Rolleiflex Hy6 User‘s manual Disposal information for private users

1. In the European Union Caution: Do not dispose of this product together with your normal household waste! A new EU Directive governing the return, treat- ment and recycling of electrical and electronic appliances requires used appliances to be dis- posed of separately. After implementation of this Directive in the EU member states, private users may now Note: return used electrical and electronic appliances Your camera carries this symbol which means free of charge to special collecting points. In that electrical and electronic appliances should some countries*, used appliances may also be not be disposed of with your household waste, returned free of charge to your dealer if you but through separate take-back channels. buy a comparable new product. * For further details, contact your municipal authorities. If your used electrical or electronic appliances Disposal information for commercial users contain dry cells or rechargeable batteries, these should be removed and disposed of separately 1. In the European Union according to local regulations. If you have used this product for commercial Proper disposal of used appliances ensures purposes and wish to dispose of it: controlled recycling and avoids damage to our environment. Please contact your dealer who will provide relevant information. You may have to bear the 2. In countries outside the European Union cost of take-back and recycling. Small products (and small quantities) may be accepted by your Please contact your municipal authorities for local collecting point. information on proper disposal. Spain: Please contact your collecting system or Switzerland: Used electrical and electronic municipal authorities for recycling information. appliances may be returned to your dealer free of charge even if you do not buy a new product. 2. Outside the European Union Alternative collecting systems will be found Please inquire with your municipal authorities on the homepages of www.swico.ch and for proper disposal procedures. www.sens.ch CONTENTS

Disposal information » 2 Controls and parts overview » 6 Introduction » 10 Handling and use of the camera Battery charger/recharging the battery » 12 Battery condition » 13 Opening the battery compartment/ Inserting the battery » 14 Attaching the lens » 14 Opening the focusing hood » 15 Closing the focusing hood » 15 Attaching the carrying strap » 15 Changing the handgrip position » 16 Adjusting the wrist strap » 16

Loading the film magazine and film advance Attaching the magazine/digital back » 17 Opening the magazine » 18 Removing the film insert » 18 Loading the film insert » 19 Positioning the film insert » 20 Closing the magazine » 20 Film advance » 20 LC display » 21 Switching on the LC display » 21 Basic display » 21 Default settings » 21 Error detection » 22 MODE button » 22 Selecting the display mode » 23 Entering the film speed » 23 Selecting the film type » 23 Multiple exposures » 24 Focusing screens and viewfinder mask » 24 Inserting the viewfinder mask » 25 Changing format or magazine » 25

3 CONTENTS

Removing the film » 25 Shutter release Changing batteries » 26 Tripping the shutter » 46 Magazine malfunctions » 27 Using a cable release » 46 Changing the lens » 28 Mirror lockup » 47 Changing the viewfinder » 28 Flash photography Changing magnifiers for eyeglass wearers » 29 Flash photography » 47 Changing focusing screens » 29 Setting the type of Switching ON and OFF » 30 flash synchronisation » 48 Single frame shooting » 30 Manual flash without SCA adapter » 50 Continuous shooting » 30 Using a dedicated SCA-3562 adapter » 50 Shooting modes/Custom functions Automatic flash photography with View-finder information » 31 SCA adapter in poor light » 51 Handgrip display » 32 – Programmed AE flash » 52 – AE flash » 52 Basic settings on handgrip display » 33 – Shutter-priority AE flash » 52 – Fill-in autoflash with SCA adapter 53 Focusing » 38 » Manual flash control » 54 Autofocus mode – Single Focus » 39 Custom functions – Continuous Focus » 39 Shooting modes » 54 – Manual Focus (Focus indicator) » 40 Bracketing » 55 Self-timer » 56 Exposure and shooting modes Focus bracketing » 56 Exposure metering » 41 Ultra fast » 57 – Multizone average » 41 Exposure modes » 58 – Centre-weighted multizone metering » 41 Metering patterns » 61 – Spot metering » 42 Focusing » 62 – Programmed AE » 43 – priority AE » 43 – Aperture priority AE » 44 – Metered manual AE » 44 » 45 Depth-of-field preview » 45 Compensation of extraneous light » 45

4 CONTENTS

Practical tips Shooting at low temperature » 64 Shooting in difficult situations » 64 – Spot metering » 64 – Substitute reading » 65 – Close-up reading » 65 – Lighting contrast » 65 Macro photography » 66 Caring for your camera » 68 Various accessories » 69 Interchangeable lenses » 69 Tele-converters » 70 Interchangeable magazines » 70 Interchangeable view-finders » 70 Focusing screens » 72 Matte box » 73 The Rolleiflex Hy6-System » 74 Troubleshooting » 78 Lens Table » 82 Specifications » 84

5 CONTROLS AND PARTS OVERVIEW

1 2 3 4 5 6 7 8 9 10

11 12 13 14 30 15 16

29 28 27 26 25 24 23 22 21

20 17 19 18

33 32 31

6 CONTROLS AND PARTS OVERVIEW

1 Strap holders, right and left 19 X-syncro PC terminal 2 View-finder release, right and left 20 Grip release adjuster button 3 Magnifier holder 21 Aperture and menu scroll dial 4 Viewfinder magnifier 22 Shutter release button 5 Collapsible focusing-hood cover 23 Mini-USB socket for e. g. Firmware Updates 6 Hinged frame, right and left 24 Grip display 7 Interchangeable focusing screen 25 Shutter-speed and menu scroll dial 8 View-finder display 26 Button for basic camera settings 9 Red lens-bayonet index 27 Button for special functions 10 Camera bayonet (life-picture with digital backs) 11 Focusing ring 28 Mirror-up button 12 Focusing scale 29 Stop-down button 13 Distance index and depth-of-field scale 30 Rechargeable battery 14 Aperture scale (except on AFD lenses) 31 Magazine frame 15 Shutter-priority and manual-aperture ring 32 Interchangeable magazine 4560 (except on AFD lenses) 33 Film insert with pressure plate 16 Double filter bayonet 17 Lens-mount release button (also suitable for a camera-reset) 18 Contact strip for signal transfer (Camera)

7 CONTROLS AND PARTS OVERVIEW

47 48 49 50 51 52 53 54 55 56 34 35 36 37

46

57 58 59 60 61

30

45

44 43 42 41 40 39 31 38

8 CONTROLS AND PARTS OVERVIEW

34 Interchangeable lens 50 Quick-release adapter for Novoflex Q-BASE tripod plates 35 Aperture-ring release (except on AFD lenses) 51 3/8” tripod socket * 36 Lens bayonet with contact strip 52 Magazine-frame release button 37 Red mounting index 53 Focusing-mode menu button 38 Detachable view-finder hood 54 Focusing-mode selector 39 Magazine back 55 Hot shoe for flash unit or accessories, with X contact and additional flash contacts 40 Film-data display 56 Menu button for ISO and EV values 41 Film-changing release buttons, left and right 57 Metering-pattern selector switch 42 Grip ridge for laminar drawslide 58 Exposure-mode menu button 43 Film-spool spring clip 59 Exposure-mode selector switch 44 Empty film spool 60 Master on/off switch 45 Film-advance symbol 61 Shooting-mode menu button 46 Battery compartment with release 47 Lateral handgrip * Don‘t use long tripod screws! Otherwise the camera will be affected. 48 Auxiliary shutter 49 1/4“ tripod socket *

9 INTRODUCTION

Rolleiflex Hy6 Introduction Congratulations on your new Rolleiflex Hy6. The following is a detailed description and We trust it will be your reliable and enjoyable illustration of the camera, in the practical order companion for many years to come. of all necessary manipulations, from assembly of the camera´s main components right up to Your Rolleiflex Hy6 has been conceived as a removal of the exposed film. highly professional camera. It is ideally suited for creative fashion, people and action photog- Next, you will find a number of practical tips raphy, as well as for architectural and industrial with additional information to facilitate under- applications. standing the camera, followed by notes on the most important accessories. The most important data on our line of inter- WARNING changeable lenses is presented in tabular form. Your camera contains magnetic A troubleshooting guide will help you detect drive systems! and remedy possible operating errors. Do not place magnetic storage Parts numbers in the text and in illustrations media, such as credit or memory always refer to the same part as shown in the cards near the camera! two picture plates.

✗ Note The basic version of the camera is supplied in special packing to insure its safety from damage. It is advisable to keep this packing for future shipping. Also, it is good policy to make a note of the serial numbers of camera and lenses to facilitate replacement and proof of ownership in the case of loss. 10 INTRODUCTION

✗ Notes Note for owners of earlier models of the Like any precision instrument, your Rolleiflex Hy6 Rolleiflex 6000 Series: should be handled and maintained with care. Compatibility of earlier lenses and accesso- Special care must be used above all when ries (SLX, 6002 and 6006 lenses) attaching and removing interchangeable maga- Lenses for Rolleiflex SLX, 6002 and 6006 cam- zines, digital backs and lenses: eras (non-PQ/PQS lenses) are not compatible » With the lens removed, NEVER touch the with your Rolleiflex Hy6. reflex mirror and its special light-absorbing PQ and PQS lenses for Rolleiflex 6008 cameras surface! can be used with manual focusing. Without a lens in place, the interior of the The following accessories are not compatible camera body should be protected by attach- with your Rolleiflex Hy6: FM1, ME1, Timer, ing its front cap. MasterControl and SRC/MRC-120. The same » With the magazine or digital back removed, applies to finder hoods of the 6000 Series. be sure not to exert any pressure on the exposed auxiliary shutter. Without a magazine or digital back attached, the camera should be protected by its rear cap. NEVER touch the sensor of a digital back with your fingers! » Always store separate magazines and digital backs with their protective cover in place.

11 BATTERY CHARGER / BATTERY

Battery charger/Recharging the battery ✗ Possible malfunctions The Hähnel Ultima Charger serves to recharge The battery should not be charged any further the high-performance lithium-ion battery sup- if the LED lights orange. plied with the camera. It is designed for line If the LED blinks red, the charging temperature voltages from 100 – 240 VAC. Two adapter is too high, and the charger will automatically plugs are provided for use in Europe and the switch off to prevent damage to battery and USA. charger. Before using the charger, fit the corresponding adapter plug (shown above, right). The charger Charging from an automobile battery is then ready for use, and the battery may The charger has a 12V socket (12 VDC) and be inserted in the charging compartment as may be used for charging from an automobile shown. After inserting the battery, the charger´s battery via a commercially available adapter LED will light red, showing that charging is in cable for cigarette lighters. progress. When the battery has reached 90% of its capacity, the LED will blink green. When the battery is fully charged, the LED will con- tinuously light green, and the battery may be removed. Depending on the condition of the battery, charging may take 1 – 2 hours.

12 BATTERY CHARGER / BATTERY

Horizontal/vertical format (magazine 4560) Frame counter Battery condition

Safety hints Battery condition » The charger should be used exclusively with The battery condition is checked automatically the specified batteries. as soon as the camera is switched on. » Avoid humidity and moisture. The display shows: » Keep the charger out of the reach of chil- » Symbol for full or sufficient capacity. dren. » Symbol for partial discharge. Disconnect the charger from the power » When the capacity of the battery is no longer source after charging. sufficient, the camera will shut down. It is » Do not use unnecessary force when inserting highly recommended always to carry a fully the contact plate and attaching or removing charged spare battery. the battery. It is advisable to recharge the battery as soon as » Always keep contacts clean. the symbol appears, above all when shoot- ing in cold weather. » Do not bend contacts. The power supply of a fully recharged battery » Avoid short-circuiting the contacts. is sufficient for approx. 500 exposures at 20º C » Do not store your battery in the charger. ambient temperature. » Never expose battery or charger to heat or an open flame. » Do not dismantle or modify the charger.

Do not dispose of battery or charger with your household waste.

13 BATTERY / LENS

a

47 30

46

34 10 17

Opening the battery compartment and Attaching the lens inserting the battery Remove front and rear lens caps. Press release Open battery-compartment cover 46 by press- 17 and remove body cap, turning it counter- ing the release button a and slide the recharged clockwise. Align red dot of lens 34 with red battery 30 into handgrip 47 of the camera as index of camera bayonet 10, insert it all the way shown. Then close the battery-compartment and lock by clockwise rotation. cover until it clicks into place. ✗ Note Changing the battery When using a teleconverter, extension tube or Unlock battery-compartment cover and with- bellows attachment, be sure to attach these to draw discharged battery 30. Insert charged bat- the lens first, before attaching the assembly to tery into the compartment as described before the camera. and lock cover.

✗ Note Be sure to change batteries only with the camera switched off so that any exposure set- tings that may be stored in the camera will not be lost. To avoid premature discharge of the battery, return master switch 60 to OFF after use of the camera. It is normal for rechargeable batteries to slowly discharge even when they are not used. To make sure that your battery will always be ready to use, it should be regularly be recharged at intervals of about 2 – 3 months.

14 FOCUSING HOOD / CARRYING STRAP

5 3

1

Opening the focusing hood Attaching the carrying strap Lift focusing-hood cover 5 at the rear and swing Plug self-locking lugs straight into right-/left- up. To swing out the magnifier flap 3, press the hand slots 1 until they lock. To remove, lightly tab towards the front edge of the cover. The press on lugs, push them straight back and magnifier will swing up into position. unhook them upwards. The camera´s strap holders leave the strap a Closing the focusing hood wide margin of rotation and thus ensure com- Swing magnifier flap 3 down. Press the two fortable carrying in all situations. side panels inwards and let go. The hood will then close automatically.

15 HANDGRIP / WRIST STRAP

20

Changing the handgrip position Adjusting the wrist strap The handgrip has four click stops and thus Loosen the loop belts at the buckle and adjust guarantees comfortable operation with the the wrist strap so that you can hold the camera folding finderhood (at waistlevel), the 45° prism safely with your right hand alone. finder and the 90° High-Eyepoint Finder (at To remove the wrist strap, depress the two eyelevel). locking pins of the loop holder with a pointed To change the grip position, press release 20 on object, such as a ball pen, and pull the holders the camera upwards until the grip can be freely from the guide slots. To attach the wrist strap, moved. Then let go of the release and shift the proceed in the reverse order. grip forwards or backwards until it clicks into position.

16 FILM MAGAZINE / DIGITAL BACK

Attaching the magazine Release rear body cap by pulling it straight up, and press release 52. Then insert magazine 52 frame 31 into the four openings until it clicks into position. Insert the magazine straight into the magazine frame until it clicks into position. The symbol of the desired format (vertical/horizontal) should be visible from above.

Attaching a digital back Attaching a digital back is similar to that of a film magazine. Note, that digital backs by Sinar or Leaf already come with an adapter frame so that mounting an adapter frame 31 is unnecessary.

31

17 FILM MAGAZINE

41

33

39

42

Opening the magazine Removing film insert Push gripper ridge 42 for laminar drawslide Pull film insert 33 against the light resistance of all the way in the direction of “magazine its magnetic holder upwards out of the maga- change/turn” to close the drawslide. Press zine back (see illustration above). the two lateral releases 41 and swing down magazine back 39 as shown.

18 FILM MAGAZINE

44 43 43 45

Loading the film magazine Make sure that the paper leader moves over the pressure plate to the empty spool 44 according Thanks to the symmetrical design of the film to the symbol 45. insert, the empty film spool need not be repo- sitioned. Thread the paper leader straight into the empty Use the film spool to press spring clip 43 out- spool 44. Use the sprockets to wind the film wards and insert the film spool in its holder so taut and advance it until the arrow on the that the negative black inside of the paper is paper leader is aligned with the index of facing outwards. spring clip 43.

19 FILM MAGAZINE

Positioning the film insert Place the loaded film insert in the magazine so that the full film spool faces the symbol and the empty spool the symbol .

Closing the magazine Close the magazine until it clicks in place. Film loading resets the frame counter to 00. The basic display will appear as soon as the LC dis- play is switched on (see page 21). Enter the film type and speed given on the film box (see page 23). Push gripper ridge 42 up as far as it will go. This opens the drawslide. As long as the drawslide is not fully open, “SLIdE” will appear on the LC display, and the shutter cannot be released. “SLIdE” will appear only when the magazine is attached and the camera is switched on.

Film advance Pressing the shutter release once will automati- cally advance the film to frame 01. The LC display will show the frame number under EXP.NO. The frame counter will advance with every exposure, up to 16 with size 120 film, up to 32 with size 220 film.

42

20 FILM MAGAZINE

ISO EXP.NO. ISO EXP.NO.

120 220 120 220

- + mode - + mode

LC Display Basic display The LC display 40 at the back of the magazine The basic display appears as the LC display reflects the most important functions and con- comes on. It shows the last settings put in ditions of the magazine. memory, after a change of batteries (see page 26) the default settings. Switching the LC display on Default settings With the camera ON, lightly press the shutter release. The LC display will remain active as long After a change of batteries, the memory will be as the camera is switched on. About 20 seconds reset to defaults. after the camera has shut down, the LC display » Film speed to ISO will be switched off automatically. » ISO speed to 11 With the camera OFF or the magazine removed, press MODE button. If no button is pressed, the » Frame counter to 100 display will automatically switch off after about » Film type to 120 20 seconds. All settings will remain in memory. » No frame number on camera display (oFF) » Single-frame film advance (run) ✗ Note Very high or low temperatures may affect the legibility of the display.

ISO EXP.NO.

120 220

- + mode

21 FILM MAGAZINE

ISO EXP.NO. ISO EXP.NO.

120 220 120 220

- + mode

Error detection MODE button The LC display shows “Error” (see Fig. above) The MODE button allows the following func- tions to be selected in this order: » when the shutter release is pressed without film in the camera » iSo/din Film-speed display mode » in the case of film advance malfunctioning. (see page 23) The “Error” display will disappear after about 120/220 one second. » Film type to 120 (see page 23) » oFF/run Frame number in camera display ON/OFF (see page 21) » Run/StoP Film advance during multiple exposures ON/OFF (see page 24). To choose your settings, press “–“ button or shutter release. The display changes to basic (see page 21).

22 FILM MAGAZINE

ISO EXP.NO. ISO EXP.NO. ■

120 220 120 220

- + mode - + mode

ISO EXP.NO. ISO EXP.NO.

120 220 120 220

- + mode - + mode

Presetting the film-speed display mode Presetting the film type Press MODE button once. iSo or din appears on Press MODE button twice. Either 120 or 220 the LC display. Pressing the “+” button, you can appears on the LC display. Pressing the “+” switch over between the ISO and DIN display button, you can switch over between the two modes. film types. Return to basic display (see page 21). Return to basic display (see page 21). For size 220 film, the square symbol will light Entering the film speed continuously on the LC display behind EXP.No. In basic display, incrementally reduce film speed pressing “-“ button or increase it pressing “+” button. In the ISO display mode, possible settings are from ISO 25 to ISO 6400, in the DIN display mode from DIN 15° to DIN 39°.

23 FILM MAGAZINE

ISO EXP.NO. ISO EXP.NO.

120 220 120 220

- + mode - + mode

Multiple exposures Alternatively: Disabling film advance Before the last of the multiple exposures, press the MODE button four times. To re-enable film Press MODE button four times. The LC display advance in the magazine, press the “+” button. shows “run”. In this setting, the film will be The LC display shows “run”. Return to basic advanced normally after every exposure. display (see page 21). To disable film advance in the magazine, press the “+” button. The LC display shows SToP. The Focusing screen and viewfinder mask film will not be advanced after the exposure. The High-D focusing screen in the viewfinder of With film advance disabled (SToP), the number your Rolleiflex Hy6 has orientation aids for hori- of individual exposures will be displayed below zontal and vertical 4.5 x 6cm photography. EXP.No. instead of the actual frame number. In addition, the viewfinder mask can be used Return to basic display (see page 21). The for framing, which makes framing horizontal or number of individual exposures EXP. appears on vertical 4.5x6 photography even easier. the LC display.

Enabling film advance Press the “+” button before the last of the multiple exposures. The LC display shows “run” beside the number of multiple exposures. When “run” disappears, press the shutter release so that the multiple-exposure frame is advanced. The LC display shows the basic display.

24 FILM MAGAZINE

!

42

Inserting the viewfinder mask for the 42 up. This will open the drawslide, lock the 4.5cm x 6.5cm format magazine on the camera and release the shut- ter button. Remove finderhood from camera, unlock focus- ing-screen frame by withdrawing buttons 6, Removing the exposed film swing up and remove focusing screen. Be care- ful not to touch its surfaces! After the last frame, the film is automatically Place camera on its back as shown above. Place wound up. Open the magazine back and focusing screen with its matte side facing inside remove the film insert. Take out the exposed between the edges of the viewfinder mask. film and seal it. Replace the film insert and press Slide viewfinder mask with focusing screen into the magazine back until it locks. focusing-screen frame. Close focusing-screen frame until it clicks in place and replace finder- ✗ Note hood. Before opening the magazine back, be sure to move the gripper ridge in the direction of the Changing negative size or magazine arrow “magazine change/remove insert” as far Push gripper ridge 42 all the way in the direc- as it will go. Failure to do so may damage the tion of the arrow “magazine change/turn” laminar drawslide. to close the drawslide. Pull magazine straight towards the rear out of the adapter frame. To change from horizontal to vertical format (or vice versa), turn magazine through 90° until the corresponding yellow format symbol can be seen at the top. Insert magazine straight into magazine frame until it clicks into place. Move gripper ridge

25 FILM MAGAZINE

a ISO M PRINT M . EXP.NO. 88:88. ‘88 120 220

b - + mode

Changing batteries As the batteries are loaded, all segments of the LC display should light up simultaneously The batteries are exhausted when the LC dis- for about one second. Should this check fail to play is hardly legible. appear, briefly push battery spring a away from Push gripper ridge all the way in the direction the batteries and let go. of the arrow “magazine change/turn”. Press Insert film magazine and close magazine until it the two lateral releases and open the magazine. clicks into place. Push gripper ridge up to open Remove the film insert. the drawslide. Push battery spring a away from the batteries After changing batteries, the memory will be and remove exhausted button cells from battery returned to its default setting (see page 21), compartment b. Dispose of exhausted batteries and the film speed has to be entered again (see with due regard for the environment. Insert two page 23). new 1.55V button cells observing their polarity - +. Make other settings as required.

26 FILM MAGAZINE

Problem Cause Remedy LC display hardly legible. Magazine batteries exhausted. Change batteries (see page 26). Back cannot be closed. Drawslide is open. Push gripper ridge fully down in direction of arrow. Magazine cannot be removed Drawslide is open. Move gripper ridge fully down. or opened. Magazine cannot be attached. Lateral hooks on magazine are Carefully push out hooks by locked. Film guiding strip still hand using a pointed object. in place. Film guiding strip is detachable. Shutter release blocked with Drawslide closed. Push gripper ridge fully up. magazine attached. LC display shows “Error”. Shutter released without film in Load film following instructions camera or film advance (see page19/20). malfunction.

Size 220 film is only partially Film type has not been entered. Enter film type (see page 23). exposed. Magazine fails to respond to Power supply interrupted. Remove batteries and reload MODE +/- button. (see page 26).

27 LENS / VIEWFINDERSYSTEM

9

2

34 17

Changing lenses Changing viewfinders Press button 17 and remove lens 34 from Open standard finderhood, press both release camera bayonet, turning it counterclockwise. buttons 2 and lift finderhood off. Proceed in Align red index of interchangeable lens with red the reverse order to mount the interchangeable dot 9 and lock by clockwise rotation. viewfinder that will lock automatically. For available interchangeable lenses see page As a 45° prism finder or a 90° High-Eyepoint 82/83. finder is mounted, the viewfinder display is automatically switched to laterally correct read- ing of viewfinder information!

28 CHANGING MAGNIFIER / FOCUSING SCREENS

3 7

6

4

Changing magnifiers for eyeglass wearers Changing focusing screens To allow focusing without eyeglasses, the mag- Remove finderhood, pull back the two catches nifier of the folding hood can be changed for 6 and carefully swing frame up. Withdraw one making allowance for the wearer´s visual focusing screen 7 and keep it in a dry place. Do defect within a range of +2.5 to -4.5 dpt (as not touch its surfaces – therefore grip it only referred to the dioptric value of the wearer). at the edges! Slide interchangeable focusing screen (with its matte side facing the mirror!) To change magnifiers, hold flap 3 laterally between retaining tabs and springs. Close between thumb and index finger, at the same hinged frame, pull it back slightly and let it click time pressing the lateral panels of the finder- into position on both sides. hood against the flap. Unlock magnifier 4 by counterclockwise rotation and lift it off. Insert interchangeable magnifier into magnifier holder and lock, turning it clockwise.

29 SWITCHING THE CAMERA ON AND OFF / SHOOTING

60

61

Switching the camera on and off Continuous shooting With the master switch 60 on OFF, the camera With the master switch set to , the camera is switched off and cannot be activated by inad- will keep shooting for as long as its shutter vertent actuation of one of its controls. release is kept depressed. With roll film, full battery, normal temperature (20°C) and shutter When the master switch is set to either for speeds faster than 1/250 s, up to about two single-frame shooting or for continuous frames per second are possible. shooting, the camera can be activated only with the aid of its shutter release. As long as the Shooting modes/Custom functions camera is deactivated, the displays 8 and 24 will Shooting (see page 54 ) remain blank. Set master switch to red dot. After pressing In its default setting, the camera will stay on shooting-menu button 61, the following shoot- for about three minutes. The camera will then ing modes can be selected with scroll dial 25: shut down. All camera settings are stored. Use of any of its controls will extend standby by » Single frames (single) another three minutes. » Continuous shooting (continuous) Single-frame shooting » Exposure bracketing With the master switch set to , any depres- » Self-timer sion of the shutter release will trigger an » Focus bracketing. exposure. For the next exposure, first reduce pressure on the shutter release.

30 VIWEFINDER INFORMATION

Aperture Shutter-speed priority AE Shutter speed Aperture-priority AE AE lock Metering pattern 8.8 8888 Light balance Focus indicator Flash indicator Exposure compensation Horizontal/vertical format (magazine 4560) Frame counter Battery condition

Viewfinder information The most important information is: The illuminated LC control centre in the view- » Exposure mode finder provides comprehensive information on » Shutter speed and aperture all relevant shooting and camera data. » Light balance meter » Exposure metering pattern » Focus indicator » Flash indicator » Battery condition

31 HANDGRIP DISPLAY

1.1 2.1 2.2 2.3 2.4 2.5

� � � � 2.11 ��� �� � �� �� 2.8 � � 2.6 0.0 2.10 � � �� 2.7 �00 �������� ��� 1.2 1.3 2.9 2.8 !

Handgrip display As one of the selector switches is set to one of the red indices, the handgrip display will With the camera switched on, light depression of change, and additional detailed information shutter release 21 will show all important shoot- will appear as shown above, right. ing data at a single glance on the large handgrip display. The basic display illustrated above will The following data are presented: appear: 1.1 = aperture, 1.2 = light balance, » Exposure mode (2.1) (indicating over or underexposure) 1.3 = shutter speed. » Single or continuous shooting (2.2) » Autofocus mode (2.3) » Shooting aperture (2.4) » Aperture (2.5) » Exposure compensation/Light meter (2.6) » Shutter speed (2.7) » Mirror lock (2.8) » ISO speed (2.9) » Flash mode (2.10) » Metering pattern (2.11)

32 HANDGRIP DISPLAY: OPTIONS

����������� ������� ������������� �� ������� 26 �������������

Menu button 26 allows various default settings OPTIONS to be varied: LCD Backlight » LCD BACKLIGHT AUTO This submenu lets you choose one of three illu- ON/OFF mination modes for the viewfinder and hand- » LCD CONTRAST CONTRAST LO/HI grip display: » ACOUSTIC SIGNAL ON/OFF ON = Illumination always on. » POWER SAVE ON/OFF OFF = Illumination off. » AE ACTIVATION RELEASE BTN/ AUTO = Pressing the shutter release will MANUAL switch illumination on. » GUI (GRAPHIC AUTOMATIC/ It will remain on for as long as the USER INTERFACE) ENHANCED camera ist used. Approx. 15 s after the camera has been used, illumina- tion will switch off automatically. To set the desired option, use the menu scroll dials 21 and 25.

33 HANDGRIP DISPLAY: OPTIONS

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OPTIONS OPTIONS LCD Contrast Acoustic signal Contrast of the handgrip display can be set Some digital backs give an acoustic signal to let between LO (Low) and Hi (High) with the aid of you know when the back is ready for the next scroll dial 21. Hi settings are possible from 00 to exposure. This can be muted with scroll dial 21. 16, Lo settings from 48 to 63.

34 HANDGRIP DISPLAY: OPTIONS

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OPTIONS OPTIONS Power save AE activation This menu allows settings of 3, 5, 10, 20, 30 Automatic exposure control can be disabled minutes and one hour (HR) as well as OFF. The with scroll dial 21. default setting is 3. The camera will switch to In other words, aperture and shutter speed can standby after the time set and can be reacti- be chosen freely. Only the light balance in both vated by lightly pressing the shutter release. In displays will keep you informed about exposure the OFF setting, the camera will stay switched tendency. The AF-function is still working. on until it is turned off via master switch 60. Note: In the latter case, the battery may be deep-cycled!

35 HANDGRIP DISPLAY: OPTIONS / FOCUSING

��������� �������������� ��� � �� ����� ��� � �� ������� ������������� ��� � �� ���

OPTIONS GUI (Graphic User Interface) There are two alternative settings: AUTOMATIC (default) and ENHANCED. In the ENHANCED setting, the handgrip display will always show all relevant shooting data.

36 FOCUSING

������������� ���������������� ���� ������������������������������������ ������� ��������� �������� ������ �� �� ����� �������� ��������� ��������� �������� �� � ����� ���������� ��������� ����� ����������� �� ����� ��������������� �� �������������� ���

37 FOCUSING

5.6 125

54

Focusing Closing the finderhood or using a prism finder is therefore recommended for tripod photog- The focusing selector 54 gives options of auto- raphy when no direct use is made of the view- focus (S = Single focusing, C = Continuous finder. The magnifier in its upper position may focusing) and manual focusing (M = focus indi- act like a burning glass and enhance the effect cator) as well as Advanced (➞ red index). of extraneous light. To focus, press the shutter release lightly to With manually focusing lenses, the camera in its first stage. Only full pressure will trigger an the autofocus mode (focus-mode switch set to exposure. To avoid inadvertent exposure, it is “S” or “C”) behaves as if it was set to focus advisable first to practice with the two stages indicator. of the shutter release without any film in the camera. Autofocus and focus indicator will work prop- erly only if the effective minimum aperture of In its standard version, the camera´s focusing the lens used is at least f/5.6. This should be system uses a cross-type sensor. noted above all when using a teleconverter or close-up accessories. ✗ Note Avoid the incidence of extraneous light on the focusing screen that might degrade focusing accuracy!

38 FOCUSING

5.6 125

54

Continuous Focus (C) Set focus-mode switch 54 to “C“. Unlike in the single-focus mode, the autofocus is here active for as long as the shutter release is held at stage 1. The AF lens will then refocus as soon as the Single Focus (S) object detail moves out of the focus area. Set focus-mode switch 54 to “S“. Place the This function uses release priority so that cross-sensor symbol in the viewfinder over the an exposure can be triggered at any desired subject to be focused (see illustration) and moment, regardless of focusing status. In all press shutter release 22 until a light resistance other details, the mode is identical to Single is encountered (stage 1). Your AF lens will now Focus. focus automatically. To repeat metering, let go of the shutter release and press it again lightly. Sharp focus has been detected when the two arrows of the focus indicator appear simultane- ously. Metering is impossible if only one arrow appears in the focus indicator. In this case, place the focus area over a well-textured detail of higher contrast at the same distance and trigger your exposure with the final framing. If necessary, fine-tune manually. This function uses focus priority. In other words, exposure is possible only after focusing has been accomplished.

✗ Note In low light, an integral IR (infrared) grid projec- tor will aid the autofocus system.

39 EXPOSURE METERING PATTERNS

11

53 54

Manual Focusing (M) Manual focusing is impossible if the two arrows cannot be brought to appear in the focus indi- (Focus Indicator) cator simultaneously. In this case, focus on a Set switch 54 to M and focus by turning ring well-textured subject of higher contrast at the 11 of the lens. Check focus with the aid of the same distance. focus indicator. Place the focus area over the To re-enable autofocusing, press menu button53 . subject to be focused and turn ring 11 until the two arrows of the focus indicator light simul- Note taneously. The arrows indicate the direction in ✗ which the ring should be turned. With interchangeable lenses of longer than 180mm focal length coarse manual focusing See the table below: will be required because in this case the focus- ing system may, for physical reasons, be in error.

Display Focal plane

Behind subject

In front of subject

On subject

All Rolleiflex 6008 PQ/PQS lenses can be used with the Hy6 with manual focusing.

40 EXPOSURE METERING PATTERNS

22

Exposure metering Multizone average metering With the camera ON, its exposure-metering Seven silicon photodiodes located behind the system becomes active when the shutter release reflex mirror meter the incident light. Arranged 22 is depressed lightly. The reading can be in five groups, they ensure well-balanced multi- stored by keeping the shutter release in this zone readings that usually give excellent results. position. AF is locked at the same time. For average light metering only the outer six diodes are active. Outside the centre of the frame, this metering pattern gives added weight to the lower por- tions of the image as opposed, for example, to the sky in landscape photos. See illustration above!

To use this metering pattern, set switch 57 to . The corresponding symbol will appear on the display.

41 EXPOSURE MODES

57

Centre-weighted multizone metering Spot metering Here all seven silicon photodiodes are active. When shooting against the light or with high- 50% of metering sensitivity are concentrated contrast subjects, important subject detail may on the centre of the frame. The remaining be metered with the central spot-metering metering areas are weighted with also 50%. cell alone (< 1% of image area, as referred to This metering pattern is recommended for shots 6x6cm format). Brightness in the 5mm centre in which exposure should be adjusted to a nar- circle is then weighted with 100%. However, rowly limited subject area. using spot metering requires a certain measure of experience.

Set switch 57 to . Set switch 57 to to activate this mode. The corresponding symbol will appear on the display.

42 EXPOSURE MODES

59 59

Programmed AE (P) Shutter-speed priority AE “S“ Set aperture ring 15 of an AF lens to “A” (not Set selector switch 59 to “S” and select desired applicable to AFD lenses) and selector switch shutter speed – in 1/3 increments – turning dial 59 to “P”. In the viewfinder display, “A” will 25. Turn aperture ring 15 to “A“. Not applica- appear next to the aperture and shutter-speed ble to AFD lenses. On the camera display, “A” display. The camera will now select a combina- will appear next to the aperture. If the avail- tion of aperture and shutter speed suited for able margin of is exhausted due to the lighting conditions. In the default setting, the lighting conditions and the shutter speed the program is biased for fast speeds to reduce selected, the aperture display and the light bal- to a minimum the risk of blur due to camera ance will show the deviation from correct expo- shake. Also in the default setting, the program sure (within ±1 EV, in 1/3 increments). is biased for shutter-speed priority at 1/125 s.

If the lighting conditions have exhausted the available margin of apertures and shutter speeds, the light balance will show the devia- tion from correct exposure (within ±1 EV, in 1/3 increments).

43 EXPOSURE MODES

59 59

Aperture-priority AE “A“ Metered Manual “M“ Set selector switch 59 to “A”, unlock aperture In this mode, any desired combination of ring 15 pressing release 35 and choose the aperture and shutter speed may be used. Set desired aperture on your AF lens – in 1/3 incre- selector switch 59 to “M” and use aperture ring ments. (Not applicable to AFD lenses). 15 plus scroll dial 25 to manually select shutter “A” will appear next to the shutter speed on speed and aperture (AF lenses). Align the expo- the camera display. If the margin of shutter sure indicator with the centre index of the light speeds is exhausted due to the lighting condi- balance in viewfinder display. Deviations are tions and the preset aperture, the shutter-speed displayed in 1/3 EV. If the difference is greater, display will blink, and the light balance will the light balance will also blink. show the deviation from correct exposure Setting aperture and shutter speed on AFD (within ±1 EV, in 1/3 increments). If the differ- lenses is possible only with scroll dials 21 and ence is greater than 1 EV, the light balance will 25, respectively. also blink.

44 EXPOSURE COMPENSATION

24

58

59 25 29

Exposure compensation Compensation of extraneous light Keep button 58 depressed and use dial 25 to Extraneous light incident through the open set the desired compensation over a range of folding hood is factored into the measurement ±5 EV. The amount of compensation is displayed and compensated up to a ratio of extraneous- with +/– in the viewfinder as well as on the dis- to-metered light of approx. 16 : 1. Compensa- play of grip 24. tion is independent of the type of viewfinder used. Note ✗ If the viewfinder image is viewed through the The camera should be in the auto mode. folding hood without a magnifier, the focusing screen should be properly shaded during meter- Depth-of-field preview ing to avoid the incidence of extraneous light To preview depth of field, press stop-down (e.g. light sources, especially fluorescent lamps). button 29, and the preset aperture will jump During long time exposures, the folding hood into position. Depth of field can best be judged should always be closed. with the magnifier in its top position.

45 EXPOSURE

22 a

Tripping the shutter Using a cable release Brief light depression of the shutter release Plug cable release into socket a. For exposure, 22 will switch on both the viewfinder and the press START button. The film will be auto- handgrip display. matically advanced after exposure. The START button on the cable release is equipped with The shutter release is of the two-stage type. the similar function of the START button of the Stage 1 serves for autofocusing and exposure camera. metering, stage 2 for exposure triggering. ✗ Note When using a cable release, automatic focusing is not possible in the continuous-focus mode (release priority).

46 MIRROR LOCKUP / FLASH PHOTOGRAPHY

28

55

Locking up the mirror Flash photography To cut out even the slightest vibration during Your Rolleiflex Hy6 is fully X-synchronized at all exposure, especially with long lenses or close- shutter speeds up to 1/500 s (up to 1/1000 s with ups, it is advisable to lock up the mirror. To PQS lenses). Flash units can be connected either do this, briefly press button 28 identified by a to hot shoe 55 or PC contact 19 with (parallel- mirror symbol: The mirror will swing up. Then connected) standard 3mm socket. The camera press the shutter release. The shutter lag is only offers the following flash options: a few milliseconds. » Manual flash (aperture chosen as a function Do not make any further adjustment while the of subject distance). mirror is up because exposure metering is then » Dedicated flash (TTL flash metering and con- disabled. If the camera shuts down or if it is trol) with dedicated SCA-3562 flash adapter switched off via its master switch, the AE values and suitable Metz flash units. determined will be stored in the memory. » The TTL-flash sensor incorporated in your If no further exposure with mirror lock is camera will meter the light in the “multi- planned, press button 28 again: The mirror will zone“ function. swing back to its normal position without any exposure. » Different degrees of reflection of digital backs are transmitted to the camera via electrical interfaces and will be taken into account automatically.

47 FLASH PHOTOGRAPHY

55

19

✗ Note Setting the type of flash synchronisation Since studio flash units may have considerably Keeping button beside the hot shoe 55 longer response and burning times than com- depressed will make “Flash” appear on the pact or handle-mount flash units, slower shutter handgrip display 24. It is then possible to set speeds than 1/250 s may cause the flash to fire the desired type of flash synchronization using too late and light beyond the end of shutter- the scroll dial 21: open time. Please consult the operating instruc- Due to the use of between-the-lens shutters, tions supplied with your flash equipment. flash is synchronized with all available shutter speeds. At speeds faster than 1/250 s, there will be no difference between leading and trailing synchronisation.

48 FLASH PHOTOGRAPHY

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NORMAL SYNC RARE SYNC The flash fires immediately after the shutter The flash fires 3 ms before the shutter closes, has opened, i.e. at the beginning of exposure i.e. at the end of exposure. (default setting). Additional EV corrections can be made in 1/3 increments within -3 to +3 EV with the aid of scroll dial 25.

49 FLASH PHOTOGRAPHY

Manual flash without SCA adapter Using a dedicated SCA-3562 adapter Switch your flash unit off and connect it to the In conjunction with dedicated flash units and an camera´s hot shoe or PC terminal. In this case, SCA-3562 (or SCA-356) adapter, the TTL flash- the camera will not detect your flash unit and metering feature of the camera can be used. behave as if no flash were connected. On AF Switch your flash unit off, attach the adapter, lenses or the camera (with AFD lenses), set the connect it to the camera and set it to TTL. aperture as required by your flash unit. During exposure, the sensor incorporated in the camera will meter the light reflected from the Autoflash units control the light output required film or sensor surface and control flash duration for an aperture set on flash and camera via their according to film speed and ambient light level. integral sensor. With simpler flash units, the The result is optimum exposure accuracy within flash aperture will have to be determined as a a range of ISO 25 to ISO 1600. function of subject distance (table on flash). For details, please see the instructions of your Camera and flash unit interchange the follow- flash unit. ing data via the flash adapter: » Focal length of AF lenses to control the flash reflector (Note: For technical reasons, focal lengths are converted to 35mm equivalents). » Lens-aperture and film-speed settings to con- trol the autoflash unit. » Reading of flash compensation in suitable flash units. » Control of AF preflash

50 FLASH PHOTOGRAPHY

Automatic flash photography with SCA adapter in poor light Poor light means that the limit of flash aper- tures and basic flash speed would have to be exceeded to obtain correct exposure. As long as there is sufficient light, the automatic control will perform as described under “Automatic fill flash with SCA adapter”.

51 FLASH PHOTOGRAPHY

Programmed AE flash Shutter-priority AE flash If the light is poor without the available flash Select the desired shutter speed. In poor light, apertures (see table) having to be exceeded at full use will first be made of the available flash the default setting of the basic sync speed of apertures (see table). The flash will then auto- 1/60 s, the camera will automatically fire the matically add the amount of light still missing. flash to make up for the missing light. Flash apertures start with the values given in the table, depending on film speed. Aperture AE flash If the ambient light is insufficient for correct exposure at the preset f-stop and the basic sync ISO 25 50 100 200 400 800 1600 speed of 1/60 s, the camera will automatically fire the flash to make up for the low light level. Aperture 2.8 3.5 4.0 5.0 5.6 7.1 8

✗ Note Use wide apertures only for long distances, or correct exposure will become difficult due to the switching times of flash units.

52 FLASH PHOTOGRAPHY

Fill-in autoflash with SCA adapter Manual flash exposure control If there is sufficient light and no flash is needed, If none of the three automatic exposure modes the flash will not fire. However, if the flash is to has been selected, exposure is controlled be used for fill-in in one of the three automatic separately for the ambient light and the flash. exposure modes after all, this option is avail- Exposure by ambient light can be controlled as able. (also see the instructions of your unit´s described under “Metered manual”. In addi- manufacturer). tion, TTL metering will control flash output. This auto fill mode is of particular interest Flash-output compensation is possible with the for shots in which the foreground should be aid of the compensation switch of the flash filled in, while the background should remain unit. The camera´s exposure compensation will untouched due to the limited flash output (e.g. then affect only metering of ambient light. in outdoor photography).

53 SHOOTING MODES

60

61

Set master switch 60 to the red index and briefly With menu button 61 depressed, the above dis- press the shutter release to stage 1. This will play will appear on the handgrip. activate the viewfinder and handgrip displays. Clockwise rotation of dial 25 gives access to the following menu items:

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SINGLE Single-frame photography In this mode, every depression of the shutter release will trigger an exposure and – in con- junction with a film magazine – an advance cycle. Press the shutter release again for the next shot.

✗ Note The new shots will be saved as menu button 61 is released. 54 CUSTOM FUNCTIONS / SHOOTING MODES

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To fine-adjust the submenus for Bracketing and BRACKETING Self-timer, use aperture dial/scroll dial 21. Bracketing Above all with slide film, bracketing allows carefully controlled exposure compensation. It is available in both the auto and the manual mode and – in addition to a normally exposed picture – allows the following variations: 3 exposures -1/3, 0, +1/3 3 exposures -2/3, 0, +2/3 3 exposures -1, 0, +2 5 exposures -4/3, -2/3, 0, +2/3, +4/3 �������� 5 exposures -2, -1, 0, +1, +2 � To choose the desired configuration, use scroll ���������� dial 21. Keep the shutter release depressed until the series CONTINUOUS of exposures has been completed. Premature Continuous shooting release of the shutter button will abort the series. In this mode, the camera will expose one frame Note after another for as long as the shutter release ✗ is kept depressed. When using a film magazine, If the margin of available shutter speeds or maximum advance speed is 2 fps at normal apertures should not be wide enough to accom- temperature (20º C), with a full battery and at modate the entire bracketing series, the shutter- shutter speeds faster than 1/250 s. speed or aperture plus the +/- symbol will blink as a warning.

55 CUSTOM FUNCTIONS / SHOOTING MODES

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SELF-TIMER FOCUS TRAP Using the self-timer Freeze-frame focus To start the self-timer, press the shutter release. Freeze-frame focus is possible only with manual The delay is shown on the display. The follow- focusing. Set switch 54 to the red index. Then ing delays can be set with scroll dial 21: 1/4, hold down menu button 61, select “Focus 1/2, 1, 2 , 4, 8, 16, 32, 64 and 128 seconds. Trap” with scroll dial 25, focus and press the shutter release all the way and the function will be activated. AF modes S and C are disabled in this mode. If you wish to reproduce sharply a certain point or subject within the frame, as in sports or fash- ion photography, focus manually on the cor- responding location (be sure to use a tripod!). The camera will automatically fire as soon as an athlete or model crosses this focal plane. In this mode, AF lock is no longer controlled by the shutter release.

56 CUSTOM FUNCTIONS / SHOOTING MODES

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BRACKETING F ULTRA FAST (Focus bracketing) Ultra Fast (Instant release) There is a choice of 3, 5, 7 or 9 exposures per In photographic practice, a minimum shutter series. If you choose five bracketing exposures, lag may be required to capture a subject at the for example, one will be made with the focus- decisive moment – for example, if the camera ing determined by AF, plus two each in 1/1 is tripod-mounted, facing the subject and trig- and 2/1 focus steps in front of and behind the gered by a photoelectric sensor. To make this optimum focal point determined. The camera possible, exposure metering and mirror lock are will adust the plane of focus automatically from performed in advance. exposure to exposure. To select the Ultra Fast mode, keep button 61 To do this, the mirror is locked up, and the depressed and use dial 25 to select “ultrafast” exposures are made with autofocus and shutter on the display. As a result, the light will be interacting. A tripod should be used. metered, the reading put in memory and the mirror locked up. Depression of the shutter release will now lead to exposure with a delay of only 3 – 4 ms. If a PQS lens is used, the shut- ter lag will only be about 2 ms.

57 CUSTOM FUNCTIONS / EXPOSURE MODES

59 58

Set exposure-mode selector 59 to red index, With menu button 58 depressed, the above dis- switch camera on with master switch 60 and play will appear on the handgrip. briefly depress the shutter release to stage 1. Viewfinder and handgrip displays are activated.

Clockwise rotation of dial 25 gives access to the following menu items:

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MANUAL APERTURE PRIO. Metered manual Aperture priority In this mode, any desired shutter speed and This mode is ideal for the creative use of depth aperture can be set – for example in critical of field, a small aperture resulting in good lighting conditions or if a precise amount of depth of field from fore to background, a wide over or underexposure is desired. The light aperture in selective focus, emphasizing the balance on the camera displays will keep you main subject by blurring the background. informed of the deviation from the exposure the camera has determined so that you will always know how far your manual setting is away from normal exposure.

58 CUSTOM FUNCTIONS / EXPOSURE MODES

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SHUTTER PRIO. PROGRAM Shutter-speed priority Programmed AE Ideal for shooting moving subjects. You decide In this mode, the camera will automatically how sharp you want subject motion to be cap- select a combination of aperture and shut- tured: with pin-point sharpness (frozen) due to ter speed to suit existing lighting conditions a fast shutter speed or with a slower speed that – biased for a fast 1/125 s to reduce the risk of graphically emphasizes motion in the image. camera shake. Ideal for rapid shooting when there is no time for lengthy settings.

59 CUSTOM FUNCTIONS / EXPOSURE MODES

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BULB TOGGLE Bulb exposure Time exposure The shutter remains open for as long as the Unlike in the B mode, the shutter here remains shutter release is kept depressed. During expo- open even after you let go of the shutter sure, the display shows . release. It will close when the shutter button is pressed again. Exposure metering is not pos- sible in either of these modes. During exposure, the display shows .

60 CUSTOM FUNCTIONS / METERING PATTERNS

56 ��� �� � ������� � �� � � � �� � ���� �

57

Set metering-pattern selector 57 to the red ✗ Note index. If necessary, switch camera on with Button 56 is permanently enabled, allowing you master switch 60 and briefly press the shutter to vary ISO and EV values any time during the release to stage 1. This will activate the view- shoot. finder and handgrip displays. Keeping menu button 58 depressed, you can correct selected EV values by turning shutter-speed dial 25 and vary ISO values from ISO 12 – 3200 with the aid of aperture dial 21. Exposure compensation is very useful in all of the autoexposure modes where it can be used to shift exposure very selectively. It allows normal exposure to be shifted in a very selective manner.

61 CUSTOM FUNCTIONS / FOCUSING

53

54

Set focus-mode selector 54 to its red index. If necessary, switch camera on with master switch 60 and briefly press the shutter release to stage 1. This will activate the viewfinder and handgrip displays. Keeping menu button 53 depressed, turning dial 25 will give access to the following focusing modes:

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MANUAL AF-SINGLE Manual focusing Focus priority For special shooting situations in which manual In this mode, an exposure can be triggered only focusing may seem more appropriate. after focusing has been completed and the two focus arrows in the viewfinder are facing each other – your best guarantee for sharp pictures. Keeping the shutter release lightly depressed to stage 1 after focusing has been completed, you can easily reframe without refocusing (AF lock).

62 CUSTOM FUNCTIONS / FOCUSING

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AF-CONTINUOUS Release priority The ideal focusing mode for moving subjects, since the camera will keep the subjects in sharp focus. Exposure can be trigged at any time so that you are in full control of exposure timing.

63 PRACTICAL TIPS

Shooting at low temperatures Spot metering Below -10°C it is advisable to keep the bat- This is ideal for pin-point readings of subjects tery warm by carrying it in an inside pocket when shooting against the light or against a and loading it only shortly before shooting. very bright or dark background. The 5mm dia. In extreme conditions (in polar regions, cool- focusing area on the ground-glass screen serves ing chambers, refrigeration laboratories), the as an aid for aiming. The metering spot covers camera will also need protection, i.e. insulation. about 1% of the 6x6cm format and thus guar- antees very high metering accuracy. If the detail Shooting in difficult lighting situations to be metered is located outside the format centre, use AE lock and reframe as desired. The camera´s autoexposure system is fully oper- ational in conjunction with any interchangeable lens, filter, extension ring, reversing adapter or bellows attachment. Exposure will always be metered with high precision directly through the lens (TTL), making full allowance for angular field and multiplying factors. The three available metering modes optimally cover any lighting situation that might be encountered in practice.

64 PRACTICAL TIPS

Substitute reading Lighting contrast In critical lighting conditions it is advisable to It is a known fact that determining correct take a substitute reading, e.g. on a gray card exposure becomes all the more difficult, the (following the latter´s instructions). This will give steeper the film gradation and the higher the you a reliable average value for optimal rendi- lighting contrast within your frame. tion of midtones. Excessive lighting contrast can be reduced by fill flash, softer illumination, changes in shooting Close-up reading direction and viewpoint, different film, compen- This is likewise suitable for work in difficult sating development, etc. lighting situations: Take a close-up reading of If all this is not enough to reduce lighting con- the subject and put the reading in memory. trast for the film used, the end use of your pic- Step back and take the picture from the desired tures will decide over whether lights, shadows distance. or midtones are more important.

65 PRACTICAL TIPS

Macro photography The bellows attachment features a precision rack and pinion and a focusing stage. Clamps Extension tubes and a bellows attachment take serve to lock the extension between 67 and you right up to macro. Extension tubes can 204 mm. The latter can be read off a scale. A be used in any desired combination, even in 1/4” tripod socket is provided. All exposure and conjunction with a bellows attachment. The exposure-metering modes of the camera remain electronic exposure control will remain fully fully functional when used in conjunction with functional. the bellows attachment. The following macro accessories are available: » 9mm extension tube » 17mm extension tube » 34mm extension tube » 67mm extension tube » 67 – 204mm bellows attachment » 22 – 68mm zoom extension tube » Reversing adapter All extension tubes have a double Rollei bayo- net and can thus be combined at will. A com- bination of the four rigid tubes gives a total extension of 127 mm.

66 PRACTICAL TIPS

The reversing adapter further extends the The zoom extension tube with its precise heli- camera´s versatility in close-up photography. cal focusing mount has an extension of 22 – 68 It allows reverse-mounting of any lens with a mm. It greatly facilitates close-up work without size VI filter bayonet. The camera´s exposure gaps or exchange of components, can be com- and exposure-metering modes remain fully bined with a reversing adapter and is suitable functional. It is advisable to combine use of the for all lenses with size VI filter bayonet. reversing adapter with that of a bellows attach- ment. With a reverse-mounted 80mm f/2.8 Xenotar, for example, available magnifications range from 1.8x to 3.5x. A matte box is a valuable aid for this kind of work which usually involves relatively complex illumination. ✗ Note For reasons of physics, the functionality of the AF sensor for both autofocus and use of the focus indicator is limited to an effective minimum aperture of f/5.6. The use of tele-converters or certain close-up accessories may result in a smaller than the nominal f/5.6 aperture.

67 TAKING CARE OF YOUR CAMERA

Taking care of your camera » Store your camera in a cool and dry place. In Your Rolleiflex Hy6 deserves the same care as humid climate, the camera should be stored any precision instrument expected to give reli- in an air-tight enclosure in the presence of able service for many years to come. Here are a a desiccant. High humidity in tropical and few useful tips: subtropical areas is liable to cause corrosion of metal components and fungus growth on » NEVER touch the reflex mirror or the surfaces glass surfaces. of focusing screens with your bare fingers! Use a blower lens brush to remove dust. » Take special care to protect your camera against any kind of dust. » DO NOT exert pressure on the auxiliary shut- ter of the camera! The Service Department of Franke & Heidecke » When necessary, clean outer lens surfaces: GmbH will be glad to service your camera and Breathe on them and clean with lens tissue. provide help and advice on the subject of pho- Antistatic protection: Breathe on the surface tography with Rolleiflex cameras. and let the moisture evaporate. Service: » Protect your camera against the long-term Phone: ++49 531 6800-425 or -282 effects of noxious vapors and humidity. Fax: ++49 513 6800-244 Address: Franke & Heidecke GmbH Feinmechanik und Optik - Werksservice – Salzdahlumer Straße 196 D-38126 Braunschweig/Germany

68 VARIOUS ACCESSORIES

Various accessories Interchangeable lenses The Rolleiflex Hy6 System includes a number of The lenses work on the Direct-Drive technology valuable additional dedicated accessories that developed by Rollei. Two integral linear motors considerably extend the uses of the camera, – controlled by the camera´s microcomputer optimize handling and are essential for certain – allow practically instant high-precision aper- kinds of special work. ture and shutter-speed setting from 1/1000 s to 30 s. The interface between camera and lens The complete camera system with all its acces- is a ten-pin contact strip – immobile, free from sories is shown on pages 74 – 77. wear and hermetically sealed. Our current line of lenses together with the super-fast interchangeable lenses by Schneider- Kreuznach has been specially designed for the professional user.

69 VARIOUS ACCESSORIES

Tele-converters Interchangeable view-finders There are two tele-converters with extension Interchangeable view-finders and various factors of 1.4x and 2x that may be used in the High-D focusing screens ensure optimal viewing focus-indicator mode with Rollei lenses. in any kind of work.

Interchangeable type 6060*/4560 maga- The standard Collapsible Finderhood is zines designed for vertical viewing of the view-finder image. It comes with an interchangeable focus- These allow size 120 and 220 roll film for ing magnifier (+2.5 – -4.5 dpt, 3x magnification). 6x6cm and 4.5x6cm to be used in both vertical and horizontal format. All roll-film magazines feature integral motor drive, rapid-loading film

inserts, automatic frame counters and laminar drawslides.

* in preparation 70 VARIOUS ACCESSORIES

The 45° Prism-finder gives an upright, right- The 90° High-Eyepoint View-finder gives an side-up view-finder image magnified 2.5x and upright, right-side-up view-finder image magni- can be used in four different positions spaced fied 3.4x. Its eyepiece can be easily adjusted 90° apart so that it makes for comfortable view- from +4 to -4 diopters. Its display is automati- ing even in awkward shooting positions. As the cally switched to laterally correct presentation. viewfinder is mounted, its display is automati- The High-Eyepoint View-finder can likewise be cally adjusted for laterally correct presentation. used in four different positions spaced 90° apart.

71 VARIOUS ACCESSORIES

1 2 3 4 5

Focusing screens 4 Bright microprism screen for rapid micro- prism and ground-glass shots. Permits precise 1 Matte focusing glass screen for precise focusing even in poor lighting conditions. focusing, especially in macro photography, or Focusing criterion: flicker-free image. for creative work where focusing aids might be found disturbing. 5 AF High-D screen – ultra-bright focusing screen showing AF focusing area for optimum 2 Bright focusing screen with central micro- assessment of depth of field. Brilliant viewfinder prism spot and split-image rangefinder for image even in poor light. Frame outlines for ver- optimum focusing accuracy with vertical lines. tical and horizontal 4.5x6cm format. Standard Microprism criterion: flicker-free image. Micro- focusing screen of Rolleiflex Hy6. fine ground glass for precise focusing over the entire frame and grid area. 3 Micro-fine bright focusing screen for focusing over the entire frame area and undis- turbed, creative framing. Also suitable for use with lenses of small effective aperture as well as depth-of-field preview. With orientation aids for horizontal and vertical limits of 4.5x6cm format.

72 VARIOUS ACCESSORIES

Matte box The matte box is designed to shield the lens from extraneous sidelight. It is practically an extensible bellows. Its extension scale is marked for focal lengths of 50 mm, 80 mm and 120 – 250 mm. It comes with masks for focal lengths of 120 and 250 mm. Its rear drawer accepts size 75x75mm gelatine filters.

73 ROLLEIFLEX 6000 / HY6 SYSTEM

Rolleiflex 6000/Hy6 System 59426 Apo-Tele-Xenar 300 mm f/4 HFT PQ 59439 Super-Angulon 40 mm f/3.5 HFT PQ 10740 X-Act2 Monorail camera 25857 Zoom extension tube 22 – 68 mm 59602 Sonnar 150 mm f/4 HFT PQS 54001 AF-Xenotar 80 mm f/2.8 HFT PQS 59670 1,4x tele-converter 54080 AF-Super-Angulon 50 mm f/2.8 HFT 59926 M39/40 Behind-the-lens shutter 54120 AF-Tele-Xenar 150 mm f/4 HFT PQS 60472 Lens hood for 40 mm f/ 3.5 54300 AF-Flektogon 35 mm f/3.5 HFT PQS 1 62069 Extension tube 67 mm 54501 AF-Variogon 60 – 140 mm f/4.6 PQS 62624 Sonnar 250 mm f/5.6 HFT PQS 54701 AF-Tele-Xenar 180 mm f/2.8 HFT PQ 63348 Apo-Symmar 90 mm f/4 HFT PQS 56701 1.4x AF-tele-converter 63350 Xenotar 80 mm f/2.8 HFT PQS 56704 AF-High D-Screen 64866 F-Distagon 30 mm f/3.5 HFT PQ 58001 AFD-Xenotar 80 mm f/2.8 HFT PQS 64872 LensControl S unit 58080 AFD-Super-Angulon 50 mm f/2.8 HFT 64911 Bright Focusing Screen with Micro-fine texture 58120 AFD-Tele-Xenar 150 mm f/4 HFT PQS 66300 Makro-Planar 120 mm f/4 HFT PQS 58220 High eyepoint view-finder 90° 1 86674 Planar 110 mm f/2 HFT PQ 58242 Lens hood for 50 mm f/ 2.8 86705 Distagon 50 mm f/4 FLE HFT PQ 58450 Battery charger 86706 Distagon 50 mm f/4 HFT EL 58502 AFD-Variogon 60 – 140 mm f/4.6 PQS 86757 Sonnar 150 mm f/4 HFT EL 58600 Rolleiflex Hy6 body 86760 Sonnar 250 mm f/5.6 HFT EL 58601 Rolleiflex Hy6 body complete 86913 Variogon 140 – 280 mm HFT PQ with 4560 magazine 96741 Lens hood extension tube 58701 AFD-Tele-Xenar 180 mm f/2.8 HFT PQ size VI bayonet for 80 – 250 mm 58715 Battery 7,2 V 2000 mAh (except 180 mm) 58722 Shoulder strap 96752 Lens hood extension tube 58776 Magazine adapter-frame size VI bayonet for 50 mm f/4 58814 45º prism-finder and 60 mm f/3.5 58987 4560 Magazine 96841 Circular polarising filter, size VI bayonet

74 ROLLEIFLEX 6000 / HY6 SYSTEM

96900 Zeiss Softar I, size VI bayonet 96904 Zeiss Softar II, size VI bayonet 96950 Gelatine-filter holder, size VI bayonet 97054 Ground glass focusing screen 97069 Bright focusing screen with central microprism collar and split-image range-finder 97074 Bright focusing screen with microprism spot 97844 Extension tube 9 mm 97868 Extension tube 17 mm 97888 Extension tube 34 mm 98029 Rapid focusing lever 98065 Bellows unit 98080 Matte box – professional adjustable lens hood 98253 2x tele-converter HFT 2 98290 SCA 3562 system flash adapter 98410 Reversing adapter 98839 Extension tube for 180 mm f/2.8 and 110 mm f/2 xxxxxx Remote release RC 120 1 98989 ElectronicShutter for View Camera lenses 99090 Sliding adapter for digital backs

1 in preparation 2 not working in AF mode

75 ROLLEIFLEX 6000 / HY6 SYSTEM

>> LENS-ACCESSORIES <<

96950 98029 96841 96900 96904 98080 60472 96741 96752 58242 98839

>> MACRO-ACCESSORIES <<

98065 25857 62069 97844 97868 97888 98410

>> INTERCHANGEABLE LENSES AND CONVERTERS <<

59926 54001 (AF) 54080 (AF) 54501 (AF) 54701 (AF) 58001 (AFD) 58080 (AFD) 58502 (AFD) 58701 (AFD)

54120 (AF) 54300 (AFD) 59426 59439 58120 (AFD)

59602 62624 63348 63350 64866

66300 86674 86705 86706

86757 86913 56701 98253

76 ROLLEIFLEX 6000 / HY6 SYSTEM

>> X-ACT2 MONORAIL CAMERA + ACCESSORIES <<

98989

�� 10740 99090 64872

>> VIEWFINDER ACCESSORIES <<

58220 58814 56704 64911 97069 97054 97074

>> CAMERA WITH MAGAZINE AND BACK <<

58600 58601 58776 58987 Digital back by Sinar or Leaf.

>> FLASH ACCESSORIES <<

98290

>> MISCELLANEOUS ACCESSORIES <<

58715 58450 In preparation

58722

77 TROUBLESHOOTING

Problem Cause Remedy Camera does not work Camera switched off Set master switch to or No battery or battery exhausted Insert battery or recharge Camera does not work, Grip of magazine drawslide not pulled down Pull grip of magazine fully down magazine displays all the way Lens not fully locked Lock lens Film does not wind up to frame 1 Film leader curled or loose Insert again, if necessary wind leader tightly by hand when inserting ------displayed with PQ lens B or T set Select defined shutter speed Camera does not fire immediately “Self-timer” custom function enabled Disable self-timer Focusing screen without view-finder image Mirror locked up Press shutter release and, if necessary, repeat light metering

View-finder image unsharp at ∞ Focusing screen improperly positioned or Insert screen properly (matted side facing down) unlocked and press frame tightly Magnifier unsuited for user‘s vision Use correct magnifier (available from +2.5 to -4.5 dpt)

Shutter does not release With focus priority, autofocus (set to “Single“) is Set switch 54 to “M“ or “C“ or make unable to focus due to difficult contrast repeat measurements on the same detail at situation identical distance Shutter does not release, but Battery power insufficient; Change or recharge battery preceding light metering okay camera switches off Battery exhausted prematurely Ambient temperature too low Keep battery warm, recharge or use spare battery Camera switches off during film winding or Film base too stiff, e.g. after storage Bring film (and camera) to right temperature, advance use fully charged spare battery

Film inserted improperly Wind up film uniformly Camera switches off during serial photography Insufficient battery power Use fully charged battery, if possible No fill-in flash with dedicated flash Fill-in flash output not preselected Set output on exposure-compensation switch from -1/3 EV to -3 EV (compensating) or from +1/3 EV to 2 EV (additive)

78 TROUBLESHOOTING

Problem Cause Remedy Camera does not work Camera switched off Set master switch to or No battery or battery exhausted Insert battery or recharge Camera does not work, Grip of magazine drawslide not pulled down Pull grip of magazine fully down magazine displays all the way Lens not fully locked Lock lens Film does not wind up to frame 1 Film leader curled or loose Insert again, if necessary wind leader tightly by hand when inserting ------displayed with PQ lens B or T set Select defined shutter speed Camera does not fire immediately “Self-timer” custom function enabled Disable self-timer Focusing screen without view-finder image Mirror locked up Press shutter release and, if necessary, repeat light metering

View-finder image unsharp at ∞ Focusing screen improperly positioned or Insert screen properly (matted side facing down) unlocked and press frame tightly Magnifier unsuited for user‘s vision Use correct magnifier (available from +2.5 to -4.5 dpt)

Shutter does not release With focus priority, autofocus (set to “Single“) is Set switch 54 to “M“ or “C“ or make unable to focus due to difficult contrast repeat measurements on the same detail at situation identical distance Shutter does not release, but Battery power insufficient; Change or recharge battery preceding light metering okay camera switches off Battery exhausted prematurely Ambient temperature too low Keep battery warm, recharge or use spare battery Camera switches off during film winding or Film base too stiff, e.g. after storage Bring film (and camera) to right temperature, advance use fully charged spare battery

Film inserted improperly Wind up film uniformly Camera switches off during serial photography Insufficient battery power Use fully charged battery, if possible No fill-in flash with dedicated flash Fill-in flash output not preselected Set output on exposure-compensation switch from -1/3 EV to -3 EV (compensating) or from +1/3 EV to 2 EV (additive)

79 TROUBLESHOOTING

Problem Cause Remedy

Exposure error Lighting conditions changed after mirror In changing lighting conditions, avoid mirror lockup lock to let camera's auto systems work until shutter trips

Strong extraneous light entering viewing hood Swing up view-finder magnifier, avoid direct light (especially with fluorescent tubes) incidence, close view-finder hood in difficult lighting conditions; if necessary, use other viewfinder attachment

Warnings on viewfinder or handgrip display Meter the light before every exposure and went unheeded watch warnings

Photo incorrectly exposed with preflash metering Strong extraneous light Avoid direct incident light; close view-finder hood in difficult lighting conditions; if necessary, use other view-finder attachment

Camera does not focus automatically Subject too low in contrast Take substitute reading on more contrasty suject Exceeded measuring range at same distance

Camera gives wrong distance settings in Heavy extraneous light Avoid extraneous light – e.g. close view-finder AF mode hood or use other view-finder attachment

1 – 2 pictures remain unexposed at the end Film insufficiently wound up during insertion Wind up film until arrow mark points to index of film

80 TROUBLESHOOTING

Problem Cause Remedy

Exposure error Lighting conditions changed after mirror In changing lighting conditions, avoid mirror lockup lock to let camera's auto systems work until shutter trips

Strong extraneous light entering viewing hood Swing up view-finder magnifier, avoid direct light (especially with fluorescent tubes) incidence, close view-finder hood in difficult lighting conditions; if necessary, use other viewfinder attachment

Warnings on viewfinder or handgrip display Meter the light before every exposure and went unheeded watch warnings

Photo incorrectly exposed with preflash metering Strong extraneous light Avoid direct incident light; close view-finder hood in difficult lighting conditions; if necessary, use other view-finder attachment

Camera does not focus automatically Subject too low in contrast Take substitute reading on more contrasty suject Exceeded measuring range at same distance

Camera gives wrong distance settings in Heavy extraneous light Avoid extraneous light – e.g. close view-finder AF mode hood or use other view-finder attachment

1 – 2 pictures remain unexposed at the end Film insufficiently wound up during insertion Wind up film until arrow mark points to index of film

✗ Note If the camera shows an unusual behavior, first check whether a custom function (such as self-timer) might be activated or if some default settings might have been changed. 81 LENS TABLE

Aperture Shutter Field angle Elements/ Focusing Max. Max. Weight Filter type range speeds diagonal/ compo- range diameter length 30 s to horizontal nents

F-Distagon 30mm f/3.5 PQ 3.5 – 22 1/500 180/112° 8 / 7 ∞ – 0.3 m 108 mm 122 mm 1550 g Built-in (Fish-Eye) M 24 x 0.5

AF-Flektogon 35mm f/3.5 PQS 3.5 – 22 1/1000 96/76° 10 / 8 ∞ – 0.5 m 104 mm 105 mm 1300 g 104 bayonet (with floating elements)

Super-Angulon 40mm f/3.5 PQ 3.5 – 22 1/500 88/68° 8 / 8 ∞ – 0.4 m 83,2 mm 72 mm 750 g M 77 x 0.75 (with floating elements)

Distagon 50mm f/4 PQ 4 – 32 1/500 75/57° 9 / 8 ∞ – 0.5 m 82 mm 95 mm 880 g Size VI (with floating elements) Rollei bayonet

Distagon 50mm f/4 EL 4 – 32 1/500 75/57° 7 / 7 ∞ – 0.5 m 81.5 mm 96 mm 840 g M 67 (inside) VI (outside)

AF-Super-Angulon PQS 2.8 – 22 1/1000 74/56° 9 / 8 ∞ – 0.6 m 104 mm 115 mm 1500 g M 95 x 1 50mm f/2.8

AFD-Super-Angulon PQS 2.8 – 22 1/1000 74/56° 9 / 8 ∞ – 0.6 m 104 mm 115 mm 1500 g M 95 x 1 50mm f/2.8

AF-Xenotar 80mm f/2.8 PQS 2.8 – 22 1/1000 52/38° 7 / 6 ∞ – 0.8 m 84.5 mm 66.5 mm 520 g Size VI Rollei bayonet

AFD-Xenotar 80mm f/2.8 PQS 2.8 – 22 1/1000 52/38° 7 / 6 ∞ – 0.8 m 84,5 mm 66.5 mm 520 g Size VI Rollei bayonet

Xenotar 80 f/2.8mm PQS 2.8 – 22 1/1000 52/38° 7 / 6 ∞ – 0.8 m 84.5 mm 66.5 mm 520 g Size VI Rollei bayonet

Apo-Symmar 90mm f/4 PQS 4 – 32 1/1000 47/34° 6 / 4 ∞ – 0.4 m 104 mm 110 mm 860 g M 95 x 1 Macro

Planar 110mm f/2 PQ 2 – 16 1/500 39/28° 7 / 6 ∞ – 0.8 m 104 mm 95 mm 1295 g M 95 x 1 (filter) 104 bay. (lensh.)

Macro-Planar 120mm f/4 PQS 4 – 32 1/1000 36/26° 6 / 4 ∞ – 0.8 m 81.5 mm 102 mm 960 g Size VI Rollei bayonet

82 LENS TABLE

Aperture Shutter Field anglel Elements/ Focusing Max. Max. Weight Filter type range speeds diagonal/ compo- range diameter length 30 s to horizontal nents

Sonnar 150mm f/4 PQS 4 – 32 1/1000 29/21° 5 / 3 ∞ – 1.4 m 81.5 mm 102 mm 890 g Size VI Rollei bayonet

Sonnar 150mm f/4 EL 4 – 32 1/500 29/21° 5 / 3 ∞ – 1.4 m 81.5 mm 102 mm 890 g M 67 (inside) VI (outside)

AF-Tele-Xenar 150mm f/4 PQS 4 – 22 1/1000 29/21° 5 / 5 ∞ – 1.4 m 95 mm 114 mm 890 g Size VI Rollei bayonet

AFD-Tele-Xenar PQS 4 – 22 1/1000 29/21° 5 / 5 ∞ – 1.4 m 95 mm 114 mm 890 g Size VI 150mm f/4 Rollei bayonet

AF-Tele-Xenar PQ 2.8 – 22 1/500 26/18° 7 / 7 ∞ – 1.8 m 100 mm 135 mm 1480 g M 95 x 1 (filter) 180mm f/2.8 104 bay. (lensh.)

AFD-Tele-Xenar PQ 2.8 – 22 1/500 26/18° 7 / 7 ∞ – 1.8 m 100 mm 135 mm 1480 g M 95 x 1 (filter) 180mm f/2.8 104 bay. (lensh.)

Sonnar 250mm f/5.6 PQS 5.6 – 45 1/1000 18/13° 4 / 3 ∞ – 2.5 m 82.5 mm 170 mm 1150 g Size VI Rollei bayonet

Sonnar 250mm f/5.6 EL 5.6 – 45 1/500 18/13° 4 / 3 ∞ – 2.5 m 82.5 mm 170 mm 1150 g M 67 (inside) VI (outside)

Apo-Tele-Xenar 300mm f/4 PQ 4 – 32 1/500 15/11° 6 / 6 ∞ – 3.2 m 101 mm 262 mm 2000 g M 95 x 1

AF-Variogon PQS 4.6 – 32 1/1000 67/50° 13 / 11 ∞ – 0.7 m 119 mm 210 mm 2400 g Filter adapter 60 – 140mm f/4.6 32/23° M 122 x 1

AFD-Variogon PQS 4.6 – 32 1/1000 67/50° 13 / 11 ∞ – 0.7 m 119 mm 210 mm 2400 g Filter adapter 60 – 140mm f/4.6 M 122 x 1

Variogon PQ 5.6 – 45 1/500 32/23° 17 / 14 ∞ – 2.5 m 94 mm 238 mm 1750 g M 95 x 1/ 140 – 280mm f/5.6 16/11° Macro 93mm drop-in filters

83 SPECIFICATIONS

Specifications Exposure functions » Shutter-priority AE. Camera type » Aperture-priority AE. Single-lens autofocus reflex camera with auto- » Programmed AE biased for fast shutter speeds. matic multi-exposure control, variable metering Metered manual in 1/3 increments. pattern, TTL autoflash (SCA-3002) and motor- » ized film advance when using magazine 4560. Working ranges Autofocus » Exposure metering EV 0 to EV 19 at ISO 100/21° with 80mm f/2.8 lens Cross-type autofocus sensor. Integral red-light grid projector for autofocusing in poor light. » Automatic focusing EV 1 to EV 19 at Non-AF Rolleiflex 6008-compatible PQ/PQS ISO 100/21° with 80mm f/2.8 lens lenses can be used with focus indicator. » TTL flash ISO 25 – 1600

Film negative sizes AE/AF lock 4,5 x 6 cm and 6 x 6 cm Enabled in all automatic-exposure modes. (6 x 6 cm in preparation) Locks in EV of shutter speed and aperture.

Film types Exposure compensation Size 120 and 220 roll film for 16 or 32 » Manual setting range from -5 to +5 EV, 4.5 x 6cm exposures. in 1/3 increments. » In bracketing mode in increments of 1/3, Film speed 2/3 and 1 EV. ISO 25/15° to 6400/39° can be set on inter- Autoflash changeable magazine in 1/3 increments. OTF TTL metering. Shutter Automatic flash firing possible with dedicated Electronically controlled between-the-lens Metz flash units in case of poor light. shutter for speeds from 1/1000 s (with PQS Additive fill-in flash. lenses) to 32 seconds plus B and T. Flash synchronization Exposure metering At all speeds from 1/1000 s to 32 s. » Multizone average metering. Hot shoe with contacts for dedicated Metz flash units. » Centre-weighted multizone metering. SCA interface via Rollei SCA-3562 adapter. » Spot metering via central photodiode (approx. 1% of 6 x 6 film frame). Minimum shutter lag » Automatic compensation of extraneous Ultra-fast shutter response with approx. 3 – 4 ms light during metering. delay between shutter triggering and exposure, » Integral RGB sensor for automatic white with PQ lenses. With PQS lenses, shutter lag is balance in digital photography. only approx. 2 s. Additional automatic stand-by mode after shutter release is possible.

84 SPECIFICATIONS

Depth-of-field preview Film advance By pressing stop-down button, in any mode. Automatic film advance by high-performance motor incorporated in magazine. Mirror lock Single-frame and continuous shooting with up In any mode, with AE lock and display. to 2 fps. Automatic film winding up to frame 1. Automatic film winding after exposure of last Lens mount frame. Rollei bayonet mount. 10-contact signal strip Power supply for aperture and shutter-speed transfer. Expo- sure control fully functional, even with bellows By rechargeable high-performance 7.4V, attachment, extension tubes and reversing 2200 mAh lithium-ion battery. adapter. Handgrip Multiple exposures With four click stops (for use of folding hood, Via electronic suppression of film advance, with- 45º or 90° finder). out view-finder control, e.g. for digital printing. Detachable leather wrist strap.

Reflex mirror Interchangeable film magazines Direct-drive reflex mirror with partially transmit- Type 4560 4.5 x 6cm film magazine with integral ting multilayer coating; can be locked up. laminar drawslide, frame counter, film-speed setting, film-type indicator and pre-loadable Viewfinder system film insert. Standard collapsible finder-hood with swing-up Type 6060 film magazine for 6 x 6cm format in focusing magnifier, interchangeable for 90° preparation. High eyepoint finder or 45º prism finder. Custom functions, accessible via menus Focusing screens. Superbright High-D focusing screen is standard equipment. » Leading or trailing sync » Self-timer View-finder information » Automatic Exposure bracketing in Illuminated view-finder LCD for focusing status, 1/3 increments optional shutter speed and aperture (in 1/3 increments); » Focus bracketing metered-manual exposure balancing, exposure » Trap function compensation, spot metering, flash-indication, » Ultra fast shutter custom functions, battery condition. Interfaces Control Display on Handgrip » Interface for digital backs from Sinar and Leaf Iluminated Control Display showing Exposure 8-pin screw-type universal connector for Mode, AE Lock, Autofocus Mode, Aperture, » electrical cable release and other electronic Exposure Compensation, Light Meter, Shutter accessories Speed, Mirror Lock, ISO-Film Speed, Flash Mode and Metering Pattern. » Mini USB socket, e. g. for Firmware Updates

85 SPECIFICATIONS

Working temperature From -20° C to +60° C.

Quick-release tripod plate (Novoflex Q-BASE system) With 1/4” and 3/8” tripod socket

Suitable digital backs Sinar back eMotion 22 / 54 / 75 Sinar back eVolution 75 H Sinar back 54 MC / M Some digital backs by Leaf

Suitable lenses Schneider AFD 50, 80, 150, 180, Zoom 60 – 140 as well as AFD Flektogon 35. All PQ and PQS lenses that are compatible with Rolleiflex 6008 cameras.

Dimensions (mm/wxhxd) » Camera body: 157 x 112 x 78 » 80mm f/2.8 lens: 67 x 90 » 4560 film magazine: 88 x 86 x 50 » Digital back: See manufacturer´s data

Weight » Camera body with battery: 990 g » 80mm f/2.8 lens: 500 g » 4560 film magazine: 330 g » Digital back: See manufacturer´s data

Subject to change without notice. 86 87 1 A0 · 80 586.76 8.

Registered EU-Design No.: 000586417-0001

Franke & Heidecke GmbH · Feinmechanik und Optik Salzdahlumer Strasse 196 · D-38126 Braunschweig www.franke-heidecke.net · Germany Printed / 04.0 in Germany · GB / PA