The Glass Cage an Unconventional Detective Story by Colin Wilson A.B.E-Book V3.0 / Notes at EOF
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Issue 3: Take This Job
The broken C I Prose Poetry Photography Art Music T Y Issue 3: Take this job... W i n t e r 2 0 0 8 ISSN 1916-3304 Cover Illustration: W i n t e r 2 0 0 8 Mouki K. Butt I s s u e 3 The Broken City, ISSN 1916-3304, is published semi- a concentration in illustration, and has already been annually out of Toronto, Ontario, Canada, appearing accepted to several colleges and universities. Born in 1988 in Calgary, Alberta, she currently resides in New sporadically in print, but always at: England with her husband Peter and their two cats. www.thebrokencitymag.com. Submission guidelines Check out her website at: www.juliekitzes.tyreus.com. can be found at that site and submissions can be sent Despite speaking and writing in his mother tongue, to: [email protected]. Questions about The Christian Martius lives far away from the country he used Broken City or its policies can be directed to Editor-in- to call home. Recently, he has started using words like “kinda” in his sentences and now calls trousers pants chief Scott Bryson at [email protected]. Rights and pants underpants. His short stories have appeared to individual works published in The Broken City remain online andEye in printWeekly in Vancouver,Discorder TorontoCapital and Mag London. He the property of the author and cannot be reproduced also writes articles for various magazines and websites, including , and . Samples without their consent. All other materials © 2008. All of his work can be found at www.christianmartius.com. -
Catalogo Nov2003.Pdf
Via Savona 12, 20144 Milano - tel/fax 02.89401623 - e-mail: [email protected] CATALOGO - POP / ROCK > A-G < novembre 2003 AUTORE/GRUPPO TITOLO ANNO CASA DISCOGRAFICA CODICE STAMPA N/U/O PREZZO A-HA Hunting high and low 1986 REPRISE 9204830 Tedesca LP-U MIX 5,5 ABBA Greatest hits vol.2 1979 ATLANTIC 16009 Americana LP-U 8 ABBA Arrival 1976 POLYDOR 2310483 Olandese LP-U 10,5 ADAM AND THE ANTS Prince charming 1981 CBS 85268 Italiana LP-U 5,5 ADAM AND THE ANTS Strip 1983 CBS 25705 Italiana LP-U 5,5 AEROSMITH Rocks 1976 CBS 32360 Olandese LP-U 6 AFRIKA BAMBAATAA AND FAMILY Decade of darkness 1991 D.F.C. 57705 Italiana LP-U 5,5 ALABAMA Just us 1987 RCA 86495 Italiana LP-U 5,5 ALARM Eye of the hurricane 1987 I.R.S. 42061 Canadese LP-U 5,5 ALBION BAND Rise up like the sun 1978 ATTIC 1047 Canadese LP-U 15,5 ALBION BAND Under the rose 1984 SPINDRIFT 110 Inglese LP-U 5,5 ALIEN SEX FIEND R.i.p. 1984 ANAGRAM 18 Francese LP-U MIX 8 ALLEN DAEVID Now is the happiest time.... 1977 AFFINITY 3 Inglese LP-U 13 ALLMAN BROTHERS BAND Wipe the check the oil .... 1976 CAPRICORN 2637103 Americana DBL LP-U 31 ALPHA BAND Spark in the dark 1977 ARISTA 4145 Americana LP-U 10,5 ALVIN DAVE Romeo’s escape 1986 EPIC 40921 Canadese LP-U 8 AMEN CORNER Greatest hits 1978 IMMEDIATE(LINEA TRE) 33059 Italiana LP-U 5,5 AMERICA Homecoming 1972 WARNER 46180 Francese LP-U 10,5 AMERICA History greatest hits 1975 WARNER BROS 56169 Italiana LP-U 5,5 AMERICA The very best 1991 FIVE RECORDS 30002 Italiana LP-U 5,5 AMERICA Hliday 1974 WARNER BROS. -
Hypersphere Anonymous
Hypersphere Anonymous This work is licensed under a Creative Commons Attribution 4.0 International License. ISBN 978-1-329-78152-8 First edition: December 2015 Fourth edition Part 1 Slice of Life Adventures in The Hypersphere 2 The Hypersphere is a big fucking place, kid. Imagine the biggest pile of dung you can take and then double-- no, triple that shit and you s t i l l h a v e n ’ t c o m e c l o s e t o o n e octingentillionth of a Hypersphere cornerstone. Hell, you probably don’t even know what the Hypersphere is, you goddamn fucking idiot kid. I bet you don’t know the first goddamn thing about the Hypersphere. If you were paying attention, you would have gathered that it’s a big fucking 3 place, but one thing I bet you didn’t know about the Hypersphere is that it is filled with fucked up freaks. There are normal people too, but they just aren’t as interesting as the freaks. Are you a freak, kid? Some sort of fucking Hypersphere psycho? What the fuck are you even doing here? Get the fuck out of my face you fucking deviant. So there I was, chilling out in the Hypersphere. I’d spent the vast majority of my life there, in fact. It did contain everything in my observable universe, so it was pretty hard to leave, honestly. At the time, I was stressing the fuck out about a fight I had gotten in earlier. I’d been shooting some hoops when some no-good shithouses had waltzed up to me and tried to make a scene. -
K-Pop in Latin America: Transcultural Fandom and Digital Mediation
International Journal of Communication 11(2017), 2250–2269 1932–8036/20170005 K-Pop in Latin America: Transcultural Fandom and Digital Mediation BENJAMIN HAN Concordia University Wisconsin, USA This article examines the transnational popularity of K-pop in Latin America. It argues K- pop as a subculture that transforms into transcultural fandom via digital mediation, further resulting in its accommodation into Latin American mass culture. The article further engages in a critical analysis of K-pop fan activism in Latin America to explore the transcultural dynamics of K-pop fandom. In doing so, the article provides a more holistic approach to the study of the Korean Wave in Latin America within the different “scapes” of globalization. Keywords: K-pop, fandom, Latin America, digital culture, Korean Wave The popularity of K-pop around the globe has garnered mass media publicity as Psy’s “Gangnam Style” reached number two on the Billboard Charts and became the most watched video on YouTube in 2012. Although newspapers, trade journals, and scholars have examined the growing transnational popularity of K-pop in East Asia, the reception and consumption of K-pop in Latin America have begun to receive serious scholarly consideration only in the last few years. Numerous reasons have been explicated for the international appeal and success of K-pop, but it also is important to understand that the transnational and transcultural fandom of K-pop cannot be confined solely to its metavisual aesthetics that creatively syncretize various genres of global popular music such as Black soul and J-pop. K-pop as hybrid music accentuated with powerful choreography is a form of visual spectacle but also promotes a particular kind of lifestyle represented by everyday modernity in which social mobility in the form of stardom becomes an important facet of the modernization process in Latin America. -
Village Green Preservation Society Est Une Splendeur À La Perfection Diabolique
LE ROMAN DU ROCK NICOLAS UNGEMUTH Le Roman du rock Ces pages ne sont pas disponibles à la pré- visualisation. elles, ne suivent pas. Depuis 1962 et Return To Sender, plus aucun single d’Elvis ne s’est vendu à un million d’exemplaires. Elvis, lui-même, commence à voir l’ampleur de sa chute. Dans la presse, on se moque de ses films, de ses dialogues et de ses maigres talents d’acteur. Pour ce fan de cinéma idolâtrant Marlon Brando, James Dean mais également Peter Sellers, le constat est difficile à accepter. Et les titres quasi dadaïstes de ses films sont déjà suffisamment embarrassants… Entre Chatouille- moi, En embrassant les cousins et L’Idole d’Acapulco, il est clair qu’Elvis a du mal à rivaliser avec ce Dr Folamour qu’il vénère. Et pendant que le King chante La Chanson de la crevette, le monde entier écoute, sidéré, Like A Rolling Stone, Satisfaction ou Day Tripper. Elvis est devenu has been. Et il s’en rend compte. Il a conscience d’être comme une belle antiquité qu’on vient admirer rapidement chez lui à Graceland, comme le font les Fab Four qui passent lui rendre visite, consternés par son entourage de copains white trash. Autour de lui, une révolution a lieu, mais il n’en fait pas partie. Elvis admire Dylan, exècre sa voix, mais est impressionné par la qualité de ses compositions, particulièrement lorsqu’elles sont interprétées par Odetta (il reprend même, presque en catimini, Tomorrow Is A Long Long Time, qui l’obsède). Il s’enthousiasme pour les Beatles et apprécie leur fraîcheur. -
“Year's End,” by Jhumpa...Pdf“Year's...Pdf
12/30/2020 “Year’s End,” by Jhumpa Lahiri | The New Yorker Fiction December 24 & 31, 2007 Issue Year’s End By Jhumpa Lahiri December 17, 2007 Photographs (left to right) by Mark Guthrie / Millennium Images, UK; Bharat Sikka (2002) did not attend my father’s wedding. I did not even know there had been a wedding until my father called early one Sunday I during my nal year at Swarthmore. I was roused from sleep by a pounding on my door, followed by the voice of one of my hallmates saying my last name. I knew before answering that it was my father; there was no one else who would have called me before nine. My father had always been an early riser, believing that the hours between ve and seven were the most protable part of the day. He would use that time to read the newspaper and then go for a walk, along Marine Drive when we lived in Bombay and on the quiet roads of our town on the North Shore of Massachusetts, where we moved when I was sixteen, after my mother got sick. As much as he used to encourage my mother and me to join him, I knew he preferred being alone. Things were different now, of course; those solitary hours he’d once savored had become a prison for him, a commonplace. I knew that he no longer bothered to go for walks and that since my mother’s death he hardly slept at all. I had not spoken to my father in several weeks. -
All Notices Gazette
ALL NOTICES GAZETTE CONTAINING ALL NOTICES PUBLISHED ONLINE ON 19 JANUARY 2017 PRINTED ON 20 JANUARY 2017 PUBLISHED BY AUTHORITY | ESTABLISHED 1665 WWW.THEGAZETTE.CO.UK Contents State/ Royal family/ Parliament & Assemblies/ Honours & Awards/ Church/ Environment & infrastructure/2* Health & medicine/ Other Notices/17* Money/ Companies/18* People/73* Terms & Conditions/109* * Containing all notices published online on 19 January 2017 ENVIRONMENT & INFRASTRUCTURE 1. an area of footway on Roberts Close forming part of the existing junction to the rear of 24-28 Quebec Way and measuring between ENVIRONMENT & 5.46 metres and 5.55 metres in length and up to 1 metre in width; and 2. an area of footway and carriageway forming part of the existing junction to the rear of 24-28 Quebec Way and measuring between INFRASTRUCTURE 4.74 metres and 5.09 metres in length and 4.31 metres and 6.16 metres in width. All of the areas to be stopped up fall within the London Borough of Southwark Planning IF THE ORDER IS MADE the stopping up will be authorised to enable the development described in the Schedule to this Notice to TOWN PLANNING be carried out in accordance with the planning permission granted under Part III of the Act by the Council on 4 March 2016 under local 2690701SOUTH NORFOLK COUNCIL planning authority reference No. 15/AP/2217. PLANNING (LISTED BUILDINGS AND CONSERVATION AREAS) COPIES OF THE DRAFT ORDER AND THE RELEVANT PLAN MAY ACT 1990, SECTION 69 BE INSPECTED FREE OF CHARGE by way of appointment during a HARLESTON, HINGHAM AND LODDON & CHEDGRAVE 28 day period commencing on Thursday 19 January 2017 at 160 CONSERVATION AREAS Tooley Street, London SE1 2TZ by calling 020 7525 2135 and NOTICE IS GIVEN under the provisions of Section 69 of the above Act referring to the Roberts Close Stopping Up Order. -
Click by Jacqueline Goldfinger January 2020
______________ CLICK ______________ by Jacqueline Goldfinger January 2020 Agent: Susan Gurman, Gurman Agency LLC, 14 Penn Plaza, Suite 1703, New York, NY 10122-1701, Tel: 212 749 4618, Email: [email protected] Playwright: www.jacquelinegoldfinger.com CLICK 1 SYNOPSIS: A techno-thriller that begins when a young woman is raped at a fraternity and ends in a future where corporations promise a new body with the swipe of a screen, Click follows a hacktivist named Fresh who turns industrial espionage into high art. As this virtual Banksy takes over the global imagination, the man who stole her life develops a technology that sends the two of them on a collision course at the heart of the corporate empire, where innovation comes at any cost. A cyberpunk drama for the #MeToo era, a story of trauma, transformation and reclaiming who you are. (5-12 Characters, Diverse Casting, Flexible Set) THIS PLAY IS MEANT TO BE INDIVIDUALIZED FOR EACH COMMUNITY. So changes in references, language, etc are permissible. TIME/PLACE Today – 10 years in the future / Online and Off CHARACTERS (5+ actors) Actor 1: Female, 30s-50s, Cis lesbian, Open race casting, plays Anna/HR Rep/Greek Chorus Actor 2: Male, 20s-40s, Cis straight, White, plays Chaz/Greek Chorus Actor 3: Female, 20s-30s, Cis bi, Open race casting, plays Fresh/Greek Chorus Actor 4: Male, 20s-40s, Cis gay, Black or Latinx, pretends to be straight early on and then comes out later in life, plays Scottie/Cop 1/Greek Chorus Actor 5: Female, 20s-30s, Transwoman attracted to men, Open race casting, plays Maria/Cop 2/Greek Chorus SCOTTIE There are a few references in Scottie’s dialogue that refer to his specific heritage. -
Black Freedom Beyond Borders: Memories of Abolition Day
184 185 Black Freedom Beyond Borders: Memories of Abolition Day ii Black Freedom Beyond Borders: Memories of Abolition Day TABLE OF CONTENTS TITLE PAGE ..................................................................................... ii COPYRIGHT PAGE .......................................................................... iv DEDICATED TO .............................................................................. vi YOU CANNOT BUILD WHAT YOU CANNOT IMAGINE ............... ix FOREWORD .................................................................................... xi ACKNOWLEDGEMENTS ................................................................ xiii READER’S GUIDE ........................................................................... xv The Dream Tank: Explorations in Quantum Abolition .............. 5 Breathing On The Moon: Choose Abolition & Liberation by Naudika Williams ..................................................................... 25 Dream Tank: The Actual Counterfactual ................................... 27 Albina Zone by Lisa Bates ............................................................ 35 Tending The Acre by Shawn Taylor ............................................ 59 The Dream Tank: Simulated Re-Awakening.............................. 77 mirage by donté clark .................................................................. 83 The Way The Fire Flies by Calvin Williams ................................. 89 The Dream Tank: Memories As Supercode ............................. 113 Rememory by Waildah -
(2021/1/25 (2021/1/25 付 付 付)) 歌 手 名 タタ イイイ トトト ル ル Ai
(2021/1/25 付付付)付))) 2021年1月新曲2021年1月新曲<<<<LIVELIVE DAM AiAi((((DAM-XG8000DAM-XG8000DAM-XG8000)) / LIVE DAM STADIUMSTADIUM((((DAM-XG7000DAM-XG7000DAM-XG7000)) / LIVE DAM (((DAM-XG5000(DAM-XG5000DAM-XG5000)) / Premier DAM (((DAM-XG1000(DAM-XG1000DAM-XG1000)))) Cyber DAM HD (((DAM-G100X(DAM-G100XDAM-G100X)) / CYBER DAM α (((DAM-G50X(DAM-G50XDAM-G50X)) / FREE DAM HD (((DAM-F750HD+DSR-F75(DAM-F750HD+DSR-F75DAM-F750HD+DSR-F75)) / FREE DAM (((DAM-F650+DSR-F65(DAM-F650+DSR-F65DAM-F650+DSR-F65)>)>)>)> DAM-DAM-DAM- DAM-DAM-DAM- DAM-DAM-DAM- DAM-DAM-DAM- DAM-DAM-DAM- DAM-DAM-DAM- DAM-DAM-DAM- DAM-F650 リクエストNo. F750HDF750HDF750HD 歌 手 名 タタタ タ イイイイ トトトト ルルルル XG8000 XG7000 XG5000 XG1000 G100X G50X +DSR-F65 XG8000 XG7000 XG5000 XG1000 G100XG100X G50XG50X +DSR-F75 AI Not So Different 6484-77 -- THE IDOLM@STER CINDERELLA GIRLS for BEST5!(北条加蓮(渕上舞)、鷺沢文香(M・A・O)、一ノ Never ends 4534-29 瀬志希(藍原ことみ)、神谷奈緒(松井恵理子)、高垣楓 (早見沙織)) IVVY AWAKE 6844-98 ---- IVVY Freeze 6844-99 - 青山礼奈 はぐれ雪 6890-78 ---- 秋岡秀治 雪寺 2051-55 -- 秋山黄色 サーチライト 6851-33 ---- アグネス・チャン ハロー・グッドバイ 1339-62 - - - - 1/26 - 浅井利奈 六本木Night 6890-32 ---- 4s4ki クロニクル 5317-77 ---- 4s4ki 超怒猫仔 feat. Mega Shinnosuke, なかむらみなみ 5317-46 ---- 朝倉さや 新・東京 5244-78 - 麻生けい子(麻生けいこ) ふる里の灯り 6890-33 ---- ADDICTION Who are you? 6844-23 ---- Ado レディメイド 5245-37 ---- A夏目 この夜のこと 5317-47 ---- 安倍里葎子 孔雀の羽根 1625-27 - 1/26 - あほの坂田。 I'm Your Tamer 6851-60 ---- あほの坂田×まふまふ 夜桜 6851-24 ------ 天月-あまつき- ライフ イズ ビューティフル feat.nqrse 6851-26 ---- 雨のパレード Child's Heart 6851-40 ---- AYA e-zo北海道 6892-27 --- 絢香 Xmas Santa 1092-57 嵐(アラシ) Whenever You Call (Nipponglish -
Phil Mogg: Mister UFO
EUR 7,10 DIE WELTWEIT GRÖSSTE MONATLICHE 12/08 VINYL -/ CD-AUKTION Dezember Phil Mogg: Mister UFO Powered and designed by Peter Trieb – D 84453 Mühldorf Ergebnisse der AUKTION 361 Hier finden Sie ein interessantes Gebot dieser Auktion sowie die Auktionsergebnisse Anzahl der Gebote 1.997 Gesamtwert aller Gebote 30.720,00 Gesamtwert der versteigerten Platten / CD’s 19.198,00 Höchstgebot auf eine Platte / CD 233,48 Highlight des Monats November 2008 S - 68 - Golden Earrings - The Truth About Arthur - Polydor 59177 - D - M-/M- So wurde auf die Platte / CD auf Seite 18, Zeile 67 geboten: Mindestgebot EURO 4,00 Die frühen Singles der holländischen Bieter 1 5,11 Rocker sind bekanntlicherweise sehr Bieter 2 9,90 gesucht und in besonderem Maße gilt dies für die ersten Jahre, als sie noch als Bieter 3 13,10 Golden Earrings auftraten. Bieter 4 23,51 Neben den holländischen Pressungen sind natürlich auch die deutschen Bieter 5 27,56 Ausgaben interessant, zumal wegen der abweichenden Bildhüllen. So ist das Höchstgebot auch angesichts des guten Erhaltungszustandes wenig überraschend, wohl aber das Mindestgebot, für das einmal mehr der berühmteste aller Sammlersätze gilt: Man kann es ja einmal probieren. Bieter 6 41,33 Sie finden Highlight des Monats ab Juni 1998 im Internet unter www.plattensammeln.de Werden Sie reich durch OLDIE-MARKT – die Auktionszahlen sprechen für sich ! Software und Preiskataloge für Musiksammler bei Peter Trieb – D84442 Mühldorf – Fax (+49) 08631 – 162786 – eMail [email protected] Kleinanzeigenformulare WORD und EXCEL im Internet unter www.plattensammeln.de Einige Highlights der aktuellen Auktion Interpret Plattentitel Plattennummer / Zustand Min.-Gebot Anbieter Little Feat Waiting For Columbus (2 LP) MFSL 2-013 78 JP M/M- 60,00 € G. -
IDG 2019 Campaign: #Withgirlsforgirls the International
IDG 2019 Campaign: #WithGirlsForGirls The International Day of the Girl (IDG) Summit brings thousands of girls and girl-serving organizations together to celebrate the International Day of the Girl. Collectively, we leverage our resources to build a dynamic virtual platform that advances the movement for girls’ human rights. Signature initiatives include: 11 Days of Action Campaign st th (October 1 – October 11 ), Girls Speak Out at the United Nations, and IDG Webcast. th th October 11 2019 marks the 8 year celebration of the International Day of the Girl. We know that IDG is more than just a day – it’s a global movement that celebrates and fights #WithGirlsForGirls! This year, let’s make sure we elevate the voices of girls all over the world to ensure that the fight for girls’ rights is #WithGirlsForGirls. Join us for IDG’s #11DaysofAction and together, we can change the world. 11 Days of Action st October 1 : Girls aren’t just dreaming of the future they want but are leading the way there. During this 8th year of IDG, we celebrate, acknowledge and raise up all that global girls and girls’ organizations are doing #WithGirlsForGirls! nd October 2 : Girls are unstoppable when they stand up for the change they want to see. How are girls in your community standing up #WithGirlsForGirls? rd October 3 : Girls rights are human rights. Tell us how you are standing #WithGirlsForGirls to protect and promote their human rights. th October 4 : Girls are more likely to suffer from violence, malnutrition, and lack of education. We need justice for girls that centers around their needs and voices.