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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Number Symbolism in Old Norse Literature
Háskóli Íslands Hugvísindasvið Medieval Icelandic Studies Number Symbolism in Old Norse Literature A Brief Study Ritgerð til MA-prófs í íslenskum miðaldafræðum Li Tang Kt.: 270988-5049 Leiðbeinandi: Torfi H. Tulinius September 2015 Acknowledgements I would like to thank firstly my supervisor, Torfi H. Tulinius for his confidence and counsels which have greatly encouraged my writing of this paper. Because of this confidence, I have been able to explore a domain almost unstudied which attracts me the most. Thanks to his counsels (such as his advice on the “Blóð-Egill” Episode in Knýtlinga saga and the reading of important references), my work has been able to find its way through the different numbers. My thanks also go to Haraldur Bernharðsson whose courses on Old Icelandic have been helpful to the translations in this paper and have become an unforgettable memory for me. I‟m indebted to Moritz as well for our interesting discussion about the translation of some paragraphs, and to Capucine and Luis for their meticulous reading. Any fault, however, is my own. Abstract It is generally agreed that some numbers such as three and nine which appear frequently in the two Eddas hold special significances in Norse mythology. Furthermore, numbers appearing in sagas not only denote factual quantity, but also stand for specific symbolic meanings. This tradition of number symbolism could be traced to Pythagorean thought and to St. Augustine‟s writings. But the result in Old Norse literature is its own system influenced both by Nordic beliefs and Christianity. This double influence complicates the intertextuality in the light of which the symbolic meanings of numbers should be interpreted. -
PDF Download the Sandman Overture
THE SANDMAN OVERTURE: OVERTURE PDF, EPUB, EBOOK J. H. Williams, Neil Gaiman | 224 pages | 17 Nov 2015 | DC Comics | 9781401248963 | English | United States The Sandman Overture: Overture PDF Book Writer: Neil Gaiman Artist: J. The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. This would have been a better first issue. Nov 16, - So how do we walk the line of being a prequel, but still feeling relevant and fresh today on a visual level? Variant Covers. By continuing to use this website, you agree to their use. Click on the different category headings to find out more. Presented by MSI. Journeying into the realm of his sister Delirium , he learns that the cat was actually Desire in disguise. On an alien world, an aspect of Dream senses that something is very wrong, and dies in flames. Most relevant reviews. Williams III. The pair had never collaborated on a comic before "The Sandman: Overture," which tells the story immediately preceding the first issue of "The Sandman," collected in a book titled, "Preludes and Nocturnes. Help Learn to edit Community portal Recent changes Upload file. It's incredibly well written, but if you are looking for that feeling you had when you read the first issue of the original Sandman series, you won't find it here. Retrieved 13 March Logan's Run film adaptation TV adaptation. Notify me of new posts by email. Dreams, and by extension stories as we talked about in issue 1 , have meaning. Auction: New Other. You won't get that, not in these pages. -
7-26-18 2019 Frederick Speaker Series Lineup
Media Contact: Barbara Hiller Manager of Marketing, Weinberg Center for the Arts 301-600-2868 | [email protected] FOR IMMEDIATE RELEASE 2019 Frederick Speaker Series Lineup Announced FREDERICK, MD, July 26, 2018 — Entering its seventh year, the Frederick Speaker Series has developed a reputation for bringing world-class speakers to the Frederick community. The 2019 lineup includes; Pulitzer Prize winning journalist, Ronan Farrow, actress and LGBT advocate, Laverne Cox, actor and literacy advocate, Levar Burton and international bestselling author, Neil Gaiman. All series events are held at the Weinberg Center for the Arts. Tickets for all four speakers will go on sale to Weinberg Center members on Thursday, August 9 at 10:00 AM and to the general public on Thursday, August 16 at 10:00 AM. Tickets may be purchased online at weinbergcenter.org, by calling the Weinberg Center Box Office at 301-600-2828, or in person at 20 W. Patrick Street in Frederick, Maryland. For more information about becoming a Weinberg Center member and gaining early access to tickets, please visit weinbergcenter.org/support#membership. A separately-ticketed meet-and-greet reception will take place immediately following each presentation. These exclusive events provide a chance for fans to meet the speakers, take pictures, and obtain autographs. All proceeds from the meet-and-greet receptions will benefit children’s programs at Frederick County Public Libraries. Ronan Farrow | Thursday, February 28, 2019 at 7:30 PM Born in 1987 to actress Mia Farrow and filmmaker Woody Allen, Ronan Farrow achieved early notoriety as a child prodigy, skipping grades and starting college at age 11. -
Anansi Boys Neil Gaiman
ANANSI BOYS NEIL GAIMAN ALSO BY NEIL GAIMAN MirrorMask: The Illustrated Film Script of the Motion Picture from The Jim Henson Company(with Dave McKean) The Alchemy of MirrorMask(by Dave McKean; commentary by Neil Gaiman) American Gods Stardust Smoke and Mirrors Neverwhere Good Omens(with Terry Pratchett) FOR YOUNG READERS (illustrated by Dave McKean) MirrorMask(with Dave McKean) The Day I Swapped My Dad for Two Goldfish The Wolves in the Walls Coraline CREDITS Jacket design by Richard Aquan Jacket collage from Getty Images COPYRIGHT Grateful acknowledgment is made for permission to reprint the following copyrighted material: “Some of These Days” used by permission, Jerry Vogel Music Company, Inc. Spider drawing on page 334 © by Neil Gaiman. All rights reserved. This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. ANANSI BOYS. Copyright© 2005 by Neil Gaiman. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of PerfectBound™. Library of Congress Cataloging-in-Publication Data Gaiman, Neil. -
Tolkien of the New Millenium NEIL GAIMAN: the J.R.R
NEIL GAIMAN: the J.R.R. Tolkien of the new millenium “My parents would frisk me before family events …. Because if they didn’t, then the book would be hidden inside some pocket … and as soon as whatever it was got under way I’d be found in a corner. That was who I was … I was the kid with the book.” ABOUT THE AUTHOR • Nov. 10th, 1960 (came into being) • Polish-Jewish origin (born in England) • Early influences: – C.S. Lewis – J.R.R. Tolkien – Ursula K. Le Guin • Pursued journalism as a career, focused on book reviews and rock journalism • 1st book a biography of Duran Duran, 2nd a book of quotations (collaborative) • Became friends with comic book writer Alan Moore & started writing comics GAIMAN’S WORKS • Co-author (with Terry Pratchett) of Good Omens, a very funny novel about the end of the world; international bestseller • Creator/writer of monthly DC Comics series Sandman, won 9 Will Eisner Comic Industry Awards and 3 Harvey Awards – #19 won 1991 World Fantasy Award for best short story, 1st comic ever to win a literary award – Endless Nights 1st graphic novel to appear on NYT bestseller list • American Gods in 2001; NYT bestselling novel, won Hugo, Nebula, Bram Stoker, SFX, and Locus awards • Wrote the script for Beowulf with Roger Avary OTHER WORKS • Mirrormask film released in late 2005 • Designed a six-part fantastical series for the BBC called Neverwhere, aired in 1996. The novel Neverwhere was released in 1997 and made into a film. • Coraline and The Wolves in the Walls are two award-winning children’s books; Coraline is being filmed, with music provided by They Might Be Giants, and TWW is being made into an opera. -
Using Fiction to Support Gender Equality: the Case for Neverwhere
Högskolan i Halmstad Sektionen för lärarutbildning Engelska 61-90 hp - Using Fiction to support gender equality: the case for Neverwhere and Pride and Prejudice - Karen Gustavsson C-uppsats Handledare: Anna Fåhraeus 2 Abstract This essay is a discussion of how fiction can be used in teaching English as a second language to promote gender equality. The novels analyzed are Pride and Prejudice and Neverwhere. Firstly, the term gender is explained. Secondly, there is some research that demonstrates how gender is a social construction. The focus of this essay is on the role of the teacher, since his or her expectations and his or her way of interacting with students is crucial to promote gender equality in the classroom. Additionally, there is a discussion of the strategies that can help the teacher to detect bias in the teaching material. Furthermore, there are suggestions on how the novels can be used to promote gender equality through using the content-based approach. 3 Contents Introduction ............................................................................................................... 4 Literature overview ................................................................................................... 5 Method ...................................................................................................................... 7 What is gender? ......................................................................................................... 8 The role of the teacher ............................................................................................. -
Liminality in Neil Gaiman's and J. K. Rowling's Fiction. Orphan Heroes and Their Rites of Passage
Jihočeská univerzita v Českých Budějovicích Pedagogická fakulta Katedra anglistiky Diplomová práce Liminality in Neil Gaiman's and J. K. Rowling's Fiction. Orphan Heroes and Their Rites of Passage Liminalita v díle Neila Gaimana a J. K. Rowlingové. Osiřelí hrdinové a jejich přechodové rituály Vypracovala: Lucie Masláková Vedoucí práce: PhDr. Alice Sukdolová, Ph.D. České Budějovice 2020 Prohlaš uji, ž e svoji diplomovou práci jsem vypracovala samostatně pouze s použ itím pramenů a literatury uvedených v seznamu citované literatury. Prohlaš uji, ž e v souladu s § 47b zákona č . 111/1998 Sb. v platném zně ni ́ souhlasím se zveř ejně ním své diplomové, a to v nezkrácené podobě - v úpravě vzniklé vypuš tě ním vyznač ených č ásti ́ archivovaných pedagogickou fakultou elektronickou cestou ve veř ejně př istupń é č ásti databáze STAG provozované Jihoč eskou univerzitou v Č eských Budě jovicich́ na jejich́ internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikač ni ́ práce. Souhlasiḿ dále s tim,́ aby toutéž elektronickou cestou byly v souladu s uvedeným ustanovením zákona č . 111/1998 Sb. zveř ejně ny posudky š kolitele a oponentů práce i záznam o prů bě hu a výsledku obhajoby kvalifikač ni ́ práce. Rovně ž souhlasím sporovnániḿ textu mé kvalifikač ni ́ práce s databázi ́ kvalifikač nich́ praci ́ Theses.cz provozovanou Národniḿ registrem vysokoš kolských kvalifikač nich́ praci ́ a systémem na odhalováni ́ plagiátů . V Č eských Budě jovicich́ dne Podpis: .................................................. Acknowledgement I would like to thank PhDr. Alice Sukdolová, Ph.D. for her valuable advice, comments and support. -
American Gods by Neil Gaiman Image
American Gods by Neil Gaiman Image: the cover of American Gods Released from prison, Shadow finds his world turned upside down. His wife has been killed; a mysterious stranger offers him a job. But Mr. Wednesday, who knows more about Shadow than is possible, warns that a storm is coming – a battle for the very soul of America . and they are in its direct path. American Gods is a kaleidoscopic journey into myth and across an American landscape at once eerily familiar and utterly alien. Visit Neil Gaiman’s site: http://neilgaiman.com/ Read Chapter 1: http://neilgaiman.com/works/Books/American+Gods/in/181/ Reviews: Library Journal: In his latest novel, Gaiman (Neverwhere ) explores the vast and bloody landscape of myths and legends where the gods of yore and the neoteric gods of now conflict in modern-day America. The antihero, a man of unusually acute intellect through whose eyes we witness the behind-the-scenes dynamics of human religion and faith, is a convict called Shadow. He is flung into the midst of a supernatural fray of gods such as Odin, Anansi, Loki One-Eye, Thor, and a multitude of other ancient divinities as they struggle for survival in an America beset by trends, fads, and constant upheaval—an environment not good for gods. They are joined in this struggle by such contemporary deities as the geek-boy god Internet and the goddess Media. There's a nice plot twist in the end, and the fascinating subject matter and impressive mythic scope are handled creatively and expertly. Gaiman is an exemplary short story writer, but his ventures into novels are also compellingly imaginative. -
The Ocean at the End of the Lane 2
A TEACHER’S GUIDE TO ALIGNED TO THE COMMON CORE “A novel about the truths—some wonderful, some terrible— that children know and adults do not.” —Time Magazine www.HarperAcademic.com A TEACHER’S GUIDE TO NEIL GAIMAN’S THE OCEAN AT THE END OF THE LANE 2 Table of Contents Note to Teachers 3 Guided Reading Questions 4 Prologue 4 Chapter One 4 Chapter Two 5 Chapter Three 5 Chapter Four 6 Chapter Five 6 Chapter Six 7 Chapter Seven 7 Chapter Eight 8 Chapter Nine 8 Chapter Ten 9 Chapter Eleven 9 Chapter Twelve 10 Chapter Thirteen 10 Chapter Fourteen 11 Chapter Fifteen 11 Epilogue 12 Writing and Discussion Prompts 12 Topics for Argumentation Essays or Debate 12 Topics for Informative Writing 13 Topics for Narrative Writing 14 Research Topics 16 More About Neil Gaiman 16 Books by Neil Gaiman 17 About This Guide’s Author 17 A TEACHER’S GUIDE TO NEIL GAIMAN’S THE OCEAN AT THE END OF THE LANE 3 Note to Teachers The questions and activities in this teaching guide were written to support standards-based instruction. The Ocean at the End of the Lane meets the standard for Range of Reading and Level of Text Complexity for grades 9-10. Its connec- tions to folklore, mythology, and the hero journey make it an excellent anchor text for survey courses of world literature. CCSS.ELA-LITERACY.RL.9-10.10 A complete list of the Common Core State Standards can be found at http://www.corestandards.org/the-standards This Teacher’s Guide is divided into three sections. -
English Curriculum Coverage – Year 4 2019-2020
English Curriculum Coverage – Year 4 2019-2020 Autumn 1 - National Autumn 2 Spring 1 Spring 2 Summer 1 Summer 2 Poetry Day 3rd October Black History Month Active Planet World Book Day Tudors Tudors Romans Romans Active Planet The Iron Man by Ted FaRther by Grahame Baker Winter’s Child by Angela Odd and the Frost Giants Jonathan Swift’s Gulliver The Lion, the Witch and Hughes and Laura Carlin Smith 3 weeks McAllister and Grahame by Neil Gaiman and Chris by Martin Jenkins and the Wardrobe by C.S.Lewis 4 weeks Baker Smith 2 weeks Riddell 3 weeks Chris Riddell 3 weeks 4 weeks The Lion and the Unicorn Until I Met Dudley by The Selfish Giant by Oscar Varmints by Helen Ward Shackleton’s Journey by Jabberwocky by Lewis by Shirley Hughes 3 weeks Roger McGough and Chris Wilde and Michael and Marc Craste *book William Grill 3 weeks Carroll and Joel Stewart Riddell 2 weeks Foreman or Alexis Deacon and film 3 weeks 2 weeks 3 weeks The Matchbox Diary by Cinnamon by Neil Gaiman Tar Beach by Faith Weslandia by Paul Paul Fleischman and and Divya Srinivasan Ringgold 3 weeks Fleischman and Kevin Bagram Ibatoulline 3 weeks Hawkes 3 weeks 3 weeks Year 4 Progression and Synopses Term Text Main Outcomes Published Sequence Synopsis – Overview and Outcomes outcomes Autumn The Iron Narrative Narratives This is a four-week planning sequence using The Iron Man by Ted Hughes and illustrated by Laura Carlin in 1 Man suspense, letters, which children will explore the devices of mystery and suspense. -
Norse Mythology by Neil Gaiman
Norse Mythology by Neil Gaiman In Norse Mythology, Gaiman fashions primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds; delves into the exploits of the deities, dwarves, and giants; and culminates in Ragnarok, the twilight of the gods and the rebirth of a new time and people. Why you'll like it: Lyrical. Mythological. Adventure. About the Author: Neil Gaiman was born in Portchester, England on November 10, 1960. He worked as a journalist and freelance writer for a time, before deciding to try his hand at comic books. His first comic endeavor was the graphic novel series The Sandman. He writes both children and adult books. (Bowker Author Biography) Questions for Discussion 1. Talk about each of the primary gods: Odin, Thor and Loki. Consider their passions, humor, conflicts, bravery, and flaws. Which god do you find most interesting, admirable, cruel, weird, cool? Consider also Odin’s wife, Freya, and his son, Balder, as well as Tyr, the one-handed god. 2. Which of the stories do you find most engaging or funny? Are any of the stories instructive or especially tragic? What larger meanings, if any, might the other stories offer? 3. What is the role of mythology in culture? Why have all civilizations created their stories: what do myths signify? What do the Norse myths, in particular, say about the Germanic/Norse cultures...and their view of humankind? 4. Follow-up to Question #3 Does mythology, particularly Neil Gaiman’s volume have relevance today? Are they universal cautionary tales? Do they offer age-old wisdom? Or are they primarily for entertaining? 5.