54 Chance the Rapper

Total Page:16

File Type:pdf, Size:1020Kb

54 Chance the Rapper ARTIST CERTIF ICATION Title PEAK WKS ON ARTIST CERTIFICATION Title PEAK IN% S. ON umPRINT/DisTRiBuTi NG LABEL POS. ClIA PT IMPRINT/DISTRIBUTiNù LABEL POS. CHART ARCADE FIRE Everything Now LUCAS HOGE Dirty South 5L ga COLUMBIA FiFEEI FM KENDRICK LAMAR A DAMN, 1 16 FUTURE HNDRXX 1 23 5 2 TOP OAWG/AFTERMATIVINTERSCOPEfIGA A-1/PREEBAND.Z/EPIC 0 3 MEEK MILL Wins And Losses 3 2 48 i'3 K EITH URBAN A Ripcord 4 mAYRAFH/A.II AKIFIriAb HIT RED/CAPITOL NASHVILLEMUCA 65 9 4 Di KHALED • Grateful 1 6 51 54 RAPPER Coloring Book 8 64 Ii E1. 14 BESTIE PIC CHANCE THE 7 - AJ Y-2 à 4:44 1 4 55 ROMEO SANTOS Golden S. CARTER ENTERPRISES/RDC NATION SOVY MUSIC LATIN 10 2 12 6 21 SAVAGE Issa Album 2 4 52 56 RIHANNA A ANTI 1 80 SEAUGFTER GANCAPIC WESTBURY ROAD/ROE NATIo% Arcade 15 0 IMAGINE DRAGONS 18 25 e 2 6 56 0 111.41BRETT I", YOUNG Brett Young KIDINAKOWIER/1%TERSCOPE/IGA Evolv e Fires Up 11 8 ED SHEERAN A Divide 1 22 e 0 QUEEN A Greatest Hits III &Ill: The Platinum Collection 48 85 All AN HUAI'. HOLLYVICOL) Third No.1 9 SOUNDTRACK Descendants 2 6 2 54) KODAK BLACK Painting Pictures 3 18 WII Illtei F Y IDOLLAZ N 0E.ALZ/ATLANTICeG Arcade Fire claims its third straight No. 1album lo LANA DEL REY Lust For Life FLORIDA GEORGIA LINE Dig Your Roots 2 49 POLYÓ0BerdERSCOPEAGA 1 2 57 60 BMEG on the Billboard 200 as Everything Now arrives 18 0 KHALID • American Teen 9 22 NEW CAGE THE ELEPHANT , e ospiRcA n l 61 1 atop the tally. The LP RI GI TI IA.ND/ RC& U pee ed earned 100,000 equivalent ir) 12 TYLER, THE CREATOR Flower Boy 2 2 59 67 YOUNG THUG BEAUTIFUL THLIGGER GIRLS 8 7 000 FUTUREKOLUMBIA - itl TVA rI. AN TICiA I«, album units in the week ending Aug. 3. according to 3 8 25 Ctrl e e CAPITOLJON PARDI NASHVILLE/uvGN 0 fI , fl A'A, Ill KC A. California Sunrise it 57 Nielsen Music. Of that sum, 94.000 were traditional 16 14 SOUNDTRACK A Moana 2 37 THE ISLET BROTHERS l SANTANA Power Of Peace 64 1 we II rave Y NEW album sales. co 0 STARFAITIIIRI TOP TEN/LEGACY Arcade Fire previously led 22 s POST MALONE A Stoney 6 34 1 26 REPUBLIC 63 " GII.e 0•Fe P.L IA e IDecided. the chart with Reflekter in 2013 and The Suburbs in 21 it, DRAKE More Life 1 20 68 le ED SHEERAN A 1 YOUNG MONEY/GASH MOtiEWREPUB LI C All.ArirlIVA.ti M 163 2010_ Both albums debuted at No. 1. 75 CO KErni, NrLADwitr..Laii.e LAulAlittiC rAi mu on/nip:NA kid, na.A.A.d city 2 249 20 /7 Mp!TeliC?GPAARS A 24K Magic 2 37 Everything Now is just the second rock album to lead 19 is FRENCH MONTANA Jungle Rules 3 3 53 68 LORDE Melodrama 1 7 Hie ROYF....RAS) Rovii-pir LAVA/REPUBLIC the Billboard 200 in 2017 following Linkin Park's One 24 19 CALVIN HARRIS Funk Way Bounces Vol. 1 2 5 DRAKE A Take Care e 6, 1 231 FLY EvE/COLuVIRA YOUNG MG« PriCA SI. VO% EY/ RE PUBLIC More Light (on the June 10 list). Further, Arcade Fire is 26 20 2 CHAINZ Pretty Girls Like Trap Music 2 7 70 BRYSON TILLER True To Self 1 to THE REAL UNIVERSITYrDEFIAM TRAPSOLIEJRCA now the second rock band this decade with three 32 7 28 21 MIGOS Culture 1 27 0 4::, ATurcriciAGPORTUGAL. THE MAN Woodstock QUALITY CONTROL/300/AG No. 1s_ Linkin Park also has 0 22 LINKIN PARK One More Light i 34 three chart-toppers in the i 10 J. COLE A 4Your Ey'ez Only MACHINE SFOPPA'AR% ER BP05 73 0 tie AM VII IIIROc %A IION 2010s (of its six total No. 1s)_ Three other acts also 31 0 THE WEEKND A 1 36 KANE BROWN io 35 XfleTeFF111111. IC Starboy 78 0 ZONE 4/RCA NASHVILLE/SIM Kane Brown have logged three chart- topperss in the 2010s: pop 13 2 70 m 2PAC e Greatest Hits 3 202 2.1 eciteRietpiP ELRL° aci mil I N Perfect TilTli ri g Q ALIARU/DEAT I. ROW/INTERSCOPEIUME group One Direction, with altiLmq,1 29 25 SHAWN MEN DES • Illuminate i 45 -) el FLEETWOOD NIAC A The Very Best Of Fleetwood MK four; country trio Lady &AN() 7 pFpnlsEeNAPNEP STRATEGIC MARKET imE./Ri- imp 12 69 Antebellum, with three: ga ciLlt.alnnt 3 97 talltU 30 26 ORIGINAL IIROMIIRAY CAST A Hamilton: AA Arnierkan end NEW ID RINGS OF SATURN Oa 76 I and country act Zac Brown IIAMILTOS UPTOWN/ATLANTIC/AG POKLEAR BLAST Band, with three KW 0 rocVIC NATios. MENSA The Autobiography e 1 72 72 EMINEIld e The Eminem Show 1 331 Everything NoWs sales c:reamr! lAiF Iii.F.F IF FrVieN/IN II-kV-Gill /IMO start of 94,000 (the sixth- ancl 32 28 SOUNDTRACK A Trolls 3 45 67 7g SOUNDTRACK The Fate Of The Furious: The Album lo 16 largest sales week for a in IA «IMF* A10114FIRINSCA UNI'vERSAL STUDIOS/ARTIST PARTNERS GROUP/MLA...au/AG altt.trc, rock album in 2017) was el 2q LINKIN PARK 43> [Hybrid TheOrY1 SOUNDTRACK 79 i 2 172 NEW 0 UNIVERSAL PICTURES/FOCUS rutTillEsimoemoTAeotOK TiCLU aided by aconcert ticket/ v. A.IIN Iii Mot,. Blonde citilealant album bundle redemption trarl NEW REM IUD Des Pit Own IkInforlrortilOillirpo.hgte. 'IR.»! 30 1 BOB HARLEY ADOBE WAILERS e Legend The Beg Of- 5 481 promotion for the band's 0 GRATEFUL DEADMHINO 74 80 TuFF GONGtISEA%0/UmE upcoming tour. Other ealK, 31 NEW 0 FrERIBLICAMINE Good For You 1 61 81 COLDPLAy Kaleidoscope EP is 3 PAW (»HMI/All AN 11I"JACi albums that have benefited alhurn from such an offer this tens' NEW 0 ALICE COOPER 32 1 109 el BLACKBEAR digital druglord it 15 EA RidUSIC/EDEL Paranorm al HE Mil IFAP?:AL »Oil% IF li-S,11111-...IGA year include Linkin Park's 7rul One More Light, The ILUKHESTER ORCHESTRA Black Mile To The Surface THE WEEKND A Beauty Behind The ArlacirE:z5 IIIMA IAKOficniiti 33 1 ] 101 NEW 'hit:rein! 0 VIS 76 83 :g.C.,.'4E PU EL IL Chainsmokers' Mornories... Do Not Open and Katy 35 34 TRAVIS SCOTT A Birds In The Trap Sing McKnight I 48 TAYLOR SWIFT A 1989 ] 138 GRAND HUSTLE/EPIC 71 84 BIG MACIiINE/BV EG Perry 's Witness. Arcade Fire leads aquiet rcoomptInn 34 35 peje cioititieMERS Memories...Do Not Open 1 17 LADY ANTEBELLUM Heart Break 4 8 55 85 CAPITOL NASHVILLE/II VGN chart, as Everything Now is trotrir the only debut within the Altà Views 1 66 60 86 9:1111i0111Elt Widens Of Tt JI.?: Meow iiixVit2 4 15 omit' 36 36 MUNIC.ILDICASII IMME-YeTif PUBLIC PolAkrniF I;14:4. I514FICil top 25 of the list (the first tin time that has happened hscarl FUTURES FUTURE I 24 7, 87 EMINEM à Curtain Call: The Hits 1 352 41 0 A L,,FREEBANDDEPIC SHALTOAF ri 111.4A11-/IN timeopF iii-A. since Feb. 4). Comparatively, aweek ago, there were CHRIS STAPLETON A Traveller 1 99 g J. COLE A 2014 Forest Hills Drive 1 139 1.41- FetIRY NASHVIL I. FillMFA 38 38 83 8- tikEAIAVILLE/k0È MATICHNIXOLUseiniA eight debuts in the top 25, Palolwn he PLAYBOI CART including five in the top 10. I Playboi Carti WI 12 16 0 0 LVNRil %IL FtSCOPC rIG A 34 AWGE/INTERSCOPE/IGA 6LACK FREE 6LACK 33 pl 39 —Keith Caulfield rnm 37 40 CHRIS STAPLETON 0 From ARoom: Volume 1 2 13 8 90 JAMEcOLUMU ! ARTHUR Back From The Edge MEP.ITURY NASIIVILLE/UMG% nook.a tho 33 41 HALSEY hopeless fountain kingdom 1 9 82 91 ADELE 4 25. 1 ,..;•4 nt ASTRALWERKS YUCOLutiBIA 43 0 LUKE COMBS This One's For You 5 9 0 0 THOMAS RHETT A klburg PivER FOUSEKOLUMBIA NASHVILLE/SUN VAL fIR Yi FI VIC. Tangled Up 7 13 çcpular 45 e niEmovwmRUSS MY IA'AY,ornti IMRIA There's Really A Wolf 103 0 UEGGR IZZL Elf My Moment 44 17 woe ".tto 44 44 CHILDISH GAMBINO • Awaken, My Love! 5 35 87 94 METALLICA A Hardwired...To Self-Destruct 1 37 MLEWGEASS% CITE ULACK( SE El rank 1 a 0 IMAGINE DRAGONS A Night Visions 2 253 char: F42 45 ilig,"9\115hT1,1.‘9 Everybody 106 KIDINAKORNER/INTERSCOPEm.i. 20t) : 46 LINKIN PARK A Meteora 1 113 95 96 ZAC BROWN BAND Greatest Hits So Far... 20 130 WA.RN Ell BROS. RFIA.FIP-.111J1 Hi RN nIputInniAI i AN IItiAb Etallebra 40 47 HARRY STYLES Harry Styles 1 12 64 KIDZ BOP KIDS Kid2 Bop 35 32 3 ERSKINE/COLUMBIA 97 KIDZ SUPTi0.20k & TIE/CC:44CM JULIA MICHAELS Nervous System (EP) 48 I 8y 98 JOURNEY lit> Journey's Greatest Hits NEW I1.11C1- Ai ISat 11.IFII IC :o 472 0 Ce4MAGIA/LEGACY 0 TWENTY ONE PILOTS A BIu rryface 1 116 99 99 glAtFYI?iticTILLER A TPAPSOLll 8 97 50 FUELüE BY RALIEN/AG e5 SAM HUNT Jek Montevallo 3 145 nn PANIC! AT THE DISC» A Death Of ABachelor 1 81 ;0 MCA NASIIVILLE/UMG% c)6 " Of:EV/FUELED BY PAY EM'AB 62 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 08.19_2017 .
Recommended publications
  • Indie Mixtape
    Indie Mixtape :: View email as a web page :: Arcade Fire apparently is in the midst of working on a new album, with writing having “intensified” during the pandemic. In spite of ourselves, we are interested in hearing this quarantine opus, even though we openly disliked their previous album, 2017’s Everything Now. Arcade Fire is also on our brains lately because the 10th anniversary of their third ( and we would argue greatest) album, The Suburbs, was this past weekend. That album, like all Arcade Fire LPs, is a mix of breathtaking musical moments and grandiose, eyeroll-inducing thematic gestures. And yet we wouldn’t want Arcade Fire to be any other way. Sometimes they miss in embarrassing fashion, and other times they absolutely crush it. But they always swing big. For this list of our 20 favorite Arcade Fire songs, we took stock of the crushes while also attempting to understand how and why they miss. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century PS: Was this email forwarded to you? Join our band here. In case you missed it... The first episode of our new podcast hosted by Steven Hyden and Ian Cohen is available now, wherever you listen to podcasts. Our YouTube channel now has a collection of playlists to satisfy all of your nostalgic needs. http://view.e.indiemixtape.com/...87aedf71565468329f8ac26ca254edfeee4d9b01f2c806081f3940ed3e1e6a08ac7da1357718730d50f8fc139fe23[8/6/20, 11:09:25 AM] Indie Mixtape There is an alternate universe where Phoebe Bridgers sings over trap beats.
    [Show full text]
  • Sweet Memories
    SWEET MEMORIES Rabbi Aaron Shoueke 0 | Page ©HISTORICAL SOCIETY OF JEWS FROM EGYPT Sweet Memories – by Adele Mishan SWEET MEMORIES by Adele Mishan TABLE OF CONTENTS Do You Call that a Bathroom? .................................................................................. 1 In Sickness ............................................................................................................... 4 Fridays ..................................................................................................................... 7 Do you Know Chicken .............................................................................................. 9 Memories of Childhood .......................................................................................... 11 Gamilah .................................................................................................................. 15 My Mother .............................................................................................................. 16 Papa’s Picnic Basket .............................................................................................. 18 Ras El Barr ............................................................................................................. 21 Nonna, Portrait of a Grandmother .......................................................................... 23 ©HISTORICAL SOCIETY OF JEWS FROM EGYPT 1 SWEET MEMORIES DO YOU CALL THAT A BATHROOM? Ronda Piccolella Marella Sissolella Telegraph, Telegraph, Peeeeeeeh! We sang it with glee, having not the
    [Show full text]
  • Understanding the White, Mainstream Appeal of Hip-Hop Music
    UNDERSTANDING THE WHITE, MAINSTREAM APPEAL OF HIP-HOP MUSIC: IS IT A FAD OR IS IT THE REAL THING? by JANISE MARIE BLACKSHEAR (Under the Direction of Tina M. Harris) ABSTRACT This study explores why young, White, suburban adults are consumers and fans of hip- hop music, considering it is a Black cultural art form that is specific to African-Americans. While the hip-hop music industry is predominately Black, studies consistently show that over 70% of its consumers are White. Through focus group data, this thesis revealed that hip-hop music is used by White listeners as a means for negotiating social group memberships (i.e. race, class). More importantly, the findings also contribute to the more public debate and dialogue that has plagued Black music, offering further evidence that White appropriation of Black cultural artifacts (e.g., jazz music) remains a constant, particularly in the case of hip-hop. While the findings are not generalizable to all young White suburban consumers of this genre of music, it may be inferred that a White racial identity does not help this group of consumers relate to hip- hop music. INDEX WORDS: Hip-hop Music, Whiteness, Rap Communication Messages, Racial Identity Performance, In-group/Out-group Membership UNDERSTANDING THE WHITE, MAINSTREAM APPEAL OF HIP-HOP MUSIC: IS IT A FAD OR IS IT THE REAL THING? by JANISE MARIE BLACKSHEAR B.A., Central Michigan University, 2005 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2007 © 2007 Janise Marie Blackshear All Rights Reserved UNDERSTANDING THE WHITE, MAINSTREAM APPEAL OF HIP-HOP MUSIC: IS IT A FAD OR IS IT THE REAL THING? by JANISE MARIE BLACKSHEAR Major Professor: Tina M.
    [Show full text]
  • Housing in the Evolving American Suburb Cover, from Top: Daybreak, South Jordan, Utah
    Housing in the Evolving American Suburb Cover, from top: Daybreak, South Jordan, Utah. Daybreak, Utah St. Charles, Waldorf, Maryland. St. Charles Companies Inglenook, Carmel, Indiana. Ross Chapin Architects, Land Development & Building Inc. © 2016 by the Urban Land Institute 2001 L Street, NW Suite 200 Washington, DC 20036 Printed in the United States of America. All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without written permission of the publisher. Recommended bibliographic listing: Urban Land Institute. Housing in the Evolving American Suburb. Washington, DC: Urban Land Institute, 2016. ISBN: 978-0-87420-396-7 Housing in the Evolving American Suburb About the Urban Land Institute The mission of the Urban Land Institute is to provide leadership in the responsible use of land and in creating and sustaining thriving communities worldwide. ULI is committed to n Bringing together leaders from across the fields of real estate and land use policy to exchange best practices and serve community needs; n Fostering collaboration within and beyond ULI’s membership through mentoring, dialogue, and problem solving; n Exploring issues of urbanization, conservation, regeneration, land use, capital formation, and sustainable development; n Advancing land use policies and design practices that respect the uniqueness of both the built and natural environments; n Sharing knowledge through education, applied research, publishing, and electronic media; and n Sustaining a diverse global network of local practice and advisory efforts that address current and future challenges. Established in 1936, the ULI today has more than 39,000 members worldwide, representing the entire spectrum of the land use and development disciplines.
    [Show full text]
  • Read an Excerpt
    The Artist Alive: Explorations in Music, Art & Theology, by Christopher Pramuk (Winona, MN: Anselm Academic, 2019). Copyright © 2019 by Christopher Pramuk. All rights reserved. www.anselmacademic.org. Introduction Seeds of Awareness This book is inspired by an undergraduate course called “Music, Art, and Theology,” one of the most popular classes I teach and probably the course I’ve most enjoyed teaching. The reasons for this may be as straightforward as they are worthy of lament. In an era when study of the arts has become a practical afterthought, a “luxury” squeezed out of tight education budgets and shrinking liberal arts curricula, people intuitively yearn for spaces where they can explore together the landscape of the human heart opened up by music and, more generally, the arts. All kinds of people are attracted to the arts, but I have found that young adults especially, seeking something deeper and more worthy of their questions than what they find in highly quantitative and STEM-oriented curricula, are drawn into the horizon of the ineffable where the arts take us. Across some twenty-five years in the classroom, over and over again it has been my experience that young people of diverse religious, racial, and economic backgrounds, when given the opportunity, are eager to plumb the wellsprings of spirit where art commingles with the divine-human drama of faith. From my childhood to the present day, my own spirituality1 or way of being in the world has been profoundly shaped by music, not least its capacity to carry me beyond myself and into communion with the mysterious, transcendent dimension of reality.
    [Show full text]
  • Sociopolitical Issues in U2's War and the Joshua Tree
    Études irlandaises 45-2 | 2020 Varia “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Elena Canido Muiño Electronic version URL: http://journals.openedition.org/etudesirlandaises/10187 DOI: 10.4000/etudesirlandaises.10187 ISSN: 2259-8863 Publisher Presses universitaires de Caen Printed version Date of publication: 31 December 2020 Number of pages: 55-75 ISBN: 978-2-84133-996-9 ISSN: 0183-973X Electronic reference Elena Canido Muiño, ““Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree”, Études irlandaises [Online], 45-2 | 2020, Online since 31 December 2020, connection on 14 February 2021. URL: http://journals.openedition.org/etudesirlandaises/10187 ; DOI: https://doi.org/10.4000/ etudesirlandaises.10187 Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Abstract: U2 have always managed to hold a narrow line between social awareness and partisan political allegiance, belonging to a broad category of music that Rachel E. Seiler calls “contemporary conscious popular music”, which includes “music of any genre that focuses on social issues and perceived problems in society and may or may not include music that carries an overtly political message”. Consequently, much of the analysis of their songs claim that these are only a mere description of the terrible situation countries such as Ireland and the US were facing at that time. In this paper, however, I will examine the sociopolitical significance of U2’s songs as an appreciator of their cultural contribution and show that the events which formed the backdrop to some of U2’s most explicitly political songs in the 1980s – especially those included in War and The Joshua Tree – are etched indelibly into the text of both Ireland’s and America’s troubled colonial and political history.
    [Show full text]
  • 11Th Grade/U.S. History Lesson #21 the Growth of Suburbs April 20Th, 2020
    ISD Virtual Learning 11th Grade/U.S. History Lesson #21 The Growth of Suburbs April 20th, 2020 11th Grade/U.S. History Lesson:21- Monday April 20th, 2020 Objective/Learning Target: Explain the importance and the impact on the new developed Suburbs and the significance of Levittown, PA with the growth of housing developments across the U.S. Warm Up Students needs to watch the video on what suburban life in the 1950’s was like and what were some of the reasons as to why families would move into one of the new homes being built in the suburbs. List some features that the video gives you about why you should buy a new home in the suburbs. Warm Up Students needs to watch the video on what Some possible answers suburban life in the 1950’s was like and what were some of the reasons as to why families would move into one of the new homes being 1. Floor to ceiling closet built in the suburbs. 2. Large bedrooms List some features that the video gives you 3. Divided living areas about why you should buy a new home in the 4. Great architecture to entertain guest suburbs. 5. Individual expression in picking out the interior features of the home 6. Patio with sliding glass doors 7. Modern kitchen 8. Washing machine in the house Lesson Activity Read about the Suburban Lifestyle and answer the questions that follow. Label your paper as Lesson #20, April 17 The Growth of Suburbs and begin below: Lesson Activity 1950s newsreel about the building of suburbia in Levittown https://www.youtube.com/watch?v=OApZePeJSdU Lesson 1.
    [Show full text]
  • Imaginary Gardens Spring 2019 Imaginary Gardens Winter 2017 4 “The Long Way” by Olivia Copeland
    Imaginary Gardens Arlington Catholic’s Art and Literary Magazine The Spring 2019 edition includes work by: Sophie Pratt Hannah Cox Samantha Klein Alianna Sampson Olivia Copeland Petra Dujmic Ned O’Keefe Julia Hourihan Nia Pires Rena Ruggiero Sage Chircu Moesha Dubuche Iva Dujmic Andrew Wilcox Alianna Sampson Kayla Victoria Sean Kay Alyssa Franczack Justin Loughlin Kristina Lombardo Mia McWethy Sydney Birmingham Michelle Buccieri Cassandra Baessler Lindsay Coffey Kathryn VanWinkle Andra Preda Frank Yuan Katherine Mannion Michaela Bialock Maddie Cox Aidan Kay Ryan Browne Kathryn Libertini Caroline Whitney Mari Ball Kylee Reekie Christian Gomez Liana Winans Ashley Appo Ann Venditti Han Mach Will Mance Kirsten Roddenberry Imaginary Imaginary Gardens Gardens WinterSpring 20172019 PB 1 Table of Contents 1) General Poems pg. 3 2) Collection #1: French Poems pg. 29 3) Collection #2: “We live on...” pg. 33 4) Collection #3: Theme for English B Imitations pg. 37 5) Collection #4: College Brags pg. 40 6) Collection #5: American Teen Life in 2018 pg. 42 5) General Prose pg. 44 6) Acknowledgements pg. 53 Imaginary Imaginary Gardens Gardens WinterSpring 20172019 2 “The Trouble with Poetry” by Sophie Pratt The trouble with poetry, I realized While looking out the frosted window, Silently watching a bird picking at berries on a bush, It’s feet pressing softly in the snow. The trouble with poetry is the struggle to put pen to paper, The flood of ideas and thoughts flooding my mind, Similar to the pile of broken poems Piling up near the trash can Creating a shadow over my paper as I try to write.
    [Show full text]
  • Quadrophonic News Issue 7
    Major Album Releases In The Fourth Quarter, 2013: Reflektor -Arcade Fire October 29th, 2013 Artpop -Lady Gaga November 11th, 2013 Live on the BBC Vol. 2 -The Beatles November 11th, 2013 •New -Paul McCartney •Beyoncé -Beyoncé •Matangl -M.I.A. •Because The Internet QUADROPHONIC NEWS •Shangri La -Jake Bugg -Childish Gambino Quadrophonic News December 2013 Issue 7 Female Artists: A Reflection In This Month’s Issue: There's a lot to be said for any vocalist with a truly amazing • Album Reviews: Reflektor, Yeezus, Centipede Hz, voice, but there's undeniably something special about a woman with a MMLP2, Live Through This, Bleach, Night Time, powerful voice and monumental skill in writing. So in this article I hope My Time to pay tribute to some of the best female vocalists/song writers out there. It's a big category so, unfortunately I won't be able to get to every one • Insight On Famous Female Artists I’d like to, but I hope to cover three of my favorites. • December/January Music Event Calendar First up is Patty Griffin. Patty is a powerful song writer from Old Town, Maine. her musical style is hard to pin down but it lands somewhere between folk and rock. Her voice is one of incredible range, Arcade Fire’s Reflektor Review her voice can convey every emotion you can imagine, softly or loudly, Achtung Baby. OK Computer. Sound of Silver. sweetly or harshly, and this amazing voice is accompanied by her Elephant. All of these albums are special. You remember indomitable talent for song writing.
    [Show full text]
  • Edition 9 | 2018-2019
    Stacey Mindich Mickey Liddell Hunter Arnold Caiola Productions Double Gemini Productions Fakston Productions Roy Furman Harris Karma Productions On Your Marks Group Darren Bagert Roger & William Berlind Bob Boyett Colin Callender Caitlin Clements Freddy DeMann Dante Di Loreto Bonnie & Kenneth Feld FickStern Productions Eric & Marsi Gardiner Robert Greenblatt Jere Harris and Darren DeVerna John Gore Organization Mike Kriak David Mirvish Eva Price Zeilinger Productions Adam Zotovich Ambassador Theatre Group Independent Presenters Network AND The Shubert Organization EXECUTIVE PRODUCERS Wendy Orshan and Jeffrey M. Wilson IN ASSOCIATION WITH Arena Stage Second Stage Theatre Molly Smith, Edgar Dobie Carole Rothman, Casey Reitz BOOK BY MUSIC AND LYRICS BY STEVEN LEVENSON BENJ PASEK & JUSTIN PAUL BEN LEVI ROSS MAGGIE MCKENNA JESSICA PHILLIPS CHRISTIANE NOLL MARRICK SMITH AARON LAZAR JARED GOLDSMITH PHOEBE KOYABE STEPHEN CHRISTOPHER ANTHONY SCENIC DESIGN BY PROJECTION DESIGN BY COSTUME DESIGN BY LIGHTING DESIGN BY SOUND DESIGN BY DAVID KORINS PETER NIGRINI EMILY REBHOLZ JAPHY WEIDEMAN NEVIN STEINBERG VOCAL ARRANGEMENTS & HAIR DESIGNER ASSOCIATE MUSIC SUPERVISOR MUSIC DIRECTOR MUSIC COORDINATORS ADDITIONAL ARRANGEMENTS BY DAVID BRIAN BEN COHN ALEX HARRINGTON MICHAEL KELLER JUSTIN PAUL BROWN MICHAEL AARONS MARKETING AND PUBLICITY DIRECTION TOUR BOOKING AGENCY ADVERTISING NATIONAL PRESS REPRESENTATIVES DIGITAL MARKETING BOND THEATRICAL THE BOOKING GROUP SERINO COYNE DKC/O&M SITUATION GROUP MEREDITH BLAIR GRAPEVINE PR INTERACTIVE KARA GEBHART CASTING
    [Show full text]
  • OUTKAST Are a Ton of Things That Stick MTV and Watched the Vid- Pictures, You Know You're a Out
    - --- -- - セ T- M セ M M M M M M B4 ARCADE WWW.THEHULLABALOO.COM MOST IMPORTANT BANDS OF THE DECADE BY ZACH YANOWITZ Stankonia dropped in 2000? "Hey Ya!" was hands down STAFF WRITER I was in 5th grade and our the biggest song of the de- teacher was having trou- cade. When you make Pola- When we look back on the ble with the TV controls so roid themselves issue a press last decade in music, there we accidentally ended up on release against shaking their OUTKAST are a ton of things that stick MTV and watched the vid- pictures, you know you're a out. Boy bands, the rise of eo for "Ms. Jackson:' I had no cultural phenomenon. electro, Soulja Boy, the ad- idea what it meant but im- Since then, the two have vent of hipsterdom, etc. Be- mediately knew it was awe- continued to be prolific. Their ing asked to name the most some. "So Fresh So Clean," joint (and silly) film Idlewild important/influential musi- the jungle-rock anthem and other acting gigs gained· cian of the last 10 years is a "B.O.B; guestspots . from mainstream exposure and hard task. especially in a de- Erykah Badu, Gangsta Boo success. Big Boi's recent re- cade so full of form-breaking and Cee-Lo were all major lease Sir Lucious Left Foot: and general weirdness. Upon facets of Outkast's music. A The Son Of Chico Dusty is, further reflection, however, quadruple-platinum album one of the most critically ac- • there's only one real answer and two Grammy Awards claimed albums of 2010.
    [Show full text]
  • Outkast'd and Claimin' True
    OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIP­HOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON (Under the direction of Judith Preissle) ABSTRACT The hip­hop community of practice encompasses a range of aesthetic values, norms, patterns, and traditions. Because of its growth over the last three decades, the community has come to include regionally­specific networks linked together by community members who engage in meaningful practices and experiences. Expressed through common language ideologies, these practices contribute to the members’ communal and individual identity while simultaneously providing platforms to articulate social understandings. Using the constructs of community of practice and social networks, this research project is an interpretive study grounded primarily in the use of lyrics and interviews to investigate the linguistic patterns and language norms of hip­ hop’s southern network, placing emphasis on the Atlanta, Georgia southern hip­hop network. The two main goals are to gain an understanding of the role of school in the cultivation of the network and identify the network’s relationship to schooling and education. The purpose is to identify initial steps for implementing a hip­hop pedagogy in curriculum and instruction. INDEX WORDS: Hip­hop community of practice, social network, language ideology, hip­hop generation, indigenous research, schooling, education OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIP­HOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON B.S., The University of Georgia, 1996 M.A., Pepperdine University, 1998 A Dissertation Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2007 ã 2007 Joycelyn A.
    [Show full text]