NEWSLETTER 2012 • NUMBER 10 CHAIRMAN’S Foreword
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The Wallace Collection — Rubens Reuniting the Great Landscapes
XT H E W ALLACE COLLECTION RUBENS: REUNITING THE GREAT LANDSCAPES • Rubens’s two great landscape paintings reunited for the first time in 200 years • First chance to see the National Gallery painting after extensive conservation work • Major collaboration between the National Gallery and the Wallace Collection 3 June - 15 August 2021 #ReunitingRubens In partnership with VISITFLANDERS This year, the Wallace Collection will reunite two great masterpieces of Rubens’s late landscape painting: A View of Het Steen in the Early Morning and The Rainbow Landscape. Thanks to an exceptional loan from the National Gallery, this is the first time in two hundred years that these works, long considered to be companion pieces, will be seen together. This m ajor collaboration between the Wallace Collection and the National Gallery was initiated with the Wallace Collection’s inaugural loan in 2019 of Titian’s Perseus and Andromeda, enabling the National Gallery to complete Titian’s Poesie cycle for the first time in 400 years for their exhibition Titian: Love, Desire, Death. The National Gallery is now making an equally unprecedented reciprocal loan to the Wallace Collection, lending this work for the first time, which will reunite Rubens’s famous and very rare companion pair of landscape paintings for the first time in 200 years. This exhibition is also the first opportunity for audiences to see the National Gallery painting newly cleaned and conserved, as throughout 2020 it has been the focus of a major conservation project specifically in preparation for this reunion. The pendant pair can be admired in new historically appropriate, matching frames, also created especially for this exhibition. -
Online Course Description
Online Course Introducing… Reynolds and His Rivals Dates Tuesday 14 and Wednesday 15 September 2021 Times 18.00–20.00 GMT Location Zoom Webinar Tutor Jacqui Ansell Level All Levels Joshua Reynolds, Miss Nelly O'Brien, about 1762-63 (detail) Course Description The great painter, Sir Joshua Reynolds, was famously the first President of the Royal Academy, founded in 1768. The son of a Devon schoolteacher, he rose through the ranks of society to achieve his ultimate aim – to paint for King George III. In his mission to raise the status of painting to the same rank as its ‘sister art of poetry,’ he developed a style of portraiture known as the ‘Grand Style’, imbued with intellectual content. Known as much for his experimental techniques as his innovative iconography, Reynolds’ paintings often suffered from the ravages of time and taste – with young artists of the 19th century christening him ‘Sir Sloshua’! Fashion, in terms of dress as well as approaches to portraiture, will be the key subject of this course, as we explore Reynolds’ attempts to appeal to posterity, as well as to his contemporaries. Session One: ‘Something Modern for the Sake of Likeness’ The 18th century was a ‘Golden Age’ for British portraiture, with Hogarth, Reynolds, Ramsay, as well as Wright of Derby, Gainsborough and Lawrence emerging to lead this field. The rise of Rococo fashions in art and dress created a concern for frills and fripperies, which posed a problem for artists. Not only were these fiddly and time- consuming to consign to canvas, but the rapid pace of fashion change meant that portraits could look old-fashioned before the paint was dry. -
DCMS-Sponsored Museums and Galleries Annual Performance
Correction notice: The chart showing the Total number of visits to DCMS - sponsored museums and galleries, 2002/03 to 2018/19 and Figure 2 showing the Total number of visits to the DCMS- sponsored museums and galleries, 2008/09 to 2018/19 were updated on 27 January 2020 to reflect the minor amendments made to the Tyne and Wear visitor figures for the years 2008/09 to 2014/15. This release covers the annual DCMS-Sponsored Museums performance indicators for DCMS- sponsored museums and galleries and Galleries Annual in 2018/19. The DCMS-sponsored museums Performance Indicators and galleries are: British Museum 2018/19 Geffrye Museum Horniman Museum Total number of visits to DCMS-sponsored museums and Imperial War Museums galleries, 2008/09 to 2018/19 National Gallery National Museums Liverpool National Portrait Gallery Natural History Museum Royal Armouries Royal Museums Greenwich Science Museum Group Sir John Soane’s Museum Tate Gallery Group Victoria and Albert Museum The Wallace Collection Responsible statistician: Wilmah Deda 020 7211 2376 Statistical enquiries: In 2018/19 there were 49.8 million visits to DCMS- [email protected] sponsored museums and galleries, an increase of @DCMSInsight 48.0% from 33.6 million visits in 2002/03 when records began. Media enquiries: 020 7211 2210 Of these1: Date: 24 October 2019 Contents 1: Introduction……………………..2 2: Visits to DCMS-sponsored museums and galleries………......3 3: Regional engagement...............9 4: Self-generated income……….10 were made by were made by Annex A: Background …...……..12 children under the overseas age of 16 visitors The total self-generated income for DCMS-sponsored museums and galleries was £289 million, an increase of 5.0% from £275 million in 2017/182. -
THE KELLY MEMORIAL FUND. on the Lamented Death in 1894 of Bro
CONTENTS. PAGE . the brethren , and but little is needed to ensure favourable con- LEADERS — sideration for the Memorial. The objects will, I confidentl The Kelly Memorial Fund ... ... ... ... ... 5'9 y Freem asonry in Cornwall ... ... ... ... ... 520 believe, commend themselves to you, for, while preserving Prov incial Grand Lodge of Cornwall ... ... ... ... 520 Provi ncial Grand Lodge of Worcestershire ... ... ... ... 521 a permanent record of our dear Brother KELLY , we are Provi ncial Grand Lodge of South Wales ... ... ... ... 522 at the same time instituting a means of exercising what he Prov incial Grand Chapter of Lincoln shire ... ... ... ... 522 Provinc ial Grand Chapter of North Wales ... ... ... ... 522 always strenuously advocated—the active principles of Bene- Grand Mark Lodge of Cumber land and Westmorland... ... Provinci al 523 ARTRIDGE A New Home for Keighley Freemasonry ... ... ... ... 523 volence and Charity." Bro. P then proceeds to Intere sting Extract from an "Old Masonian 's " Letter to the Secretary explain the purposes of the Fund , which are " to supple- R.M.I.B. _ ... ... ... ... ... ... 523 Freem asonry in Wiesbaden ... ... ... ... ... 523 ment the benefits of the great Masonic Charitable Institu- Lodges and Chapter of Instruction ... ... ... ... 523 tions by providing for such relief as these Charities may not be M ASONIC NOTES — , The Schools Elections ... ... ... ... ... 525 able to deal with promptly. Up to the present time," he adds Provincial Grand Lodge of Leicestershire and Rutland ... ... 525 Charity Provincial Grand Lodge of Worcestershire ... ... ... 525 " the Fund of the Province has sufficed to meet cases Provincial Grand Lodge of Cornwall ... ... ... ... 525 coming under its notice, but , having regard to the great increase, ... ... ... ... ... Correspon dence .. -
A Christmas Quiz 2020 Do You Really Know
A CHRISTMAS QUIZ 2020 DO YOU REALLY KNOW YOUR LONDON? 1. Why was the cross at Charing Cross originally erected? 2. Who was woken at Kensington Palace and told that she was the Queen and what was the date of this event 3. When George III acquired Buckingham House, what was the house usually called during his reign? 4. From what royal palace, did Queen Elizabeth I conduct the defence of England against the Spanish Armada? 5. Who, on 30th January 1649, stepped out of a window of the Banqueting House to his death? 6. What catastrophe started in Farriner’s Baking house on 2nd September 1666? 7. What was the event on 20th June 1834, which J M W Turner depicted? 8. Why did St. Paul’s Cathedral almost suffer the same fate in December 1940, as its predecessor had suffered 9. When the Pantheon, designed by James Wyatt, was burnt down in January 1792, what particularly astonished the spectators, who came to look at the scene on the following day? . 10. In 1698 the Palace of Whitehall was burnt to the ground apart from one major building. What was the building? 11 Originally the Great Western Railway was planned to terminate at Euston and share the terminus with the London and Birmingham Railway. Why did Brunel, the chief engineer for the GWR, object to this? 12. Victoria Station was built for two different railway companies. What was the name of these companies? 13. Where and in what year was the first escalator built on the Underground? 14. What marked the entrance to Euston, when it was first built? 15. -
The Courtauld Friends at the Heart of the Art Movement
The Courtauld Friends at the heart of the art movement Gift Impact Report 2018/19 Prepared for the Trustees of The Friends of The Courtauld Institute of Art June 2020 Thank you for your support We are grateful to The Friends of The Courtauld Institute for its longstanding commitment to our mission and work. Your exceptionally generous grant of £200,000 in 2018/19 provided support across The Courtauld’s core activities, strengthening the institution as a whole. We are delighted to present this overview impact report to highlight just some of the ways in which, together, we are shaping the future of art history. Right: Susannah Kingwill, PhD candidate, History of Art Friends of The Courtauld Institute Scholar 2018/19 and 2019/20 Your impact in 2018/19: £15,000 towards our Public Programmes outreach activities in schools and colleges We aim to transform the way art history is taught to young people, and to raise their aspirations within higher education and the cultural sector. At a time when the arts and humanities are gravely endangered, there is an urgency in this enterprise. Our public programme aims to change lives, offering opportunities for personal, educational and career development, which would not otherwise be open. The Courtauld’s programme targets schools with a high number of pupils qualifying for free school meals (primary and secondary), and the sixth form and further education (FE) colleges, which serve them. With the generous support of The Courtauld Friends, we have continued to enrich and develop our programmes for young people throughout this crucial stage of the Gallery’s transition and closure. -
Photograph Index
PHOTOGRAPHS P 1 Runnymede Pageant - The Beggar Maid and Ladies of the Court - Henry VIII Scene 2 Runnymede Pageant - The Sealing of Magna Carta 3 Egham High Street - View of building : T Warriner - Fly Proprietor - Luxford & Ball - Fruiterers and Florists 1912 4 Staines High Street (Morford & Goodman) original B/W postcard c1906 5 Staines High Street - B/W postcard 6 Staines High Street - Town Hall 7 Staines High Street - St Peters Church 8 Staines High Street - Market Place and Town Hall - Janes & Son advert on Bus 9 Egham Hythe Bungalows 10 Staines High Street c1916 11 Staines High Street c1916 12 Staines High Street 13 Congregation Chapel, Staines 14 Staines Railway Station LSWR - Down steam train entering platform c1912 15 Staines High Street and Windsor Castle 16 Staines Bridge looking upstream by FF&Co (Francis Frith?) 17 Egham Hythe - bungalow cottages and The Swan looking east 18 Englefield Green - RHC - View through gates to clock tower 19 Staines Church Street 20 Three photographs of fallen mulberry tree in Fairhaven, August 1990 21 Great Fosters - view down drive to front 22 Staines - Victoria Gardens 23 Englefield Green - Engraving of Monte Rey by W Alexander from a sketch taken on the spot by J Sykes of EG (Castle Hill) 24 Egham Literary Institute, 1942 (National Monuments Record) 25 Thorpe - Air photograph of floods 1946/7 26 Egham, The Glanty - The Victoria inn on left - The Coach & Horses on right distance - view looking east 27 Egham High Street - View to east - Liberal Club on right - Denham House in background (junction -
UNIVERSITY of MARYLAND Autumn 2010
UNIVERSITY OF MARYLAND ARTH 201: Art and Society in the West from the Renaissance to the Present Course Instructor: Mrs Elizabeth Allen This course is an introduction to Western Art from the late Gothic period to Modernism using original works of art and architecture in London as the basis for teaching. Within this broad chronological framework students will study major examples of painting, sculpture and architecture by means of a weekly class visit to the relevant gallery, museum or site. Original examples of art encountered in each class will be limited to those that serve as case studies for the art of the relevant period. The course will focus on the principal characteristics and developments of major styles and movements within Western art as well as major themes and types of art. The course will equip students with a basic terminology for describing, analysing and interpreting a range of works of art and architecture; relate the works of art to their social and historical contexts; consider the different functions of art; assess the role of materials used by artists and examine the changing role of the artist. These terms and concepts of art history have been developed by art historians to enable students and scholars to communicate the experiences of painting, sculpture and architecture, so they must be understood, learnt and assimilated on a weekly basis. Of course, works of art and architecture also make an aesthetic impact and this aspect of art will also be explored .and discussed. Teaching All classes take place in galleries, museums or on site except for the introductory class, the mid-term session, and the final two sessions (revision and final examination) which take place in the classroom. -
10 of the Best Galleries & Museums in London & Southeast
10 OF THE BEST GALLERIES AND MUSEUMS IN LONDON & THE SOUTHEAST Image credit ©Lilford Gallery Image credit ©Installation view of Nathalie Du Pasquier: Other Rooms, Camden Arts Centre, 2017. Photo: Damian Griffiths CANTERBURY, KENT LONDON LILFORD GALLERY CAMDEN ARTS CENTRE ABOUT ABOUT This eclectic gallery is centrally located in the heart of historic The Camden Arts Centre prides itself on the fact that artists are at the Canterbury. The events calendar is full of intriguing exhibitions and solo core of the program. The centre also offers studio space to schools, free shows from groundbreaking artists. of charge, so that another generation can learn to love and build skills in art. KNOWN FOR A passion for showcasing an amazing variety of artists in a number of KNOWN FOR styles and techniques. The collection at Lilford Gallery truly has World-class contemporary exhibitions and education. The gallery’s something to offer everyone who visits. exhibitions are numerous and riveting, as are the works displayed. The calendar is full of interesting discussions, performances and more. ENTRY Entry is free. Opening times and further details can be ENTRY found on the website. Entry is free, and opening times can be found on the website. EXTRAS EXTRAS Canterbury is known as a creative city, and visiting the Lilford Gallery The onsite bookshop sells art books for all ages as well as magazines. makes up part of a perfect day absorbing the culture the city has to offer. There is also a café serving fresh food and a garden which sometimes Plenty of restaurants, cafés and curious shops can be visited in showcases interactive art exhibits. -
NEWSLETTER Chairman’S Foreword
THE ATTINGHAM TRUST for the study of HISTORIC houses and collections 2010 • NUMBER 8 NEWSLETTER Chairman’s Foreword has been a busy year for the Attingham of the Attingham Summer School and the many 201 0 Trust. In February we centralized our base individuals it has benefitted since its foundation in by setting up an office in Cowcross Street, London EC1, 1952. This annual Award has been created ‘to recognize an idea initiated from the strategic review of our institutions or individuals in Britain or the United activities that is currently on-going. We hope that this States that have substantially advanced the move will help us pursue our goal to promote better understanding and appreciation of our shared cultural contact with our alumni all over the world. heritage’. Funds from the event, to be held at the Timeless Design Award and Gala Benefit in New York We are immensely grateful to Jacqueline Riding, this October, will continue to support the generous Chairman of the Attingham Society until the end of last Royal Oak Summer School scholarships which are year who, together with Annabel Westman, put awarded by the American Friends each year. enormous effort into encouraging members to keep in touch. This drive towards a greater international unity I usually comment on the effect that government is being continued by Rebecca Parker, newly appointed policy has on our work. But this year is proving to be Secretary of the Trust. With the American Friends, we particularly difficult as, at the time of writing, we do hope to create more opportunities for alumni to meet not know the full extent of the financial cuts which are from across the years, to exchange ideas and refresh going to be imposed on the art world. -
Making Culture Matter 2018 – 2021 at the Wallace Collection Making Culture Matter 2018 – 2021 at the Wallace Collection
MAKING CULTURE MATTER 2018 – 2021 AT THE WALLACE COLLECTION MAKING CULTURE MATTER 2018 – 2021 AT THE WALLACE COLLECTION THE WALLACE COLLECTION IS AN INTERNATIONALLY ACCLAIMED TREASURE HOUSE OF OUTSTANDING MASTERPIECES, FROM PAINTINGS, SCULPTURE AND FURNITURE TO PORCELAIN, ARMS AND ARMOUR. Built over the eighteenth and nineteenth centuries by the Marquesses of Hertford and Sir Richard Wallace, it is one of the finest and most celebrated collections in the world. So that it could be kept together and enjoyed by generations of visitors, the Collection was given to the British Nation in 1897. It was an astonishing bequest and one of the greatest gifts of art works ever to be transferred into public ownership. WE BELIEVE THAT CULTURE MATTERS. Today, our job is to protect and research the Collection and at the same time to excite, entertain and engage our audiences with all that it has to offer. MAKING CULTURE MATTER 2018 – 2021 AT THE WALLACE COLLECTION From precious artefacts once owned by OUR PRIORITIES ARE TO: Sikh warriors and Mughal emperors to spectacular Asante gold and Renaissance – Broaden and deepen visitor engagement bronzes, the Wallace Collection contains – Maintain and preserve the Collection for future surprising and diverse objects from all generations corners of the globe. The works of art – Support excellence in curatorial research that we look after for the nation help us – Connect with new audiences through an understand the history of human endeavour, enhanced digital presence and we are committed to providing access to as wide a public as possible and to – Lay a strong financial foundation for the future helping visitors engage with this diversity. -
Download Conference Booklet
THIRTY-SECOND ANNUAL CONFERENCE 5 to 7 April 2019 Cumberland Lodge, Windsor Great ParK Church and State in the Twenty-first Century Slide 7 Table of contents Welcome and Introduction 3 Conference programme 4-6 Speakers' biographies 7-10 Abstracts 11-14 Past and future Conferences 15 Attendance list 16-18 AGM Agenda 19-20 AGM Minutes of previous meeting 21-23 AGM Chairman’s Report 24-27 AGM Accounts 2017/18 28-30 Committee membership 31 Upcoming events 32 Day Conference 2020 33 Cumberland Lodge 34-36 Plans of Cumberland Lodge 37-39 Directions for the Royal Chapel of All Saints 40 2 Welcome anD IntroDuction We are very pleased to welcome you to our Residential Conference at Cumberland Lodge. Some details about Cumberland Lodge appear at the end of this booklet. The Conference is promoting a public discussion of the nature of establishment and the challenges it may face in the years ahead, both from a constitutional vantage point and in parochial ministry for the national church. A stellar collection of experts has been brought together for a unique conference which will seek to re-imagine the national church and public religion in the increasingly secular world in the current second Elizabethan age and hereafter. Robert Blackburn will deliver a keynote lecture on constitutional issues of monarchy, parliament and the Church of England. Norman Doe and Colin Podmore will assess the centenaries of, respectively, the Welsh Church Act 1914 and the Church of England Assembly (Powers) Act 1919 (known as the ‘Enabling Act’), and the experience of English and Welsh Anglicanism over this period.