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InfoMail 16.04.15: vom Herausgeber signiertes Buch mit BEATLES-Kurzgeschichten /// MACCAZINES /// MANY YEARS AGO InfoMail Donnerstag, 16. April 2015 InfoMails abbestellen oder umsteigen (täglich, wöchentlich oder monatlich): Nur kurze Email schicken. Hallo M.B.M.! Hallo BEATLES-Fan! Ein Buch mit Kurzgeschichten zum Thema BEATLES Weitere Info und/oder bestellen: Einfach Abbildung anklicken Samstag, 1. November 2014: Buch WEIL ICH JOHN LENNON BIN - PHANTASTISCHE BEATLES-GESCHICHTEN. 10,90 € Die von uns verschicken Bücher sind vom Herausgeber signiert. Herausgeber: Bartholomäus Figatowski. Verlag: N. Schmenk. ISBN: 978-3-943022-27-8 Gebundenes Buch; Hochformat 24,6 cm x 17,2 cm; 96 Seiten; Preis: 10.90 €. Inhalt: Wahnfried stellt klar (von Holger Dittmann); Lucy (von Monika Niehaus); Livestream-Liebe (von Holger Mossakowski); Kalte Füße (von Karl-Otto Kaminski); Breaking Eggs (von Rainer Schorm); Operation Samsara (von Katja Göddemeyer); Auf der Suche nach der verlorenen Welt (von Raimund Hils); Farbenspiel (von Jörg Weigand); Im Haselbusch (von Renate Schmidt-V.); Gebrochene Flügel (von Detlef Klewer); Picknick am Hügel (von Nina Sträter); Saat des Todes (von Regina Schleheck); Weil ich John Lennon bin (von Holger Dittmann); Die Farbe Gelb (von Marika Bergmann); Als der Regen kam (von Bettina Forbrich); In the Land of Submarines … Nachwort (von Herausgebers Bartholomäus Figatowski); Die Autorinnen und Autoren und ihre Inspirationsquellen. MACCAZINES - TIMELINES Weitere Info und/oder bestellen: Einfach Abbildung anklicken Magazin MACCAZINE - PAUL McCARTNEY TIMELINE 2005. 9,90 € Magazin MACCAZINE - PAUL McCARTNEY TIMELINE 2006. 9,90 € Dutch Paul McCartney Fanclub, Niederlande. Heft; Hochformat: ca. 14,8 cm x ca. 21,0 cm; 28 Seiten; 24 Schwarzweiß-Abbildung; englischsprachig. -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
Volume 3 Issue 8 2010 Your Access to Performance with Passion
volume 3 issue 8 2010 Your Access to Performance with Passion. *Sentient Charter is a program of Sentient Jet, LLC (“Sentient”). Sentient arranges flights on behalf of clients with FAR Part 135 air carriers that exercise full operational control of charter flights at all times. Flights will be operated by flights at all times. Flights will be operated by full operational control of charter that exercise air carriers 135 Part flights on behalf of clients with FAR LLC (“Sentient”). Sentient arranges *Sentient Charter is a program of Sentient Jet, details.) for to www.sentient.com/standards standards safety and additional establishedSentient. (Refer by service been certified to provide Sentient and that meet all FAA for that have air carriers 135 Part FAR At Sentient*, we understand that success isn’t something that comes easily. It takes focus, years of preparation and relentless dedication. With an innovative 9-point safety program and a staff of service professionals available 24/7, it’s no wonder that Sentient is the #1 arranger of charter flights in the country. Sentient Charter can take you anywhere on the world’s stage - on the jet you want - at the competitive price you deserve. Sentient Jet is the Proud Platinum Sponsor of the TourLink 2010 Conference Jet Barbeque TO LEARN MORE, PLEASE CONTACT: David Young, Vice President - Entertainment, at [email protected] or 805.899.4747 More than 560 attorneys and advisors in offices across the southeastern U.S. and Washington, D.C., practicing a broad spectrum of business law including transactions, contracts, litigation, transportation and entertainment. -
Popularmusikforschung39-03: the Value of Live Music
THE VALUE OF LIVE MUSIC Simon Frith From April 2008 until April 2011 I directed a research project on live music in Britain.1 We are now writing up our findings,2 and since February 2012 we have had funding for a follow-up project, designed to establish ongoing links between academic researchers, the live music industry and the wider public.3 The original research project was organized around an investigation of the business of live music promotion and a crucial part of our method was interviewing. We talked to more than 100 promoters, from the MD of Live Nation in the UK and such big names as Harvey Goldsmith to local club owners and enthusiasts. We covered all types of music (including classical) — which is one reason why our findings will fill three books. One of my roles in the research team is to present our work to the live music industry itself, whether by attending their trade events and writing for their trade papers or by inviting them to seminars we organise. Such »knowledge exchange« (to use current academic jargon) is not without its problems and two kinds of miscommunication between university-based researchers and live music industry players particular interest me (and have informed the design of our follow up project). First, we apparently have quite different interpretations of a shared phrase, »the value of live music«. Their take is, it seems, straightforwardly economic: the value of live music can be measured by how much money people are prepared to pay for it. Our approach, by contrast, is more philo- sophical (or up our own backsides, as the industry would say): what is it that people think they are paying for? What exactly do they value? I'm not 1 See http://www.gla.ac.uk/departments/livemusicproject. -
BBC MUSIC MAGAZINE BBC MUSIC MAGAZINE 43 Films with Live Orchestra
Films with live orchestra he took a break from the ‘day job’, hitting the road on his own blockbusting concert tour; and while this wasn’t about live scores exactly, it offered the composer (and musician) the opportunity to see for himself the appetite there is right now for live film music. Was he surprised at its success? ‘A little,’ he admits. ‘The first thing I said to (concert promoter) Harvey Goldsmith was “do you think anyone will come?”’ Come they did, and in their thousands, as Zimmer and his hand-picked ensemble played to packed arenas across the globe. But playing a Zimmer score live in concert is no easy feat. ‘I’ve written so many things that are not easy to pull off in front of a live audience,’ he Symphonic Brando: explains, ‘because I use odd line-ups. I love David Newman conducts the line-up of 28 cellos and eight basses only. the score to On the It’s hard to get that in your normal symphony Waterfront in New York orchestra, plus the brass section is going to be really cross with you because there’s nothing for them to play. I remember an orchestra taking Pirates of the Caribbean out to do live and I said tracks that are played simultaneously with the “you’d better book two complete French horn music. Synchronicity, speed and rhythm are still sections, because they need to take a break – key, however, and remain a specific challenge, their lips will literally start bleeding!” When we as he explains. -
Aktion "SECOND THINGS"
Alter Markt 12 • 06 108 Halle (Saale) • Telefon 03 45 - 290 390 0 : Di., Mi., Do., Fr., Sa., So. und an Feiertagen jeweils von 10 bis 20 Uhr InfoMail 1449: THINGS 185 & TICKET 99 & "SECOND THINGS" Hallo M.B.M., hallo BEATLES-Fan, in einigen Tagen verschicken wir die neue THINGS-Ausgabe. Als M.B.M. schicken wir Dir Dein THINGS 185 und (falls bei uns abonniert) TICKET 99 automatisch zu. - Aber es gibt auch die neue SECOND THINGS-Aktion. HEFT THINGS 185 (= THINGS+TICKET-Nr. 193). 3,50 Euro Beatles Museum, Deutschland. 1617-8114. Heft; Hochformat A5; 36 Farbseiten; deutschsprachig. Inhalt: Angebot & Information: JOHN LENNON-Caps, -Pins und -Kaffeebecher. Impressum: Informationen zum Beatles Museum und zu THINGS. Im Beatles Museum: McCARTNEY-Signaturen. / Hallo M.B.M.!: Vier große Themen. IT WAS 50 YEARS AGO TODAY - Januar 1961: Die BEATLES werden in Liverpool bekannt. IT WAS 40 YEARS AGO TODAY - Januar 1971: Beginn des Rechtsstreits zwischen PAUL McCARTNEY und LENNON, HARRISON, STARR. IT WAS 30 YEARS AGO TODAY - Januar 1981: JOHN LENNON / YOKO ONO: Veröffentlichung der Single WOMAN / BEAUTIFUL BOYS. IT WAS 20 YEARS AGO TODAY - Januar 1991: PAUL McCARTNEY: Projekt UNPLUGGED - Konzert, Rundfunk- und Fernsehsendungen UNPLUGGED - LP, MC und CDs UNPLUGGED - Weitere UNPLUGGED-Aufnahmen auf Single-CDs, CDs, DVDs, Bootleg-CDs und Bootleg.-DVDs - Weitere UNPLUGGED-Konzerte in Spanien, Großbritannien, Italien und Dänemark. Korrektur & Ergänzung zu IT WAS 10 YEARS AGO TODAY - November 2000: THE BEATLES: Verkaufszahlen vom Album ONE. IT WAS 10 YEARS AGO TODAY - 2001: THE BEATLES & APPLE-Interpreten: Bootleg-CD-Box COMPACT DISC UK SINGLES COLLECTION. -
Bill Harry. "The Paul Mccartney Encyclopedia"The Beatles 1963-1970
Bill Harry. "The Paul McCartney Encyclopedia"The Beatles 1963-1970 BILL HARRY. THE PAUL MCCARTNEY ENCYCLOPEDIA Tadpoles A single by the Bonzo Dog Doo-Dah Band, produced by Paul and issued in Britain on Friday 1 August 1969 on Liberty LBS 83257, with 'I'm The Urban Spaceman' on the flip. Take It Away (promotional film) The filming of the promotional video for 'Take It Away' took place at EMI's Elstree Studios in Boreham Wood and was directed by John MacKenzie. Six hundred members of the Wings Fun Club were invited along as a live audience to the filming, which took place on Wednesday 23 June 1982. The band comprised Paul on bass, Eric Stewart on lead, George Martin on electric piano, Ringo and Steve Gadd on drums, Linda on tambourine and the horn section from the Q Tips. In between the various takes of 'Take It Away' Paul and his band played several numbers to entertain the audience, including 'Lucille', 'Bo Diddley', 'Peggy Sue', 'Send Me Some Lovin", 'Twenty Flight Rock', 'Cut Across Shorty', 'Reeling And Rocking', 'Searching' and 'Hallelujah I Love Her So'. The promotional film made its debut on Top Of The Pops on Thursday 15 July 1982. Take It Away (single) A single by Paul which was issued in Britain on Parlophone 6056 on Monday 21 June 1982 where it reached No. 14 in the charts and in America on Columbia 18-02018 on Saturday 3 July 1982 where it reached No. 10 in the charts. 'I'll Give You A Ring' was on the flip. -
Paul Mccartney E Brasil: Relação Antiga História Enviado Por: [email protected] Postado Em:23/11/2010
Disciplina - História - Paul McCartney e Brasil: relação antiga História Enviado por: [email protected] Postado em:23/11/2010 Há 20 anos, em abril de 1990, com sua primeira apresentação no país, ele entrou para o livro Guiness dos Recordes. Julia Moreira Revista de História da Biblioteca Nacional “É ótimo estar de volta ao Brasil, terra da música linda”, falou Paul McCartney, em português, para os 64 mil fãs que lotaram o estádio do Morumbi (Zona Sul de São Paulo) na noite de domingo (21). O aguardado show do eterno beatle começou com “Venus and Mars/Rock Show” e “Jet”, do Wings, banda que Paul montou depois dos Fab four, e que também contava com a participação da sua então esposa, Linda McCartney (1941-1998), a quem ele dedicou “My Love”. A primeira música do quarteto de Liverpool que o público cantou em uníssono foi “All my loving”. Com imagens da época auge da Beatlemania projetadas no telão ao fundo do palco (havia também dois painéis laterais para aqueles que não estavam tão perto do palco), ele emendou outro clássico da banda mais popular que Jesus: “Drive My Car”. Sua atual banda também é “fantástica”, como disse para o público. Ela é formada por Paul Wix Wickens (teclado), Brain Ray (guitarra e baixo), Rusty Anderson (guitarra) e Abe Laboriel Jr. (bateria). Eles o ajudaram a homenagear os dois Beatles que já morreram: tocaram “Here Today”, a música que Paul escreveu para John Lennon (1940-1980), e dedicaram “Something” a George Harrison (1943-2001) - o quarto integrante do grupo, para quem não vive neste planeta, é o baterista Ringo Starr. -
Blitz Magazine Issue 51 from March 1987
MARCH 1987 No.51 £1.10 Raymond Carver Gang Warfare Rupert Everett The Snap Pack Paul Morley on TV Oliver Reed Cybill Shepherd Peter Cook 4 Front: What's Happening 4 Dennis Hopper, Films On Four 6 Isadora Duncan, The Model Gallery 8 Marilyn Monroe, McDonald's, London Daily News 10 Condom Wars, Wranglers 40th Anniversary 12 Lost in America 14 Print 14 Ramsey Campbell, Paperback Choice 15 New Fiction, New Non-fiction 16 Film 16 New Releases 18 On 'Release Cover star Rupert 22 Television Everett, film actor 22 Paul Morley on The Box soon to turn pop 23 Video Reviews singer. 24 Music BLITZ MAGAZINE 24 The Bodines I LOWER JAMES STREET 26 Album Reviews, New Product LONDON WI R 3PN 28 Dancefloor Tel: (01) 734 nil 30 Oliver Reed: another drink, another film, by Mark Brennan PUBLISHER Carey Labovitch 34 Fashion: what a catastrophe MANAGING EDITOR Simon Tesler EDITOR Tim Hulse 40 La Vida Loca: gang warfare in the FASHION EDITOR Iain R. Webb LA barrio, by Laura Whitcomb DESIGNER Jeremy Leslie 46 Fashion: y viva espagna ADVERTISING MANAGER Cherry Austin 48 Rupert Everett: on becoming a GENERAL ASSISTANT Sarah Currie popstar, by Fiona Russell Powell FASHION ASSISTANT Darryl Black 54 Whaling: bloodsport in the Faroe CONTRIBUTORS Fenton Bailey, Tony Islands, by Steve James Barratt, Martine Baronti, Robin Barton, Mark Bayley, Malcolm Bennett, Mark 56 Cybill Shepherd: the fall and rise of Brennan, Peter Brown, Gillian Campbell, Mark Cordery, Richard Croft, Andy Darling, Bruce Dessau, Steve Double, Simon Garfield, Richard Grant, John Hind, David a Moonlighting star, by Hil lmy Hiscock, Philip Hoare, Mark Honigsbaum, Caroline Houghton, Aidan Hughes, Marc Johnson Issue, Steve James, Dave Kendall, Jeremy Lewis, Mark Lewis, Judy Lipsey, Elise 62 Fashion: the newest romantic of all Maiberger. -
Analysing Live Music in the UK: Findings One Year Into a Three-Year Research Project
Journal of the International Association for the Study of Popular Music Analysing Live Music in the UK: Findings One Year into a Three-Year Research Project Simon Frith [email protected] University of Edinburgh Abstract This is the first of four related articles in this journal presenting findings from an ongoing research project on the history of live music in the UK since 1950. This introductory article outlines the project’s starting assumption—that popular music culture in this period was organised around the constantly changing relationship of the recorded music and live music sectors—and suggests that this is to challenge the conventional academic assumption that the post-war history of popular music can be written as the history of the record industry. To approach popular music history from the perspective of live musical promotion means a) rethinking periodisation; b) examining a very wide range of musical activities; c) paying attention to the regulatory and the promotional roles of the state; d) understanding the importance of locality and place; e) reconceiving the power structure of musical institutions. Keywords: live music, promotion, the state. In his excellent book, Making Easy Listening. Material Culture and Postwar American Recording (University of Minnesota Press 2006), Tim J. Anderson suggests that “the period from after World War II to the rise of rock music as the dominant genre of the day” has been underresearched. This was the time, he suggests, when “the recording, in effect, replaced sheet music as the dominant material unit of exchange and musical distribution”, and the final effect of this transition was profound: Indeed, no single history or historian could do justice to this change, for its impact was so widespread and so fundamental that the record would overtake the importance of live performance in terms of its industrial, aesthetic, and, eventually, cultural influence (Anderson, 2006, pp.xviii-xix). -
There Used to Be a Competitive, Uneasy Relationship Between Record Companies and Radio, but Now It's Too Cozy
MANAGING DIRECTOR, HARVEY GOLDSMITH Harvey (PRODUCTIONS Goldsmith _Veteran promoter laments `faceless, soulless' live sector. The managing director of Harvey Goldsmith Productions is almost as familiar a figure on Did Live Aid have any lasting cul- the live music scene in the United Kingdom as some of the heavyweight talent he has tural Impact? booked during four decades. On Oct. 30 in front of an industry audience at London's It was the point when rock music Grosvenor House Hotel, Harvey Goldsmith will receive this year's Music Industry Trusts became establishment. From that award - bestowed annually to an individual deemed to have made a lasting contribution point onwards it had a wider audi- to the British music industry. Since its launch in 1992, the award has raised more than £2 ence, but it started to lose its edge. million ($3.75 million) for its designated charities, Nordoff Robbins Music Therapy and The national press in Britain the BRIT Trust. grabbed hold of music and made Goldsmith's career as a promoter began in the mid- 1960s, when he booked bands while it a mainstay, and I don't think it's at college in Brighton, on England's south coast. By the early 1970s, with U.S. experience been the same way since. already under his belt, he was working with such acts as the Rolling Stones and the Who, Previously, the media looked at and was instrumental in developing Britain's arena and stadium rock circuits in Britain. rock musicians as hairy, drug - In 1985, Goldsmith booked Live Aid -a role he fulfilled again 20 years later for Live 8. -
42001 Sworders OOTO 11 Feb.Pdf
OUT OF THE ORDINARY at the Stansted Mountfitchet Auction Rooms Tuesday 11 February 2020 at 10am ORDER OF SALE Lots 1 - 27 All the Fun of the Fair Lot 28 - 36 Precious Things Lots 37 - 84 Witches & Monsters Lots 85 - 126 Folk Art Lots 127 - 161 Stranger Things Lots 162 - 185 Lights, Camera, Action Lots 186 Easy Rider Lots 187 - 195 Light Fantastic Lots 196 - 226 After Death Lots 227 - 238 Fifty Shades... Lots 239 - 284 Life on Earth Lots 285 - 292 Call a Doctor Lots 293 - 297 Corpus Christi Lots 298 - 306 Counter Culture Lots 307 - 309 North Korea Lots 310 - 315 Live Aid 1985 Lots 316 - 320 Extinct Lots 321 - 326 Harry Potter Lots 327 - 351 War and Peace Lots 352 - 377 An Architectural Eye Lots 378 - 402 Contemporary and Modern Lots 403 - 408 Gabriel Summers Lots 409 - 420 Planes, Trains and Automobiles Lots 421 - 461 Stranger Things Lots 462 - 491 Gastronomy VIEWING TIMES Friday 7 February 9am - 5pm Sunday 9 February 10am - 1pm Monday 10 February 9am - 5pm Tuesday 11 February From 9am To obtain more images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk Auction highlights are on view at our London office FURTHER INFORMATION Wednesday 22 January - Monday 3 February Sworders Auctioneers Tel: 01279 817778 15 Cecil Court, London WC2N 4EZ Email: [email protected] Telephone: 0203 971 2500 | [email protected] Contact: ONLINE BIDDING Bid live at www.sworder.co.uk (0% surcharge) REMOVAL OF LOTS All lots should be removed by 5pm on Friday Mark Wilkinson Alex Hallet Errol Fuller 21 February 2020.