DOCSLIB.ORG

A Better Tomorrow II Laughing Times a Better Tomorrow

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Better Tomorrow II Laughing Times a Better Tomorrow July 20 (Sun) 1 pm Laughing Times (1981 - Comedy) (G) Starring Dean Shek Tin, Wu Ma Synopsis: Director John Woo directed this “Charlie Chaplin” like comedy starring Hong Kong Economic and Trade Office (Canada) Shek Tin and Wu Ma. Presents Characteristics: John Woo began his career directing comedies and in some way he never really abandon his comedy roots. You will find his comic genius here. (Courtesy of Golden Princess Amusement Co Ltd) July 20 (Sun) 4:30 pm A Better Tomorrow (1986 - Action / Drama) (R) Starring Ti Lung, Leslie Cheung, Chow Yun-fat Synopsis: Ho (Ti Lung) is a gangster while his younger brother Kit (Leslie Cheung) is a police inspector. Kit looks down upon Ho when he learns that the latter is a criminal. Ho makes effort to reform but both he and Mark (Chow Yun-fat), his buddy, suffer great pressure by the gang boss. Characteristics: Exciting action sequences and touching portrayal of friendship, loyalty and brotherhood. This ballistic and violent gangster movie set the trend of “heroic fraternity” films which was to be cloned July 18, 19 and 20, 2003 by other film makers. The Uptown Awards: Best Actor at 1987 Hong Kong Film Awards (Chow Yun-fat), Best Picture at 1987 Hong Kong Film Awards (612 – 8th Avenue SW, Calgary) (Courtesy of Golden Princess Amusement Co Ltd) July 20 (Sun) 7:30 pm Closing movie A Better Tomorrow II (1987- Action / Drama) (R) Starring Ti Lung, Leslie Cheung, Chow Yun-fat Synopsis: Ho (Ti Lung) is persuaded to go undercover to bust the gang he used to work for. He and Kit, his younger brother and an inspector, are assisted in this assignment when Ken (Chow Yun-fat) wants to avenge the death of his old friend’s daugh- ter by the gang. Characteristics: Same exciting action sequences and internal conflict related to loyalty and friendship. (Courtesy of Golden Princess Amusement Co Ltd) Organizer Supporter Event producer Sponsors Media sponsors A festival to showcase some of the best movies made by John Woo, one of Hong Kong’s most brilliant directors, before he became the first Asian to helm major Hollywood features. To promote Hong Kong’s position as one of the world’s major film Hong Kong films overseas in collaboration with local bodies production centres, and the regional hub for film trading and through film festivals on a regular basis. “Gems from Asia’s services, and to strengthen the cultural ties between Hong Kong and Hollywood” is also an event to mark the 6th anniversary of the Canada, the Hong Kong Economic and Trade Office (Canada) establishment of the HKSAR. (HKETO) will present a film festival in Calgary, featuring seven films Produced by Fairchild Radio FM94.7, the John Woo film series is to in honour of one of Hong Kong’s most gifted directors, John Woo. be staged at The Uptown on July 18, 19 and 20. The proceeds of HKETO, the official representative of the Hong Kong Special the event will be donated to Alberta Children’s Hospital Administrative Region Government (HKSAR) has been promoting Foundation. July 18 (Fri) 7 pm July 19 (Sat) 9:40 pm Opening movie Hard-Boiled The Killer (1992- Action / Drama) (R) Subject to change (1989 - Action/Drama/War) (R) Starring Chow Yun-fat, Tony Leung Starring Chow Yun-fat, Danny Lee, Chiu-wai, Teresa Mo Sally Yeh, Chu Kong Synopsis: Tequila (Chow Yun-fat) lost his Synopsis: Exquisitely tailored contract partner in a gun battle with mobsters kicker Jeff (Chow Yun-fat) accidentally smuggling guns into Hong Kong. He is to damages the sight of nightclub singer team up with Alan (Tony Leung Chiu-wai), who goes undercover in a triad. They join forces to bring justice to the triad boss. Jennie while blasting a dozen gangsters to kingdom come. He befriends Characteristics: Exciting action sequences combined with fine char- the near-blind girl, and decides to take One Last Job to finance the acter portrayal. This movie caught Hollywood’s attention. cornea graft she needs. Meanwhile he is stalked by a misfit cop Awards: Best Film Editing at 1993 Hong Kong Film Awards (Danny Lee), who eventually fails in love with him and winds up fighting (Courtesy of Golden Princess Amusement Co Ltd) alongside him. (Tony Rayns, Time Out) (Courtesy of Kino International) July 18 (Fri) 11 pm Shaolin Men (1975 - Action) (R) Tickets at $8 each except for [A Better Tomorrow II] Starring Jackie Chan, Sammo Hung, For [A Better Tomorrow II], ticket at $10 and VIP ticket at $25 (including a closing reception at 6:00 pm) (All ticket price including GST) Tan Tao-liang Synopsis: Yun Fei (Tan Tao-liang) is a Tickets are available at: Fairchild Radio Shaolin student and a superkicker. He is Unit 109, 2723, 37th Avenue NE Tel: 403-717-1940 looking for Manchu traitor Shih (James Tien), who is responsible for the Box office opens Monday to Friday from 9:00am to 5:00pm murder of the abbot. He is joined by Tan (Jackie Chan), a spear fighting The Uptown expert, because his brother was killed by Shih. They together stop Shih 612 - 8th Avenue SW Tel: 403-265-0122 from wiping out the Shaolin Temple. Box office opens Monday to Friday after 7:00pm; Characteristics: Only John Woo film featuring Jackie Chan and Saturday & Sunday at 1:00pm. All subject to change. Sammo Hung. The Alberta Children’s Hospital Foundation (Courtesy of FORTUNE STAR Entertainment (HK) Ltd) 300, 1021, 10 Avenue SW Tel: 403-209-6134 Box office opens Monday to Friday from 8:30am to 4:00pm July 19 (Sat) 5 pm To Hell with the Devil The Alberta Children’s Hospital Foundation (within hospital) 1820, Richmond Road SW Tel: 403-943-7079 Box office opens Monday to Friday from 8:30am to 4:00pm (1981 - Comedy / Fantasy / Horror) (PG) All screenings at The Uptown at 200, 612 - 8th Ave. SW, Calgary. Starring Chan Pak-cheung, John Sham, Tickets go on sales at each theatre box office before each screening, Dean Shek subject to availability. Synopsis: Rocky (Chan Pak-cheung) makes a deal with the devil for him to become a pop star so that he can impress Important Note: The Hong Kong Film Festival featuring the his dream girl. A catholic priest tells him that he needs to get his soul John Woo series will be held in Toronto, Calgary and back from the devil or he will be damned for eternity. After a combat, Vancouver. All ticket holders are entitled to a lucky draw. The the devil is overcome. grand prize winner will receive two economy class air tickets, Characteristics: A rare piece to see how John Woo handles a comic either from Toronto or Vancouver, to Hong Kong, 5-night horror film. hotel accommodation in Kowloon Shangri-La Hotel, (Courtesy of FORTUNE STAR Entertainment (HK) Ltd) Hong Kong and a special tour package, courtesy of Cathay Pacific Airways, Hong Kong Tourism Board and Kowloon All films with English subtitling Shangri-La Hotel..
Load more

Recommended publications
  • See It Big! Action Features More Than 30 Action Movie Favorites on the Big
    FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films
    [Show full text]
  • Icons, Culture and Collective Identity of Postwar Hong Kong
    Intercultural Communication Studies XXII: 1 (2013) R. MAK & C. CHAN Icons, Culture and Collective Identity of Postwar Hong Kong Ricardo K. S. MAK & Catherine S. CHAN Hong Kong Baptist University, Hong Kong S.A.R., China Abstract: Icons, which take the form of images, artifacts, landmarks, or fictional figures, represent mounds of meaning stuck in the collective unconsciousness of different communities. Icons are shortcuts to values, identity or feelings that their users collectively share and treasure. Through the concrete identification and analysis of icons of post-war Hong Kong, this paper attempts to highlight not only Hong Kong people’s changing collective needs and mental or material hunger, but also their continuous search for identity. Keywords: Icons, Hong Kong, Hong Kong Chinese, 1997, values, identity, lifestyle, business, popular culture, fusion, hybridity, colonialism, economic takeoff, consumerism, show business 1. Introduction: Telling Hong Kong’s Story through Icons It seems easy to tell the story of post-war Hong Kong. If merely delineating the sky-high synopsis of the city, the ups and downs, high highs and low lows are at once evidently remarkable: a collective struggle for survival in the post-war years, tremendous social instability in the 1960s, industrial take-off in the 1970s, a growth in economic confidence and cultural arrogance in the 1980s and a rich cultural upheaval in search of locality before the handover. The early 21st century might as well sum up the development of Hong Kong, whose history is long yet surprisingly short- propelled by capitalism, gnawing away at globalization and living off its elastic schizophrenia.
    [Show full text]
  • Hole a Remediative Approach to the Filmmaking of the Coen Brothers
    University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................
    [Show full text]
  • Paper Number: 63 May 2007 Before and After the Fall: Mapping Hong
    Paper Number: 63 May 2007 Before and after the Fall: Mapping Hong Kong Cantopop in the Global Era Stephen Yiu-wai Chu Hong Kong Baptist University The author welcome comments from readers. Contact details: Stephen Yiu-wai Chu, Department of Chinese Language and Literature, Hong Kong Baptist University, Hong Kong Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below.
    [Show full text]
  • The Whistleblowers
    A U S F I L M Australian Familiarisation Event Mathew Tang Producer Mathew Tang began his career in 1989 and has since worked on over 30 feature films, covering various creative and production duties that include assistant directing, line-producing, writing, directing and producing. In 1999, Mathew debuted as a screenwriter on The Kid, a film that went on to win Best Supporting Actor and Actress in the Hong Kong Film Awards. In 2005, he wrote, edited and directed his debut feature B420 which received The Grand Prix Award at the 19th Fukuoka Asian Film Festival and Best Film at the 4th Viennese Youth International Film Festival in 2007. Mathew served as Associate Producer and Line Producer on Forbidden Kingdom and oversaw the Hollywood blockbuster’s entire production in China. In 2008 and 2009 he was Vice President of Celestial Pictures. From 2009- 2012, he was the Head of Productions at EDKO Films Ltd. In the summer of 2012, he founded Movie Addict Productions and the company produced four movies. Mathew is currently an Invited Executive Member of the Hong Kong Screenwriters’ Guild and a Panel Examiner of the Hong Kong Film Development Council. Johnny Wang Line Producer Johnny Wang started working for the movie industry in 1989 and by the year 2002, he started working at Paramount Studios on the project Tomb Raider 2 as production supervisor on location in Hong Kong. Since then, he has line produced 20 movies in Hong Kong, China and other locations around the world. Johnny has been an executive board member of the HKMPEA (Hong Kong Movie Production Executives Association) for more than four years.
    [Show full text]
  • Exploring Temporality and Identity in Wong Kar‐Wai's Days Of
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by PDXScholar PSU McNair Scholars Online Journal Volume 3 Issue 1 Identity, Communities, and Technology: On the Article 18 Cusp of Change 2009 Time after Time: Exploring Temporality and Identity in Wong Kar‐wai’s Days of Being Wild, In the Mood for Love, and 2046 Julie Nakama Portland State University Let us know how access to this document benefits ouy . Follow this and additional works at: http://pdxscholar.library.pdx.edu/mcnair Recommended Citation Nakama, Julie (2009) "Time after Time: Exploring Temporality and Identity in Wong Kar‐wai’s Days of Being Wild, In the Mood for Love, and 2046," PSU McNair Scholars Online Journal: Vol. 3: Iss. 1, Article 18. 10.15760/mcnair.2009.127 This Article is brought to you for free and open access. It has been accepted for inclusion in PSU McNair Scholars Online Journal by an authorized administrator of PDXScholar. For more information, please contact [email protected]. Portland State University McNair Research Journal 2009 Time after Time: Exploring Temporality and Identity in Wong Kar‐wai’s Days of Being Wild, In the Mood for Love, and 2046 by Julie Nakama Faculty Mentor: Mark Berrettini Citation: Nakama, Julie. Time after Time: Exploring Temporality and Identity in Wong Kar‐wai’s Days of Being Wild, In the Mood for Love, and 2046. Portland State University McNair Scholars Online Journal, Vol. 3, 2009: pages [127‐153] McNair Online Journal Page 1 of 27 Time after Time: Exploring Temporality and Identity in Wong Kar-wai’s Days of Being Wild, In the Mood for Love, and 2046 Julie Nakama Mark Berrettini, Faculty Mentor Wong Kar-wai is part of a generation of Hong Kong filmmakers whose work can be seen in response to two pivotal events in Hong Kong, the 1984 signing of the Sino-British Joint Declaration detailing Hong Kong’s return to China in 1997 and the events of Tiananmen Square in 1989.
    [Show full text]
  • View / Download 7.3 Mb
    Between Shanghai and Mecca: Diaspora and Diplomacy of Chinese Muslims in the Twentieth Century by Janice Hyeju Jeong Department of History Duke University Date:_______________________ Approved: ___________________________ Engseng Ho, Advisor ___________________________ Prasenjit Duara, Advisor ___________________________ Nicole Barnes ___________________________ Adam Mestyan ___________________________ Cemil Aydin Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2019 ABSTRACT Between Shanghai and Mecca: Diaspora and Diplomacy of Chinese Muslims in the Twentieth Century by Janice Hyeju Jeong Department of History Duke University Date:_______________________ Approved: ___________________________ Engseng Ho, Advisor ___________________________ Prasenjit Duara, Advisor ___________________________ Nicole Barnes ___________________________ Adam Mestyan ___________________________ Cemil Aydin An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, in the Department of History in the Graduate School of Duke University 2019 Copyright by Janice Hyeju Jeong 2019 Abstract While China’s recent Belt and the Road Initiative and its expansion across Eurasia is garnering public and scholarly attention, this dissertation recasts the space of Eurasia as one connected through historic Islamic networks between Mecca and China. Specifically, I show that eruptions of
    [Show full text]
  • Eclipse Phase: After the Fall
    AFTER THE FALL In a world of transhuman survival and horror, technology allows the re-shaping of bodies and minds, but also creates opportunities for oppression and puts the capa- AFTER THE FALL bility for mass destruction in the hands of everyone. Other threats lurk in the devastated habitats of the Fall, dangers both familiar and alien. Featuring: Madeline Ashby Rob Boyle Davidson Cole Nathaniel Dean Jack Graham Georgina Kamsika SURVIVAL &SURVIVAL HORROR Ken Liu OF ANTHOLOGY THE Karin Lowachee TRANSHUMAN Kim May Steven Mohan, Jr. Andrew Penn Romine F. Wesley Schneider Tiffany Trent Fran Wilde ECLIPSE PHASE 21950 Advance THE ANTHOLOGY OF TRANSHUMAN Reading SURVIVAL & HORROR Copy Eclipse Phase created by Posthuman Studios EDITED BY JAYM GATES Eclipse Phase is a trademark of Posthuman Studios LLC. Some content licensed under a Creative Commons License (BY-NC-SA); Some Rights Reserved. © 2016 AFTER THE FALL In a world of transhuman survival and horror, technology allows the re-shaping of bodies and minds, but also creates opportunities for oppression and puts the capa- AFTER THE FALL bility for mass destruction in the hands of everyone. Other threats lurk in the devastated habitats of the Fall, dangers both familiar and alien. Featuring: Madeline Ashby Rob Boyle Davidson Cole Nathaniel Dean Jack Graham Georgina Kamsika SURVIVAL &SURVIVAL HORROR Ken Liu OF ANTHOLOGY THE Karin Lowachee TRANSHUMAN Kim May Steven Mohan, Jr. Andrew Penn Romine F. Wesley Schneider Tiffany Trent Fran Wilde ECLIPSE PHASE 21950 THE ANTHOLOGY OF TRANSHUMAN SURVIVAL & HORROR Eclipse Phase created by Posthuman Studios EDITED BY JAYM GATES Eclipse Phase is a trademark of Posthuman Studios LLC.
    [Show full text]
  • Bullet in the Head
    JOHN WOO’S Bullet in the Head Tony Williams Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © Tony Williams 2009 ISBN 978-962-209-968-5 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Condor Production Ltd., Hong Kong, China Contents Series Preface ix Acknowledgements xiii 1 The Apocalyptic Moment of Bullet in the Head 1 2 Bullet in the Head 23 3 Aftermath 99 Appendix 109 Notes 113 Credits 127 Filmography 129 1 The Apocalyptic Moment of Bullet in the Head Like many Hong Kong films of the 1980s and 90s, John Woo’s Bullet in the Head contains grim forebodings then held by the former colony concerning its return to Mainland China in 1997. Despite the break from Maoism following the fall of the Gang of Four and Deng Xiaoping’s movement towards capitalist modernization, the brutal events of Tiananmen Square caused great concern for a territory facing many changes in the near future. Even before these disturbing events Hong Kong’s imminent return to a motherland with a different dialect and social customs evoked insecurity on the part of a population still remembering the violent events of the Cultural Revolution as well as the Maoist- inspired riots that affected the colony in 1967.
    [Show full text]
  • Download This PDF File
    Humanity 2012 Papers. ~~~~~~ “‘We are all the same, we are all unique’: The paradox of using individual celebrity as metaphor for national (transnational) identity.” Joyleen Christensen University of Newcastle Introduction: This paper will examine the apparently contradictory public persona of a major star in the Hong Kong entertainment industry - an individual who essentially redefined the parameters of an industry, which is, itself, a paradox. In the last decades of the 20th Century, the Hong Kong entertainment industry's attempts to translate American popular culture for a local audience led to an exciting fusion of cultures as the system that was once mocked by English- language media commentators for being equally derivative and ‘alien’, through translation and transmutation, acquired a unique and distinctively local flavour. My use of the now somewhat out-dated notion of East versus West sensibilities will be deliberate as it reflects the tone of contemporary academic and popular scholarly analysis, which perfectly seemed to capture the essence of public sentiment about the territory in the pre-Handover period. It was an explicit dichotomy, with commentators frequently exploiting the notion of a culture at war with its own conception of a national identity. However, the dwindling Western interest in Hong Kong’s fate after 1997 and the social, economic and political opportunities afforded by the reunification with Mainland China meant that the new millennia saw Hong Kong's so- called ‘Culture of Disappearance’ suddenly reconnecting with its true, original self. Humanity 2012 11 Alongside this shift I will track the career trajectory of Andy Lau – one of the industry's leading stars1 who successfully mimicked the territory's movement in focus from Western to local and then regional.
    [Show full text]
  • Recommended Reading
    RECOMMENDED READING The following books are highly recommended as supplements to this manual. They have been selected on the basis of content, and the ability to convey some of the color and drama of the Chinese martial arts heritage. THE ART OF WAR by Sun Tzu, translated by Thomas Cleary. A classical manual of Chinese military strategy, expounding principles that are often as applicable to individual martial artists as they are to armies. You may also enjoy Thomas Cleary's "Mastering The Art Of War," a companion volume featuring the works of Zhuge Liang, a brilliant strategist of the Three Kingdoms Period (see above). CHINA. 9th Edition. Lonely Planet Publications. Comprehensive guide. ISBN 1740596870 CHINA, A CULTURAL HISTORY by Arthur Cotterell. A highly readable history of China, in a single volume. THE CHINA STUDY by T. Colin Campbell,PhD. The most comprehensive study of nutrition ever conducted. ISBN 1-932100-38-5 CHINESE BOXING: MASTERS AND METHODS by Robert W. Smith. A collection of colorful anecdotes about Chinese martial artists in Taiwan. Kodansha International Ltd., Publisher. ISBN 0-87011-212-0 CHINESE MARTIAL ARTS TRAINING MANUALS (A Historical Survey) by Brian Kennedy and Elizabeth Guo CHRONICLES OF TAO, THE SECRET LIFE OF A TAOIST MASTER by Deng Ming-Dao. Harper San Francisco, Publisher ISBN 0-06-250219-0 (Note: This is an abridged version of a three- volume set: THE WANDERING TAOIST (Book I), SEVEN BAMBOO TABLETS OF THE CLOUDY SATCHEL (Book II), and GATEWAY TO A VAST WORLD (Book III)) CLASSICAL PA KUA CHANG FIGHTING SYSTEMS AND WEAPONS by Jerry Alan Johnson and Joseph Crandall.
    [Show full text]
  • Die Filme John Woos Und Die Entwicklung Des Hongkong-Kinos
    Die Filme John Woos und die Entwicklung des Hongkong-Kinos. Mit einer annotierten Mediographie. Diplomarbeit im Fach Medienwissenschaft Studiengang Öffentliche Bibliotheken der Fachhochschule Stuttgart – Hochschule für Bibliotheks- und Informationswesen Petra Peuker Erstprüfer: Dr. Manfred Nagl Zweitprüfer: Dr. Horst Heidtmann Angefertigt in der Zeit vom 09. Juli 1999 bis 11. Oktober 1999 Stuttgart, Oktober 1999 Schlagwörter und Abstract John Woo John Woo Hongkong Hong Kong Kino Cinema Kungfu Martial Arts Der Citywolf A Better Tomorrow Blast Killer The Killer Im Körper des Feindes Face/Off Die vorliegende Arbeit befaßt sich mit dem chinesischen Regisseur John Woo. Anhand seiner Werke sollen die wichtigsten Strömungen und Ent- wicklungen im Hongkong-Kino dargestellt werden, wie zum Beispiel die Martial-Arts-Filme in den Siebziger Jahren, die Regisseure der „Neuen Welle“ Anfang der Achtziger Jahre und besonders Woos eigene Leistung, die Neuorientierung des Gangsterfilms. Außerdem beinhaltet diese Arbeit eine annotierte Mediographie, mit aus- gewählten Medien zum Thema Hongkong-Kino und John Woo. This paper reports on the Chinese director John Woo. The most important developments in Hong Kong Cinema are shown by means of his movies, such as the martial arts movies in the seventies, the directors of the „New Wave“ at the beginning of the eighties and especially Woos own achieve- ment, the re-orientation of the gangstermovie. This paper also contains an annotated listing of media dealing with the Hong Kong Cinema and John Woo. 2 Inhaltsverzeichnis
    [Show full text]