Valda Setterfield

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VALDA SETTERFIELD THEATER THE LEAR PROJECT Dir John Scott Kilkenny Festival Live Arts/NY *Edinburgh Fringe Festival BEGINNING OF THE END OF THE... Pirandello/D.Gordon Joyce Soho ANCHISES/OCCUPANT Jonah Bokaer Abrons Art Ctr, Atlas Theater, Arsht Theater, UNCIVIL WARS: Moving w/Brecht & Eisler/Gordon Actors Studio/the Kitchen/Walker Art Ctr ARISTOPHANES IN BIRDONIA Aristophanes/D. Gordon Danspace THE CHAIRS Ionesco/D.Gordon Barbicon Theat/On The Boards/BAM NEXT WAVE DANCING HENRY FIVE Shakespeare/D. Gordon Walker Art Ctr./Lied Ctr/Danspace. ART, LIFE, AND SHOW-BIZ Ain Gordon Performance Space 122 WIT Dir Martha Banta Adirondacks Theatre Festival THE FIRST PICTURE SHOW D Gordon/A Gordon ACT/Mark Taper Forum/St. Clements BIRDSEED BUNDLES Ain Gordon DTW/ (Wkshps)Soho Rep/Public Theater THE SKRIKER Dir Mark Wing-Davey Public Theater THE SUMMER IN GOSSENSASS Written/Dir: Maria Irene Fornes Judith Anderson Theater THE FAMILY BUSINESS* D Gordon/A Gordon NY Theater Wkshp/ Mark Taper Forum THE MYSTERIES D Gordon SpoletoFest/LincnCtr./A.R.T,/Wkshps;Playwrights Hrzns/Guthrie BIRTH OF A POET Dir Richard Foreman BAM Next Wave Festival THE PHOTOGRAPHER Dir Joanne Akalaitis BAM Next Wave Festival THE $ VALUE OF MAN Dir Robert Wilson BAM Next Wave Festival DANCE MONUMENT 01-VALDA & GUS (Eszter Salamon avec Christophe Wavelet - Europe) CINQUANTE ANS DE DANSE (Boris Charmatz – Europe, Tate Modern, MOMA) PARADIGM (Joyce Theater, Symphony Space) WHITE OAK PROJECT (Tour w/Mikhail Baryshnikov - Europe/Japan) PICK UP PERFORMANCE CO.** (Founding member till present) MERCE CUNNINGHAM DANCE CO. (1964 to 1974) FILM DOUBT Dir John Patrick Shanley THE GURU Dir Daisy Von Scherler Mayer EVERYONE SAYS I LOVE YOU Dir Woody Allen MIGHTY APHRODITE Dir Woody Allen SIX DEGREES OF SEPARATION Dir Fred Schepisi LIVES OF PERFORMERS Dir Yvonne Rainer THE WEDDING PARTY Dir Brian De Palma TELEVISION AS THE WORLD TURNS Featured CBS MADE IN THE USA Dir Don Mischer PBS Great Performances w/Mikhail Baryshnikov MY FOLKS Dir John Sanborn/ David Gordon BBC 4 Great Britain BEYOND THE MAINSTREAM Dir Michael Blackwood PBS Dance In America AWARDS • *Herald Angel Award for Lear • *Obie Award • ** Bessie Award for Outstanding Achievement 2 OTHER BESSIES .

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170101 ATC Flexpass Interim Bro Outside
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Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, wfiMe others may be from any type of computer printer. Tfie quality of this reproducthm Is dependent upon ttie quality of the copy subm itted. Broken or indistinct print, ootored or poor quality illustrations and photographs, print bleodthrough. substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these wiU be noted. Also, if unauthorized copyright material had to t>e removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at ttie upper left-tiand comer and continuing from left to rigtit in equal sections with small overlaps. Photographs included in the original manuscript have t>een reproduced xerographically in this copy. Higtier qualify 6” x 9” black and white photographic prints are available for any pfiotographs or illustrations appearing in this copy for an additional ctiarge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMT CHILDREN'S DANCE: AN EXPLORATION THROUGH THE TECHNIQUES OF MERGE CUNNINGHAM DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Sharon L. Unrau, M.A., CM.A. The Ohio State University 2000 Dissertation Committee: Approved by Professor Emeritus Philip Clark Professor Seymour Kleinman, Advisor Assistant Professor Fiona Travis UMI Number 9962456 Copyright 2000 by Unrau, Sharon Lynn All rights reserved.
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2013 Year in Review
OPERA AMERICA 2013 GROWING ONSTAGE AND OFF OPTION 1 TABLE OF CONTENTS A SURGE OF INNOVATION 6 RESONATING IN NEW SPACES 14 A COMMUNITY OF VOICES 20 OPERA AMERICA FINANCIAL REPORT 28 ANNUAL FIELD REPORT 30 SUPPORT FOR OPERA AMERICA 55 COVER: Maria Aleida as Queen of the Night in Opera Carolina’s production of The Magic Flute. Photo by Jon Silla. LEFT: Nina Yoshida Nelsen, Ji Hyun Jang and Mihoko Kinoshita in Houston Grand Opera’s production of The Memory Stone by Marty Regan and Kenny Fries. Photo by Felix Sanchez. CONCEPT AND DESIGN FOR ANNUAL REPORT BY THE LETTER FROM THE CHAIRMAN Since its inception OPERA America has existed as a community of like-minded individuals committed to the artistic and financial strength of the field. This past year, our definition of community expanded: our conference, held in Vancouver, affirmed our commitment to all of North America, while our growing partnership with Opera Europa continued to bridge the continents through our shared dedication to an art form that knows no borders. Most profoundly, however, the opening of the National Opera Center in New York has created a new center for our community, a tangible space where individual and company members can gather for auditions, recitals and professional learning programs. The center’s technology capabilities enable us to share these offerings globally, even as its flexible amenities enable us to share our love for opera locally. We are delighted to present our global, national and local achievements of the past year through this Annual Report. To our members we offer gratitude for your support of these achievements.
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Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Eiko and Koma: Dance Philosophy and Aesthetic Shoko Yamahata Letton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE EIKO AND KOMA: DANCE PHILOSOPHY AND AESTHETIC By SHOKO YAMAHATA LETTON A Thesis submitted to the Department of Dance in partial fulfillment of the Requirements for the degree of Master of Arts Degree Awarded: Summer Semester, 2009 The members of the Committee approve the Thesis of Shoko Yamahata Letton defended on October 18, 2007. ____________________________________ Sally R. Sommer Professor Directing Thesis ____________________________________ Tricia H. Young Committee Member ____________________________________ John O. Perpener III Committee Member Approved: ___________________________________________ Patricia Phillips, Co-Chair, Department of Dance ___________________________________________ Russell Sandifer, Co-Chair, Department of Dance ___________________________________________ Sally E. McRorie, Dean, College of Visual Arts, Theatre and Dance The Graduate School has verified and approved the above named committee members. ii Dedicated to all the people who love Eiko and Koma. iii ACKNOWLEDGEMENTS This thesis would not have been completed without the following people. I thank Eiko and Koma for my life-changing experiences, access to all the resources they have, interviews, wonderful conversations and delicious meals. I appreciate Dr. Sally Sommer’s enormous assistance, encouragement and advice when finishing this thesis. I sincerely respect her vast knowledge in dance and her careful and strict editing which comes from her career as dance critic, and, her wonderful personality. Dr. William Sommer’s kindness and hospitality also allowed me to work extensively with his wife.
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