OF GRAINY IMAGES Snow blows over dead soldiers in a road. A grainy image: A woman drags an emaciated corpse, its foot leaves a shallow furrow in the sand. A grief stricken mother caresses the face of her dead child. The images dissolve into a gray, swirling, grainy abstraction. 2 SWIRLING, OUT-OF-FOCUS SHAPES, BLACK AND WHITE On the sound track: VOICES, distorted, animalistic. The TITLE comes up over the abstract images. Some of the letters are runic, mystical. The title fades out. The VOICES distill to one familiar VOICE. The swirling shapes begin to focus as we MOVE back. We're watching a "screen" suspended in space. ON THE SCREEN: An impassioned man speaks to a rapt crowd of Hitler Youth. ADOLF HITLER, at the peak of his power. HITLER (German, no subtitles) We will pass from the scene, but for you, Germany will live on. And when we are gone, it will be your duty to hold high in your clenched fist the banner which we raised out of nothingness. And I know it cannot be otherwise, for you are flesh of our flesh and blood of our blood, and the same spirit that rules us burns in your young brains. Today, standing on this stage, I am but a tiny part of that which extends beyond, over the whole of Germany, and we want you, German boys and German girls, to absorb all our hopes for the future of that Germany. -
Updated: 20 January 2012 1 42.347 Dr. Stallbaumer-Beishline Film
1 42.347 Dr. Stallbaumer-Beishline Film Review Essay Assignment Holocaust Films: “Imagining the Unimaginable” The average American's most extensive exposure to the Holocaust is through popular filmic presentations on either the "big screen" or television. These forums, as Ilan Avisar points out, must yield “to popular demands and conventional taste to assure commercial success."1 Subsequently, nearing the successful completion of this course means that you know more about the Holocaust than the average American. This assignment encourages you to think critically, given your broadened knowledge base, about how the movie-television industry has treated the subject. Film scholars have grappled with the unique challenge of Holocaust-themed films. Ponder their views as you formulate your own opinions about the films that you select to watch. Annette Insdorff, Indelible Shadows: Film and the Holocaust (1989) "How great a role are films playing in determining contemporary awareness of the Final Solution? . How do you show people being butchered? How much emotion is too much? How will viewers respond to light-hearted moments in the midst of suffering?" (xviii) How do we lead a camera or a pen to penetrate history and create art, as opposed to merely recording events? What are the formal as well as moral responsibilities if we are to understand and communicate the complexities of the Holocaust through its filmic representations? (xv) Ilan Avisar, Screening the Holocaust: Cinema's Images of the Unimaginable (1988) "'Art [including film making] takes the sting out of suffering.'" (viii) The need for popular reception of a film inevitably leads to "melodramatization or trivialization of the subject." (46) Hollywood/American filmmakers' "universalization [using the Holocaust to make statements about contemporary problems] is rooted in specific social concerns that seek to avoid burdening a basically indifferent public with unbearable facts of the Nazi genocide of the Jews. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Tribeca Film in Partnership with American Express and Entertainment 1 Present
Tribeca Film in Partnership with American Express and Entertainment 1 Present Release: April 22, 2011 – NY/LA/Chicago/Irvine April 29, 2011 – Washington DC/Seattle/Santa Monica May 6, 2011 – Landsdowne, PA/Monterey, CA/Long Beach, CA May 13, 2011 – San Diego May 20, 2011 – Palm Desert, CA With additional marKets TBC VOD - April 20 – June 23 PRESS CONTACT Distributor: Publicity: Tribeca Film ID PR Tammie Rosen Dani Weinstein 212-941-2003 Sara Serlen [email protected] Sheri Goldberg 375 Greenwich Street 212-334-0333 New York, NY 10011 [email protected] 150 West 30th Street, 19th Floor New York, NY 10001 1 SYNOPSIS The Bang Bang Club is the real life story of a group of four young combat photographers - Greg Marinovich, Joao Silva, Kevin Carter and Ken Oosterbroek - bonded by friendship and their sense of purpose to tell the truth. They risked their lives and used their camera lenses to tell the world of the brutality and violence associated with the first free elections in post Apartheid South Africa in the early 90s. This intense political period brought out their best work – two won Pulitzers during the period – but cost them a heavy price. Based on the book of the same name by Marinovich and Silva, the film stars Ryan Phillipe, Malin Akerman and Taylor Kitsch and explores the thrill, danger and moral questions associated with exposing the truth. 2 ABOUT THE DIRECTOR Written and directed by Steven Silver, The Bang Bang Club is a Canada/South Africa co-production from producer Daniel Iron of Foundry Films Inc. -
Copyright by Jodi Heather Egerton 2006
Copyright by Jodi Heather Egerton 2006 The Dissertation Committee for Jodi Heather Egerton Certifies that this is the approved version of the following dissertation: “Kush mir in tokhes!”: Humor and Hollywood in Holocaust Films of the 1990s Committee: _________________________ Mia Carter, Co-Supervisor _________________________ Ann Cvetkovich, Co-Supervisor _________________________ Pascale Bos _________________________ John Ruszkiewicz _________________________ Phillip Barrish “Kush mir in tokhes!”: Humor and Hollywood in Holocaust Films of the 1990s by Jodi Heather Egerton, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2006 Dedication For Grandma Gertie and Grandma Gert, for filling me with our stories. For Owen, my beloved storyteller. For Arden, the next storyteller. Acknowledgements Thank you to Ann Cvetkovich and Mia Carter, for your unending support and insight, to Sabrina Barton and Phil Barrish, for guiding me especially in the early stages of the project, to Pascale Bos, for the scoop, and to John Ruszkiewicz, for helping me to discover who I am as a teacher and a scholar. Thank you to my early academic mentors, Abbe Blum, Nat Anderson, Alan Kuharski and Tom Blackburn, and my early academic colleagues Rachel Henighan, Megin Charner, and Liza Ewen, my Swarthmore community who continue to inspire me. Thank you to Joyce Montalbano, my second and fifth grade teacher, who honored the spark she saw in me and showed me the excitement of an intellectual challenge. Thank you to Eliana Schonberg and Ashley Shannon, because I can’t imagine any of this without you. -
Arts&Sciences
CALENDAR College of Liberal Arts and Sciences The University of Iowa School of Music is 240 Schaeffer Hall celebrating its centennial throughout 2006-07; The University of Iowa visit www.uiowa.edu/~music for a calendar Iowa City, Iowa 52242-1409 of events. November E-mail: [email protected] Visit the College of Liberal Arts and Sciences REQUIEM at www.clas.uiowa.edu By Giuseppe Verdi A School of Music, Division of Performing Arts, centennial event featuring the University Symphony Orchestra and Choirs with alumni Arts&Sciences guest soloists FALL 2006 Arts & Sciences is published for alumni and friends of the College of Liberal Arts and Sciences December at The University of Iowa. It is produced by the Offi ce of the Dean of the College of Liberal Arts and Sciences and by the Offi ce of University Relations Publications. WINTER COMMENCEMENT Address changes: Readers who wish to change their mailing address for JanuaryFebruary Arts & Sciences may call Alumni Records at 319-335-3297 or 800-469-2586; or send an e-mail to [email protected]. INTO THE WOODS Music and lyrics by Stephen Sondheim DEAN Linda Maxson Department of Theatre Arts, Division of E XECUTIVE E DITOR Carla Carr Performing Arts M ANAGING E DITOR Linda Ferry February CONSULTING E DITOR Barbara Yerkes M AIA STRING QUARTET DESIGNER Anne Kent COLLABORATION P HOTOGRAPHER Tom Jorgensen Department of Dance and School of Music, CONTRIBUTING FEATURE WRITERS Division of Performing Arts Peter Alexander, Winston Barclay, Lori Erickson, Richard Fumerton, Gary W. May Galluzzo, Lin Larson, Jen Knights, Sara SPRING COMMENCEMENT Epstein Moninger, David Pedersen COVER P HOTO: Art Building West provides a study June in refl ected light. -
The Last Laugh
THE LAST LAUGH A Tangerine Entertainment Production A film by Ferne Pearlstein Featuring: Mel Brooks, Carl Reiner, Sarah Silverman, Robert Clary, Rob Reiner, Susie Essman, Harry Shearer, Jeffrey Ross, Alan Zweibel, Gilbert Gottfried, Judy Gold, Larry Charles, David Steinberg, Abraham Foxman, Lisa Lampanelli, David Cross, Roz Weinman, Klara Firestone, Elly Gross, Deb Filler, Etgar Keret, Shalom Auslander, Jake Ehrenreich, Hanala Sagal and Renee Firestone Directed, Photographed and Edited by: Ferne Pearlstein Written by: Ferne Pearlstein and Robert Edwards Produced by: Ferne Pearlstein and Robert Edwards, Amy Hobby and Anne Hubbell, Jan Warner 2016 / USA / Color / Documentary / 85 minutes / English For clips, images, and press materials, please visit our DropBox: http://bit.ly/1V7DYcq U.S. Sales Contacts Publicity Contacts [email protected] / 212 625-1410 [email protected] Dan Braun / Submarine Janice Roland / Falco Ink Int’l Sales Contacts [email protected] [email protected] / 212 625-1410 Shannon Treusch / Falco Ink Amy Hobby / Tangerine Entertainment THE LAST LAUGH “The Holocaust itself is not funny. There's nothing funny about it. But survival, and what it takes to survive, there can be humor in that.” -Rob Reiner, Director “I am…privy to many of the films that are released on a yearly basis about the Holocaust. I cannot think of one project that has taken the approach of THE LAST LAUGH. THE LAST LAUGH dispels the notion that there is nothing new to say or to reveal on the subject because this aspect of survival is one that very few have explored in print and no one that I know of has examined in a feature documentary.” -Richard Tank, Executive Director at the Simon Wiesenthal Center SHORT SYNOPSIS THE LAST LAUGH is a feature documentary about what is taboo for humor, seen through the lens of the Holocaust and other seemingly off-limits topics, in a society that prizes free speech. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Accelerated Reader List
Accelerated Reader Test List Report OHS encourages teachers to implement independent reading to suit their curriculum. Accelerated Reader quizzes/books include a wide range of reading levels and subject matter. Some books may contain mature subject matter and/or strong language. If a student finds a book objectionable/uncomfortable he or she should choose another book. Test Book Reading Point Number Title Author Level Value -------------------------------------------------------------------------- 68630EN 10th Grade Joseph Weisberg 5.7 11.0 101453EN 13 Little Blue Envelopes Maureen Johnson 5.0 9.0 136675EN 13 Treasures Michelle Harrison 5.3 11.0 39863EN 145th Street: Short Stories Walter Dean Myers 5.1 6.0 135667EN 16 1/2 On the Block Babygirl Daniels 5.3 4.0 135668EN 16 Going on 21 Darrien Lee 4.8 6.0 53617EN 1621: A New Look at Thanksgiving Catherine O'Neill 7.1 1.0 86429EN 1634: The Galileo Affair Eric Flint 6.5 31.0 11101EN A 16th Century Mosque Fiona MacDonald 7.7 1.0 104010EN 1776 David G. McCulloug 9.1 20.0 80002EN 19 Varieties of Gazelle: Poems o Naomi Shihab Nye 5.8 2.0 53175EN 1900-20: A Shrinking World Steve Parker 7.8 0.5 53176EN 1920-40: Atoms to Automation Steve Parker 7.9 1.0 53177EN 1940-60: The Nuclear Age Steve Parker 7.7 1.0 53178EN 1960s: Space and Time Steve Parker 7.8 0.5 130068EN 1968 Michael T. Kaufman 9.9 7.0 53179EN 1970-90: Computers and Chips Steve Parker 7.8 0.5 36099EN The 1970s from Watergate to Disc Stephen Feinstein 8.2 1.0 36098EN The 1980s from Ronald Reagan to Stephen Feinstein 7.8 1.0 5976EN 1984 George Orwell 8.9 17.0 53180EN 1990-2000: The Electronic Age Steve Parker 8.0 1.0 72374EN 1st to Die James Patterson 4.5 12.0 30561EN 20,000 Leagues Under the Sea (Ad Jules Verne 5.2 3.0 523EN 20,000 Leagues Under the Sea (Un Jules Verne 10.0 28.0 34791EN 2001: A Space Odyssey Arthur C. -
Buddhism from Wikipedia, the Free Encyclopedia Jump To: Navigation, Search
Buddhism From Wikipedia, the free encyclopedia Jump to: navigation, search A statue of Gautama Buddha in Bodhgaya, India. Bodhgaya is traditionally considered the place of his awakening[1] Part of a series on Buddhism Outline · Portal History Timeline · Councils Gautama Buddha Disciples Later Buddhists Dharma or Concepts Four Noble Truths Dependent Origination Impermanence Suffering · Middle Way Non-self · Emptiness Five Aggregates Karma · Rebirth Samsara · Cosmology Practices Three Jewels Precepts · Perfections Meditation · Wisdom Noble Eightfold Path Wings to Awakening Monasticism · Laity Nirvāṇa Four Stages · Arhat Buddha · Bodhisattva Schools · Canons Theravāda · Pali Mahāyāna · Chinese Vajrayāna · Tibetan Countries and Regions Related topics Comparative studies Cultural elements Criticism v • d • e Buddhism (Pali/Sanskrit: बौद धमर Buddh Dharma) is a religion and philosophy encompassing a variety of traditions, beliefs and practices, largely based on teachings attributed to Siddhartha Gautama, commonly known as the Buddha (Pāli/Sanskrit "the awakened one"). The Buddha lived and taught in the northeastern Indian subcontinent some time between the 6th and 4th centuries BCE.[2] He is recognized by adherents as an awakened teacher who shared his insights to help sentient beings end suffering (or dukkha), achieve nirvana, and escape what is seen as a cycle of suffering and rebirth. Two major branches of Buddhism are recognized: Theravada ("The School of the Elders") and Mahayana ("The Great Vehicle"). Theravada—the oldest surviving branch—has a widespread following in Sri Lanka and Southeast Asia, and Mahayana is found throughout East Asia and includes the traditions of Pure Land, Zen, Nichiren Buddhism, Tibetan Buddhism, Shingon, Tendai and Shinnyo-en. In some classifications Vajrayana, a subcategory of Mahayana, is recognized as a third branch. -
The Parkes Institute for the Study of Jewish
The Parkes Institute for the study of Jewish/non-Jewish relations Annual Review 2015 - 2016 In summer 2016, Kathrin Pieren and Tony Kushner organised the first Parkes International Workshop on 1 Jewish Heritage, generously supported by the Rothschild Foundation Europe (Hanadiv). See page 13 for the full report. Here, the value of the hand-in-hand of museum work and academic research was illustrated by the excellent talk by Dr Alla Sokolova, Curator at the State Museum of the History Religions in St Petersburg and Lecturer at the European University of St Petersburg. She presented the results of a field study related to an exhibition of Jewish family heirlooms that she organised a few years ago. The exhibits, many of them everyday items such as photographs or pieces of clothing, were charged with meaning by the lenders, Jewish individuals, some of whom are shown in the pictures on this page. 3 3 4 7 2 1. Natalia F. shows her 2 father’s tallit 2. Boris F. with a Kiddush glass 3. Ulia O. with candlesticks and a wine decanter 4. The Holy Union Temple in Bucharest 5. Mrs. L. during the interview 6. Mr Futeran at his home in Tomash’pol 7. INGER Hersh (cover), KHASHCHEVATSKY M. (text), In Shveren Gang, Kharkov, 1929 5 In this review Report of the Director of the Parkes Institute, Professor Joachim Schlör 4 The Parkes Jubilee Celebrations 7 In memoriam David Cesarani (1956 to 2015) 8 Parkes Institute Outreach Report 2015-16 10 Conferences, Workshops, Lecturers and Seminars 13 Journals of the Parkes Institute 16 Development 17 Internationalisation -
Roswell Daily Record, 05-14-1907 H
University of New Mexico UNM Digital Repository Roswell Daily Record, 1903-1910 New Mexico Historical Newspapers 5-14-1907 Roswell Daily Record, 05-14-1907 H. E. M. Bear Follow this and additional works at: https://digitalrepository.unm.edu/roswell_record_news Recommended Citation Bear, H. E. M.. "Roswell Daily Record, 05-14-1907." (1907). https://digitalrepository.unm.edu/roswell_record_news/1133 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Roswell Daily Record, 1903-1910 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. WILL BMLf VOLUME 5. ROSWELL, NEW MEXICO, TUESDAY EVENING, MAY 14 1907 NUMBER 63 the roads declare that they were not and other prominent men of the city, defended Adams, declaring that the since the last session in 1905, being represented at the meeting when such as well as the head officials of the accused man was only a pawn in the 93,469. A NEW HEAD rates were agreed upon, but admit several Grand Army organizations. FIVE IN prosecution of the labor leaders and A committee of local members of SAD HOME that certain men who represented the General L. E. Sherman will preside. that his trial for the murder of Tyler the order is in charge of the enter- steamship lines in the conference al The fourteenth annual meeting of the was animated by revenge. Adams is tainment program which consists of so represented the Great Northern, Ladies of the Grand Army will be held still being held by the state authori- a public meeting in the Norfolk opera Northern Pacific, Canadian Pacific in connection with the encampment ties, but it is generally believed that house, a visit to the great fleet of FOR SCHOOLS and Houston & Texas Central roads.