Community Feature
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Illumination: the Tsz Shan Monastery Buddhist Art Museum
PHILANTHROPY FEATURE HERITAGE ILLUMINATION TSZ SHAN MONASTERY BUDDHIST ART MUSEUM SPHERE #47 2019 20 >> he human mind is beset by Over the ages, man has sought that distractions and trivialities, a enlightenment and it has inspired art that constant condition which is only aims to edify the soul. Some of that art aggravated by modern living. survives the ages and is gathered in special Clarity • Compassion • Action TThousands of years ago, the places to allow for genuine contemplation. young prince Siddhartha- Gautama sat for years Sometimes it is in a temple, sometimes under a Bodhi tree until clarity prevailed and a museum. In rare cases, it is both: the Buddha came to be. From this revelation the Tsz Shan Monastery Buddhist Art was founded a religion, a movement, a Museum. transcendent spirituality that transformed the course of humanity. 21 SPHERE #47 2019 >> TSZ SHAN MONASTERY BUDDHIST ART MUSEUM Mr Li contemplates this delicately crafted marvel from the Northern Qi dynasty in China (550–577 CE), one of his favourites. Qingzhou statuary’s uniqueness is on full display in this icon, through an otherworldly placidity and kindness visible in the Buddha’s countenance. The Tsz Shan Monastery Buddhist Art of holy writings from the Dunhuang area in which to play that role in Tsz Shan Museum houses a collection of over in Gansu Province. The sutras provide Monastery. The history and philosophy 100 Buddhist artefacts from a range of spiritual guidance for visitors and a of Buddhism will come to life through time periods and styles. The Buddhist focus of contemplation for scholars. -
Colossal Buddha Statues Along the Silk Road
ACTA VIA SERICA Vol. 4, No. 2, December 2019: 1–27 doi:10.22679/avs.2019.4.2.001 Colossal Buddha Statues along the Silk Road DOROTHY C. WONG Beginning in the northwestern region of India, and spreading through Central Asia and the rest of Asia along the Silk Road, the making of colossal Buddha statues has been a major theme in Buddhist art. The colossal Buddha statues predominantly feature Śākyamuni (the Historical Buddha), Maitreya (the Future Buddha), and Vairocana (the Transcendant Buddha), and they were fashioned out of religious devotion and frequently in conjunction with notions of Buddhist kingship. This paper examines the religious, social and political circumstances under which these colossal statues were made, focusing on examples from Central and East Asia made during the first millennium CE. Beginning in the 1990s, there was a revival of making colossal Buddha statues across China and elsewhere. The paper also briefly compares the current wave of building colossal Buddha statues with historical examples. Key words: Colossal Buddha statues, Maitreya, Vairocana, Buddhist kingship, Wu Zetian DOROTHY C. WONG ([email protected]) is a professor of art and director of the East Asia Center at the University of Virginia. 2 Acta Via Serica, Vol. 4, No. 2, December 2019 Introduction Coinciding with the spread of Buddhism through Central and East Asia along the Silk Road, the making of colossal Buddha statues (Chinese daxiang 大像, or dafo 大佛; Korean daebul; Japanese daibutsu 大仏) is an important phenomenon in Buddhist art. Although there are engravings and painted and embroidered images, most colossal images are rendered in three- dimensional form. -
Visitor Guide 16
Visitor Guide 16 11 The idea for the development of Tsz Shan Monastery germinated with Mr. Li Ka-shing. From a young age, Mr. Li was influenced by his elders, and had developed a life-long17 affinity INITIATION with Buddhism. In 1980, Mr. Li established a personal foundation to cultivate a culture of 10 giving, and has since pledged14 to donate one-third of his15 personal assets to advance medical research and education, and alleviate poverty. Mr. Li considers the Foundation to be his “third son”. The hardships Mr. Li endured in his early years to transcend his own poverty to build a global business enable him to focus on initiatives that create a lasting positive impact for humanity. With an enlightened spirit, Mr. Li strives to facilitate real change in the world. Mr. Li’s aim was to build Tsz Shan Monastery as an institute13 of Buddhist practice and learning, to 8 9 provide a place for quiet contemplation12 and purification, and to foster a culture of sharing and giving. Mr. Li believes that everyone has a “bright pearl, long obscured by dust and toil, and when the dust is gone and its light shines forth, a myriad of illuminations blossom across our mountains and rivers.” Planning and6 construction of Tsz Shan Monastery began in 2003, and it was completed 7 5 more than 10 years later. Tsz Shan Monastery is a Chinese Buddhist monastery established for the preservation of the inheritance of the Dharma preached by Śākyamuni Buddha. To date, the Foundation has contributed� a total of HK$3 billion to cover the land acquisition and construction costs, as well as18 the Monastery’s19 20 operating expenses. -
Asian Buddhist Heritage: Conserving the Sacred Asian Conserving Buddhist Heritage
ICCROM-CHA International Centre for the Study of the Preservation and Restoration of Conservation Forum Series 1 Cultural Property Asian Buddhist Heritage: Asian Conserving the Sacred ICCROM (International Centre for the Study of the Preservation and Restoration of Cultural Property) is an intergovernmental organization (IGO), and the only institution of its kind dedicated to the protection and preservation of cultural heritage worldwide, including monuments and sites, as well as museum, library and archive collections. ICCROM-CHA Conservation Forum Series ICCROM-CHA Conservation Forum Via di San Michele 13 I-00153 Rome, Italy ICCROM fulfils its mission through collecting and disseminating information; Telephone: +39-06585531 coordinating research; offering consultancy and advice; providing advanced Fax: +39-0658553349 Asian Buddhist Heritage [email protected] training; and promoting awareness of the value of preserving cultural heritage. www.iccrom.org Conserving the Sacred www.facebook.com/iccrom @ICCROM ISBN 978-92-9077-240-8 ISBN 978-92-9077-240-8 © ICCROM 2016 9 789290 772408 1 ASIAN BUDDHIST HERITAGE Conserving the Sacred EDITED BY Gamini Wijesuriya and Sujeong Lee First ICCROM-CHA International Forum on Conservation Asian Buddhist Heritage: Conserving the Sacred 4-6 December 2013, Seoul, Republic of Korea Organized by Gamini Wijesuriya, Sites Unit, ICCROM Sujeong Lee, National Research Institute of Cultural Heritage, Republic of Korea Project Advisors Stefano De Caro, Director-General, ICCROM Rha Sun-hwa, Administrator, Cultural -
Royal Asiatic Society Hong Kong 2016
ROYAL ASIATIC SOCIETY NEWSLETTER HONG KONG E-mail: [email protected] Tel: + (852) 6590 7523 GPO Box 3864, Hong Kong www.royalasiaticsociety.org.hk http://www.facebook.com/RoyalAsiaticSocietyHongKong Twitter: RASHK 1959 November 2016 Battle for Hong Kong 1941 Royal Asiatic Society Hong Kong 2016 Contents PRESIDENT’S MESSAGE 3 FUTURE ACTIVITIES Sat, 12 Nov 2016 Lecture Intruder in Mao’s Realm 5 Sat, 26 Nov 2016 Museum Visit CUHK Library and Museum Special 6 Collection Visit Fri, 9 Dec 2016 Lecture The Mirage of ‘Hong Kong Fortress’ 7 7 -10 Jan 2017 Guangdong Trip Visit to Kaiping & Yangjiang 9 RECENT ACTIVITIES Sat, 10 Sep 2016 Cartoons before & after the 1911 12 Revolution Wed, 14 Sep 2016 The Tai Hang Fire Dragon Festival 13 Fri, 16 – Wed, 21 Sep 2016 Shanxi Trip: Datong, Wutaishan (Mt. 15 Wutai), Pingyao, Taiyuan Fri, 7 Oct 2017 Hong Kong’s Lighthouses & the Men 17 Who Manned Them Sun, 9 Oct 2017 Visit to Tsz Shan Monastery 19 OF GENERAL INTEREST 26 Aug 2016 – 13 Feb 2017 From Son of Heaven to Commoner 21 26 Oct – 27 Dec 2016 Across the Oceans 22 Advertising 23 PUBLICATIONS 25 CONTACT DETAILS 26 2 Royal Asiatic Society Hong Kong 2016 President’s Message Our post summer programme has got off to a good start with several talks and visits having been arranged, including two outdoor events. The first one, in September, saw a large group attend the first night of the annual three day ‘Fire Dragon’ festival held in Tai Hang Village, Causeway Bay. This unique community festival coincided with the Mid-Autumn festival.