Kmov channel 4 tv guide

Continue CBS affiliate in St. Louis Television station in Missouri, United StatesKMOV St. Louis, MissouriUnited StatesChannelsDigital: 24 (UHF)Virtual: 4 (PSIP)BrandingKMOV 4 (general)News 4 (newscasts)My TV St. Louis (DT3)SloganWatching Out for YouProgrammingAffiliations4.1: CBS4.2: Cozi TV4.3: MyNetworkTV4.4: Laff4.5: CircleOwnershipOwnerMeredith CorporationHistoryFoundedApril 1954First air dateJuly 8, 1954 (66 years ago) (1954-07-08)Former call signsKWK-TV (1954–1958)KMOX-TV (1958–1986)Former channel number(s)Analog:4 (VHF, 1954–2009)Digital:56 (UHF, 1998–2009)Former affiliationsSecondary:ABC (1954–1955)Subchannels:LWN (2010–2014)MeTV (2013–2018)Call sign meaningdisambiguation of former KMOX-TV callsign; V for video or former owner of ViacomTechnical InformationLicensing bodyFCCFacility ID70034ERP1,000 kWHAAT341 m (1,119 ft) Transmitter coordinates38 38 38 31-47N 90'17'58W / 38.52972'N 90.29944'W / 38.52972; -90.29944Coordinates: 38'31'47N 90'17'58W / 38.52972'N 90.29944'W / 38.52972; -90.29944LinksPublic License Information ProfileLMSWebsitewww.kmov.com KMOV, Virtual Channel 4 (UHF Digital Channel 24), is a CBS-related television station licensed in St. Louis, Missouri, USA. The station is owned by Meredith Local Media subsidiary Des Moines, Iowa-based Meredith Corporation. KMOV Studios is located on Gateway Tower on Memorial Drive in downtown St. Louis, close to the Gateway Arch, and its transmitter is located in Lemay. By cable, the station is available on 4 Charter Spectrum in both standard and high definition, as well as on U-verse channels 4 (SD) and 1004 (HD). The Story early story Station first aired on July 8, 1954 as KWK-TV. At the time of launch, Channel 4 belonged to a consortium that included Robert T. Dev (28%) and a consortium that included Robert T. Dev (28%). and the newhouse newspapers-published St. Louis Globe Democrat (23%), who co-runs KWK Radio (1380 AM, KXFN); Elzie M. Roberts Sr., former owner of KXOK Radio (630 AM, frequency is now occupied by KYFI), which was to be sold as a condition of a license grant (23%); and Missouri Valley Television Inc., which is made up of St. Paul, Minnesota-based Hubbard Broadcasting (23%) and The State Television Association (23%). Each of the station owners competed individually for permission to build Channel 4 before agreeing to merge only three months before After signing the contract for KWK-TV took CBS from Belleville, Illinois licensed WTVI (Channel 54, now KTVI Channel 2). Until 1955 it also aired an ABC program that WTVI refused to broadcast. plans to work on his own television in St. Louis with its power station, KMOX (1120 AM). The network initially won permission to build a new station on Channel 11 - the last remaining commercial VHF channel in St. Louis - in January 1957. But after being approached with an offer, CBS decided in August of that year to buy KWK-TV instead for $4 million. The agreement required CBS to relinquish its permit to build Channel 11, and the Federal Communications Commission handed it over to one of the failed applicants, a group led by St. Louis hotelier Harold Coplar, without any financial consideration. Almost immediately, the deal was delayed after the St. Louis Amusement Company, another of the original bidders for Channel 11, protested to the U.S. Court of Appeals in January 1958. The U.S. Supreme Court eventually upheld the decision in November of that year. CBS had already taken control of Channel 4's operation in March this year, and changed its call letters to KMOX-TV citing its new sister radio. In April of the following year, Channel 11 signed a contract as an independent station KPLR-TV. In July 1968, CBS opened a new studio and office in downtown St. Louis to host KMOX stations that had been operating from different locations (KMOX radio was located near Forest Park). Channel 4 has moved from Cole Street to a new facility known as One Memorial Drive, and remains there to this day; The Cole Street studio was soon acquired by KDNL-TV (Channel 30), which has been operating from there since it signed in June 1969. KMOX-TV was the host station for the 1983 Miss Universe Pageant, which was held by the now-destroyed Kiel Auditorium. (quote needed) Viacom owned by the end of 1985, CBS was in dire financial straits, after the effect successfully fending off a hostile takeover attempt by Ted Turner a year earlier. CBS spent the last part of 1985 buying out most of its stock to help block Turner's takeover. After Turner sold his shares, CBS was saddled with significant debt and needed to raise money. Shortly after Lawrence Tish became chairman of the company, CBS decided to sell KMOX-TV, at the time its smallest television station by market size. On May 16, 1986, the original iteration of Viacom, a former subsidiary of CBS Inc. and a future parent company, completed the purchase of the station for $122.5 million; In order to abide by THE FCC's rules in place at the time that banned TV and radio stations in the same market, but with different ownership from the same callsigns, KMOX-TV's callsign was slightly changed to present kmOV nearly a month later on June 18. Despite the sale, Channel 4 continued to be based with KMOX Radio in their central studios on Memorial Drive; KMOX will move out of this building in 2012. acquired Paramount Pictures in 1993 and merged its five-station group (KMOV; WHEC-TV in Rochester, New York; WNYT in Albany, New York; WVIT in New Britain, Connecticut; and KSLA-TV in Shreveport, Louisiana) to Paramount Stations. However, in 1994, the company decided to abandon all of its main network branches to focus on the stations that its then upstart United Paramount Network (UPN) would launch on January 16, 1995. Belo Corporation, based in Dallas A. H. Belo Corporation, acquired KMOV as a result of a three-way transaction that also includes two stations in the Seattle-Tacoma market. As part of the deal, A. H. Belo (who in 2008 turned his broadcasting holdings into a separate, similarly named company) sold KIRO-TV (then a branch of UPN, which was included in the transaction because the company had recently acquired an NBC subsidiary in this market KING-TV) to Cox Enterprises, which simultaneously sold its existing Seattle-Tacoma station, KSTW (then a CBS affiliate) to Viacom. The transaction was completed on June 1, 1997 (KIRO and KSTW swapped places on June 30, 1997). The station broadcast the St. Louis Blues NHL games for one season, during the 1996-97 season until their over-the-air telecast moved back to KPLR-TV in the 1997-98 season (all regular-season Blues games are being broadcast exclusively on cable locally on Fox Sports Midwest). In the spring of 2013, a permanent light sign with the KMOV logo was installed on the top of the south side of Gateway Tower, which not only provides visibility to the station on the St. Louis skyline, but is also visible in the center of the field of wide shots of Busch Stadium during the St. Louis Cardinals games. On June 13, 2013, Gannett, owner of NBC affiliate KSDK (Channel 5), announced the acquisition of Belo. Because the deal would violate FCC rules that do not have common ownership of two of the four most rated stations in the single market (KMOV and KSDK have occupied the first two stations in the St. Louis market in total rating for several years), Gannett will retain KSDK while it rotates from KMOV to Sander Media, LLC (owned by former Belo CEO Jack Sander). Gannett intended to provide station services through a general services agreement, and KMOV was required to remain largely separate from KSDK, including individual and competing news and sales departments. However, on December 16, 2013, the U.S. Department of Justice threatened to block the merger unless Gannett, Belo and Sander completely transferred KMOV to a government-approved company that would be disqualified from making any agreements with Gannett. The Justice Department argued that Gannett and Sander would be so closely aligned that Gannett would dominate the spot-up in St. Louis. December 23 years, shortly after The deal was approved and finalized, the Des Moines, Iowa-based Meredith Corporation - which already had a broadcasting presence in Missouri through its ownership of fellow CBS affiliate KCTV in Kansas City - announced that it would buy KMOV, along with KTVK and KASW in Phoenix (the latter of which Meredith later sold to Nexstar Broadcasting Group) for $407.5 million. More than a year later, on September 8, 2015, Richmond, Va., announced Meredith's acquisition for $2.4 billion. If it had been completed, it would have been the third change of owners of KMOV since 2013. The media general eventually postponed the deal with Meredith in favor of Nexstar's counter offer. On April 24, 2018, it was announced that Meredith would acquire cw KPLR-TV from Tribune Media as a result of the sale of the station ordered by the FCC as a result of the Tribune's proposed acquisition of Sinclair Broadcast Group, owners of ABC affiliate KDNL-TV. If the acquisition of Sinclair Tribune and related station sales were approved, it would create a duopoly between KMOV and KPLR-TV. However, on August 9, 2018, the Tribune announced the termination of the Sinclair deal, intending to look for other opportunities for MSA. It comes three weeks after the FCC voted on July 18 to have the deal considered by an administrative law judge amid serious concerns about Sinclair's directness in his statements to sell some of the conflicted properties. Tribune also filed a breach of contract lawsuit in a Delaware court alleging that Sinclair participated in lengthy negotiations with the FCC and the U.S. Department of Justice's Antitrust Division on regulatory issues, refused to sell the stations in markets where he already had real estate, and proposed stripping the rights of parties associated with Sinclair Executive Chairman David D. Smith, who were rejected or strongly denied control of the stations. The transaction was annulled. and Tribune eventually accepted another merger agreement with Nexstar, which, due to other spin-offs, retained the existing KTVI/KPLR duopoly and closed without problems in mid-September 2019. Digital TV Digital Channels Digital Signal Station Multiplexed: Channel Video Aspect PSIP Short Name Programming 4.1 1080i 16:9 KMOV-HD Major KMOV Programming / CBS 4. 2 480i CO'I-TV Cozi TV 4.3 My-TV MyNetworkTV 4.4 Laff-TV Laff 4.5 Circle Circle February 17, 2014, KMOV dropped live well network as Meredith planned to use bandwidth used from Digital Channel 4.3 for the ATSC M/H mobile DTV signal station. On November 17, 2014, KMOV relaunched 4.3 as MyTV St. Louis, returning MyNetworkTV (and some syndicated programs) after a nine- month absence due to the sale of the former affiliate of WRBU (Channel 46) Ion Media Networks and the wholesale conversion of this station to Ion Television owned and operated station. KMOV broadcast MeTV on its second channel from 2013 to February 1, 2018, when it switched to KNLC-TV (Channel 24), which was sold in December 2017 to the parent MeTV Weigel Broadcasting. This allowed Meredith to air Cozi TV for the first time on the St. Louis market (he entered into an agreement to air on Meredith stations in early 2016, but KMOV's circumstances with MeTV and MyNetworkTV when their previous Belu ownership prevented Cozi TV from being carried out up to this point). THE analog digital conversion of KMOV closed its analog signal, via VHF 4, June 12, 2009, the official date at which full-fledged television stations in the United States have moved from analogue to digital broadcasting in accordance with the federal mandate. The station's digital signal remained on the pre-transition channel UHF 24 (which was previously used for the KNLC analog signal). Thanks to the use of PSIP, digital television receivers continue to display the station's virtual channel as their former VHF 4.1 analog channel. KMOV's programming airs much of the CBS network's schedule, however, it anticipates the CBS Thanksgiving day parade and the July 4 episode price is right. Syndicated programs broadcast on KMOV (through September 2018) include Dr. Phil, Inside Edition, Madam Secretary, NCIS: New Orleans, and Entertainment Tonight. Syndicated programs broadcast on KMOV-DT3 include King of the Hill, American Dad, Family Guy and Chicago P.D. Past programming pre-emptive and Deferred Action for How CBS-owned Station, Channel 4 cleared the entire network schedule (and broadcasting 24/7 as a result). When Viacom took over in 1986, that changed quite dramatically. KMOV began signing from the air at night, thereby pre-empting the night news program CBS News Nightwatch. A flurry of scattered prime-time pre-emptions later followed what was so rampant the station earned mention in Ken Auletta's 1991 book, Three Blind Mice. KMOV inadvertently replaced CBS prime-time shows with programming such as Billy Graham's Crusades and National Geographic events, syndicated movie packages and sometimes local and regional sports events, all of which allowed the station and Viacom to complete control of advertising time airing during pre- emption. According to Auletta, KMOV anticipated 103 hours of CBS prime-time programs in 1987, which is nearly 10 percent of the network's prime-time schedule. In the 1990s, prime-time pre-emptions waned as all networks began to tighten contracts for heavy pre-emptions, and now, the station only occasionally pre-empts CBS prime-time shows, usually only for the reasons of recent news. Station resumed the 24-hour broadcast schedule in the early 1990s. From Ot until September 11, 2015, KMOV broadcast Young and Restless with a delay of the same day at 3 p.m., and later at 4 p.m. (as host in the evening newscasts), with the airing of the program The Price Is Right with an hour-long delay of 11:00; KMOV also delayed the late show by half an hour from 1997 under the direction of original host Tom Snyder (one of several CBS stations that made the practice) in order to launch syndicated programming after a late show with David Letterman (KMOV fully anticipated The Late Late Show during the first two years of the program aired). On September 14, 2015, KMOV moved The Price Is Right, The Young and the Restless and The Late Late Show to its recommended network time periods with meredith's first full season, with two former shows due to launch a half-hour news release at 4 p.m. KMOX/KMOV sports programming served as the NFL's unofficial home station for the St. Louis Cardinals from their arrival in St. Louis in 1960 until the 1987 season, when the team moved to Phoenix, Arizona. He also broadcast any games of the city's next NFL team, the Rams, from 1998 (when CBS acquired the AFC broadcast package) until 2015 (usually home interference) when the Rams returned to Los Angeles. KMOV aired the St. Louis Cardinals baseball games from 1990 to 1993 as part of the CBS National Broadcasting Contract with Major League Baseball. Locally produced non-new programming In 2003, KMOV began production at the zoo, a program that gives a behind-the-scenes look inside the St. Louis zoo and was organized by meteorologist Kent Earhardt (encore presentation of old aired episodes from 2009 to 2011). In September 2008, KMOV premiered Great Day St. Louis, an hour-long daytime talk show, focusing mainly on entertainment and lifestyle themes in the St. Louis area (the show is now hosted by Matt Chambers, Kent Earhardt, and Laura Hettiger). In January 2011, KMOV debuted at the Center, which shows an inside look at the sights at the St. Louis Science Center. News of the operation Former news is open. KMOV currently broadcasts 32 hours of local-produced news every week (five hours each weekday and 31/2 hours each on Saturdays and Sundays). In addition, the station produces a half-hour sports final program Sports Sunday, which calls on Sundays after 10 p.m. Many KMOV news staff moved to national news organizations (Richel Carey and meteorologist Reynolds Wolf, for example, both joined CNN in 2006). While seemingly as a positive aspect, the revolving door fluidity of the staff of its anchors and reporters has been one of KMOV's weaknesses over the years (especially at CBS, where it's the same farmhouse WKYC's talent development role in Cleveland played for NBC), which led to that many of the station's on-air personalities are on the market. While this may have initially caused some problems for KMOV, ratings for Channel 4's news have since increased. After the departure of Karen Foss from KSDK in December 2006, Larry Conners took over the title of longest serving 10:00 p.m. news anchor on the market until he was fired by the station in 2013 due to IRS comments on Facebook. Connors filed a discrimination lawsuit against KMOV. In 1976, Channel 4 became the second station to host Dick Marx's WBBM Channel 2 News Theme, which eventually became official news music for CBS-owned stations. The theme was removed by the station in 1986 after Viacom took control, although from 2001 to 2008, the station used by Frank Gary is part of the CBS Enforcer Music Collection, which uses a musical signature derived from the WBBM package. Ironically from 1989 to 1992, KMOV used the Gary News series 2000, which is traditionally associated with ABC stations, as its news theme. In July 2018, the CBS Enforcer Music Collection returned to the station, replacing their previous theme, Gary's The Edge. KMOX-TV topped the ratings in St. Louis for most of the period from the late 1960s to the early 1980s, as was common with most CBS-owned sister stations. From the early 1980s until recently, KMOX-TV/KMOV was a solid, if distant, runner-up in KSDK. Until the mid-1990s, however, the station had to fend off vigorous competition from KTVI. While KMOV news outlets have been critically favored, they rarely rewarded ratings with a win over the long-dominant KSDK, with 10 p.m. newscasts regularly winning at least a 20% share in viewership, while KSDK averaged about 30% of the stock. KMOV has seen a significant increase in ratings since 2004, and beat KSDK at 10 p.m. as the November 2004 sweeps period - the first time in more than a quarter of a century that KSDK did not top in any timeslot - and the May and November 2006 sweeps periods; it also became the most popular evening news release in the United States during the last period. Much of the ratings increase at 10 p.m. was due to a rise in CBS's prime-time ratings and a big drop in NBC audiences. However, KMOV has also seen a rise in all its other timeslot news, Even where the station doesn't benefit from CBS's strong lead. Despite the sacking of longtime anchor Larry Conners at the station in May 2013, KMOV ranks first among the market's 10:00pm news release in every demographic month since then. In February 2002, KMOV partnered with to produce the weekly News Discussion Program Extra Edition, hosted by now-former weekday morning anchor Mark Cox. On January 27, 2008, starting with a 5:30 p.m. news release, KMOV became the second television station in the St. Louis market to begin broadcasting its local newscasts in high definition (after KSDK, which has released its newscasts in a format since 2006). Well-known former staff member Joe Buck - reporter; currently on Fox Sports Richel Carey - Reporter (2003-2006); currently at Al Jazeera English Dan Dierdorf - athletic director, former Cardinals football player, and CBS Sports analyst, ABC Sports and now Michigan Wolverine football Roger Grimsby - Reporter/News Correspondent (1959-1961); the late Jim Hart - Sports Anchor (former NFL quarterback for the St. Louis Cardinals) Linda Lorell - Reporter (late 1980s); later worked for KPRC-TV in Houston Russ Mitchell - Anchor / Reporter (late 1980s); later with CBS News, now at WKYC in Cleveland Regis Philbin - hosted one of his early syndicated shows from STUDIO KMOX-TV (1972-1975); Barry Serafin - Anchor/Reporter (1967-1971) became a CBS News correspondent in Washington in 1971; later with ABC News Reynolds Wolff - Meteorologist (2005-2006); later on CNN and on WSB- TV in Atlanta; Now with Weather Channel Links KWK-TV begins; six others are ready. Broadcasting - Broadcasting, July 12, 1954, pg. 68. St. Louis Ch. 4 grant proposed after the merger. Broadcasting - Broadcasting, April 19, 1954, pg. 60. KWK celebrates its 23rd anniversary. St. Louis Advertising Club Weekly, March 20, 1950. The FCC is acting to clear V's key market. Broadcasting - Broadcasting, January 21, 1957, page 35-37. (constant dead bond) (constant dead bond) Constant Dead Link CBS buys KWK-TV for $4 million. Broadcasting - Broadcasting, September 30, 1957, pg. 48. New alignment set for St. Louis TV. Broadcasting - Broadcasting, October 28, 1957, pg. 73. The Court issues a temporary stay in St. Louis for section 11 of the situation. Broadcasting - Broadcasting, January 6, 1958, pg. The Supreme Court refuses to recognize itself as upset by the St. Louis TV grant. Broadcasting - Broadcasting, November 24, 1958, pg. 79. CBS-TV takes over KWK-TV. Broadcasting - Broadcasting, March 3, 1958, pg. 10. Pressed for service. Broadcasting, May 18, 1959, p. 80. D'Arcy's new office reflects the spirit of St. Louis. Broadcasting, July 15, 1968, p. 26. The second 50 years of the Fifth Estate (PDF). Broadcasting. December 30, 1985. page 70. Received on January 15, 2019. CBS puts KMOX-TV on the block (PDF). Broadcasting. October 1985. page 110. Received on January 15, 2019. In a nutshell Broadcasting. December 9, 1985. page 120. Received on January 15, 2019. Call letters-grants-Existing TV (PDF). Broadcasting. June 30, 1986. page 64. Received on January 15, 2019. Fouasi, Jeffrey and Christopher Stern. Viacom, Paramount Say: Broadcasting and Cable, September 20, 1993, page 14-16. Access to January 5, 2019. Fouasi, Jeffrey. Finally: Viacom Paramount. Broadcasting and cable, February 21, 1994, page 7, 10, 14. Access to January 5, 2019. Cir, Julie A. and Steve McClellan. A minority-led group eye Viacom stations. Broadcasting and cable broadcasting, November 7, 1994, page 6. Access to January 5, 2019. McClellan, Steve. Affiliated networks. (Permanent Dead Connection) Broadcasting and Cable, 24 February 1997, Pg. Received on 12 June 2014. Seventh, Richard (January 21, 1997). CBS Link is likely to remain with KSTW - a buyer experienced in broadcasting the news. The Seattle Times. Received on April 28, 2013. The new KMOV 4 CBS is a huge sign at Gateway Tower. Urban STL. March 17, 2013. Received on September 26, 2014. Lisa Brown (June 13, 2013). Gannett will buy the owner of the TV channel Belo for $1.5 billion. Received on June 13, 2013. John Eggerton (December 16, 2013). Fairness: Sander can't keep KMOV. Broadcasting and cable. Received on December 16, 2013. Gannett completes its acquisition of Belo, TVNewsCheck, received on 23 December 2013 - Meredith Purchase three stations from Gannett. TVNewsCheck. Received on December 23, 2013. Lisa Brown (February 28, 2014). Meredith Corp. closes in on $177 million purchase of KMOV. St. Louis Post-Dispatch. Received on February 28, 2014. General Media Acquisition Meredith for 2.4 billion. TVNewsCheck. NewsCheck Smee. September 8, 2015. Littleton, Cynthia (September 8, 2015). TV Station Mega Merger: Media General Sets $2.4 Billion Acquisition of Meredith Corp. PenzaNce Media Corporation. Received on September 9, 2015. Nexstar-Media General: It's a done deal. TVNewsCheck. Received on January 27, 2016. Nexstar Clinchs Deal to Acquire Media General. The New York Times. Received on January 27, 2016. Littleton, Cynthia (May 8, 2017). Sinclair Broadcast Group sets a $3.9 billion deal to acquire Tribune Media. Different. Prometheus Global Media. Received on April 28, 2017. KPLR is among 23 stations sold to clear Sinclair's takeover of Tribune Media. St. Louis Post Dispatch. April 24, 2018. Received on April 28, 2018. - Shields, Todd (July 16, 2018). Sinclair and Tribune Fall as FCC Slams TV Station Plan Sale. Bloomberg News. Received on July 19, 2018. Nadig, Harper (July 16, 2018). The FCC chairman rejects the Sinclair-Tribune merger. Hill. Capitol Hill Publishing Corp. is received on August 9, 2018. Federer, Robert (July 16, 2018). FCC quits / Tribune case in doubt. RobertFeder.com. Received on August 9, 2018. Benjamin Hart (July 16, 2018). (g.). Throws the key in Sinclair Media Megadeal. New York. New York Media, LLC. Received on August 9, 2018. Edmund Lee (July 18, 2018). Sinclair tries to appease the FCC, but his Tribune Bid is challenged. The New York Times. Received on August 9, 2018. Mirabella, Lorraine (July 18, 2018). The FCC orders the hearing, even as Sinclair changes plans to sell television stations to address problems related to the Tribune deal. Baltimore Sun. A tronk. Received on August 9, 2018. Tribune ends $3.9 billion Sinclair merger, suing broadcast rival. Wall Street Journal. News Corp. August 9, 2018. Mark K. Miller (August 9, 2018). Tribune kills Sinclair merger, files suit. TVNewsCheck. NewsCheck Smee. Christopher Dinsmore (August 9, 2018). Tribune Media is coming out of the Sinclair Broadcasting Merger. Baltimore Sun. A tronk. Edmund Lee; Amy Tsang (August 9, 2018). The Tribune ends up dealing with Sinclair, a dashing plan for the conservative TV Behemoth. The New York Times. John Lafayette (August 9, 2018). Tribune ends deal with Sinclair, Files Breach of Contract suit. Broadcasting and cable. NewBay Media. Brian Fung; Tony Romm (August 9, 2018). The Tribune is withdrawing from the Sinclair merger, saying it will sue for breach of contract. The Washington Post. Nash Holdings Ltd. RabbitEars TV Request for KMOV. Rabbits. Received on August 27, 2015. KMOV Facebook page. KMOV. Received on February 17, 2014 - via Facebook. Welcome to MYTV St. Louis!. Archive from the original on November 29, 2014. Received on November 19, 2014. DTV Preliminary Channel Designations for the first and second rounds (PDF). Archive from the original (PDF) for 2013-08-29. Received 2012-03-24. The transition of digital television is problematic for some, Don Corrigan, Webster-Kirkwood Times , January 23, 2009 points out both KMOV and KNLC as digital only th Auletta, Ken (1991). Three blind mice: How television networks lost their way. It's a random house. ISBN 0307766330. Gail Pennington,26, 2015. Autumn brings big changes to St. Louis daytime television. St. Louis Post-Dispatch. Received on August 27, 2015. The Local News Anchor is fired for IRS comments. The Huffington Post. 2013-05-23. Received 2016-09-18. Toler, Lindsay. Larry Conners Back in Court With Age, Racial Discrimination Charges Against KMOV-TV. Received 2016-09-18. - and Belo Corp. Press Releases Archive 2006-10-18 on Wayback Machine Press Releases Archive 2007-09-27 on Wayback Machine External Links Official Website of KMOV's FCC in THE television station database BIAfn Media Web database data - Information about KMOV-TV is obtained from 2 Rectangle 16:9, in which rectangles visualize the ratio. Note that groups are not square. LCD TV Images 16:9. 16:9 (1.78:1) (1.78:1) 16-point width and height of 9. Once regarded as exotic, since 2009, it has become the most common aspect of the ratio for TVs and computer monitors, as well as the international standard format of digital television HDTV Full HD and SD TV. He replaced the full-screen ratio of the sides 4:3. 16:9 (1.78:1) (said as sixteen-nine) is an international standard format HDTV, non-HD digital television and analog widescreen television PALplus. Japan's Hi-Vision originally started with a 5:3 ratio (15:9), but was transformed when the Group of International Standards introduced a broader ratio of 51/3 to 3 (16:9). Many digital video cameras are able to record at 16:9 (No. 42:32), and 16:9 is the only widescreen aspect ratio supported by the DVD standard. DVD producers can also choose to show even wider ratios such as 1.85:1 and 2.40:1 as part of the 16:9 DVD frame by tight matting or adding black stripes to the image itself. However, it was often used in English televisions in the 1990s. History Conclusion 16:9 Ratio sides Main Drawing shows 4:3, 1.85:1 and 2.35:1 rectangles with the same area A, and 16:9 rectangles that covers (black) or is common to (grey) them. The calculation takes into account the extreme rectangles where m and are multipliers to maintain their respective ratios of aspects and areas. Dr. Cairns H. Powers, a member of the SMPTE High-Definition Electronic Production Working Group, first proposed a 16:9 (1.78:1) ratio in 1984, when no one was creating 16:9 video. Popular variants in 1980 were: 4:3 (based on the RATIO of TV standard at the time), 15:9 (European flat 1.67:1 ratio), 1.85:1 (American flat ratio) and 2.35:1 (CinemaScope/Panavision) ratio for anamorphic widescreen. The forces cut out rectangles with equal areas formed in the shape to match each of the popular ratios of sides. When overlapped with aligned central dots, he found that all of these aspects ratio rectangles fit into the outer rectangle with a side ratio of 1.78:1, and they all also cover a smaller overall internal rectangle with the same 1.78:1 side ratio. The value power found is exactly the geometric value of the extreme ratios of the sides, 4:3 and 2.40:1 (or 48:20 - see also the ratio of sides 21:9 - .∞:1) for more information), √47/15≈1.78:1, which is randomly close to 16:9. Applying the same geometric means the technique 16:9 and 4:3 gives a ratio of sides 8/√27, or 1.5396:1, sometimes approximately 14:9 (1.55:1), which is also used as a compromise between these ratios. While 16:9 originally chosen as a compromise format, the subsequent popularity of HDTV broadcasting was strengthened by 16:9 as perhaps the most common ratio of video aspects to use. (quote is necessary) Most 4:3 (1.33:1) and 2.40:1 videos are now recorded using the shoot and defend technique, which keeps the main action within 16:9 16:9 internal rectangle to facilitate HD broadcasting (quote is needed). Conversely, a rather common method known as a cutting center is used to get closer to the task of presenting a material shot (usually 16:9) as HD and legacy 4:3 audience simultaneously without compromising the size of the image to any audience. Content creators are framed by critical content or graphics to match space 1.33∞:1 raster. This bears a resemblance to a film technique called Open matte. Following the initial Action Plan 16:9 in the early 1990s, the European Union established action plan 16:9 to accelerate the development of advanced television services in the 16:9 ratio, both in PAL and in HD. The community fund for the Action Plan at 4:9 p.m. was 228,000,000 euros. Over a long period in the late 2000s and early 2010s, the computer industry moved from 4:3 to 16:9 as the most common ratio of aspects for monitors and laptops. The 2008 DisplaySearch report cites a number of reasons for this change, including the ability of PC and monitor manufacturers to expand their product range by offering products with wider screens and higher resolution, helping consumers more easily accept such products and driving the growth of the laptop and LCD monitor market. Using the same ratio of aspects for both TVs and monitors, production can be streamlined and research costs reduced without requiring two separate sets of equipment, and since 16:9 is already than a 16:10 panel of the same length, more panels can be created on a glass sheet. In 2011, Bennie Budler, it product manager at Samsung South Africa, confirmed that monitors capable of implementing 1920×1200 resolutions were no longer produced. It's about reducing production costs. The new 16:9 side ratio panels are more cost-effective for local production than previous 16:10 panels. In March 2011, resolution 16:9 1920×1080 became the most common resolution used by Steam users. The previous most common resolution was 1680×1050 (16:10). Properties 16:9 is the only widescreen aspect ratio supported by the DVD format. Anamorphic DVD transmissions store information like 5:4 (PAL) or 3:2 (NTSC) square pixels, which is set to expand to either 16:9 or 4:3, which is a TV or video player handle. A PAL DVD with a full frame image may contain a 768×576 video resolution (4:3 ratio), but the video player software will stretch this to 1024×576 square pixels with the 16:9 flag in order to recreate the correct ratio of the sides. DVD producers can also choose to show even wider ratios such as 1.85:1 and 2.40:1 as part of the 16:9 DVD by tightly matting or adding black stripes to the image itself. Some films that were made in a ratio of 1.85:1 aspect, such as the American-Italian co-production man Of La Mancha and Kenneth Branagh a lot About nothing, fit quite comfortably on the 1.77:1 HDTV screen and have been released as an extended version on DVD without black bars. Many digital video cameras are able to record at 16:9. General Resolutions General Resolutions for 16:9 listed in the table below: Width Height Standard 256 144 426 240 640 360 nHD 768 432 800 450 848 480 854 480 FWV GA 960 540 qHD 1024 576 XGA/1K 1280 720 HD 1366 768 WXGA 1600 900 HD 1920 1080 Full HD/2K 2048 1152 WXGA 2560 1440 HD 2880 1620 3K 3200 1800 HD 3840 2160 4K UHD 5120 2880 5K 576 0 3240 6K 6720 3780 7K 7680 4320 8K UHD 15360 8640 16K UHD Europe in Europe, 16:9 is the standard broadcast format for most TV channels and all HD broadcasts. Some countries have adopted the analog television format, first using the PALplus standard (currently obsolete) and then simply using WSS on conventional PAL transmissions. Country Channel Albania All channels. Andorra All channels. Armenia All channels. Austria All channels. Azerbaijan All channels. Belarus All channels. Belgium All channels. Bosnia and Herzegovina All channels. Bulgaria All Channels. Cyprus All channels. Croatia HRT 1, 2, 3, 4, 5, RTL Televizija, RTL 2 , Nova TV, Doma TV, RTL Kockica Sportska Televizija . Czech Republic All Channels. Denmark All channels. England All channels. Estonia All channels. Finland All channels. France All channels. Germany All channels. Georgia All Channels. Greece All channels. Hungary All channels. Iceland All channels. Ireland All Channels. Italy All channels. Kazakhstan All channels. Latvia All channels. Lithuania All channels. Luxembourg All channels. Malta All channels. Moldova All channels. Monaco All Channels. Montenegro All channels. Netherlands All channels. Northern Macedonia All channels. Norway All channels. Poland All channels. Portugal All Channels. Romania Always at 16:9: Antena Channels (Antena 1, Antena Stars, Antena 3, Happy, SU TV, Antena Internațional), RCS and RDS channels (including Digi 24, U TV, Music Channel), Kiss TV, B1 TV, Telekom Sport, Look TV, Look Plus, Turner Channels:(Cartoon Network, BoomerangOften at 16:9: TVR channels (TVR 1, TV TVR 2, TVR 3, TVRi), PRO channels (Pro TV, Pro 2, Pro X, Pro Cinema, Pro Gold, Pro TV Internațional)Always at 4:3 with 16:9 stretched: CNM channels (Național Internațional TV Național 24 Plus, Favorit TV), regional TVR Cluj, TVR Craiova, TVR Ia'i, TVR T'rgu-Mure, TVR Timi'oara, Prima TV. Russia All channels. San Marino All Channels. Serbia All channels. Slovakia All channels. Slovenia All channels. Spain All channels. Sweden All channels. Switzerland All channels. Turkey All channels. Ukraine All channels. Oceania Country Channel Australia All Channels. Fiji All Channels. NSW All channels. Asian country channel All channels. Bangladesh SA TV. Cambodia All channels. China CCTV channels 1-15, CCTV-5 , CCTV News. Old content at 4:3 and news content is stretched on SD versions of these channels, as stretching on SD channels is common. Hong Kong All Channels. India All HD channels. Most SD channels still broadcast at 4:3, or full screen on mailboxes. Indonesia 16:9 native: Kompas TV, BeritaSatu TV, CNN Indonesia, MetroTV, Trans7, Trans TV, CNBC Indonesia, NET., Jawa Pos TV, DAAI TV, MyTV 16:9 with internal 4:3 : RCTI, SCTV, Indosiar, MNCTV, GTV 4:3, upscale/stretched to 16:9 : TVRI, antv, tvOne, iNews, rtv channels that are mostly broadcast at 16:9 sometimes filled with 4:3 content that is either stretched or post. Only on digital cable/satellite channels in this category are broadcast at 16:9 HDTV along with the internal 4:3 SDTV. Because of their visibility, some content is either pillarboxed or windowboxed (especially in commercial ads and live sports games). Content is wider than 16:9, usually mailboxes. They are usually stretched in SDTV mode. HD versions are limited to pay-TV services. These channels still use a 4:3 configuration. Stretched during the broadcast in 16:9 format. Some channels limited the original video content to 16:9. Note: The national TV channels listed above are classified according to their original configuration, sorted in chronological order according to the TV configuration update. Configuration exclusively for digital and local channels can vary. The local version of the national channels may differ from their national version. Iran All channels. Israel All channels. Japan for the first time in its analog HDTV (MUSE) format 16:9, started in the 1980s. Currently, all major channels have digital terrestrial TV channels in the format of 16:9, simultaneously in analog format 4:3. Many satellite channels are broadcast at 16:9. Jordan All Channels. Kyrgyzstan All channels. Lebanon All channels. Malaysia All channels. Mongolia MNB - MN2, TM Television, TV5, TV6, TV8, Channel 25, SBN, ETV, MNC, Eagle News TV, Edutainment TV, Star TV, SPS, Sportbox and SHUUD TV. Myanmar All channels. Nepal Kantipur television network AP1 TV News 24 (Nepal) TV Filmy Oman All Channels. Pakistan All HD channels. Most SD channels still broadcast at 4:3, either in full screen or mailbox Philippines 16:9 native: PTV, ABS-CBN HD, SZA HD, ANC (both SD and HD), Kapamilya Channel (both SD and HD), CNN Philippines, One PH, One News, Hope Channel Philippines, 3ABN, Hope International, INCTV, Net 25, DRW News Television 4:3 upscale / stretched to 16:9 : ETC, 2nd Avenue, all BEAM channels in subchannels, Light Network, UNTV, Ang Dating Daan TV, SMNI, all ABS-CBN terrestrial channels (including TVPlus TV5, One Sports, Sports, 7, A2, IBC 13s channels that compressed/mailboxes up to 4:3 on analog terrestrial transmissions, nor no mailbox on widescreen production programs. Channels that originally broadcast at 4:3 on analog terrestrial, but upscale or stretched to 16:9 for digital terrestrial television, cable and satellite. The 16:9 version is only available on pay-TV. Some programs are broadcast in true format 16:9 qatar All Al Jazeera Sports channels, Al Jazeera, Al Jazeera English, qatar TV HD, all channels Alkass. Saudi Arabia All channels. Singapore All Channels MediaCorp, however 16:9 content look squashed on the old 4:3 sets. In addition, all 4:3 content including news clips are stretched as stretching is common. All channels in Korea. Sri Lanka Colombo TV. Syria All channels. Taiwan TTV HD, CTV HD, CTS HD, FTV HD, PTS HD, TVBS. Thailand All channels. United Arab Emirates All channels. Vietnam All VTC channels, VTV channels, HTV channels and CK channels (selected programs), most local channels. America Country Channel Argentina All channels. Barbados All Channels. Bolivia Always at 16:9: PAT, ATB. Often at 16:9: Bolivia TV. Brazil All channels. Canada All Channels. Chile All channels. Colombia All Channels. Costa Rica All channels. Dominican Republic All Channels. Ecuador All channels. Jamaica All Channels. Mexico Free-to-Air Television: Las Estrellas, FOROtv, Channel 5, NU9VE, Televisa Regional, Azteca Uno, Azteca 7, AP, adn40, Imagen Televisi'n, Exc'lsior TV, Channel One, Channel 22, Una Woz con Todos, Tevena, Milenio Television, Multimedia Television, Television, Telethim, Telethm, AND Pay TV: U, Golden, Golden Edge, TL Novelas, Bandamax, De Pelicula, De Pelicula Clasico, Rhythmoson Latino, TDN, TeleHit, Distributito Comedia, Tiin, Az Noticias, Az Klich!, Az Mundo, Cora Asson, Az Kino, 52MX, TKK, TVK. Paraguay Almost all channels on free-to-air television (especially HD channels), (e.g.: RPC, NPY, Unicanal, Channel 7 HD). SD channels (usually found on pay TV) are usually mailboxes and downscaled to 4:3. Peru All channels ( For example: SNT and Paravizion) United States All HD channels. SD channels (usually found on pay TV) are usually mailboxes and downscaled to 4:3. Uruguay All channels. Venezuela All channels. Africa This section needs to be expanded. You can help by adding to it. (August 2015) Country channel Algeria Algeri 3Echourouk TV Angola All channels. Botswana All Channels. Burkina Faso All channels. Cameroon All channels. Cape Verde All Channels. Comoros All channels. Congo All channels. Djibouti All channels. Egypt All channels. Equatorial Guinea All channels. Eritrea All channels. Ethiopia All channels. Gabon All Channels. Ghana Tv. Ivory Coast All Channels. Kenya All channels. Lesotho All channels. Liberia All Channels. Libya All channels. Madagascar All channels. Malawi All channels. Mali All channels. Morocco All channels. Mozambique All channels. Mauritius All channels. Namibia All channels. Nigeria All channels. Rwanda All channels. Senegal All channels. Somalia All channels. All channels in south Africa. Sudan All channels. Togo All channels. Tunisia All channels. Uganda All Channels. Zimbabwe All Channels. See also the Display aspect of the high-definition television resolution display 1080p/1080i 24p 4:3 14:9 16:10 21:9 Wikimedia Commons Links has media related to 16:9. - E2%80%99s.html search for the ideal aspect ratio (PDF), Understanding the relationship of aspects (Technical Bulletin). MovieSource. MovieSource Press. 2001. Received 2009-10-24. EN 5956091, Method showing 16:9 photos on 4:3 displays, released 1999-09-21 - Baker, I (1999-08-25). Widescreen safe zones (PDF). Ebu. CH: BBC. Archive from the original (PDF) for 2010-10-11. Received 2009-10-27. Tv in the format of the screen 16:9 (summary of legislation). EU: Europe. Received 2011-09-08. Product planners and marketers must act until the 16:9 panels replace the Mainstream 16:10 laptop and monitor LCD panels, the new DisplaySearch Topical Report Tips. DisplaySearch. 2008-07-01. Received 2011-09-08. Changing the display ratio (again). 2009-04-14. Received 2020-01-22. 16:10 vs. 16:9 - a mystery of the ratio of aspects of the monitor. 2012-10-22. Received 2020-01-22. The revival of the 16:10 Aspect Ratio of laptops to take a 2% share of the non-Apple market in 2020, says TrendForce. 2019-04-11. Received 2020-01-22. Widescreen monitors: Where does 1920×1200 go? MyBroadband Tech equipment and IT news. Mybroadband.co.za 2011-01-10. Received 2011-09-08. Steam equipment and software Review. Steam. Received 2011-09-08. External links nec Monitor Technology Guide. Nec. Archive from the original 2006-05-21. Received 2006-07-24. Extracted from the

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