Exploring the Emerging Mining Industry in Solomon Islands

Total Page:16

File Type:pdf, Size:1020Kb

Exploring the Emerging Mining Industry in Solomon Islands Social impact assessment, social justice and scales of knowledge: exploring the emerging mining industry in Solomon Islands Jillian Clare Ash Bachelor of Social Science Master of Development Practice A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2017 School of Social Science i Abstract This thesis examines power relations in the context of social impact assessment (SIA) as it is applied in the emerging mining industry in Solomon Islands. While the social impacts of large-scale mining in the Global South are well documented, little is known about how and why adverse social impacts continue to occur in the presence of numerous ‘best practice’ policy and planning tools, including SIA. This raises questions on the efficacy of SIA in identifying, contextualising and mitigating potential social impacts on communities affected by mining activity, particularly on traditional lands inhabited by indigenous peoples. This thesis presents a critical analysis of SIA to provide insight on this disparity in policy and practice, and to enhance sociological understanding on the interplay of globally-driven mining projects, the identification of social impacts, and the role of policy and institutions in cross-cultural contexts. The proposed extraction of nickel in Isabel Province, Solomon Islands, serves as the case study for this analysis. Employing the conceptual frameworks of social justice and political ecology, and drawing on six months’ fieldwork in Solomon Islands, qualitative data from individual and group interviews (n=33) and document analysis (n=11) was collected across geopolitical scales - international, national, provincial and local - to compare and analyse perspectives of documents, institutions and people towards SIA and socially just development in the context of potential mining activity. Analysis of these perspectives exposed the extent to which SIA produces, reinforces and/or exacerbates, social injustices. Research findings identified the limits of SIA in: 1) recognising and accounting for indigenous identities and gender roles; 2) the unequal distribution of economic and other resources associated with the development of mining, including the privatisation of land and employment; and 3) representation of project-affected communities through consultation activities associated with SIA, including Free, Prior and Informed Consent. With political ecology as the foundation of this thesis, this thesis argues that these social injustices materialise as a result of a disparity, or mismatch, between knowledge frames across scales. While SIA is bounded to the rhetoric of social justice, consent and participation, this thesis demonstrates that Western expert knowledge and norms are interwoven into the SIA regime, rendering local experiential knowledge marginal. Reflecting this, a multiscale SIA approach is proposed to include consideration of different scales of knowledge systems, ii with outcomes that might assist to mitigate social injustices, such as those identified in this thesis. Overall, this thesis contributes to the emerging field of sociology of development by providing an original analysis based on empirical evidence to demonstrate the inefficacy of global policy applications in local contexts. It also advances current understandings about mining in Solomon Islands. iii Declaration by author This thesis is composed of my original work, and contains no material previously published or written by another person except where due reference has been made in the text. I have clearly stated the contribution by others to jointly-authored works that I have included in my thesis. I have clearly stated the contribution of others to my thesis as a whole, including statistical assistance, survey design, data analysis, significant technical procedures, professional editorial advice, financial support and any other original research work used or reported in my thesis. The content of my thesis is the result of work I have carried out since the commencement of my higher degree by research candidature and does not include a substantial part of work that has been submitted to qualify for the award of any other degree or diploma in any university or other tertiary institution. I have clearly stated which parts of my thesis, if any, have been submitted to qualify for another award. I acknowledge that an electronic copy of my thesis must be lodged with the University Library and, subject to the policy and procedures of The University of Queensland, the thesis be made available for research and study in accordance with the Copyright Act 1968 unless a period of embargo has been approved by the Dean of the Graduate School. I acknowledge that copyright of all material contained in my thesis resides with the copyright holder(s) of that material. Where appropriate I have obtained copyright permission from the copyright holder to reproduce material in this thesis and have sought permission from co- authors for any jointly authored works included in the thesis. iv Publications during candidature Peer-reviewed papers Albert, S., Bronen, R., Tooler, N.B., Leon, J.X, Yee, D., Ash, J., Boseto, D. and Grinham, A.R. (2017) Heading for the hills: climate driven community relocations in Solomon Islands and Alaska provide insight for a 1.5oC future, Regional Environmental Change. First online: 27 November 2017. Ash, J. and Campbell, J. (2016) Climate Change and Migration: the case of the Pacific Islands and Australia, Journal of Pacific Studies, 36(1), pp. 32-45. Conference papers Ash, J. (2017) Disparity in policy and practice? Global and local perspectives on socially just development in Solomon Islands’ emerging mining industry. 6th American Sociological Association Sociology of Development Conference, 5-7 October 2017, Detroit, United States of America. Publications included in this thesis No publications included. Contributions by others to the thesis A/Prof Kristen Lyons, Dr Karen McNamara and Dr Simon Albert contributed to this thesis in their capacity as advisors. They assisted with the conception and design of the project, gave advice on methods and interpretation of research data, and provided feedback on drafts. Statement of parts of the thesis submitted to qualify for the award of another degree None. v Research involving humans or animal subjects The University Of Queensland School Of Social Science Ethical Review Panel approved the research on 20 November 2015 (RH9/2015). An amendment to the original ethical clearance application was approved on 8 June 2016 (RHD9/2015 amended). Ethical clearance was also obtained from the Government of Solomon Islands in the form of a research permit. The application for the research permit was assessed by the Ministry of Education and Human Resources Development research committee and approved by the Minister of Education and Human Resources Development on 25 November 2015. Evidence of ethical approval from the School of Social Science and the Government of Solomon Islands is provided in Appendix A. vi Acknowledgements This thesis would not have been possible if not for the unwavering support of my advisors, friends and family. First and foremost, I am especially indebted to my wonderful advisory team, A/Prof Kristen Lyons, Dr Karen McNamara and Dr Simon Albert. While they each stem from different Schools and disciplines, I am extremely fortunate to have had a strong team guiding me on this PhD journey. Their generous support, expertise and mentorship undoubtedly enriched this thesis and made the overall PhD journey an enjoyable one. I am also grateful for the informal mentorship from Dr Graham Baines, who kindly shared his intimate knowledge of Isabel Province and the minerals sector of Solomon Islands more broadly, and provided feedback on drafts. Further, I give my sincere thanks to Dr Peter Walters for his helpful and constructive feedback throughout my academic journey, from assessing my master’s thesis to reviewing each of my thesis milestone submissions. Enormous thanks to Leesa at the University of Queensland’s Disability Services Unit for arranging much needed transcribing support during fieldwork, without which it would not have been possible for me to undertake this research. In Solomon Islands, I am extremely grateful for the people who participated in my research – in Honiara, Buala and the villages of Isabel Province – who shared their valuable experiences and perspectives with me. Those names remain anonymous but I deeply express my sincere gratitude. Thanks also to my research assistant in Solomon Islands, Elizabeth Pepena, for assisting with logistical tasks in the field and with translation of interviews. I am further grateful to the staff at the University of the South Pacific, Solomon Islands Campus, for providing me with office space while I was based in Honiara. I immensely enjoyed being a member of the local academic community in Solomon Islands. I also owe gratitude to my social planning colleagues, Nicole and Owen, for their mentorship throughout my early career in social planning and social impact assessment, and for asking thought-provoking and important questions relating to this thesis. Last, but not least, to my parents – Mark and Ceris – whose support, love and encouragement made this journey possible. Thank you for your belief that I can achieve anything. vii Financial support This research was partially supported by the June Opie Fellowship, administered by the University of Auckland. Fieldwork was supported with bursaries from
Recommended publications
  • Cheap Thrills – Sia – Notes
    / Cheap Thrills – Sia – Notes / ° Activity types: Speaking (talking about weekends), listening for specific information, gap fill ° Level: Intermediate ° Language focus: Informal English ° Notes: This is a song by Australian artist Sia, recorded for her seventh studio album, This Is Acting (2016). A version featuring Jamaican dancehall performer Sean Paul was released as a single, becoming Sia’s first U.S. Number One. ____________________________________________________________________________________________________ 1. Ask students how they usually spend their weekends. What do they usually do on Friday or Saturday night? Do they go out? Do they ever go dancing? What are their plans for next weekend? What are they doing/going to do? 2. Explain they are going to listen to the first part of a song about weekends. Students have to listen carefully to be able to answer some comprehension questions after. 3. Play the first part of the song including the first chorus. Then ask students: 1. Which day of the week is it? 2. What does the singer turn on? 3. What does she have to put on? 4. What’s the only thing she needs? 5. What hasn’t she got? 6. Who/what does she have? 7. What doesn’t she need? 4. At this stage don’t correct students’ answers. Then play the second part of the song. Ask students to listen carefully to answer more questions. 8. Which day is it? 9. What does she have to paint? 10. What does she have to put on? 5. Give students the worksheet and ask them to do Activity 1. 6. Students can complete the song (Activity 2) according to their answers to the previous activity and context.
    [Show full text]
  • BURGINPI-IONE Wireless Receivers Australia's Best by Test
    WIRELESS WEEKLY Page One Clarke's '' ..,,t\ TLe.4§ '~ Coil Stand~ BRITISH M:ANUF ACTURE. Our Coil Stands in the two and three-way horizontal types are fitted with Patented Micrometric Adjustment, yielding perfectly even slow move­ ment and preventing the falling over of the moving coils. No fear of missing carrier-waves owing to a too quick movement of the coiL They are suitable for panel mounting, the plug insets being set at standard centres and all th2 fittings are nickel-finished with a best quality ebonite knob. 11JS HIGHEST IN EFFICIENCY­ THE KING OF Co IJLi ~~AH ·wave-Lengths Covered ~ Minimum Self-Capacity-Maximum Inductance-Least Resistance to High Frequency Currerits-Greatest JJ...ir Spacing. ASK YOUR DEALER FOR OUR COMPONENTS OR CONSULT THE GENERAL TRADING 70 PITT STREET, SYDNEY. Phones: BW 6938 and B 4917. Sole Australian Distributors. ~~ BURGINPI-IONE Wireless Receivers Australia's Best By Test At 110 time has any receiver stooc1 a way from it&' fielcl of competitors more sh:uply in pmnt of quality than c1oes the present ''Burginphone'' models. Note the wav the "BURGINPHONE" is built-no clis· appointing evidence of c hrn pening, no huniecl ,,-orkmanship -it's· a quality receiver tluo·ugh an cl through, and it looks it! All tlrnt the eye sees in its app:arnnce of custom-built beauty, its' better equipm 0 11t, its many engineering feattues, is confirmed by the brillianey of the rnnchine 's perform­ ance. The '' RCRGI::-fPHONE'' traclc mark is virtna1ly a guar­ :mtee of clepenrlability, of intrinb'ic worth, of prn.ctirnbility, Jlilanufactnref1 in Australia, becuuse every "BURGTKPHONE" product is s:·ientific in for Australians, by principle ancl is not marketccl until ful'y tested by com­ AUSTRALIANS.
    [Show full text]
  • Sia THIS IS ACTING ALBUM PRESS RELEASE November 5, 2015
    SIA TO RELEASE NEW ALBUM THIS IS ACTING ON JANUARY 29, 2016 SIA PREMIERES VIDEO TODAY FOR “ALIVE” ON VEVO CLICK HERE TO WATCH “ALIVE” FANS WHO PRE-ORDER THIS IS ACTING RECEIVE “ALIVE” AND NEW SONG “BIRD SET FREE” TODAY CLICK HERE TO LISTEN TO “BIRD SET FREE” SIA TO PERFORM ON “SATURDAY NIGHT LIVE” THIS SATURDAY, NOVEMBER 7TH ! (New York-November 5, 2015) Singer/songwriter/producer/massive hitmaker Sia today announces that her album THIS IS ACTING will be released everywhere on January 29, 2016 (Monkey Puzzle Records/RCA Records). Sia revealed cover art and album release date for THIS IS ACTING via her new Instagram account earlier this week. In celebration of her album pre-order going live, Sia premieres her video for “Alive” on Vevo. Fans who pre-order THIS IS ACTING will receive “Alive” and new track “Bird Set Free” instantly. Click here to watch the video for “Alive.” Click here to listen to “Bird Set Free.” Sia will be performing “Alive” and “Bird Set Free” on “Saturday Night Live” on November 7th. The video for “Alive” stars 9 year old child actress/dancer Mahiro Takano and was filmed in Chiba, Japan. The video was directed by Sia and Daniel Askill, the same creative team behind the videos for “Chandelier,” “Elastic Heart” and “Big Girls Cry.” In addition to Jessie Shatkin who produced “Alive,” Sia also worked with longtime collaborator/producer Greg Kurstin on THIS IS ACTING. “Alive,” the album’s first single was written by Sia, Adele and Tobias Jesso, Jr. and was produced by Jesse Shatkin, who also co-wrote and co-produced Sia’s massive four-time Grammy nominated “Chandelier.” Sia released her #1 charting, critically-acclaimed, and gold-certified album 1000 FORMS OF FEAR (Monkey Puzzle Records/RCA Records) last year in July, which features her massive breakthrough singles “Chandelier” and “Elastic Heart.” The groundbreaking video for “Chandelier” has enjoyed an unprecedented 965 million views and its follow-up video “Elastic Heart” with over 436 million views.
    [Show full text]
  • Annual Report and Accounts
    2020 Annual Report and Accounts Do the right thing! For the Real Economy We quickly took decisive actions to support the backbone of the real economy in Europe: small and medium sized enterprises. AWARDED ‘WORLD'S BEST BANK FOR SMES’ In October, UniCredit was awarded ‘Best Bank for SMEs’ by Global Finance magazine in its World’s Best Global Banks Awards. This was based on our performance over the past year, based on criteria including reputation and management excellence. Contents Board of Directors, Board of Statutory Auditors and External Auditors as at 31 December 2020 5 Chairman’s message 10 Chief Executive Officer’s message 14 Preliminary notes 33 CONSOLIDATED REPORT AND ACCOUNTS 2020 OF UNICREDIT GROUP 37 COMPANY REPORT AND ACCOUNTS 2020 OF UNICREDIT S.P.A. 503 Incorporations of qualitative information by reference 755 Glossary 761 Contacts 775 Notes The following conventional symbols have been used in the tables: • a dash (-) indicates that the item/figure is non-existent; • two stops (..) or “n.m.” when the figures do not reach the minimum considered significant or are not meaningful; • “n.a.” indicates that the figure is not available. Any discrepancies between data are solely due to the effect of rounding. UniCredit · 2020 Annual Report and Accounts 3 I UniCredit S.p.A. A joint stock company Registered Office and Head Office: Piazza Gae Aulenti, 3 - Tower A - 20154 Milano Share capital €21,059,536,950.48 fully paid in Registered in the Register of Banking Groups and Parent Company of the UniCredit Banking Group, with cod. 02008.1 Cod.
    [Show full text]
  • SYLLABUS Music 15
    SYLLABUS Music 15 – Australian Popular Music Winter 2019 Lecture: Thursday 6:30-9:20pm, SOLIS 107 Final Exam: March 19th, 7pm Professor: Fiona Digney – [email protected] Office Hours: Fridays 2:00–5:00pm, or by appointment, CPMC 155 Teaching Assistants: Berk Schneider - [email protected] Sections: A01 (Monday 10:00am CPMC 136) A02 (Monday 11:00am CPMC 136) Office Hours: TBD Barbara Byers - [email protected] Sections: A03 (Wednesday 11:00am, CPMC 136) A04 (Wednesday 12:00pm, CPMC 136) Office Hours: TBD Juliana Gaona - [email protected] Sections: A05 (Friday 10:00am CPMC 145) A06 (Friday 11:00am CPMC 145) Office Hours: TBD Stephen De-Filippo - [email protected] Sections: A07 (Friday 12:00pm CPMC 145) A08 (Friday 1:00pm CPMC 145) Office Hours: TBD General Overview For a very large country with a relatively small population, Australian popular musicians have had great success worldwide. From ACDC, Skyhooks, Midnight Oil, Jimmy Barnes, and Kylie Minogue, to Temper Trap, Pendulum, Tame Impala, Sia, and Vance Joy, Australians have set out to change the history of music. This course will explore the political and social landscapes that made way for, and were created by these artists, including the Whitlam government initiatives, Triple J radio station, pub rock, and the culture of mateship. Prerequisite: None. Assessment 15% Attendance, preparation, and participation Attendance will be taken at all discussion sections. It is expected you have read and listened to all required materials. Arrive prepared to contribute in discussions. 30% Quizzes Three short quizzes are to be completed online through TritonED. They will be administered weeks four (due: February 3rd), six (due: February 17th), and eight (due: March 3rd).
    [Show full text]
  • Sia – Elastic Heart
    Elastic Heart Sia Furler # Voice # 2 j & # 2 ∑ ∑ ∑ ∑ Ó ‰ œ œ œ And an-oth ###2 & 2 ˙ œ œ œ œ œ w˙™ œ œ œ œ ˙ ˙ ˙ Piano ˙ œ œ œ w w ˙ ˙ ?# #2 # 2 { w w w w w 6 # Voice ## j j j & œ œ œ œ œ Ó Œ ‰ œ œ™ œ œ œ œ œ œ er one œ biœtes the dust oh, why can I not con-quer love? ### & ˙ ˙ ˙ ˙ Pno. ˙ ˙ ˙ ˙ ˙ ˙ ?### { w w w 9 # Voice ## j j & œ œ ‰ ‰ œ œ œ œ œ œ œ œ Ó ‰ œ œ œ And I mighthave thought thœat wœe were one Want-ed to ### & ˙ ˙ ˙ ˙ Pno. ˙ ˙ ˙ ˙ ˙ ˙ ?### { w w w 2 12 # Voice ## j j œ œ œ j & œ œ œ œ œ œ œ Ó ‰ œ œ œ œ œ œ œ œ J J œ™ Œ ‰œ fight this war with-out wea-pons And I want - ed it I want-ed it bad But ### & ˙ ˙ ˙ ˙ ˙ ˙ Pno. ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ # ?## w w w w 16 # # j Voice { # œ Œ ‰ Ó Œ ‰ j & œ™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ there were so man-y red flags Now an-oth - er oneœbiœtes the dust Yeah, ### & ˙ ˙ ˙ ˙ ˙ ˙ Pno. ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ?### w w w w 20 # Voice { ## j j & œ™ œ œ œ œ œ œ œ Œ œ œ œ œ œ ˙™ œ œ Œ Ó let's be clear, I trust no one You did nœot break me ### & ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ Pno. ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ?### w w w w w 25 # # Voice { # Ó Œ Œ ‰ j & œ œ œ œ œ ˙™ œ œ œ œ œ œ œ I'm still figœht-ing for peace And I've got thick skin ### & ˙ ˙œ œ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ Pno.
    [Show full text]
  • CLASSIC SONGS (60S/70S/80S/90S)
    MODERN SONGS (2000 – today) ARTIST SONG ARTIST SONG Adele Someone Like You John Mayer Waiting On The World To Change Adele Rolling In The Deep John Mayer Gravity Adele Set Fire To The Rain John Mayer Slow Dancing In A Burning Room John Mayer Stop This Train Alicia Keys If I Ain’t Got You Aloe Blacc I Need A Dollar Justin Timberlake Suit & Tie Amy Winehouse Rehab Justin Timberlake Rock Your Body Amy Winehouse Valerie Justin Timberlake Senorita Angus & Julia Stone Big Jet Plane Kings Of Leon Use Somebody Ben Harper Steal My Kisses Kings Of Leon Sex On Fire Beyonce Love On Top LMFAO Party Rocking Bruno Mars Just The Way You Are LMFAO Sexy And I Know It Bruno Mars Locked Out Of Heaven Maroon 5 This Love Bruno Mars Lazy Song Maroon 5 Moves Like Jagger Carly Rae Jepsen Call Me Maybe Maroon 5 She Will Be Loved Cee Lo Green Forget You Maroon 5 Sunday Morning Daniel Merriweather Change Michael Buble Home David Guetta feat.Sia Titanium Michael Buble Everything David Gray The One I Love Michael Buble How Sweet It Is Ed Sheeran The A-Team Mumford & Sons The Cave Foster The People Pumped Up Kicks Mumford & Sons Little Lion Man Foster The People Call It What You Want Neyo Closer Frank Ocean Thinkin Bout You Neyo So Sick Frank Ocean Sweet Life Norah Jones Come Away With Me fun. We Are Young Norah Jones Don’t Know Why George Michael Amazing Outkast Hey Ya Gnarls Barkley Crazy Outkast Roses Gotye Heart's A Mess Paolo Nutini Jenny Don't Be Hasty Gotye I Feel Better Pete Murray Feeler Gotye In Your Light Pete Murray So Beautiful Gotye Somebody That I Used
    [Show full text]
  • Cassadaga Hosts Butterfly Release
    Land inside DELAND/LAKE HELEN DELEON SPRINGS PIERSON Lines Hydroblasting the lagoon just not a good idea Page A3 Vol. 5, No. 19 Your Local News and Information Source • www.HometownNewsOL.com Friday, Aug. 19, 2016 Community World’s challenges lure DeLand notes DeLand library hosts man; family brings him back 'Living with Alligators' By Erika Webb The off-the-beaten-path ventures through Tellu- [email protected] ride, Ouray, and the ghost town of Sherman, cross- A representative from the ing 13 major 12,000- to 13,000-foot passes, the site Scott Brockmeier is a healer by profession, an notes. The highest point on the loop course is the Florida Fish and Wildlife Con- adventurer by nature and has achieved monumental servation Commission will 14,048 Handies Peak summit. goals while balancing both. “In order to complete the event, instead of explain the do’s and don’ts of His are lofty goals. living with alligators at 11 a.m. crossing a finish line, runners are required to Last month Mr. Brockmeier, a traveling Regis- ‘kiss the Hardrock,’ a picture of a ram’s head Friday, Aug. 19, at the DeLand tered Nurse, whose home base is in DeLand, ran 100 Regional Library, 103 E. painted on a large block of stone mining debris,” miles through the San Juan Mountains in Colorado the website explains. Howry Ave. in 39 hours. The average elevation was 11,000 feet. I n Pick up some safety tips and Mr. Brockmeier has kissed the rock nine times. 2012, Mr. Brockmei- The Hardrock Hundred Mile Endurance Run He has participated 11 times, but twice didn’t finish.
    [Show full text]
  • Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
    Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer.
    [Show full text]
  • Rachel Laing Song List - Updated 28 02 2019
    RACHEL LAING SONG LIST - UPDATED 28 02 2019 SONG TITLE ORIGINAL ARTIST VERSION (IF NOT ORIGINAL) 3AM MATCHBOX 20 100 YEARS FIVE FOR FIGHTING 500 MILES (I'M GONNA BE) THE PROCLAIMERS 93 MILLION MILES JASON MRAZ A HORSE WITH NO NAME AMERICA A THOUSAND MILES VANESSA CARLTON A THOUSAND YEARS CHRISTINA PERRI A WHITE SPORTS COAT MARTY ROBBINS ABOVE GROUND NORAH JONES ADORN MIGUEL ADVANCE AUSTRALIA FAIR NATIONAL ANTHEM AHEAD OF MYSELF JAMIE LAWSON AINT NO SUNSHINE BILL WITHERS ALIVE SIA ALL ABOUT THAT BASS MEGHAN TRAINOR ALL OF ME JOHN LEGEND ALL THE SMALL THINGS BLINK 182 ALL TIME LOW JOHN BELLION ANDY GRAMMER ALWAYS ON MY MIND ELVIS AM I EVER GONNA SEE YOUR FACE AGAIN THE ANGELS RACHEL LAING AM I NOT PRETTY ENOUGH KASEY CHAMBERS AM I WRONG NICO & VINZ AMAZING GRACE AND THE BOYS ANGUS & JULIA STONE ANGEL SARAH MCLAUGHLAN ANGELS ROBBIE WILLIAMS ANNIES SONG JOHN DENVER ANOTHER DAY IN PARADISE PHIL COLLINS APOLOGIZE ONE REPUBLIC APRIL SUN IN CUBA DRAGON ARE YOU GONNA BE MY GIRL JET ARE YOU OLD ENOUGH DRAGON ARMY OF TWO OLLY MURS AT LAST ETTA JAMES AULD LANG SYNE AUTUMN LEAVES NAT KING COLE EVA CASSIDY BABY CAN I HOLD YOU TRACEY CHAPMAN BACK TO DECEMBER TAYLOR SWIFT BAD MOON RISING CREEDENCE CLEARWATER REVIVAL BAIL ME OUT PETE MURRAY BASKET CASE SARA BARELLIS BE HERE TO LOVE ME NORAH JONES BE MY SOMEBODY NORAH JONES BEAUTIFUL IN MY EYES JOSHUA KADISON BESEME MUCHO BEST FRIENDS BRANDY BETTE DAVIS EYES KIM CARNES BETTER BE HOME SOON CROWDED HOUSE BETTER MAN PEARL JAM BETTER THAN JOHN BUTLER TRIO BIG DEAL LEANNE RIMES BIG JET PLANE ANGUS & JULIA STONE
    [Show full text]
  • Week 26-2013 Soundscan Chartpack.Xlsx
    AllSonyMusicEntertainmenttitlesareboldedandcolorͲcodedbylabelgroup. =ColumbiaRecords =RCARecords =EpicRecords =SonyMusicNashville =REDDistributedTitles =AllOtherSonyMusicLabels/Groups ClickonChartNametojumptothatchart: TheBillboard200 CurrentAlbums AlbumswTEA DigitalSongs DigitalTracks DigitalAlbums NewArtistAlbums CatalogAlbums MusicVideos IndieAlbums VinylAlbums PhysicalAlbums InternetAlbums TopSingles SonyAlbums AlbumsByStrata Billboard200ͲWeek26Ͳ2013SoundScanChartpack.xlsx CHART:TopAlbums:BillboardTop200 Weeks Label 2W LW TW Artist Title TW % LW RTD On Rank Rank Rank Sales CHG Sales Sales 1 ATL 1 WALE THEGIFTED 158,325 999 149 158,474 2 COL 2 2 COLE*J. BORNSINNER 84,425 Ͳ72 296,642 381,400 2 DEF 1 3 WEST*KANYE YEEZUS 64,501 Ͳ80 326,841 391,515 1 ATLG 4 SKILLET RISE 59,594 999 242 60,001 6 COL 2 6 5 DAFTPUNK RANDOMACCESSMEMORIES 30,988 Ͳ23 40,079 613,651 30 RͲRN 5 8 6 FLORIDAGEORGIALINE HERE'STOTHEGOODTIMES 30,805 Ͳ7 33,255 790,970 1 MOT 7 INDIA.ARIE SONGVERSATION 30,555 999 149 30,704 43 INT 11 10 8 IMAGINEDRAGONS NIGHTVISIONS 28,919 13 25,596 1,108,815 1 T&NR 9 AUGUSTBURNSRED RESCUE&RESTORE 25,661 999 164 25,858 3RͲRR 1 5 10 BLACKSABBATH 13 25,364 Ͳ44 45,523 226,938 2RͲRR 4 11 ROWLAND*KELLY TALKAGOODGAME 24,580 Ͳ64 67,886 92,703 38 MACK 17 15 12 MACKLEMORE&RYANLEWIS THEHEIST 23,404 3 22,783 866,795 29 ATLG 19 11 13 MARS*BRUNO UNORTHODOXJUKEBOX 22,849 Ͳ10 25,423 1,465,691 2 RTUM 3 14 MILLER*MAC WATCHINGMOVIESWITHTHESOUND 22,833 Ͳ78 101,600 124,541 14 WAR 7 12 15 SHELTON*BLAKE BASEDONATRUESTORY 22,322 Ͳ11 25,037 702,706 65 ATLG 80 7
    [Show full text]
  • Sing! 1975 – 2014 Song Index
    Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo ..
    [Show full text]