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Paper Number: 63 May 2007 Before and After the Fall: Mapping Hong
Paper Number: 63 May 2007 Before and after the Fall: Mapping Hong Kong Cantopop in the Global Era Stephen Yiu-wai Chu Hong Kong Baptist University The author welcome comments from readers. Contact details: Stephen Yiu-wai Chu, Department of Chinese Language and Literature, Hong Kong Baptist University, Hong Kong Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. -
Yao Ming Still Most Engaging Chinese Celebrity : R3 by David Blecken on Mar 31, 2011 (5 Hours Ago) Filed Under Marketing, China
# 页码,1/4 Network Asia-Pacific Know it now... News People Video Blogs & Opinions Rankings & Research Creativity Marketing Home / Marketing / Rankings & Research / Research Reports Yao Ming still most engaging Chinese celebrity : R3 By David Blecken on Mar 31, 2011 (5 hours ago) filed under Marketing, China BEIJING – Yao Ming remains China’s most popular celebrity, closely followed by hurdler Liu Xiang and Jackie Chan, according to Enspire, a study by marketing consultancy R3. KEYWORDS yao ming, liu xiang, jackie chan, r3, enspire, celebrity, china AGENCY r3 INDUSTRY marketing RELATED Yao Ming's popularity is linked to his attitude towards CSR NBA star Yao Ming partners with Monster Cable to Kobe Bryant was the only foreign celebrity to make the top thirty ranking, launch Yao Monster coming in eighth. Other prominent personalities within the top 10 were Andy Sprite rolls out 'green Lau, Faye Wong, Jet Li, Leehom Wang, Jacky Cheung and Jay Chou. carpet' for China premier of The Green Hornet However, the calculated value of the top two stars was significantly higher than Maxus Guangzhou seals http://en.campaignchina.com/Article/252958,yao-ming-still-most-eng... 2011-03-31 # 页码,2/4 Maxus Guangzhou seals Ping An Insurance Group’ the others. Both Yao and Liu received a value rating of more than 130, while s two-year media contract Chan was valued at 68. Provincial China still largely untapped : Nielsen Sunny Chen, a senior researcher at the company, attributed Yao’s popularity to his perceived prowess as a sports person, his “strong moral values” and Porsche calls pitch in China active participation in corporate social responsibility (CSR) initiatives. -
Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
Donnie Yen's Kung Fu Persona in Hypermedia
Studies in Media and Communication Vol. 4, No. 2; December 2016 ISSN 2325-8071 E-ISSN 2325-808X Published by Redfame Publishing URL: http://smc.redfame.com Remediating the Star Body: Donnie Yen’s Kung Fu Persona in Hypermedia Dorothy Wai-sim Lau1 113/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong Correspondence: Dorothy Wai-sim Lau, 13/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong. Received: September 18, 2016 Accepted: October 7, 2016 Online Published: October 24, 2016 doi:10.11114/smc.v4i2.1943 URL: http://dx.doi.org/10.11114/smc.v4i2.1943 Abstract Latest decades have witnessed the proliferation of digital media in Hong Kong action-based genre films, elevating the graphical display of screen action to new levels. While digital effects are tools to assist the action performance of non-kung fu actors, Dragon Tiger Gate (2006), a comic-turned movie, becomes a case-in-point that it applies digitality to Yen, a celebrated kung fu star who is famed by his genuine martial dexterity. In the framework of remediation, this essay will explore how the digital media intervene of the star construction of Donnie Yen. As Dragon Tiger Gate reveals, technological effects work to refashion and repurpose Yen’s persona by combining digital effects and the kung fu body. While the narrative of pain and injury reveals the attempt of visual immediacy, the hybridized bodily representation evokes awareness more to the act of representing kung fu than to the kung fu itself. -
“Rappers React to Covid-19”: What the Mobilisation of Chinese Rappers Teachers Us About Artistic Engagement in Times of Crisis
China Perspectives 2021/1 | 2021 Agency Beyond Precarity: Platforms and the Multiplication of Labour Regimes in China “Rappers React to Covid-19”: What the Mobilisation of Chinese Rappers Teachers Us about Artistic Engagement in Times of Crisis Grégoire Bienvenu Translator: Elizabeth Guill Electronic version URL: https://journals.openedition.org/chinaperspectives/11455 DOI: 10.4000/chinaperspectives.11455 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 March 2021 Number of pages: 49-53 ISSN: 2070-3449 Electronic reference Grégoire Bienvenu, ““Rappers React to Covid-19”: What the Mobilisation of Chinese Rappers Teachers Us about Artistic Engagement in Times of Crisis”, China Perspectives [Online], 2021/1 | 2021, Online since 01 March 2021, connection on 02 July 2021. URL: http://journals.openedition.org/ chinaperspectives/11455 ; DOI: https://doi.org/10.4000/chinaperspectives.11455 © All rights reserved Current Affairs china perspectives “Rappers React to Covid-19”: What the Mobilisation of Chinese Rappers Teaches Us about Artistic Engagement in Times of Crisis GRÉGOIRE BIENVENU KEYWORDS: Covid-19, hip-hop, rap, China, charity songs. “It’s for the soldiers fighting in the hospitals all night Thanks for the lanterns lighting up the dark” — AR ft. Q.luv1 he “ad hoc coming together of popular musicians to record discs and/ become music for a wide audience in China, notably thanks to the success or perform on stage with the aim of raising funds for philanthropic of the programme The Rap of China (Zhongguo you xiha 中國有嘻哈), T purposes is known as charity rock.” Charity songs rely on the media broadcasted in 2017 on iQiyi. -
7015 B Program P.Indd
From the Queen to the Chief Executive: May 4–6 Hong Kong Films 2007 10 Years After the Handover 香港電影縱橫﹕ 展與談 1 I am absolutely thrilled to welcome you to our fi rst Hong Kong fi lm Schedule at a glance festival, From the Queen to the Chief Executive: Hong Kong Films Ten Years After the Handover. This important event fi rst and foremost celebrates the friday, may 4 2:30 pm–4:15 pm achievements of Hong Kong fi lm and its impact on a new and ever- Banana Bruises; Royal Ontario Museum changing global culture. From the Queen to the Chief Executive also provides Dumplings Theatre, 100 Queen’s Park a forum to contemplate developments on Hong Kong since its historic 4:15 pm–5:15 pm 6:15 pm–7:15 pm return to China in 1997. Film is a lens through which to understand the Horror Panel VIP Reception dynamics of a changing society and the world around it. Film provides 5:15 pm–6:30 pm Royal Ontario Museum – an important platform, a medium, for telling peoples’ stories. In this Dinner Break Glass Room on the respect, fi lm is both critical and celebratory, it challenges and re- 4th Floor 6:30 pm–8:35 pm affi rms. Its impact is political, social, economic, cultural and often Venues 7:00 pm Eastbound; Welcome leaves legacies of historical import. Doors Open Lost in Time to the First 7:30 pm–7:40 pm 8:35 pm–9:00 pm The Asian Institute is an inter-disciplinary home to scholars working iiX iiX iiX iiX Break Waddg Waddg Welcoming Remarks University on Asia, comprising leading scholars in the humanities and social VkZcjZgY YZdch]^gZea 7:40 pm–9:30 pm 9:00 pm–11:00 pm sciences. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
The Birth of East Asia Cultural Regionalization Through Co-Production Strategies
Dal Yong Jin & Dong-Hoo Lee The Birth of East Asia Cultural Regionalization through Co-Production Strategies Introduction East Asian cultural producers have rapidly which we have that others have not.”4 As in many increased co-productions over the past several countries, television particularly remains primarily years. The Japanese, Chinese, Taiwanese, and a national phenomenon in East Asia, and the Korean cultural industries have produced cross- domestic state plays a significant role in shaping cultural outputs, including films, television national television systems.5 dramas, and music. Local cultural industries Producers in the region, however, have and producers in East Asia have begun pooling increasingly turned to international co- financial and cultural resources, which is a useful productions since the late 1990s, because the Pan- means to compete with cultural products from Asian co-production mode takes advantage of the other regions, particularly those from Hollywood, joint consumption cost structure. It entails jointly and have produced a few cross-cultural hits since developing and producing film and television the late 1990s.1 programs with attributes which make them Unlike in many other parts of the world, co- accessible to audiences in more than one national production strategies in East Asia are relatively market.6 Filmmakers and television networks, new phenomena. Until a few years ago, East Asia including independent producers, are now rapidly was viewed as a jumble of provincial cultural reaching beyond their local and national audiences markets. Cultural works in Japan, China, Korea, to attract regional and global viewers. Hong Kong, and Taiwan were made largely for This article examines the recent trends of domestic markets. -
An Ideological Analysis of the Birth of Chinese Indie Music
REPHRASING MAINSTREAM AND ALTERNATIVES: AN IDEOLOGICAL ANALYSIS OF THE BIRTH OF CHINESE INDIE MUSIC Menghan Liu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill Esther Clinton © 2012 MENGHAN LIU All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis project focuses on the birth and dissemination of Chinese indie music. Who produces indie? What is the ideology behind it? How can they realize their idealistic goals? Who participates in the indie community? What are the relationships among mainstream popular music, rock music and indie music? In this thesis, I study the production, circulation, and reception of Chinese indie music, with special attention paid to class, aesthetics, and the influence of the internet and globalization. Borrowing Stuart Hall’s theory of encoding/decoding, I propose that Chinese indie music production encodes ideologies into music. Pierre Bourdieu has noted that an individual’s preference, namely, tastes, corresponds to the individual’s profession, his/her highest educational degree, and his/her father’s profession. Whether indie audiences are able to decode the ideology correctly and how they decode it can be analyzed through Bourdieu’s taste and distinction theory, especially because Chinese indie music fans tend to come from a community of very distinctive, 20-to-30-year-old petite-bourgeois city dwellers. Overall, the thesis aims to illustrate how indie exists in between the incompatible poles of mainstream Chinese popular music and Chinese rock music, rephrasing mainstream and alternatives by mixing them in itself. -
Jay Chou's Kuso Music
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2021 Jay Chou’s Kuso Music: Cultural Fusion in the Age of the Internet Stz-Tsung (Stone) Han Follow this and additional works at: https://scholarship.claremont.edu/cmc_theses Recommended Citation Han, Stz-Tsung (Stone), "Jay Chou’s Kuso Music: Cultural Fusion in the Age of the Internet" (2021). CMC Senior Theses. 2611. https://scholarship.claremont.edu/cmc_theses/2611 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Scripps College Jay Chou’s Kuso Music: Cultural Fusion in the Age of the Internet Submitted to Professor Hao Huang and Professor Bill Alves By Stz-Tsung (Stone) Han for Senior Thesis 2021 May 7th Han2 Abstract Jay Chou is one of the most significant singers in Chinese popular music history. One of Chou’s greatest achievements is his implementation of the Chinese “Egao” culture in his music, which originated from Japanese Kuso culture. Such an approach not only created his unique style but also allowed him to adopt various musical techniques together seamlessly. By doing so, Chou created a style that references multiple traditional musical conventions without being bound by any of them. This study aims to examine the evolution of the Kuso culture as well as Chou’s implementation of it. The development of Kuso is fostered by the popularization of the Internet in China and the popularity of Kuso artists such as Jay Chou. -
Chinese Audio DESCRIPTIONS
Chinese Audio DESCRIPTIONS Beginning Chinese I, Audio to follow Professor Chang’s textbook. Available Chapters 1-9 from website http://llc.mtsac.edu . Go to “Materials”>>”Online Audio/Video”. Choose “Chinese1.” Password is china. Beginning Chinese II, Audio to follow Professor Chang’s textbook. Available Chapters 1-5 from website http://llc.mtsac.edu . Go to “Materials”>>”Online Audio/Video”. Choose “Chinese2.” Password is china. Intermediate Chinese Level 3 - 2007 Chapters 1-Audio to follow Professor Chang’s textbook. Available 4 from website http://llc.mtsac.edu . Go to “Materials”>>”Online Audio/Video”. Choose “Chinese3.” Password is china. Intermediate Chinese Level 4 – 2007 Chapters 5- Audio to follow Professor Chang’s textbook. Available 8 from website http://llc.mtsac.edu . Go to “Materials”>>”Online Audio/Video”. Choose “Chinese4.” Password is china. Whole New World 1 Chinese Audio 12/5/2012 Chinese Internet Sites DESCRIPTIONS Chinese Character Search Engine http://search.yahoo.com/search?p=Chinese+Character+Search+E ngine&type= Internet _ Oxford Dictionary http://www.oxfordlanguagedictionaries.com/Home.html?direction= b-zh-en Learn Chinese Online http://www.csulb.edu/~txie/online.htm Learn Real Chinese Online - BBC http://www.bbc.co.uk/languages/chinese/real_chinese/ Prof. Dong Chinese 3 – Integrated Chinese – http://video.csupomona.edu/mdong/cheng-tsui.htm LVL 1 – Part 2 Quia _ Practice Chinese by subject http://www.quia.com/shared/search?category=9&adv_search=true Quizlet _ Chinese http://quizlet.com/subject/chinese/ Translate Chinese http://search.yahoo.com/search?p=Translate+Chinese&type= Translate to or from Chinese http://babelfish.yahoo.com/ Watch Taiwanese TV on line http://www.ttv.com.tw/videocity/ Zhongwen Website http://www.zhongwen.com 2 Chinese Internet 12/5/2012 CHINESE DVD DESCRIPTIONS Court Love Girls On the golf links, two boys and eight girls don’t know each other well.