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Works from the Sammlung Verbund Collection, Vienna

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Works from the Sammlung Verbund Collection, Vienna CONTENTS PREFACE Maria Vittoria Marini Clarelli, Claude Bussac, Paul Dujardin, Karolina Peterson, Hubertus Gaßner, Brett Rogers, Karola Kraus, Peter Weibel, Hanne Beate Ueland, Terezie Petiskovä ................................................................................... 9 Gabriele Schor ON THE IDENTITY OF THE SAMMLUNG VERBUND COLLECTION, VIENNA 13 Gabriele Schor THE FEMINIST AVANT-GARDE A RADICAL REVALUATION OF VALUES 17 Mechtild Widrich THE FOURTH WALL TURNS PENSIVE FEMINIST EXPERIMENTS WITH THE CAMERA............................................................................................... 73 Merle Radtke PRESENCE AND ABSENCE ON THE LEGACY OF 1970S PERFORMANCE ART 79 Brigitte Borchhardt-Birbaum er VIENNA’S FEMALE ACTIONISTS FEMINIST POSITIONS IN AUSTRIA 85 WORKS FROM THE SAMMLUNG VERBUND COLLECTION, VIENNA Teresa Grandas HELENA ALMEIDA INHABITING ART ................................................................................................................. 93 Mirtes Marins de Oliveira LETICIA PARENTE THE BODY AND THE OPUS AS A WITNESS OF TIM ES................................................... 99 Abigail Solomon-Godeau ELEANOR ANTINRESISTING REPRESENTATION........................................................................................... 103 Gabriele Schor LORRAINE O'GRADY MLLE BOURGEOISE NOIRE........................................................................................... 109 Brigitte Kölle TERESA BURGA DIVERSE WORLDS ................................................................................................................. 113 Nora Hcglinger MARY BETH EDELSON"THE GODDESS IS US ' ............................................................................................... 121 Eva Krauthaker MARGOT PILZ PSYCHOANALYTICAL-PERFORMATIVE PHOTOGRAPHY.................................................... 127 Luisa Pauline Fink ESTHER FERRERREDUCTION AS RESISTANCE............................................................................................ 139 Angelandreina Rorro KETTY LA ROCCA REDUCTION OF LANGUAGE............................................................................................... 145 Michelle Marie Roy NIL YALTER PERFORMING "THE OTHER"....................................................................................................... 153 Daniela Hahn GINA PANE "A GLASS OF HOT MILK"................................................................................................................ 159 Jenni Sorkin CAROLEE SCHNEEMANNTHEATER OF RESPONSIVENESS........................................................................ 163 Astrid Helen Windingstad ANNEKE BARGER THE POSSIBILITIES OF THE MOMENT ........................................................................... 169 Julia Garimorth JUDY CHICAGOA STRUGGLE FOR EQUALITY.................................................................................................. 173 Brigitte Borchhardt-Birbaumer LINDA CHRISTANELL FINGER FAN AND THE WINGS OF ANDROGYNY.................................................... 179 Margit Zuckriegl KARIN MACK IN THE THEATER OF SELF-EVENTS ........................................................................................ 187 Beate Söntgen HANNAH WILKE SUPERSTAR............................................................................................................................. 193 Mechtild Widrich VALIE EXPORT BODY CINEM A........................................................................................................................... 203 Sophie Lauwers ULI DUJOURIE POETIC STRATEGIES......... ................................................................................................. 213 Daniela Hahn MARCELLA CAMPAGNANO THE INVENTION OF FEMINITY....................................................................... 217 Catherine J. Morris LYNDA BENGLIS NOTATIONS OF SELF.......................................................................................................... 221 Connie Butler LYNN HERSHMAN LEESON IDENTITY CIRCUIT........................................................................................... 225 Emese Kürti KATALIN LADIK TO RECLAIM THE FEMALE BODY...................................................................................... 229 Heather Jones JUDITH BERNSTEIN VERTICAL ..................................................................................................................... 235 Theresa Dann ULRIKE ROSENBACH FEMINIST INCURSION................................................................... 237 Inka Graeve Ingelmann MARTHA ROSLER THE HOME AS A BATTLEFIELD ..................................................................................... 245 Jessica Morgan RENATE BERTLMANN UNMASKS SOCIETY................................................................................................. 249 Birgitte Anderberg KIRSTEN JUSTESEN PERFORMING SCULPTURE - FEMINISTICALLY ................................................... 275 Merle Radtke LESLIE LABOWITZ AND SUZANNE LACY IN MOURNING AND IN RAGE ................................................ 277 Eva Badura-Triska EWA PARTUM THE SIGNIFICANCE OF THE FEMALE BODY....................................................................... 283 Gislind Nabakowski FRIEDERIKE PEZOLD THE NEW EMBODIED SIGN LANGUAGE .............................................................. 287 Giovanna Zapperi SUZANNE SANTORO TOWARDS NEW EXPRESSION .................................................................................. 291 Merle Radtke RITA MYERS A REVISION OF THE WELL-PROPORTIONED HUMAN BEING ........................................... 297 Gabriele Schor SUZY LAKE ON THE POLITICS OF ROLE-PLAY............................................................................................ 299 Hanne Beate Ueland MARTHA WILSON FEMINIST AND POLITICAL PERFORMANCE ARTIST .................................................. 303 Patricia Allm er ALEXIS HUNTER TOUCHING POINTS, POINTS OF TOUCH ........................................................................ 309 Leena Crasemann ANNEGRET SOLTAU SPINNING, ENMESHING, SEWING - EMANCIPATORY STRING-GAMES ..............317 Camille Morineau ORLAN EXPOSED BODY, BODY FOR SALE ................................................................................................... 325 Angela Sties PENNY SLINGER EXORCISM EXERCISES ...................................................................................................... 331 Stephanie Rosenthal ANA MENDIETA THE STATE OF "IN-BETWEEN" ..........................................................................................341 Gabriele Schor RENATE EISENEGGER "MY RAGE WAS MY STARTING POINT" .................................................................. 347 Peter Weibel BIRGIT JÜRGENSSEN BODY AS ART AGAINST THE SEMIOTICS OF CAPITAL ....................................... 355 Roxana Marcoci SANJA IVEKOVIC WOMAN AS POLITICAL SUBJECT.................................................................................... 391 Brigitte Borchhardt-Birbaumer BRIGITTE LANG METAL, SKIN-TIGHT ............................................................................................................ 397 Mirjam Westen LYDIA SCHOUTEN "HOW DOES IT FEEL TO BE A SEXOBJECT" .................................................................403 Elisabeth Bremen FRANCESCA WOODMAN PHOTOGRAPHIC TABLEAUX VIVANTS ............................................................... 407 Gabriele Schor CINDY SHERMAN SUBVERSIVE METAMORPHOSES .................................................................................... 455 APPENDIX Theresa Dann ARTISTS BIOGRAPHIES ..................................................................................................................................... 489 Daniela Hahn TIMELINE 1968-1980 ....................................................................................................................................... 515 Theresa Dann SELECTED BIBLIOGRAPHY.............................................................................................................................. 536 ACKNOWLEDGMENTS....................................................................................................................................... 558 PHOTO CREDITS ................................................................................................................................................ 559 IM PRINT................................................................................................................................................... 560.
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