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Fame Attack : the Inflation of Celebrity and Its Consequences
Rojek, Chris. "The Icarus Complex." Fame Attack: The Inflation of Celebrity and Its Consequences. London: Bloomsbury Academic, 2012. 142–160. Bloomsbury Collections. Web. 1 Oct. 2021. <http://dx.doi.org/10.5040/9781849661386.ch-009>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 16:03 UTC. Copyright © Chris Rojek 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 9 The Icarus Complex he myth of Icarus is the most powerful Ancient Greek parable of hubris. In a bid to escape exile in Crete, Icarus uses wings made from wax and feathers made by his father, the Athenian master craftsman Daedalus. But the sin of hubris causes him to pay no heed to his father’s warnings. He fl ies too close to the sun, so burning his wings, and falls into the Tsea and drowns. The parable is often used to highlight the perils of pride and the reckless, impulsive behaviour that it fosters. The frontier nature of celebrity culture perpetuates and enlarges narcissistic characteristics in stars and stargazers. Impulsive behaviour and recklessness are commonplace. They fi gure prominently in the entertainment pages and gossip columns of newspapers and magazines, prompting commentators to conjecture about the contagious effects of celebrity culture upon personal health and the social fabric. Do celebrities sometimes get too big for their boots and get involved in social and political issues that are beyond their competence? Can one posit an Icarus complex in some types of celebrity behaviour? This chapter addresses these questions by examining celanthropy and its discontents (notably Madonna’s controversial adoption of two Malawi children); celebrity health advice (Tom Cruise and Scientology); and celebrity pranks (the Sachsgate phone calls involving Russell Brand and Jonathan Ross). -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
Events Plan Ahead with Our Big Listings Guide
JAN 20 - FEB 3 2016 200+ Events www.getintonewcastle.co.uk Plan ahead with our big listings guide NEW Big LOOK! eat It’s back! Eat for just £10pp and INSIDE £15pp during the biggest-ever NE1 Newcastle Restaurant Week Reeves and Mortimer Heading for a big night out Rambert Dance Co They’re the greatest dancers... Hit the gym Twinkle toes Go on, you know you want to! Strictly Come Dancing Live Tour hits Newcastle FREE NE1 magazine is brought to you by NE1 Ltd, the company which champions all that’s great about Newcastle city centre Restaurant Week 12Come dining NE1’s Newcastle Restaurant Contents Week is back January 18-24 18th-24th January What’s #NE1RestaurantWeek on in NE1 04 Going out? It’s all here - Arenacross, Burns Night, an Eagle about town and much more 11 New you Step away from the sofa people - this is your guide to getting in shape in NE1 14 Music Bowling for Soup, Alexander Armstrong and the mighty Temple of Rock 16 Keeeeep dancing Strictly Come Dancing hits town 20 Shooting Stars One Vic and Bob’s 25 years of silliness Week, 22 Listings 80+ Restaurants, Your go-to guide to NE1 goings-on Bonbar pp* or 15 10 £ ©Offstone Publishing 2016. All rights Publishers: Jane Pikett, Gary Ramsay £ reserved. No part of this magazine may be reproduced without the written permission Writers: Dean Bailey, Claire Dupree of the publisher. All information contained (listings editor) in this magazine is as far as we are aware, Designers: Stuart Blackie If you wish to submit a listing for inclusion correct at the time of going to press. -
Alexandra Caulfield - Costume Designer
AMANDA McALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44(0)207 244 1159 www.ampmgt.com • e-mail: [email protected] ALEXANDRA CAULFIELD - COSTUME DESIGNER EMMY Award Nomination, BAFTA & RTS Nominations Best Costume Design www.alexandracaulfield.co.uk FEATURE CREDITS: PRISONERS OF PARADISE Director Mitch Jenkins Coming of age Love story set in 1925 Producers Jim Mooney, Mike Elliott colonial Mauritius Exec. Producers Alan Govinden, Maria J Govinden (Covid shoot) Production Co. AMG International Film / Sega Media Pty Ltd THE FLYING SCOTSMAN Director Douglas Mackinnon Bio Drama Producers Peter Broughan, Claire Chapman, Sara Giles Featuring Jonny Lee Miller, Stephen Berkoff, Brian Cox Production Co. ContentFilm / Scottish Screen / Scion Films / MGM BAFTA Nominated Scotland Award Best Film THE BEST MAN Director Stefan Schwartz Contemporary Comedy Drama Producer Neil Peplow Featuring Stuart Townsend, Amy Smart, Simon Callow Production Co. Endgame Ent. / Insider Films / Redbus Pictures SPARKLE Directors Tom Hunsinger, Neil Hunter Contemporary Comedy Drama Producers Martin Pope, Michael Rose Featuring Bob Hoskins, Stockard Channing, Anthony Head, Lesley Manville Production Co. Magic Light Pictures / Revolver Ent. / Vertigo Films BLACKBOOK (Prep only) Director Paul Verhoeven Period Drama Producer Teune Hilte Featuring Carice van Houten, Sebastian Koch Production Co. Fu Works CAPONE’S BOYS Director Richard Standeven Period Drama Producer Peter Barnes Featuring Marc Warren, Ralph Little, Richard Rowntree Production Co. Alchemy Films THE PAROLE OFFICER Director John Duigan Contemporary Crime Comedy Producer Duncan Kenworthy Featuring Steve Coogan, Omar Sharif, Jenny Agutter Production Co. DNA Films / Figment / Toledo / UK Film / Universal LIAM Director Stephen Frears Period Drama Producer Colin McKeown Featuring Ian Hart, Anne Reid Production Co. -
From Public Service Broadcasting to Public Service Media Gregory Ferrell Lowe & Jo Bardoel (Eds.)
From Public Service Broadcasting to Public Service Media Gregory Ferrell Lowe & Jo Bardoel (eds.) RIPE @ 2007 NORDICOM From Public Service Broadcasting to Public Service Media From Public Service Broadcasting to Public Service Media Gregory Ferrell Lowe & Jo Bardoel (eds.) NORDICOM From Public Service Broadcasting to Public Service Media RIPE@2007 Gregory Ferrell Lowe & Jo Bardoel (eds.) © Editorial matters and selections, the editors; articles, individual con- tributors; Nordicom ISBN 978-91-89471-53-5 Published by: Nordicom Göteborg University Box 713 SE 405 30 GÖTEBORG Sweden Cover by: Roger Palmqvist Cover photo by: Arja Lento Printed by: Livréna AB, Kungälv, Sweden, 2007 Environmental certification according to ISO 14001 Contents Preface 7 Jo Bardoel and Gregory Ferrell Lowe From Public Service Broadcasting to Public Service Media. The Core Challenge 9 PSM platforms: POLICY & strategY Karol Jakubowicz Public Service Broadcasting in the 21st Century. What Chance for a New Beginning? 29 Hallvard Moe Commercial Services, Enclosure and Legitimacy. Comparing Contexts and Strategies for PSM Funding and Development 51 Andra Leurdijk Public Service Media Dilemmas and Regulation in a Converging Media Landscape 71 Steven Barnett Can the Public Service Broadcaster Survive? Renewal and Compromise in the New BBC Charter 87 Richard van der Wurff Focus on Audiences. Public Service Media in the Market Place 105 Teemu Palokangas The Public Service Entertainment Mission. From Historic Periphery to Contemporary Core 119 PSM PROGRAMMES: strategY & tacticS Yngvar Kjus Ideals and Complications in Audience Participation for PSM. Open Up or Hold Back? 135 Brian McNair Current Affairs in British Public Service Broadcasting. Challenges and Opportunities 151 Irene Costera Meijer ‘Checking, Snacking and Bodysnatching’. -
April 2021 Answers
Quiz Questions – The rounds are: General Knowledge Jack Nicholson Film and Royalty TV Words Music Round 1 – General Knowledge. Possible 10 points 1. In 2019, which TV presenter signed a £1.1 million book deal for his debut crime novel, ‘The Thursday Murder Club’? Richard Osman 2. Sharing her name with a sports brand, which Greek goddess of victory was depicted on the original FIFA World Cup Jules Rimet Trophy? Nike 3. Which British actor played Jeremy Thorpe in the 2018 BBC drama series ‘A very English scandal’? Hugh Grant 4. ‘Adagio for strings’ is a piece of classical music written by which American composer? Samuel Barber or Aaron Copeland Samuel Barber 5. Which formula one Grand Prix is contested at the Gilles Villeneuve circuit? Canadian 6. Despite their name Kellogs Rice Krispie Squares are what four-sided shape? Rectangle 7. What is the name of the Downing Street cat? Larry 8. Which singer’s real name is Stefani Joanne Angelina Germanotta? Lady Gaga 9. “You’re gonna need a bigger boat” originated in what movie? Jaws 10. What is the most northerly capital city in the world? Reykjavik Round 2 Jack Nicholson Films. I’m going to read out some titles of films which jack Nicholson was in but the last word of that film is missing. Please fill in the word. Possible 10 points 1. Easy _____ (1969) Rider 2. One flew over the cuckoo’s _____ (1975) Nest 3. Terms of ______ (1963) Endearment 4. Prizzi’s _______(1985) Honour 5. The witches of _______ (1987) Eastwick 6. -
Nine Night at the Trafalgar Studios
7 September 2018 FULL CASTING ANNOUNCED FOR THE NATIONAL THEATRE’S PRODUCTION OF NINE NIGHT AT THE TRAFALGAR STUDIOS NINE NIGHT by Natasha Gordon Trafalgar Studios 1 December 2018 – 9 February 2019, Press night 6 December The National Theatre have today announced the full cast for Nine Night, Natasha Gordon’s critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper’s ‘Debut Awards’. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast. Directed by Roy Alexander Weise (The Mountaintop), Nine Night is a touching and exuberantly funny exploration of the rituals of family. Gloria is gravely sick. When her time comes, the celebration begins; the traditional Jamaican Nine Night Wake. But for Gloria’s children and grandchildren, marking her death with a party that lasts over a week is a test. Nine rum-fuelled nights of music, food, storytelling and laughter – and an endless parade of mourners. The production is designed by Rajha Shakiry, with lighting design by Paule Constable, sound design by George Dennis, movement direction by Shelley Maxwell, company voice work and dialect coaching by Hazel Holder, and the Resident Director is Jade Lewis. -
Susannah Buxton - Costume Designer
SUSANNAH BUXTON - COSTUME DESIGNER THE TIME OF THEIR LIVES Director: Roger Goldby. Producer: Sarah Sulick. Starring: Joan Collins and Pauline Collins. Bright Pictures. POLDARK (Series 2) Directors: Charles Palmer and Will Sinclair. Producer: Margaret Mitchell. Starring: Aiden Turner and Eleanor Tomlinson. Mammoth Screen. LA TRAVIATA AND THE WOMEN OF LONDON Director: Tim Kirby. Producer: Tim Kirby. Starring: Gabriela Istoc, Edgaras Montvidas and Stephen Gadd. Reef Television. GALAVANT Directors: Chris Koch, John Fortenberry and James Griffiths. Producers: Chris Koch and Helen Flint. Executive Producer: Dan Fogelman. Starring: Timothy Omundson, Joshua Sasse, Mallory Jansen, Karen David Hugh Bonneville, Ricky Gervais, Rutger Hauer and Vinnie Jones. ABC Studios. LORD LUCAN Director: Adrian Shergold. Producer: Chris Clough. Starring: Christopher Ecclestone, Michael Gambon, Anna Walton and Rory Kinnear. ITV. BURTON & TAYLOR Director: Richard Laxton. Producer: Lachlan MacKinnon. Starring: Helena Bonham-Carter and Dominic West. BBC. RTS CRAFT AND DESIGN AWARD 2013 – Best Costume Design. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DOWNTON ABBEY (Series I, Series II, Christmas Special) Directors: Brian Percival, Brian Kelly and Ben Bolt. Series Producer: Liz Trubridge. Executive Producer: Gareth Neame. Starring Hugh Bonneville, Jim Carter, Brendan Coyle, Michelle Dockery, Joanne Froggatt, Phyllis Logan, Maggie Smith and Elizabeth McGovern. Carnival Film & Television. EMMY Nomination 2012 – Outstanding Costumes for a Series. BAFTA Nomination 2012 – Best Costume Design. COSTUME DESIGNERS GUILD (USA) AWARD 2012 – Outstanding Made for TV Movie or MiniSeries. EMMY AWARD 2011 – Outstanding Costume Design. (Series 1). Emmy Award 2011 – Outstanding Mini-Series. Golden Globe Award 2012 – Best Mini Series or Motion Picture made for TV. -
Discourses on Public Library Cuts: an Analysis of Media Representations of Public Library Campaigns
WHAT DO WE STAND TO LOSE? DISCOURSES ON PUBLIC LIBRARY CUTS: AN ANALYSIS OF MEDIA REPRESENTATIONS OF PUBLIC LIBRARY CAMPAIGNS. A study submitted in partial fulfilment of the requirements for the degree of Master of Arts in Librarianship at THE UNIVERSITY OF SHEFFIELD by KATHRYN FLETCHER September 2011 ii Acknowledgements I would like to thank the following people for their involvement in this project: Barbara Sen, for her guidance and support. My family, for their encouragement. iii Abstract Background. The campaigns against library cuts formed the background to this dissertation. Library professionals have expressed concern over the helpfulness of some of the media coverage of the campaigns to the public library cause, and the researcher was interested in exploring whether this concern was legitimate. Aims. The aim of this dissertation was to analyse national newspaper coverage of public libraries generated by the campaigns. An initial objective was to determine the extent and scope of coverage of the campaigns over a sample period. The second (and primary) objective was to identify key discourses in the library debate, and to determine the key actors involved in constructing these discourses. A final objective was to consider the implications of the findings of the study for public library services of the future. Methods. Data was collected from a search of national newspapers on the Lexis Library News database. A sample of 68 articles was collected, 55 of which were deemed suitable for in-depth analysis. A mixed methods approach to analysis was taken, with the researcher employing reciprocal content analysis (quantitative) and situational analysis (qualitative). -
Ofcom Content Sanctions Committee
Ofcom Content Sanctions Committee Consideration of Channel TV Ltd (“Channel TV” or the “Licensee”), in sanction against respect of its service the Regional Channel 3 service (“Channel 3”) transmitted across the ITV Network on ITV1. For 1. Early finalising of the vote for the People’s Choice Award in the British Comedy Awards 2004, broadcast on 22 December 2004, Resulting in a breach of the ITC Programme Code 2002 (the “ITC Code”) in force from January 2002 until 24 July 2005 of: Rule 8.2(b) Use of Premium Rate Telephone Services in Programmes: “The licensee must retain control of and responsibility for the service arrangements and the premium line messages (including all matters relating to their content)” 2. Early finalising of the vote for the People’s Choice Award in the British Comedy Awards 2005, broadcast on 14 December 2005, Resulting in a breach of the Ofcom Broadcasting Code of: Rule 2.2: “Factual programmes or items or portrayals of factual matters must not materially mislead the audience” 3. Overriding the viewers’ vote for the People’s Choice Award and substituting a different winner in the British Comedy Awards 2005, broadcast on 14 December 2005 Resulting in a breach of the Code of: Rule 2.2: “Factual programmes or items or portrayals of factual matters must not materially mislead the audience” Decision To impose a financial penalty (payable to HM Paymaster General) of £80,000, which comprises £45,000 in respect of the early finalising of the vote in both programmes (“as live breaches”) and £35,000 in respect of overriding of viewers votes in the BCA 2005 (“the selection breach”). -
Sunday Times Magazine 11.11.2012 the Sunday Times Magazine 11.11.2012 17 VIVA FOREVER!
VIVA FOREVER! WESTSPICE UP YOUR LIFE END Brainchild of the Mamma Mia! producer Judy Craymer and written by Jennifer Saunders, the Spice Girls musical Viva Forever! launches next month. Giles Hattersley goes backstage to discover if it’s what the band want, what they really really want VIVA FOREVER! n a rehearsal room in south London, two me just before the film of Mamma Mia! came young actors are working on a scene with out [in 2008]. I sent Simon an email, saying WHERE ARE THEY NOW? all the earnest dedication required of I had to concentrate on the movie. Obviously, Baby, 36 Emma Bunton had a Ibsen. This is not Ibsen, however. At the you don’t write letters like that to Simon,” she successful solo career before back of the room, massive signs are laughs, “because I didn’t hear from him again. moving into radio presenting propped against the wall, spelling out the But I did hear from Geri in 2009. She wrote a (she has a show on Heart). immortal girl-band mantra: “Who do you sweet email, so I met her and Emma [Bunton].” She’s also been a recurring character on think you are?” It’s an existential puzzler In fact, the girls had wanted to do a musical Absolutely Fabulous and has two sons Ithat performers are encouraged to struggle for years. “It was an idea that was talked about with Jade Jones of the boyband Damage with as they wrestle with other deep emotional all the time,” says Halliwell, but Craymer fare, such as, “I’ll tell you what I want, what I hadn’t been looking to do another jukebox Ginger, 40 After quitting the Y really, really want.” Today, the show’s two leads musical (a term she hates). -
Inside Story of the Chaotic Struggle for Afghanistan Ben Anderson
NEWORLD O PUBLICATIONS Spring & Summer 2012 Oneworld Highlights Page 2 Page 6 Page 8 Page 10 Page 12 Page 16 Page 18 Page 24 Page 25 Page 30 Page 31 Page 36 Contents Contents Coming Soon 2 New in Paperback 24 Recently Released 30 Coping With 37 Beginner’s Guides 38 Select Backlist 40 Contacts 46 For more information visit www.oneworld-publications.com 2 Coming Soon This Flawless Place Between Bruno Portier A beautiful, modern-day reimagining of The Tibetan Book of the Dead, one of the world’s most influential and treasured spiritual texts Evoking inspirational classics like The Alchemist, This Flawless Place Between is a transcendent story about the end of life. It is a story of love, of the choices we make and the paths we walk, and how the great divide that we have built between the living and those that have passed is no divide at all. Fiction On an isolated stretch of road in the Tibetan About the Author: • UK: April 2012 mountains, a motorbike skids off the road. Bike and Bruno Portier is a writer, photographer, and • US: May 2012 riders spin over the edge, plunging into a ravine. A • Hardback documentary maker. He Tibetan peasant hurries to help, but while the young • B Format travelled around Asia • 208 pages husband tries in vain to save his wife’s life, the stranger for twelve years before • £10.99/$16.95 focuses on guiding her spirit along the new path it undertaking a PhD in social anthropology and writing • 9781851688500 must take. So begins a cathartic journey that carries this, his first novel.