Martin Scorsese
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Pieces of a Woman
PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss. -
RETROSPECTIVA SCORSESE 24 De Janeiro a 20 De Fevereiro De 2020 Programação 24/01 SEX 15H CURTAS | 57'| What's a Nice Girl L
RETROSPECTIVA SCORSESE 24 de janeiro a 20 de fevereiro de 2020 Programação 24/01 SEX 15h CURTAS | 57’| What's a Nice Girl Like You Doing in a Place Like This?, de Martin Scorsese (EUA, 1963) | | 9’ It's Not Just You, Murray!, de Martin Scorsese (EUA, 1964) | 15’ The Big Shave, de Martin Scorsese (EUA, 1968) | 6’ Michael Jackson: Bad, de Martin Scorsese (EUA, 1987) | 17’ The Key to Reserva, de Martin Scorsese (EUA, 2007) | 10’ 16h15 Quem Bate à Minha Porta?, de Martin Scorsese (I Call First, EUA, 1967) | 16 anos | 90’ 18h Sexy e Marginal, de Martin Scorsese (Boxcar Bertha, EUA, 1972) | 14 anos | 88’ 20h Caminhos Perigosos, de Martin Scorsese (Mean Streets, EUA, 1973) | 112’ 25/01 SÁB 15h Alice Não Mora Mais Aqui, de Martin Scorsese (Alice Doesn't Live Here Anymore, EUA, 1974) | 14 anos | 112’ 17h15 Taxi Driver, de Martin Scorsese (EUA, 1976) | 16 anos | 113’ 19h30 New York, New York, de Martin Scorsese (EUA, 1977) | 10 anos | 155’ 26/01 DOM 18h O Último Concerto de Rock, de Martin Scorsese (The Last Waltz, EUA, 1978) | Livre | 117’ 20h15 Touro Indomável, de Martin Scorsese (Raging Bull, EUA, 1980) | 16 anos| 129’ 27/01 SEG 15h A Cor do Dinheiro, de Martin Scorsese (The Color of Money, EUA, 1986) | 12 anos | 119’ 17h15 O Rei da Comédia, de Martin Scorsese (The King of Comedy, EUA, 1982) | 12 anos | 109’ 19h15 Depois de Horas, de Martin Scorsese (After Hours, EUA, 1985) | 16 anos | 97’ 21h Contos de Nova York, de Martin Scorsese; Francis Ford Coppola; Woody Allen (New York Stories, EUA, 1989) | 14 anos | 124’ 28/01 TER 15h A Última Tentação -
Visual Effects Society Names Acclaimed Filmmaker Martin Scorsese Recipient of the VES Lifetime Achievement Award
FOR IMMEDIATE RELEASE Contact: Naomi Goldman, NLG Communications T: 424-293-2113 [email protected] Visual Effects Society Names Acclaimed Filmmaker Martin Scorsese Recipient of the VES Lifetime Achievement Award Los Angeles (September 19, 2019) – Today, the Visual Effects Society (VES), the industry’s professional global honorary society, named Martin Scorsese, Academy, DGA and Emmy Award winning director- producer-screenwriter, as the forthcoming recipient of the VES Lifetime Achievement Award in recognition of his valuable contributions to filmed entertainment. The award will be presented at the 18th Annual VES Awards on January 29, 2020 at the Beverly Hilton Hotel. The VES Lifetime Achievement Award, bestowed by the VES Board of Directors, recognizes an outstanding body of work that has significantly contributed to the art and/or science of the visual effects industry. VES will honor Scorsese for his consummate artistry, expansive storytelling and profound gift for blending iconic imagery and unforgettable narrative on an epic scale. Scorsese’s steadfast ability to harness craft and technology to bring his unique visions to life has resulted in exceptional narratives that have transfixed audiences and captivated millions. And as a champion of film history, his work to preserve the rich legacy of motion pictures is unparalleled. “Martin Scorsese is one of the most influential filmmakers in modern history and has made an indelible mark on filmed entertainment,” said Mike Chambers, VES Board Chair. “His work is a master class in storytelling, which has brought us some of the most memorable films of all time. His intuitive vision and fiercely innovative direction has given rise to a new era of storytelling and has made a profound impact on future generations of filmmakers. -
1 Evolving Authorship, Developing Contexts: 'Life Lessons'
Notes 1 Evolving Authorship, Developing Contexts: ‘Life Lessons’ 1. This trajectory finds its seminal outlining in Caughie (1981a), being variously replicated in, for example, Lapsley and Westlake (1988: 105–28), Stoddart (1995), Crofts (1998), Gerstner (2003), Staiger (2003) and Wexman (2003). 2. Compare the oft-quoted words of Sarris: ‘The art of the cinema … is not so much what as how …. Auteur criticism is a reaction against sociological criticism that enthroned the what against the how …. The whole point of a meaningful style is that it unifies the what and the how into a personal state- ment’ (1968: 36). 3. For a fuller discussion of the conception of film authorship here described, see Grist (2000: 1–9). 4. While for this book New Hollywood Cinema properly refers only to this phase of filmmaking, the term has been used by some to designate ‘either something diametrically opposed to’ such filmmaking, ‘or some- thing inclusive of but much larger than it’ (Smith, M. 1998: 11). For the most influential alternative position regarding what he calls ‘the New Hollywood’, see Schatz (1993). For further discussion of the debates sur- rounding New Hollywood Cinema, see Kramer (1998), King (2002), Neale (2006) and King (2007). 5. ‘Star image’ is a concept coined by Richard Dyer in relation to film stars, but it can be extended to other filmmaking personnel. To wit: ‘A star image is made out of media texts that can be grouped together as promotion, publicity, films and commentaries/criticism’ (1979: 68). 6. See, for example, Grant (2000), or the conception of ‘post-auteurism’ out- lined and critically demonstrated in Verhoeven (2009). -
The National Film Preserve Ltd. Presents the This Festival Is Dedicated To
THE NATIONAL FILM PRESERVE LTD. PRESENTS THE THIS FESTIVAL IS DEDICATED TO Stanley Kauffmann 1916–2013 Peter O’Toole 1932–2013 THE NATIONAL FILM PRESERVE LTD. PRESENTS THE Julie Huntsinger | Directors Tom Luddy Kim Morgan | Guest Directors Guy Maddin Gary Meyer | Senior Curator Mara Fortes | Curator Kirsten Laursen | Chief of Staff Brandt Garber | Production Manager Karen Schwartzman | SVP, Partnerships Erika Moss Gordon | VP, Filmanthropy & Education Melissa DeMicco | Development Manager Joanna Lyons | Events Manager Bärbel Hacke | Hosts Manager Shannon Mitchell | VP, Publicity Justin Bradshaw | Media Manager Jannette Angelle Bivona | Executive Assistant Marc McDonald | Theater Operations Manager Lucy Lerner | SHOWCorps Manager Erica Gioga | Housing/Travel Manager Beth Calderello | Operations Manager Chapin Cutler | Technical Director Ross Krantz | Technical Wizard Barbara Grassia | Projection and Inspection Annette Insdorf | Moderator Mark Danner | Resident Curators Pierre Rissient Peter Sellars Paolo Cherchi Usai Publications Editor Jason Silverman (JS) Chief Writer Larry Gross (LG) Prized Program Contributors Sheerly Avni (SA), Paolo Cherchi Usai (PCU), Jesse Dubus (JD), Geoff Dyer (GD), Gian Luca Farinelli (GLF), Mara Fortes (MF), Scott Foundas (SF), Guy Maddin (GM), Leonard Maltin (LM), Jonathan Marlow (JM), Todd McCarthy (TM), Gary Meyer (GaM), Kim Morgan (KM), Errol Morris (EM), David Thomson (DT), Peter von Bagh (PvB) Tribute Curator Short Films Curators Student Prints Curator Chris Robinson Jonathan Marlow Gregory Nava and Bill Pence 1 Guest Directors Sponsored by Audible.com The National Film Preserve, Ltd. Each year, Telluride’s Guest Director serves as a key collaborator in the A Colorado 501(c)(3) nonprofit, tax-exempt educational corporation Festival’s programming decisions, bringing new ideas and overlooked films. -
Preparing for Your Trek Fundraising Ideas
Preparing for the National Forest Trek – A to Z of fundraising PREPARING FOR YOUR TREK FUNDRAISING IDEAS Thank you for signing up to take part in the inaugural National Forest Trek, taking place from 17th to 19th September 2021. Your fundraising starts here. We’ve put together an A to Z guide that will help you to raise the funds necessary to participate in The National Forest Trek. Please ensure that any planned activity is undertaken in a responsible manner and is fully compliant with any COVID-19 guidance that is applicable at the time. FOR FURTHER INFORMATION, PLEASE CONTACT US AS FOLLOWS: www.nationalforesttrek.co.uk / [email protected] Preparing for the National Forest Trek – A to Z of fundraising A • Auction / Auction of promises – Those old vinyl records or CDs might be worth a few bob on eBay and they could be worth a few bob for your fund-raising too. Perhaps you have the contacts to get your hands on some sought-after sports memorabilia? Then an auction could be the charity fundraising activity for you. How about auctioning off your own skill-set? Don’t be shy now! Could a couple of hours gardening for friends help you raise funds? • Afternoon tea – Time to put the kettle on and maybe show off your baking skills. Everyone loves a cuppa and you can encourage donations for all attendees be it at the workplace or at home. Another cuppa anyone? B • Bake sale – Make like Mary and bake like Berry on your way to fundraising success. Whether you run the event at work, school or your home be sure to find out about any specialist diets (or perhaps just favourites) first to maximise sales! • Bingo – If the phrase "2 little ducks" brings a smile to your face then bingo could be the activity for you! Our advice: keep it fun and adapt the game for your audience. -
RAI CINEMA Un Film Di MARTIN SCORSESE ANDREW GARFIELD
RAI CINEMA presenta un film di MARTIN SCORSESE con ANDREW GARFIELD ADAM DRIVER LIAM NEESON Un'esclusiva per l'Italia Rai Cinema Durata: 161’ Uscita: 12 gennaio 2017 Distribuzione 01 Distribution Ufficio stampa film 01 Distribution – Comunicazione Studio Lucherini Pignatelli P.za Adriana,12 – 00193 Roma Via A. Secchi, 8 – 00197 Roma Tel. 06 33179601 Tel. 06/8084282 Fax: 06/80691712 Annalisa Paolicchi: [email protected] [email protected] Rebecca Roviglioni: [email protected] www.studiolucherinipignatelli.it Cristiana Trotta: [email protected] I materiali sono disponibili sui siti www.studiolucherinipignatelli.it e www.01distribution.it Media partner: Rai Cinema Channel (www.raicinemachannel.it) CREDITI NON CONTRATTUALI 1 Cast Artistico padre Sebastian Rodrigues ANDREW GARFIELD padre Francisco Garupe ADAM DRIVER padre Chistovao Ferreira LIAM NEESON Interpreter TADANOBU ASANO padre Valignano CIARÁN HINDS Vecchio Samurai/Inoue ISSEI OGATA Mokichi SHIN'YA TSUKAMOTO Ichizo YOSHI OIDA Kichijiro YÔSUKE KUBOZUKA 2 Cast Tecnico Regia MARTIN SCORSESE Sceneggiatura JAY COKS MARTIN SCORSESE Dall’omonimo Romanzo Di SHÛSAKU ENDÔ Direttore Della Fotografia RODRIGO PRIETO Scenografie DANTE FERRETTI Costumi DANTE FERRETTI Montaggio THELMA SCHOONMAKER Musiche KIM ALLEN KLUGE KATHRYN KLUGE Produttori MARTIN SCORSESE EMMA KOSKOFF IRWIN WINKLER RANDALL EMMETT BARBARA DE FINA GASTÓN PAVLOVICH VITTORIO CECCHI GORI Produttori Esecutivi DALE A. BROWN MATTHEW J. MALEK MANU GARGI KEN KAO DAN KAO NIELS JUUL CHAD A. VERDI GIANNI NUNNARI LEN BLAVATNIK AVIV GILADI Una Produzione IM GLOBAL Un’Esclusiva Per l’Italia RAI CINEMA 3 La Produzione Silence, l’attesissimo film sulla fede e la religione del regista premio Oscar Martin Scorsese, racconta la storia di due missionari portoghesi che nel XVII secolo intraprendono un lungo viaggio irto di pericoli per raggiungere il Giappone, alla ricerca del loro mentore scomparso, padre Christovao Ferreira, e per diffondere il cristianesimo. -
Windsor International Film Festival
WINDSOR INTERNATIONAL FILM FESTIVAL 2015 The Windsor International Film Festival (WIFF) is a cultural, not-for-profit organization whose mission is to recognize and celebrate the art of cinema by showcasing Canadian and international films and filmmakers. Through its exhibition, education, and community development programs, WIFF builds audiences for Canadian content and talent, provides training opportunities for emerging filmmakers, and promotes the creative economy of Windsor and Southwestern Ontario. WINDSOR INTERNATIONAL FILM FESTIVAL BOARD OF DIRECTORS Angela Kaye | Mike Lesperance (Acting Vice-Chair) | Mori McIntosh | Kim Nelson | Pat Papadeas Priyanka Philip | Lynne Watts (Chair) | Martha Winterbottom (Treasurer). HONORARY WIFF AMBASSADORS Mark Boscariol, Nick Cacciato, Peter Coady, Denise Deziel, Debra Henderson, Michael Reboulis & Lou Tortola WINDSOR INTERNATIONAL FILM FESTIVAL Executive Director: Vincent Georgie Managing Directors: Leo Novakovic and Hilary Pontini Technical Director: Sung Min Bae Administrative Manager: Michael Ruffolo Sponsorship Coordinator: Katharen Bortolin Box Office Coordinator: Jen Holson Volunteer Coordinators: Amy Fleming and Eric Freeze Program Manager, 48 Hour FlickFest: Svjetlana Oppen Program Book Editor: Angela Kaye Print Traffic Coordinator: Alan Bull Graphic Design & Layout: Dave Houle WINDSOR INTERNATIONAL FILM FESTIVAL P.O. Box 591 | Station A | Windsor, ON | N9A 6M6 windsorfilmfestival.com Photo: Nick Brancaccio/Windsor Star Brancaccio/Windsor Nick Photo: WIFF 2015: Time to Binge-Watch Over the past year, what has really struck me, is just how anticipated WIFF is to our beloved audience. I realized that as much as our audience is beloved to us, WIFF is beloved to them. Throughout the year, every time I would receive an email suggesting a new film, get stopped as I am shopping with an inquiry about how the festival is going, even (unforgettably) listening to an hour’s worth of WIFF feedback from a passionate fan on a flight from Toronto to Windsor, all I could keep thinking was “they wish it was November, already. -
1 a Film by Martin Scorsese Opens in Cinemas
A film by Martin Scorsese Opens in cinemas nationally on FEBRUARY 16, 2017 PUBLICITY REQUESTS: Transmission Films Australia / Amy Burgess +61 2 8333 9000 / [email protected] IMAGES High res images and key art poster available to via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/silence 1 PRODUCTION INFORMATION Martin Scorsese’s Silence, the Academy Award winning director’s long anticipated film about faith and religion, tells the story of two 17th century Portuguese missionaries who undertake a perilous journey to Japan to search for their missing mentor, Father Christavao Ferreira, and to spread the gospel of Christianity. Scorsese directs Silence from a screenplay he wrote with Jay Cocks. The film, based on Shusaku Endo’s 1966 award-winning novel, examines the spiritual and religious question of God’s silence in the face of human suffering. Martin Scorsese and Emma Koskoff and Irwin Winkler produce alongside Randall Emmett, Barbara De Fina, Gastón Pavlovich, and Vittorio Cecchi Gori with executive producers Dale A. Brown, Matthew J. Malek, Manu Gargi, Ken Kao, Dan Kao, Niels Juul, Chad A. Verdi, Gianni Nunnari, Len Blavatnik and Aviv Giladi. Silence stars Andrew Garfield (The Amazing Spider Man, Hacksaw Ridge), Adam Driver (Star Wars: The Force Awakens, Paterson) and Liam Neeson (Schindler’s List, Taken). The film follows the young missionaries, Father Sebastian Rodrigues (Garfield) and Father Francisco Garupe (Driver) as they search for their missing teacher and mentor and minister to the Christian villagers they encounter who are forced to worship in secret. At that time in Japan, feudal lords and ruling Samurai were determined to eradicate Christianity in their midst; Christians were persecuted and tortured, forced to apostatize, that is, renounce their faith or face a prolonged and agonizing death. -
O'brien, Catherine. "Sympathy for the Devil."
O’Brien, Catherine. "Sympathy for the Devil." : . London: Bloomsbury Academic, 2018. 39–63. Bloomsbury Collections. Web. 26 Sep. 2021. <http://dx.doi.org/10.5040/9781350003309.0008>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 26 September 2021, 16:21 UTC. Copyright © O’Brien 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 2 Sympathy for the Devil Defending his decision to deal with the dark side of human nature and the consequences of evil actions in the Afterlife, Dante sets out his methodology in the opening canto of The Divine Comedy: Ah me! how hard a thing it is to say What was this forest savage, rough and stern, Which in the very thought renews the fear. So bitter is it, death is little more; But of the good to treat, which there I found, Speak will I of the other things I saw there. (Inf. I) The sinners who are permanently residing in the Inferno are responsible for many of Dante’s more celebrated poetic verses. It is also undeniable that several of Scorsese’s unforgettable protagonists are killers and/or double-crossers, and that one of the most significant topics in his films is betrayal. On the printed page Dante reveals ‘the depths of depravity and self-willed flight from the light of which we are capable’ (Royal 1999: 42); and, over seven centuries later, Scorsese has illuminated commensurate murky dimensions in human behaviour. Scorsese explains that he finds ‘the antagonist more interesting than the protagonist in drama, the villain more interesting than the good guy. -
Readily Admits) That Was Provoked by a Growing Interest in the Female Sex
Martin Scorsese’s Divine Comedy Also available from Bloomsbury: The Bloomsbury Companion to Religion and Film, edited by William L. Blizek Dante’s Sacred Poem, Sheila J. Nayar The Sacred and the Cinema, Sheila J. Nayar Martin Scorsese’s Divine Comedy Movies and Religion Catherine O’Brien BLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2018 Copyright © Catherine O'Brien, 2018 Catherine O'Brien has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. For legal purposes the Acknowledgements on p. vi constitute an extension of this copyright page. Cover design by Catherine Wood Cover image © Appian Way / Paramount / Rex Shutterstock All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Names: O’Brien, Catherine, 1962- author. Title: Martin Scorsese’s divine comedy: movies and religion / Catherine O’Brien. Description: London; New York, NY : Bloomsbury Academic, 2018. | Includes bibliographical references and index. | Includes filmography. Identifiers: LCCN 2017051481| -
The Word Made Cinematic: the Representation of Jesus in Cinema
THE WORD MADE CINEMATIC: THE REPRESENTATION OF JESUS IN CINEMA by Gregory Kahlil Kareem Allen B.A. Film Studies, University of Pittsburgh, 1997 M.A. English Literature, University of Pittsburgh, 2002 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Gregory Kahlil Kareem Allen It was defended on April 24, 2008 and approved by Adam Lowenstein, Associate Professor, Department of English Troy Boone, Associate Professor, Department of English Vernell A. Lillie, Professor Emeritus, Department of Africana Studies Dissertation Chair/Advisor: Marcia Landy, Distinguished Service Professor, Department of English ii Copyright © by Gregory Kahlil Kareem Allen 2008 iii The Word Made Cinematic: The Representation of Jesus in Cinema Gregory Kahlil Kareem Allen, Ph.D. University of Pittsburgh, 2008 Marking the invention of cinema as a point of entry and consequent filmic narratives about Jesus as aesthetic documents, this study will demonstrate how movie-going, due to its similarity to the devotional exercise of “worship” and the motion picture’s continual co-option for perceived religious purposes as readily indicated by the recent reception of The Passion of the Christ, complicates what otherwise might be the obvious distinction between the sacred and the profane. Examining the way in which the spectator is prompted by certain traditions of cinematic language and interpretation, this dissertation demonstrates how the representation of the Jesus in cinema must by definition always insinuate the sacrosanct, even if the symbol or image is presented in a context perceived to be secular.