Paris Review - the Art of Nonfiction No
Paris Review - The Art of Nonfiction No. 2, Gay Talese Follow Us Contact | Events | Newsletter Blog Current Issue Interviews Archive Subscribe Store About Gay Talese, The Art of Nonfiction No. 2 Interviewed by Katie Roiphe Summer 2009 PRINT | TWITTER | FACEBOOK | MORE | View a manuscript page No. 189 Purchase this issue In order to get to Gay Talese’s study you have to leave his Upper East Side town house and go down the elegantly curling stairs, into another entrance, with another set of keys, and down another flight of steps. The bunker, as he calls it, is a long, narrow room that is bigger than many Manhattan apartments, with a bathroom, shower, kitchen, several couches, two desks, a table and chairs. One does not, however, lose the feeling of being underground. One Fiction also has the unmistakable sense of being inside his mind. Kenneth Calhoun, Nightblooming Damon Galgut, The Guardian There are shelves running up to the ceiling filled with boxes and boxes of files. Each box Boualem Sansal, After Rach'el is elaborately festooned with a collage: photographs from newspapers and magazines, Interview excised words, drawings, cartoons. The files contain notes for all of Talese’s books and Gay Talese, The Art of Nonfiction No. 2 articles, clippings, outlines, letters. The collages make the cardboard boxes look whimsical, Poetry childlike, flamboyant; there is a joy here that most of us can’t muster for file keeping. Craig Arnold, Two Poems Star Black, Twilit Strewn across one of the desks are Ziploc sandwich baggies filled with photographs and John Casteen, Nocturne: Redaction Billy Collins, Returning the Pencil to Its Tray meticulously typewritten labels with names and dates.
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