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The Federal Art Project and the Creation of Middlebrow Culture by Victoria Grieve (Urbana: University of Illinois Press, 2009
REVIEWS 279 within a few years of reaching its previously excluded sectors of socie - height. McVeigh finds that infighting, ty. Their work is harder, as the popu - bad press, and political missteps prior lations they represent are usually to the 1924 presidential election all oppressed and thus have less access contributed to the Klan’s decline. By to financial and other resources to 1928, only a few hundred thousand fund their battles. These clear differ - members remained in the group. ences argue strongly for separate In a larger context, McVeigh’s analyses of social movements from work makes a strong case for why the right and the left. conservative and liberal social move - ments should be treated differently. HEIDI BEIRICH , who graduated from McVeigh rightly points out that con - Purdue University with a Ph.D. in servative social movements offer political science, is director of remedies for populations that have research for the Southern Poverty Law power, but believe they are being Center. She is the co-editor of Neo- challenged by changes in society. Confederacy: A Critical Introduction Because of this established power, (2008). social movements from the right tend to bring greater resources to bear on KEVIN HICKS , who graduated from their causes. Liberal social move - Purdue University with a Ph.D. in ments, on the other hand, look to English, is associate professor of Eng - expand opportunities and rights to lish at Alabama State University. The Federal Art Project and the Creation of Middlebrow Culture By Victoria Grieve (Urbana: University of Illinois Press, 2009. Pp. x, 299. -
Surveyla Survey Report Template
Historic Resources Survey Report San Pedro Community Plan Area Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources Prepared by: July 2012 Table of Contents Project Overview 1 SurveyLA Methodology Summary 1 Project Team 3 Survey Area 3 Designated Resources 9 Community Plan Area Survey Methodology 11 Summary of Findings 13 Summary of Property Types 13 Summary of Contexts and Themes 14 For Further Reading 31 Appendices Appendix A: Individual Resources Appendix B: Non-Parcel Resources Appendix C: Historic Districts & Planning Districts SurveyLA San Pedro Community Plan Area Project Overview This historic resources survey report (“Survey Report”) has been completed on behalf of the City of Los Angeles Department of City Planning’s Office of Historic Resources (OHR) for the SurveyLA historic resources survey of the San Pedro Community Plan Area (CPA). This project was undertaken from September 2011 to July 2012 by Historic Resources Group (HRG). This Survey Report provides a summary of the work completed, including a description of the survey area; an overview of the field methodology; a summary of relevant contexts, themes and property types; and complete lists of all surveyed resources. This Survey Report is intended to be used in conjunction with the SurveyLA Field Results Master Report (“Master Report”) which provides a detailed discussion of SurveyLA methodology and explains the terms used in this report and associated appendices. In addition, a Survey Results Map has been prepared which graphically illustrates the boundaries of the survey area and the location and type of all resources identified during the field surveys. -
Department of Defense Office of the Secretary
Monday, May 16, 2005 Part LXII Department of Defense Office of the Secretary Base Closures and Realignments (BRAC); Notice VerDate jul<14>2003 10:07 May 13, 2005 Jkt 205001 PO 00000 Frm 00001 Fmt 4717 Sfmt 4717 E:\FR\FM\16MYN2.SGM 16MYN2 28030 Federal Register / Vol. 70, No. 93 / Monday, May 16, 2005 / Notices DEPARTMENT OF DEFENSE Headquarters U.S. Army Forces Budget/Funding, Contracting, Command (FORSCOM), and the Cataloging, Requisition Processing, Office of the Secretary Headquarters U.S. Army Reserve Customer Services, Item Management, Command (USARC) to Pope Air Force Stock Control, Weapon System Base Closures and Realignments Base, NC. Relocate the Headquarters 3rd Secondary Item Support, Requirements (BRAC) U.S. Army to Shaw Air Force Base, SC. Determination, Integrated Materiel AGENCY: Department of Defense. Relocate the Installation Management Management Technical Support ACTION: Notice of Recommended Base Agency Southeastern Region Inventory Control Point functions for Closures and Realignments. Headquarters and the U.S. Army Consumable Items to Defense Supply Network Enterprise Technology Center Columbus, OH, and reestablish SUMMARY: The Secretary of Defense is Command (NETCOM) Southeastern them as Defense Logistics Agency authorized to recommend military Region Headquarters to Fort Eustis, VA. Inventory Control Point functions; installations inside the United States for Relocate the Army Contracting Agency relocate the procurement management closure and realignment in accordance Southern Region Headquarters to Fort and related support functions for Depot with Section 2914(a) of the Defense Base Sam Houston. Level Reparables to Aberdeen Proving Ground, MD, and designate them as Closure and Realignment Act of 1990, as Operational Army (IGPBS) amended (Pub. -
Microfilm Publication M617, Returns from U.S
Publication Number: M-617 Publication Title: Returns from U.S. Military Posts, 1800-1916 Date Published: 1968 RETURNS FROM U.S. MILITARY POSTS, 1800-1916 On the 1550 rolls of this microfilm publication, M617, are reproduced returns from U.S. military posts from the early 1800's to 1916, with a few returns extending through 1917. Most of the returns are part of Record Group 94, Records of the Adjutant General's Office; the remainder is part of Record Group 393, Records of United States Army Continental Commands, 1821-1920, and Record Group 395, Records of United States Army Overseas Operations and Commands, 1898-1942. The commanding officer of every post, as well ad commanders of all other bodies of troops such as department, division, brigade, regiment, or detachment, was required by Army Regulations to submit a return (a type of personnel report) to The Adjutant General at specified intervals, usually monthly, on forms provided by that office. Several additions and modifications were made in the form over the years, but basically it was designed to show the units that were stationed at a particular post and their strength, the names and duties of the officers, the number of officers present and absent, a listing of official communications received, and a record of events. In the early 19th century the form used for the post return usually was the same as the one used for regimental or organizational returns. Printed forms were issued by the Adjutant General’s Office, but more commonly used were manuscript forms patterned after the printed forms. -
Marion Greenwood in Tennessee (Exhibition Catalogue)
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Ewing Gallery of Art & Architecture Art 2014 Marion Greenwood in Tennessee (Exhibition Catalogue) Sam Yates The University of Tennessee, Knoxville, [email protected] Frederick Moffatt The University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_ewing Part of the American Art and Architecture Commons, Fine Arts Commons, and the Painting Commons Recommended Citation Yates, Sam and Moffatt, Frederick, "Marion Greenwood in Tennessee (Exhibition Catalogue)" (2014). Ewing Gallery of Art & Architecture. https://trace.tennessee.edu/utk_ewing/1 This Publication is brought to you for free and open access by the Art at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Ewing Gallery of Art & Architecture by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. MARION GREENWOOD in TENNESSEE MARION GREENWOOD in TENNESSEE This catalogue is produced on the occasion of Marion Greenwood in Tennessee at the UT Downtown Gallery, Knoxville, TN, June 6 - August 9, 2014. © Copyright of the Ewing Gallery of Art and Architecture, 2014. UT Downtown Gallery Director and Curator: Sam Yates Manager: Mike C. Berry Catalogue editor: Sam Yates foreword by: Sam Yates Catalogue design and copy editing: Sarah McFalls essay by: Dr. Frederick C. Moffatt Printed by UT Graphic Arts Services Photography credits: Detail images of The History of Tennessee (p. 2-6), image of The History of Tennessee (p. 1 and 10-11) installation photographs, preparatory sketches (p. 20) Haitian Nights (p 22) Haitian Work Song in the Jungle (p. -
608Ca27da37e1.Pdf.Pdf
BLACK SOLDIERS IN THE WEST: A PROUD TRADITION During the Civil War over 180,000 Black Americans served in the Union Army and Navy. More than 33,000 died. After the war, the future of black men in the nation’s military was in doubt. In 1866, however, Congress authorized black Americans to serve in the peacetime army of the United States in segregated units mostly commanded by white officers. Two cavalry and four infantry regiments were created and designated the 9th and 10th Cavalry Regiments and the 38th, 39th, 40th and 41st Infantry Regiments. In 1869, Congress enacted a troop reduction and consolidation leading to the 38th, 39th, 40th and 41st Infantry Regiments being re- designated as the 24th and 25th Infantry Regiments. The four remaining regiments, the 9th and 10th Cavalry Regiments and the 24th and 25th Infantry Regiments would become known as the “Buffalo Soldiers.” During the 19th century, Buffalo Soldiers served in Arizona, California, Colorado, the Dakotas, Kansas, Minnesota, Montana, Nebraska, New Mexico, Oklahoma, Texas, Utah, and Wyoming. In Arizona they garrisoned such posts s as Fort Apache, Fort Bowie, Fort Grant, Fort Huachuca, Fort Verde, and Fort Whipple. Fort Huachuca enjoys the distinction of being the only military installation having served as home to each of the four Buffalo Soldier regiments at one time or another. Buffalo Soldiers played a major role in the settlement and development of the American West. They performed such duties as guarding and delivering the mail as well as escorting and or guarding stagecoaches, railroad crews, and surveyors. They built roads and telegraph lines, mapped and explored the territories and provided security for westward expansion. -
December 2020 Vol. 1/No. 6
The Newsletter of the Lincoln County Historical Association 2020 V1•N5 Letters pg. 02 Leroy Magness and His Thoughts on the Election pg. 03 A County Divided! pg. 06 James McLean became a leader in the Federal Art Project of President Franklin Delano Roosevelt’s Works Progress Administration of the mid-1930s. In 1941, the citizens of Welcome Cabarrus County unveiled a massive mural for Concord’s Community Center Building. New Board This photo depicts his work on a mural for Cannon Memorial Library in Kannapolis. Photo Members courtesy of the State Archives of North Carolina pg. 07 A Native Son’s Art Comes Home Thanks to a generous donor, 12 paintings by from Harry Bradley,” said Carole Howell, artist James Augustus McLean, arguably the LCHA president. “It’s an incredibly generous father of art education in North Carolina, have gift, and it’s our pleasure to receive and share it made their way back to Lincolnton, the place and the story of James McLean.” where he was born. James Augustus McLean was born in 1904, the “I’ve been trying to present portions of my col- youngest child of John Thomas McLean and lection to organizations and museums touched Lillian Lee Haynes (Bowles). He would mature by McLean,” says Harry Bradley, who first met to become a prolific and seemingly never tiring McLean when he was a student in the School of artist who spent his entire life promoting art Design at North Carolina State University, and and art education. who has long studied and collected his work. McLean’s father, Lincolnton’s local stonecutter, Bradley knew that Lincolnton was the birth- died when McLean was still in his teens, and place where the seed of his dream was planted. -
Point Fermin Historic District National Register Nomination Form
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: __Point Fermin Historic District DRAFT Other names/site number: ______________________________________ Name of related multiple property listing: _Light Stations of California______________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: _807 W. Paseo Del Mar and 3601 Gaffey Street ____________________ City or town: __San Pedro___ State: __California__ County: _Los Angeles___________ Not for Publication: Vicinity: ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this ___ request for determination of eligibility meets the documentation standards for registering properties -
44 Records of the Index of American Design
Finding Aid for the Records of the Index of American Design, 1929-2018 (bulk 1936-1942) Summary Information Repository National Gallery of Art, Gallery Archives Sixth Street and Constitution Avenue, NW Washington, DC 20565 [email protected] Title Records of the Index of American Design Identifier 44 Creator United States. Works Progress Administration. Index of American Design. Date 1929-2018 (bulk 1936-1942) Extent 290 cubic feet (734 boxes); approximately 29,000 digital files Abstract This collection documents the activities of the Index of American Design, a Federal Art Project to preserve and document the development of American folk and decorative arts from the colonial period through 1900 while providing relief work to unemployed artists, researchers, and photographers during the Great Depression. Materials consist of correspondence, memoranda, reports, lists, data sheets, publications, photograph prints and negatives, color notes. Historical Note Created in 1935, the Index of American Design (Index) was a program in the Fine Arts Divisions of the Federal Art Project (FAP) under the Works Progress Administration (WPA). The Index project had three objectives: to employ and maintain the skills of artists who found themselves unemployed during the depression years; to preserve America’s artistic and cultural heritage by documenting the development of arts and crafts in different parts of the country; and to create a series of portfolios from the Index watercolor renderings that would serve as a permanent guide for artists, scholars, and the public. The initial idea for the Index project began with discussions between Romana Javitz, head of the New York Public Library’s Picture Collection, and artists who were conducting research in the collection for WPA projects. -
Representation in Existing Surveys
Form No. 10-300 REV. (9/77) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS __________TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS_____ iNAME HISTORIC BATTERY JOHN BARLOW AND SAXTON LOCATION STREET & NUMBER Former Upper Reservation, Fort MacArthur _NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT San Pedro VICINITY OF 32d STATE CODE COUNTY CODE California 06 Los Angeles 037 CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE Y y _D I STRICT APUBLIC ^-OCCUPIED _ AGRICULTURE —MUSEUM _BUILDING(S) —PRIVATE —UNOCCUPIED —COMMERCIAL —PARK ^-STRUCTURE —BOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE _SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT —IN PROCESS <1_YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED —YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _NO —MILITARY X-OTHER: storage OWNER OF PROPERTY NAME City of Los Angeles (Los Angeles City Board of Education) CITY, TOWN STATE Los Angeles VICINITY OF California LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS. ETC. County Hall of Records, Los Angeles County STREET & NUMBER 320 West Temple Street CITY. TOWN STATE Los Angeles California REPRESENTATION IN EXISTING SURVEYS none DATE —FEDERAL —STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS CITY. TOWN STATE DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT _DETERIORATED —UNALTERED X_ORIGINALSITE X-GOOD —RUINS X-ALTERED —MOVED DATE. _FAIR __UNEXPOSED -
News from Around the States for 2010 and Earlier Alabama- WPA
News From Around the States For 2010 and Earlier Alabama- WPA artist, Conrad Albrizio (1894-1973) became the Souths leading creator of wall paintings, frescos, and mosaics. One of NNDPA corporate members, McKay Lodge conservation Laboratory in Oberlin, OH saved a major mosaic he did in 1959 for the Mobile County Courthouse just prior to the building being demolished. Conservator Robert Lodge reports that the theme of this glass mosaic is the judgment of good from evil, right from wrong and, though originally intended for a courthouse for obvious reasons, its a theme relevant for contemplation in any environment. Removal of this 7 foot tall, 34 foot wide mosaic made of thousands of tiny pieces of thin, brittle glass was described by Conservator Stefan Dedcek as dirty, physically brutal, and requiring a very delicate touch in the use of pneumatic demolition as the primary tools for the job. They were contracted to remove the mosaic glass pieces from the courthouse interior wall and remount it on a portable substrate so that it could be installed in any future location. Alaska- Palmer, Alaska This resettlement community will be holding its annual gathering around the first of June. Last year they had their 70th anniversary celebration which included people from all over Alaska and the lower 48 states. A parade was followed by a showing of a DVD of Colonist interviews. About 400 Colonists and their descendents were present for both the banquet on Saturday night and picnic on Sunday afternoon. There were nine Colonist Parents still alive and living in the valley however three came from Minnesota and one from Kentucky. -
Guardsman Are US Postage Paid Not Necessarily the Official Views O£ Endorsed By, the I -S
Guardsma^^^ Louisian1.0 111 S» I <*•!«•a ^ n VOLUME 5. NUMBER 6 OCTOBER NOVEMBER DECEMBER 1992 This newspaper is an Authorized Publication for members of the BULK RATE Louisiana National Guard. Contents of the Louisiana Guardsman are US Postage Paid not necessarily the official views o£ endorsed by, the I -S. Government, Permit No 568 Dept of Defense, Dept of the Army, or the Louisiana National Guard. New Orleans. LA 70130 I I Page 2 LOUISIANA GUARDSMAN OCTOBER/NOVEMBER/DECEMBER 1992 Memorium It is with profound regret that announcement is made ofthe untimely deaths of six members ofthe Louisiana Army National Guard. SGT Emile I. Armstrong He held the duty position of ambulance aide driver His a wards include the Army Service Ribbon Sgt Emile Isiah Armstrong, 36, died Sep- in the medical platoon and Marksman Badge M-16A1 Rifle tember 8,1992 Updite is survived by his mother Evelyn M. Fernandez is survived by his mother Maria Armstrong enlisted In (he Louisiana Guard Fields Khelama, father Eddie J Updite, Sr, and D., father Ennque, sister Deborah and brother Terrell August 16,1985 He served with the 812th Medical aster Dawn Solomon Y Fernandez Company (Air Ambulance) as an aircraft electri- cian SFC Joseph R. Richards SFC Ross A. Smith His awards include the Army Service Rib- Sgt 1st Class Joseph Reno Richards, 44, Sgt 1st Class Ross A Smith, Sr. 42, died bon, Army Reserve Components Achievement died August 25.1992. August 25,1992 Medal, National Defense Service Medal and the Richards enlisted in the Louisiana Guard Smith enlisted in the Louisiana Guard Apnl Army Lapel Button May 24,1978 His first unit assignment was with 23.1978, and was immediately assigned to Det I, Armstrong is survived by his wife DcbbieG.