Teaching Matters: Essays by UMF Faculty

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Teaching Matters: Essays by UMF Faculty Scholar Works Faculty and Staff Books Faculty and Staff Works 2015 Teaching Matters: Essays by UMF Faculty Linda Britt (editor) Kathryn A. Foster Kristen Case Andrew M. Barton Paul J. Gies See next page for additional authors Follow this and additional works at: https://scholarworks.umf.maine.edu/publications Part of the Creative Writing Commons Authors Linda Britt (editor), Kathryn A. Foster, Kristen Case, Andrew M. Barton, Paul J. Gies, Beth Hatcher, Katrazyna Randall, Nathaniel Teal Minton, C. S. O'Brien, Daniel P. gunn, Steven Pane, Grace Eason, Nicole Coffey Kellett, Michael Molinsky, Johnathan Cohen, Steven W. Quackenbush, Lance Neeper, Theresa Overall, and Grace J. Ward TEACHING MATTERS Essays by UMF Faculty Edited by Linda Britt With a Foreword by Kathryn A. Foster Table of Contents Foreword, or The Toughest Job You’ll Ever love v Kathryn A. Foster Editor’s Note ix Linda Britt The Cult of the Classroom 1 Kristen Case Teaching College Ecology in the Anthropocene 8 Andrew M. Barton Reform, Assessment, and Magical Thinking 14 Paul J. Gies Frost Heaves: Change and the Teaching Life 24 Beth Hatcher Two Small Sticks 30 Katrazyna Randall A Film’s Blueprint 42 Nathaniel Teal Minton Wandering Together Through History 47 C. S. O’Brien In This Charmed Circle of Light 57 Daniel P. Gunn The Restless Nature of Sound 67 Steven Pane The Bridge 72 Grace Eason Teaching Anthropology Through Others’ Eyes 79 Nicole Coffey Kellett The Gallant Student 88 Michael Molinsky We Read A Book And Then We Talk About It 91 Jonathan Cohen “But You Can Never Leave”: Deep Engagement 97 in a College Classroom Steven W. Quackenbush Beyond the Textbook and Outside of the Classroom Walls 107 Lance Neeper Team Teaching 115 Theresa Overall and Grace J. Ward Foreword, or The Toughest Job You’ll Ever Love Kathryn A. Foster I can still remember what I was wearing. It was a navy blue suit, with a high-collar, off-white blouse. Around my neck was a small scarf, navy blue paisley with white, gold, and orange accents, tied with a bow in a 1983 schoolmarm-ish way. My shoes were navy blue. I wore hose. I was 25 years old. In what I later understood as a common rookie mistake, I was over-prepared for my first day of class. In my bag, along with a stack of mimeographed syllabi, was a lecture on the origin of cities. The lecture was to kick off “Intro to City Planning,” a course for undergrads at Cal Poly San Luis Obispo where I was, as of that moment, an adjunct instructor assigned to a twice-per-week evening course. My plan for the opening session was to include an anticipated defense: a few words of personal introduction to the person listed only as “staff” in the course catalog, an explanation for why the person standing before them was not much older than they were. I was a regional planner—newly minted, but that could go without saying—working for San Luis Obispo County, California. The planning post was my first full-time professional job, a position altogether different from what I’d envisioned two years prior when I’d headed west to UC Berkeley for a master’s in city planning. After that, the vision insisted, I would return east to save Baltimore or maybe Newark. But I made friends, felt hip, liked avocados. The brown hills of California and life without a winter coat had grown on me. The job in San Luis Obispo County was a good entry-level opportunity, a decent second best after I lost out on my dream job for an architecture and planning firm in San Francisco. I had borrowed a car and headed south. San Luis Obispo County was then the most rural area in which I had ever lived. It had septic tanks, unincorporated territory, ranchettes, and a sheriff (a sheriff!). I thought I’d give it a couple of years before getting back on track with my Plan A to rescue East Coast cities. Yet there’s this thing about small towns. You meet people sooner than you would in the big city, and the pathway to opportunity is uncluttered. About a iv year before I stood in front of the expectant class, I had attended an after- work event for professional planners where I met the chair of the Department of City and Regional Planning at Cal Poly. Over a sip of wine he idly asked if I thought I could teach a planning class at the university. “Oh, yes,” I said with all the hubris of a lifelong good pupil who had spent all but one year of her remembered life in a classroom, “I’m sure I could do that.” Now here I was. Before introducing myself I passed out the syllabus—this gave me something to do to calm my rumbling nerves—and started to talk about the course. And then it happened, about 35 seconds into the no doubt rat-a-tat, adrenaline-fed, spit-fired introduction. A baseball cap-wearing student sitting in the front row picked up his pencil and began to write down what I was saying. A couple of others followed suit. As with epiphanies, for that’s what this was, the ceiling parted, the light streamed in, cosmic alignment occurred. At only 25 I felt a certainty that some covetous friends of mine in their 50s have still never felt: I knew what I was meant to do. I was meant to be a teacher. I had to be a teacher. The cities would have to wait. For that first course at Cal Poly, and then for five additional evening courses over two years before quitting my day job and taking a pay cut to become a full-time lecturer for Academic Year 85-86, I worked harder at being a good teacher than I had ever worked at anything. I learned to use the first session to get people talking and to set the tone for the rest of the course. I spent hours in the library, losing sleep to learn new material, then presented it the next day as, I confess, gospel. I labored over slide shows to illustrate key points. I experimented with projects, tests, essays, and other forms of evaluation to reinforce the material and understand how well the students and I were doing. I pushed and pulled my students, learning to sense when bolstering and encouraging were better placed. A few missteps aside, I got the hang of ordering books, putting materials on reserve, preparing interactive lectures, writing fair and meaningful tests, grading, and, as a corollary, learning Lotus 1-2-3, whereupon to store course records on floppy disks. There is a lot of ego in teaching, at least in the kind that I wound up doing at Cal Poly for three years and later at the State University of New York at Buffalo for almost twenty. Large lecture classes, even classroom courses v with more than a couple dozen students, can tolerate a good bit of performance. Of course, not all teaching involves the teacher at center stage animatedly engaging a large group. As the essays in this volume attest, teaching—fine, creative, brilliant, effective teaching—comes in many forms. Seminars, studio courses, one-on-one tutorials, lab classes, art critiques, online class discussions, and other pedagogic modes play to instructors (and students) of particular strengths and wiring. For people like me, though, who as children dreamed of being actors, who enjoy speaking in public, who apparently get off on having someone write down what they’re saying, teaching to big numbers is awesome. Shortly after my extraordinary year as full-time lecturer—no research, no service, no formal advising, just teaching—I joined the Peace Corps. An academic career in my field required a Ph.D., but a Ph.D. required having something more specific than “I’d like to be a teacher” as motivation. In the summer of 1985, shortly before my lecturer duties began, I had taken an Asian Grand Tour—Tokyo, Beijing, Bangkok, Jakarta, Kuala Lumpur, Singapore, and Hong Kong—and had “taught” these cities—with lots of slides—the following year. Heading to the Peace Corps instead of straight to grad school would fulfill two yearnings: living overseas rather than simply traveling there, and understanding more clearly whether I wanted to study international cities or domestic urban policy for the Ph.D. The tag line for the Peace Corps is “the toughest job you’ll ever love.” It’s a given for this tin-eared urban dweller that a job requiring a snakebite kit and functionality in a complex language with eight noun classes—as the posting in Swaziland did—will be tough. Still, I got a lot out of Peace Corps service and it changed my life. I speak highly of the opportunity and promote it to others. But Peace Corps wasn’t the toughest job I ever loved. Teaching was. Teaching was the hardest, most daunting, demanding, and taxing job I’d ever had. It was also the greatest, most rewarding, consequential, and noble thing I’d ever done. After the Peace Corps, I got that final academic credential, opening the way to many years of classroom teaching. Career choices have recently veered me away from the classroom; the last time I taught a full semester’s course was Spring 2008. Nowadays, my teaching fix comes from making guest appearances in classes or speaking to public gatherings. vi I love my position at UMF. Yet no matter how lofty my title or gratifying my job, it isn’t teaching.
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