When Did Chu Chuan Chuan 2 Start Shooting? Is It True That Zhao Liying Has Been Replaced? TV Drama News 豆豆网
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Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
Donnie Yen's Kung Fu Persona in Hypermedia
Studies in Media and Communication Vol. 4, No. 2; December 2016 ISSN 2325-8071 E-ISSN 2325-808X Published by Redfame Publishing URL: http://smc.redfame.com Remediating the Star Body: Donnie Yen’s Kung Fu Persona in Hypermedia Dorothy Wai-sim Lau1 113/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong Correspondence: Dorothy Wai-sim Lau, 13/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong. Received: September 18, 2016 Accepted: October 7, 2016 Online Published: October 24, 2016 doi:10.11114/smc.v4i2.1943 URL: http://dx.doi.org/10.11114/smc.v4i2.1943 Abstract Latest decades have witnessed the proliferation of digital media in Hong Kong action-based genre films, elevating the graphical display of screen action to new levels. While digital effects are tools to assist the action performance of non-kung fu actors, Dragon Tiger Gate (2006), a comic-turned movie, becomes a case-in-point that it applies digitality to Yen, a celebrated kung fu star who is famed by his genuine martial dexterity. In the framework of remediation, this essay will explore how the digital media intervene of the star construction of Donnie Yen. As Dragon Tiger Gate reveals, technological effects work to refashion and repurpose Yen’s persona by combining digital effects and the kung fu body. While the narrative of pain and injury reveals the attempt of visual immediacy, the hybridized bodily representation evokes awareness more to the act of representing kung fu than to the kung fu itself. -
7015 B Program P.Indd
From the Queen to the Chief Executive: May 4–6 Hong Kong Films 2007 10 Years After the Handover 香港電影縱橫﹕ 展與談 1 I am absolutely thrilled to welcome you to our fi rst Hong Kong fi lm Schedule at a glance festival, From the Queen to the Chief Executive: Hong Kong Films Ten Years After the Handover. This important event fi rst and foremost celebrates the friday, may 4 2:30 pm–4:15 pm achievements of Hong Kong fi lm and its impact on a new and ever- Banana Bruises; Royal Ontario Museum changing global culture. From the Queen to the Chief Executive also provides Dumplings Theatre, 100 Queen’s Park a forum to contemplate developments on Hong Kong since its historic 4:15 pm–5:15 pm 6:15 pm–7:15 pm return to China in 1997. Film is a lens through which to understand the Horror Panel VIP Reception dynamics of a changing society and the world around it. Film provides 5:15 pm–6:30 pm Royal Ontario Museum – an important platform, a medium, for telling peoples’ stories. In this Dinner Break Glass Room on the respect, fi lm is both critical and celebratory, it challenges and re- 4th Floor 6:30 pm–8:35 pm affi rms. Its impact is political, social, economic, cultural and often Venues 7:00 pm Eastbound; Welcome leaves legacies of historical import. Doors Open Lost in Time to the First 7:30 pm–7:40 pm 8:35 pm–9:00 pm The Asian Institute is an inter-disciplinary home to scholars working iiX iiX iiX iiX Break Waddg Waddg Welcoming Remarks University on Asia, comprising leading scholars in the humanities and social VkZcjZgY YZdch]^gZea 7:40 pm–9:30 pm 9:00 pm–11:00 pm sciences. -
The Birth of East Asia Cultural Regionalization Through Co-Production Strategies
Dal Yong Jin & Dong-Hoo Lee The Birth of East Asia Cultural Regionalization through Co-Production Strategies Introduction East Asian cultural producers have rapidly which we have that others have not.”4 As in many increased co-productions over the past several countries, television particularly remains primarily years. The Japanese, Chinese, Taiwanese, and a national phenomenon in East Asia, and the Korean cultural industries have produced cross- domestic state plays a significant role in shaping cultural outputs, including films, television national television systems.5 dramas, and music. Local cultural industries Producers in the region, however, have and producers in East Asia have begun pooling increasingly turned to international co- financial and cultural resources, which is a useful productions since the late 1990s, because the Pan- means to compete with cultural products from Asian co-production mode takes advantage of the other regions, particularly those from Hollywood, joint consumption cost structure. It entails jointly and have produced a few cross-cultural hits since developing and producing film and television the late 1990s.1 programs with attributes which make them Unlike in many other parts of the world, co- accessible to audiences in more than one national production strategies in East Asia are relatively market.6 Filmmakers and television networks, new phenomena. Until a few years ago, East Asia including independent producers, are now rapidly was viewed as a jumble of provincial cultural reaching beyond their local and national audiences markets. Cultural works in Japan, China, Korea, to attract regional and global viewers. Hong Kong, and Taiwan were made largely for This article examines the recent trends of domestic markets. -
List of Action Films of the 2010S - Wikipedia, the Free Encyclopedia
List of action films of the 2010s - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/List_of_action_films_of_the_2010s List of action films of the 2010s From Wikipedia, the free encyclopedia This is an incomplete list, which may never be able to satisfy particular standards for completeness. You can help by expanding it (//en.wikipedia.org /w/index.php?title=List_of_action_films_of_the_2010s&action=edit) with reliably sourced entries. This is chronological list of action films originally released in the 2010s. Often there may be considerable overlap particularly between action and other genres (including, horror, comedy, and science fiction films); the list should attempt to document films which are more closely related to action, even if it bends genres. Title Director Cast Country Sub-Genre/Notes 2010 13 Assassins Takashi Miike Koji Yakusho, Takayuki Yamada, Yusuke Iseya Martial Arts[1] 14 Blades Daniel Lee Donnie Yen, Vicky Zhao, Wu Chun Martial Arts[2] The A-Team Joe Carnahan Liam Neeson, Bradley Cooper, Quinton Jackson [3] Alien vs Ninja Seiji Chiba Masanori Mimoto, Mika Hijii, Shuji Kashiwabara [4][5] Bad Blood Dennis Law Simon Yam, Bernice Liu, Andy On [6] Sorapong Chatree, Supaksorn Chaimongkol, Kiattisak Bangkok Knockout Panna Rittikrai, Morakot Kaewthanee [7] Udomnak Blades of Blood Lee Joon-ik Cha Seung-won, Hwang Jung-min, Baek Sung-hyun [8] The Book of Eli Albert Hughes, Allen Hughes Denzel Washington, Gary Oldman, Mila Kunis [9] The Bounty Hunter Andy Tennant Jennifer Aniston, Gerard Butler, Giovanni Perez Action comedy[10] The Butcher, the Chef and the Wuershan Masanobu Ando, Kitty Zhang, You Benchang [11] Swordsman Centurion Neil Marshall Michael Fassbender, Olga Kurylenko, Dominic West [12] City Under Siege Benny Chan [13] The Crazies Breck Eisner Timothy Olyphant, Radha Mitchell, Danielle Panabaker Action thriller[14] Date Night Shawn Levy Steve Carell, Tina Fey, Mark Wahlberg Action comedy[15] The Expendables Sylvester Stallone Sylvester Stallone, Jason Statham, Jet Li [16] Faster George Tillman, Jr. -
Let the Bullets Fly Shaolin the Stool Pigeon Triple
FOR IMMEDIATE RELEASE WELL GO USA ACQUIRES NORTH AMERICAN RIGHTS TO A SLATE OF FILMS FROM EMPEROR MOTION PICTURES LET THE BULLETS FLY #1 Domestically Produced Film in China starring Chow Yun-Fat and Jiang Wen SHAOLIN Starring Andy Lau, Nicholas Tse, Fan Bingbing and Jackie Chan THE STOOL PIGEON Starring Nicholas Tse and Nick Cheung TRIPLE TAP Starring Louis Koo, Daniel Wu, Charlene Choi and Li Bingbing PLANO, TEXAS. (June XX, 2011) -- Well Go USA has acquired all rights for the North American market to four films from Hong Kong-based Emperor Motion Pictures. Included in the deal are Let the Bullets Fly, starring Chow Yun-fat and Jiang Wen; Shaolin, starring Andy Lau, Nicholas Tse, Fan Bingbing and Jackie Chan; The Stool Pigeon starring Nicholas Tse and Nick Cheung; and Triple Tap starring Louis Koo, Daniel Wu, Charlene Choi and Li Bingbing. “We are pleased to have made this deal with Emperor Motion Pictures, one of the premiere producers of top-level Asian films in China and Hong Kong, and even more excited to bring these thrilling films to passionate new fans,” said Doris Pfardrescher, President Well Go USA Entertainment. “This acquisition solidifies our position as the leading distributor of Asian films to the North American market.” Albert Lee, chief executive officer of Emperor Motion Pictures, said: “This is a perfect partnership in terms of talent and resources. With Well Go’s track record, we are confident that these films which have done so well in our home territory will now enjoy a much wider Western audience base.” Let the Bullets Fly, directed by Jiang Wen (Devils on the Doorstep, New York I Love You), is the #1 domestically produced film in China and #2 all-time box office champ in China behind Avatar. -
Cantopop Songs of All Time!
THE GREATEST CANTOPOP SONGS OF ALL TIME! Forty years ago, Hong Kong saw the birth of Cantopop, a style of music which would become one of the city’s most iconic cultural offerings. To mark its 40th anniversary, Arthur Tam looks back over the history of the equally loved and derided genre – and explores its evolution and importance through its most beloved songs, one year at a time… 30 timeout.com.hk The early years The Fatal Irony <<啼笑姻緣>> Sandra Lang (仙杜拉) In 1974, during the boom of HK media, 1975 a theme song to a popular drama, << The Fatal Irony <<啼笑姻緣>>, would change everything. It became a massive hit, arguably becoming the 獅 first ever Cantopop song, and starting 子 the procession of not only theme tunes 山 1974 to every TV drama, but a new music 下 genre itself. It retains a resemblance >> to traditional Chinese harmonies and melodies, but enters a new world of pop. bit.ly/fatalirony1974 The first Cantopop songstress Sandra Lang The Chinese-American singer of arguably the first ever Cantopop hit, Fatal Irony <<啼笑姻緣>>, reflects on that song, four decades on… “It was great to have had Cantopop then or else the Cantonese language would have died. I was very Sam Hui (許冠傑) lucky to have Fatal Irony <<啼笑姻緣>>. It was a The Genius and the Idiot Featuring in the titular movie, which was gift from God. No one had ever done a song like this popularised due to its slapstick humour, before and it became popular because people are good listeners. I never claimed that Fatal Irony was the first Cantopop song, but that’s this song features a strong British rock just what people keep telling me. -
Online Writer Now a Favorite of TV Producers Paragliding Takes Off At
CHINA DAILY | HONG KONG EDITION Wednesday, December 12, 2018 | 19 YOUTH Yang Liuqing, a Racing into the future popular female skater in China, sees a bright prospect for the sport among An increasing number of young women are taking to skateboarding, Li Yingxue reports. the country’s girls. hen Chinese street called on every audience member skater Yang Liuqing to cheer for Yang. encountered US park “He said I needed more encour skater Lizzie Armanto agement, and led the audience to at W the Vans Park Series Pro Tour call my name loudly and applaud for finals of 2018, the world’s top men’s me. And they did! and women’s park terrain skate “I was so encouraged and finally boarding competition held in Suz did that trick.” hou, Jiangsu province, over Oct 26 As the competition was held in 27, Yang says she felt a connection her hometown, Yang thought there with Armanto. might be some of her friends or Speaking about the meeting, classmates that were cheering for Yang, 28, says: “That’s the beauty of her, but when she finished the jump skateboarding — we don’t need to ing, she found that there was talk — we skaters have this kind of nobody she knew. understanding.” “I might not have been the best on Yang, one of the most popular the field, but the audience cheered female skaters in China, was in Suz for me. And that was when I realize hou as she was invited to watch the the charm of the sport.” final showcase of the world tour, Over the past few years, Yang has which pitted the topranking 2018 practiced skateboarding in her Pro Tour athletes against select VPS spare time after work. -
China Mengniu Dairy Company Limited 中國蒙牛乳業有限公司
Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. CHINA MENGNIU DAIRY COMPANY LIMITED 中國蒙牛乳業有限公司* (Incorporated in the Cayman Islands with limited liability) (Stock Code: 2319) ANNOUNCEMENT OF THE INTERIM RESULTS FOR THE SIX MONTHS ENDED 30 JUNE 2018 HIGHLIGHTS • Mengniu, for the tenth consecutive year, made it on the “Global Dairy Top 20” list published by Rabobank, continuing to place itself among the top 10 of dairy industry. It was named one of the top 20 in the BrandZTM list of the most valuable Chinese brands for the fourth consecutive year and ranked first on the brand contribution list. • Mengniu, as an Official 2018 FIFA World CupTM Sponsor, was able to push forward with its international brand building and promote four categories comprising a total of 161 products under 27 brands through its large scale all-channel integrated marketing activity. The “FIFA World Cup Fun, Scan the code for Red Packet 100%” (“Scan the Code for Red Packet”) activity received overwhelming responses with accumulatively more than 230 million times of code scanning. • Mengniu’s room temperature and chilled products further strengthened their market leadership. Room temperature products continued to push for high-end brand upgrades. Room temperature yogurt achieved satisfactory growth in sales driven by launch of new products. -
Online Literature in China
CREATe Working Paper 2019-02 (March 2019) Online Literature in China Authors Shen, X Williams, R Zheng, S Li, Y Liu, Y Gerst, M CREATe Working Paper Series 10.5281/zenodo.2590572. This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. !1 Convergence or differentiation in IP protection? A case study of new models for digital film, music and e-fiction production and distribution in China An Introductory Note These CREATe working papers comprise three reports, Online Music in China, Online Literature in China and Online Film in China. They are part of the deliverables from the most exciting research project I have conducted in the last nearly thirty years, “Convergence or differentiation in IP protection? A case study of new models for digital film, music and e- fiction production and distribution in China”.1 I was very fortunate to have a strong team of passionate colleagues in China and in the UK to work with me. There were two AHRC research grants - (1) the AHRC China Digital Copyright Centre and Newton Fund (RGS 116357) and (2) the RCUK Research Centre for Copyright and New Business Models in the Creative Economy (CREATe) (AH/K000179/1) that enabled us to conduct the field investigation in China during the period from December 2015 to April 2017. To describe the research as “the most exciting project” is not, to whichever extent, an overstatement. While testing the interests of local players to the research topic for preparing the research proposal, we had already had some understandings for interview with potential respondents from Internet intermediaries and IP professionals in China. -
Tilburg University Biaoqing on Chinese Social Media Lu, Y
Tilburg University Biaoqing on Chinese Social Media Lu, Y. Publication date: 2020 Document Version Publisher's PDF, also known as Version of record Link to publication in Tilburg University Research Portal Citation for published version (APA): Lu, Y. (2020). Biaoqing on Chinese Social Media: Practices, products, communities and markets in a knowledge economy . [s.n.]. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 06. okt. 2021 Biaoqing on Chinese Social Media Practices, products, communities and markets in a knowledge economy Biaoqing on Chinese Social Media Practices, products, communities and markets in a knowledge economy PROEFSCHRIFT ter verkrijging van de graad van doctor aan Tilburg University, op gezag van de rector magnificus, prof. dr. K. Sijtsma, in het openbaar te verdedigen ten overstaan van een door het college voor promoties aangewezen commissie in de Aula van de Universiteit op woensdag 19 augustus 2020 om 16.30 uur door LU Ying geboren te Hebei, China Promotores: prof. -
China Luxury Forecast 2020
罗德传播集团 与 精确市场研究中心 Ruder Finn & Consumer Search Group February 2020 TABLE OF CONTENTS 01 FOREWORD 5 02 EXECUTIVE SUMMARY 6 03 SURVEY METHODOLOGY 8 04 PURCHASING OVERVIEW AND CONSUMPTION FORECAST 11 Less Optimistic Outlook Strong Performance in 3rd-and-Lower-Tier Cities Clothing and Jewelry: The Crown Jewel Younger Consumers, More Mature Attitudes 05 ONLINE VS OFFLINE PURCHASES 24 E-commerce: Tmall Leads While Official-Brand Websites Gain Momentum Price-Conscious vs Convenience-Focused 06 LOCAL AND OVERSEAS SHOPPING 33 Preference for Local Shopping Japan Overtakes Hong Kong as Most Favorite Travel Destination 07 INFORMATION AND INFLUENCE 47 Omni-Channel with Digital Focus KOLs and Celebrities Most Influential in Clothing, Beauty & Cosmetics and Jewelry Paid Cooperation Between Brands and KOLs/ Celebrities Highly Accepted 08 LOYALTY PROGRAMS 59 09 WINNING BRANDS 64 Watches Jewelry Clothing Handbags & Leather Goods Beauty & Cosmetics Wine & Spirits Travel 10 SUGGESTION FOR BRANDS 91 3 01 4 02 FOREWORD01 We are delighted to share with you the 2020 China However, geopolitical uncertainties and slow growth Luxury Forecast. Since its launch in 2009, the China for the Chinese economy are casting shadows over Luxury Forecast has been closely monitoring Chinese the 2020 forecast, with a distinct increase in the luxury consumers in terms of their purchasing behavior, number of consumers planning to reduce spending brand engagement and consumption sentiments. in 2020. This less optimistic outlook sets the stage for more challenges coupled with the outbreak of Notwithstanding the impact of Sino-US trade tensions Novel Coronavirus Pneumonia epidemic across and regional challenges in 2019, luxury consumption in China at the beginning of 2020, which is expected to Mainland China still witnessed a strong growth rate of severely affect retail, consumption, and consumer 26%, outperforming the national GDP growth rate of confidence in general.