DOCSLIB.ORG

Overseas Leading University Program for Korean Studies Interim Report (2011-2012)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Overseas Leading University Program for Korean Studies Interim Report (2011-2012) Overseas Leading University Program for Korean Studies Interim Report (2011-2012) I. Project Progress (for the corresponding period) 1. Original Project Objectives for the Corresponding Project Period a) Development of research manpower b) Centre of Korean Studies Seminars c) Organization of Conferences and Workshops d) Development of curriculum materials and research publications e) Support for Postgraduate Students f) Publication of Seminar and Conference/Workshop Papers 2. Project Contents and Results A) Development of research manpower The research manpower in the SOAS Centre of Korean studies has been augmented by the creation of one full-time research fellow. This postdoctoral position was awarded to Dr. Andrew David Jackson, beginning in October 2011. Over the past year, Dr Jackson has been revising his doctoral dissertation for publication. He has been involved in several talks and workshops at various academic events and has presented papers at the KSGSC (Korean Studies Graduate Students Convention) annual conference in Paris, France, at the History as Social Practice: Unconventional Historiographies of Korea Workshop, at the University of Leiden, Holland, and at the British Society for Eighteenth-Century Studies 2012 Annual Conference, St Hugh’s College, Oxford. In April, Andrew was invited by Dr Martin Peterson to lead a week-long workshop entitled: “Understanding Late-Chosŏn Rebellion: comparison and theory,” at the University of Copenhagen, and in May, Andrew organised and chaired a day-long Korean cinema workshop at SOAS, entitled: ‘Korean Film Years of Radical Change.’ Besides this, Dr Jackson’s duties have included general administrative work associated with the activities of the Centre. B) Centre of Korean Studies Seminars During the last academic year, a total of sixteen lecturers were invited from leading European academic institutions as well as Australia, the United States and Korea. The institutions include Bonn University, Leiden University, the University of Copenhagen, the University of New South Wales. In addition, the Centre of Korean Studies was honoured to have a special lecture from Professor Martina Deuchler on the occasion of the twenty-fifth anniversary celebration of the foundation of the Centre of Korean Studies. Date Speaker Affiliation Talk title 8/Sep/2011 Dr Gregory N. Evon The University Censoring the Mind and Hand: of New South Competing Literary Wales Orthodoxies in Eighteenth- Century Korea 11/Oct/2011 Professor Wayne St Norbert Maritime Customs and Chinese Page 1 of 17 Patterson College, Imperialism in the 1880s: A Wisconsin, USA New Look at Korea's 'Chinese Decade. 21/Oct/2011 Dr Naoko Shimazu Birkbeck Publicising Colonies: ‘Korea’ College, and ‘Koreans’ in NIPPON University of London 28/Oct/2011 Dr Hye-Joon Yoon Yonsei Torn Between Two Lovers: The University/SOAS Task and Risk of Translating Korean Classical Literature into English 18/Nov/2011 Dr Youngsook Pak SOAS Folk Painting (Minhwa) -Case Study of Choson Chaekkado cum Chaekkori 25/Nov/2011 Dr Martin Petersen University of A New Deal: comic story Copenhagen representations of food issues in post-famine North Korea 13/ Jan/2012 Andray Abrahamian UNIST, Korea Prospects for the DPRK’s Development in the Short to Medium Term 26/ Jan/2012 Professor Kang Nae- Chung-Ang The Vacillation of Culture in hui University, Neoliberal South Korea Seoul, Korea 03/Feb/2012 Dr Codruta Cuc Babeş-Bolyai Heritage Sites in South Korea: University in Memorializing the Mythical Cluj-Napoca, Founders of the Ancient States Romania 16/Feb/2012 Nicholas Young and The P'yongyang Introducing the P’yongyang Matthew Reichel Project project 24/Feb/2012 Professor Albrecht Universität Bonn A 550 years old Huwe misunderstanding: The real relationship between Hunmin jeongeum (script) and the old Chinese characters 02/Mar/2012 Professor Boudewijn Leiden Kasa as a means of Walraven University communication 09/Mar/2012 Dr Seung-young Kim Sheffield Rise and Fall of the U.S. University Trusteeship Plan for Korea as Peace-maintenance Scheme, 1941-1945 16/April/2012 Dr Daham Chong Sangmyung Inventing the “Lesser Middle University Kingdom (小中華)”: Early Chosŏn’s dispatch of Kyŏngchagwan (敬差官) to Jurchen and Tsushima Regions 27/April/2012 Professor Martina SOAS A New Perspective on Korean Deuchler Society: the Role of Descent Page 2 of 17 Groups in Korea's Long History 18/May/2012 Dr Myung Uhn Kim Seoul National On the Performative University Mechanisms of Politeness in Modern Korean C) Organization of Conferences and Workshops In addition to regular seminars, another goal of the project was to organize larger and more prestigious conferences and workshops. Under the grant period (2011-12), the Centre of Korean Studies at SOAS was able to hold 2 state-of-the-art workshops dealing with themes related to the current popularity of modern Korean popular culture. These workshops were funded exclusively from AKS funds on the themes of Korean Music and Dance (traditional and modern) and South Korean film. These workshops featured invited speakers from institutions in Korea and beyond, thus fostering important ties with overseas partners. The ability of SOAS to host these events has not only greatly enhanced the Korean Studies research environment at SOAS, but also greatly raised the profile of Korea in the UK. These workshops were extremely well attended with scholars and students attending from all over the United Kingdom and beyond. C-i) Past, Present and Future: The Diversity and Distinctiveness of Korean Music and Dance Under the leadership of Prof. Keith Howard, the Centre held a workshop on Korean Music and Dance that brought together scholars of Korean music and dance, junior and senior, in an exploration that tracked back to the eighth century and forward to today. Held on 13 and 14 April 2012, scholars came from the UK, USA, Canada, Korea, Taiwan, Austria and Germany. Sessions divided into considerations of vocal music (Juhae Gu, Dorothea Seo, Chan E. Park), SamulNori (Nathan Hesselink, In Suk Kim, Nami Morris, Simon Mills), twentieth century new music (with presentations from Hyunseok Kwon, Gyewon Byeon, Hyelim Kim, Sung- Hee Park), Dance (Chae-hyeon Kim, Keith Howard, Jung Rock Seo, Un Mi Kim), K-pop (Sung Woo Park, Rowan Pease, Hae-kyung Um, Sang-Yeon Sung). The keynote presentation, given by Joshua Pilzer, was on the music of Korean comfort women, and a distinguished presentation was given on the earliest recordings of Korean music by Robert C. Provine (who attended from Washington by Skype!). On the first day, topics within these themes ranged from education, through performance, to trot and p’ansori, from poetry and iconography of ancient lion dances to contemporary dance performances and a consideration of dance notation, and from personal and mediated voices about music’s production to a paper on Ulleungdo’s musical life. On the second day, presentations ranged from a close focus on the year 1911 and its significance, through music and cultural nationalism, composition, songs in recent history, K-pop production, Korean popular songs in China and Taiwan, to hip-hop. In addition to the formal academic papers, participants enjoyed a workshop presentation on the dance salp’uri and a concert featuring the Chindo drum dance and music for kayagŭm zither and taegŭm flute. Eighty people attended the symposium, a number which doubled for the concert 'Zithers, flutes and drums' which was held on the evening of 13 April. Working papers from the symposium are currently being edited and will shortly be put on the website of the Centre of Korean Studies at SOAS. Page 3 of 17 C-ii.) Korean film: Years of radical change. Under the supervision of Andrew David Jackson, the Centre held a workshop on South Korean film, entitled: ‘Korean film: Years of radical change’ on 10th May 2012. The aim of the workshop was to discuss South Korean cinematic traditions and radical shifts in Korean cinema that have occurred over the past twenty five years. Five senior scholars from British Universities critically examined some of the most important issues in Korean Cinema; including, female experience and female voices in recent South Korean horror film, the development of sound in South Korean cinematic production, the films of Kim Seung-ho, the recent work of EJ-Yong, and cinematic representations of the Joseonjok, the ethnic Korean communities of Manchuria, focusing on the work of director Jang Ryul. This is the first time that a workshop dedicated to Korean film had been organised at SOAS; the event was well attended and should provide an important foundation on which to build future Korean film related events. Participants: Dr Colette Balmain (Kingston University) Dr Julian Stringer (Nottingham University) Dr Jinhee Choi (King’s College, University of London) Dr Chi-yun Shin (Sheffield Hallam University) Dr Mark Morris (Cambridge University) Page 4 of 17 Professor Chris Berry (Goldsmith’s College, University of London) Dr Isolde Standish (SOAS) D) Development of curriculum materials and research publications During the last academic year, centre teachers have been engaged on several different projects including: D-i) Linguistics and Language Projects: this has included the development of up-to-date, authoritative language textbooks and materials to meet the needs of teachers of Korean language and literature in Western universities. Currently there are three ongoing projects including: Intermediate Korean Reader Book Project, Dr. Jaehoon Yeon (SOAS), Dr. Lucien Brown (University of Oregon) & Dr. Jieun Kiaer (University of Oxford) Over the past year, all chapters for the Intermediate Korean Reader have been prepared in draft form. The book has been accepted for publication by Routledge and will be published in 2013. “Speed up your Korean” Book Project, Dr. Jaehoon Yeon (SOAS) & Dr. Lucien Brown (University of Oregon) Over the past year, Dr. Yeon and Dr. Brown have continued drafting chapters for this book project. A book proposal was submitted to Routledge and accepted for inclusion in the series Page 5 of 17 of “Speed up …” language learning books.
Load more

Recommended publications
  • East-West Film Journal, Volume 7, No. 2
    EAST-WEST FILM JOURNAL VOLUME 7· NUMBER 2 Approaching Japanese Melodrama I JOSEPH A. MURPHY Adapting (to) the Margins: Hot Summer Winds and the Stories of Hisaye Yamamoto 39 ROBERT M. PAYNE Korean Cinema and the New Realism: Text and Context 54 ISOLDE STANDISH Where Is "The Nation"?: Public Discourse, the Body, and Visual Display 81 JANE C. DESMOND The Tourist/Traveler Gaze: Bertolucci and Bowles's The Sheltering Sky lIO YOSEFA LOSHITZKY Book Reviews JULY 1993 The East-West Center is a public, nonprofit education and research institution that examines such Asia-Pacific issues as the environment, economic development, population, international relations, resources, and culture and communication. Some two thousand research fellows, graduate students, educators, and professionals in business and government from Asia, the Pacific, and the United States annually work with the Center's staff in cooperative study, training, and research. The East-West Center was established in Hawaii in 1960 by the U. S. Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, private agencies, and corporations and through the East-West Center Foundation. The Center has an international board ofgovernors. Approaching Japanese Melodrama JOSEPH A. MURPHY A SMALL FILM FESTIVAL has been held for each of the past three years in the city of Kanazawa, three hundred miles from Tokyo on the Japan Sea coast. Organized by a prominent Tokyo film critic, and sponsored by Kirin Beer, the Izumi Kyoka Film Festival concentrates on film adapta­ tions of the fiction of Izumi Kyoka, a writer active from 1893 to 1939.
    [Show full text]
  • Newsletter of the Japan Research Centre
    JRC news Newsletter of the Japan Research Centre January 2006 CENTRE MEMBERS Dr Timon Screech, Centre Chair Dr Lucia Dolce Dr Barbara Pizziconi Reader in the History of Japanese Lecturer in Japanese Religions Lecturer in Applied Japanese Art Department of the Study of Linguistics Department of Art and Archaeology Religions Department of the Languages and [email protected] [email protected] Cultures of Japan and Korea [email protected] Professor Timothy Barrett Professor Andrew Gerstle Professor East Asian History Professor of Japanese Studies Ms Sonja Ruehl Department of the Study of Department of the Languages and Deputy Director Religions Cultures of Japan and Korea Department of Financial and [email protected] [email protected] Management Studies [email protected] Professor Brian Bocking Professor Christopher Howe Professor of the Study of Religions Research Professor, Chinese Business Dr Isolde Standish Department of the Study of Management Lecturer in Japanese Religions Department of Financial and Department of the Languages and [email protected] Management Studies Cultures of Japan and Korea [email protected] [email protected] Dr John Breen Senior Lecturer in Japanese Dr David W. Hughes Department of the Languages and Senior Lecturer in Ethnomusicology Cultures of Japan and Korea Department of Music [email protected] [email protected] Dr John Carpenter Dr Costas Lapavitsas Professorial Research Associates Donald Keene Lecturer in Japanese Senior Lecturer in Economics Art Depart,ment of Economics Professor Gina Barnes Department of Art and Archaeology [email protected] Professor Harry Harootunian [email protected] Dr Angus Lockyer Research Associates Mr Alan Cummings Lecturer in the History of Japan Lecturer in Japanese Literature Department of History Dr Penelope Francks Department of the Languages and [email protected] Dr Christopher Jones Cultures of Japan and Korea Dr Simon rKane [email protected] Dr Nicole Liscutin Dr Helen MacNaughton Dr Nicole Coolidge Rousmaniere Handa Fellow in Japanese Business Dr P.
    [Show full text]
  • Programmepostgraduate Open Evening 11 June 2015
    Programme Postgraduate Open Evening 11 June 2015 On behalf of all of SOAS’ staf and students Welcome it is my pleasure to welcome you to our Open Evening. We hope this event gives you the opportunity to find out more about our course programmes, meet our staf and most importantly soak up SOAS’ unique and exciting atmosphere. SOAS, University of London is the only Higher Education institution in Europe specialising in the study of Asia, Africa and the Near and Middle East. Our world-class research and teaching expertise in politics, law, culture and society equips people for a global economy and multicultural society. This programme details the events and activities taking place throughout the evening including times and locations. If you require any information or assistance please do not hesitate to ask one of our Student Ambassadors. Please ensure that you register on arrival at the Brunei Gallery reception. I hope you enjoy your evening and am delighted to welcome you on behalf of the SOAS community. Professor Paul Webley, CBE Director Programme All departments will have either a stall or AFRICA a talk, with many departments ofering Stall 18:00–20:00 Djam Lecture Theatre Lutz Marten both activities at the open evening. This MA African Literature programme is organised alphabetically MA African Studies by Department or Centre. Any other talks The Department for the Languages and Cultures of Africa houses a large will be listed at the end of the programme. concentration of scholars researching and teaching African languages, literature and film of sub-Saharan Africa. This collective expertise gives If you cannot find the activity related to SOAS a world-class capacity for teaching and research in the area.
    [Show full text]
  • Transnational East Asian Cinema Symposium One-Sheet
    Transnational East Asian Cinema since 1997 Saturday 06 th December 2008, University of Southampton, UK A one day symposium sponsored by Screen, hosted by the University of Southampton with Goldsmiths, University of London and the University of Hong Kong The theme of the symposium is the relationship between cinematic representations and transnational cultural exchange, centred on one of the most active areas of cinematic activity over the past decade - East Asian cinema. It encompasses a broad range of topics that reflect upon how academia, filmmakers and the film industry have responded to the effects of globalisation, and the ways in which representations are read through the differing transnational contexts that exist between Asia and the West. The symposium will focus on developments since 1997, when certain cultural events in Asia impacted upon local film industries and transformed their relationship to the West. Two key events from this period include the return of Hong Kong to China and the economic crisis in South Korea. The impact of these events spread beyond national boundaries and was a modern turning point in the socio-economic and cultural history of the region. The period also saw a resurgence in Asian cinema, with production increasing amongst most countries (despite the opposite seen in Hong Kong), and success at the local box office. In the West, while certain films have gained success at the international box office, those which found cult or arthouse success have been remade by Hollywood. Meanwhile, Asian and Western actors and directors are being influenced by one another, while others are able to move freely between Asia and the West.
    [Show full text]
  • SOAS Japan Research Centre
    SOAS Japan Research Centre ANNUAL REVIEW ISSUE 65: September 2014 - August 2015 Letter from the Chair DR CHRISTOPHER GERTEIS (2014-2015) DR HELEN MACNAUGHTAN (2015-2016) センター長便り 次期センター長便り t this start of the new academic year I want elen is pleased to be taking up the position to take this opportunity to thank all JRC Dr クリストファー・ガータイス（2014-2015） of Acting Chair of the JRC for 2015- Dr ヘレン・マクノートン（2015-2016） Members, Associates, Visiting Scholars, and 16 while Chris pursues a well deserved fans on our JRC Facebook page for helping A 新年度スタートに当たり、まずは、JRCメンバー、 research opportunity. She thanks Chris for ヘレンは、2015-2016年度、クリスが既に高く評価さ to make the JRC a dynamic, enthusiastic and terribly H his outstanding stewardship of the Centre during the れている研究活動に専念する間、JRCセンター長を fun environment for the study of Japan. Thank you 同僚研究員、客員研究員、JRC Facebookファンの全 past academic year, which has seen the JRC not only 拝命し、とても光栄に思っていると言います。ここ all. ての皆様に謝意を表したいと思います。皆様には、 continue to deliver its regular programmes of high にクリスのこれまでのセンター長としての仕事に対 活気とやる気に満ちた、大変に楽しい日本研究の環 quality research seminars and annual lectures but し、感謝の意を表したいとのことです。彼女によれ I have temporarily handed the reigns over to Dr 境作りのために多くのサポートを頂きました。ここ also raise its profile in helping to fund academic staff ば、クリスは、内容の高いセミナーや通年のレクチ Helen Macnaughtan, who will serve as Acting Chair に改めてお礼申し上げます。 and postgraduate research projects as well as take on ャーを開催するというこれまで通りのJRCプログラ while I am on research leave to Humboldt University the editing of Japan Forum, the official journal of the ムを踏襲しただけではなく、実際には当センターの of Berlin in 2015-16. Helen has been an active and 私は2015-2016年度に、一年程フンボルト大学ベル British Association for Japanese Studies (BAJS).
    [Show full text]
  • Myths of Hakkō Ichiu: Nationalism, Liminality, and Gender
    Myths of Hakko Ichiu: Nationalism, Liminality, and Gender in Official Ceremonies of Modern Japan Item Type text; Electronic Dissertation Authors Teshima, Taeko Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 21:55:25 Link to Item http://hdl.handle.net/10150/194943 MYTHS OF HAKKŌ ICHIU: NATIONALISM, LIMINALITY, AND GENDER IN OFFICIAL CEREMONIES OF MODERN JAPAN by Taeko Teshima ______________________ Copyright © Taeko Teshima 2006 A Dissertation Submitted to the Faculty of the GRADUATE PROGRAM IN COMPARATIVE CULTURAL AND LITERARY STUDIES In Partial Fulfillment of the Requirements For a Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 6 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Taeko Teshima entitled Myths of Hakkō Ichiu: Nationalism, Liminality, and Gender in Official Ceremonies of Modern Japan and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy _________________________________________________Date: 6/06/06 Barbara A. Babcock _________________________________________________Date: 6/06/06 Philip Gabriel _________________________________________________Date: 6/06/06 Susan Hardy Aiken Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement.
    [Show full text]
  • 04-05 Annualreport.Pdf
    T he School of Advanced Study unites the internationally-known research institutes in the humanities and social sciences at the centre of the University of London, maintaining and developing their resources for the benefit of the national and international scholarly community. Founded in 1994, the School has worked to develop intellectual links between its Institutes and the diverse constituencies that they represent, to foster the model of advanced study that they stand for, and to provide a focus for scholars from the widest possible backgrounds within the disciplines that it covers. Through its many activities, the unrivalled libraries of its Institutes, its electronic research resources, its Fellowship programmes, and the scholarly expertise of its members, it aims to provide an environment for the support, evaluation and pursuit of research which is accessible to postgraduate and senior members of all Higher Education institutions in the United Kingdom and abroad. UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY Dean Professor Nicholas Mann CBE FBA Secretary & Registrar Tony Bell Institute of Advanced Legal Studies Institute of Classical Studies Institute of Commonwealth Studies Institute of English Studies Institute of Germanic & Romance Studies Institute of Historical Research Institute for the Study of the Americas Warburg Institute Philosophy Programme Cover – Agrippa insegna ai suoi discepoli: 'Trattato di Scienza d'Arme' 1568. Courtesy of the Association for Rennaissance Martial Arts, at www.theARMA.org . Contents I. THE SCHOOL OF ADVANCED STUDY Dean’s introduction 1 Governance 6 Board of the School 6 Directorate 6 Committees 7 The Intellectual Life of the School 8 Visiting Fellows 9 Distinguished Senior Fellows and Honorary Degrees 10 University public lectures, recitals and readings 11 Joint activities 12 Research projects 13 Screen Studies Symposia 13 Dean’s Seminar 14 Dean’s activities 15 Associate Members of the School 16 Publications 16 Teaching and Training 17 Scholarly Resources 18 Administration and Finance 21 II.
    [Show full text]
  • Programme Languages & Cultures Postgraduate Open Evening 2014
    Programme Languages & Cultures Postgraduate Open Evening 2014 Welcome General information On behalf of all of SOAS’ staff and students ARRIVAL AND REGISTRATION it is my pleasure to welcome you to our Please bring your printed booking Open Evening. We hope this event gives confirmation form with you. If you forget you the opportunity to find out more your confirmation email, we will need to about our course programmes, meet our re-book you on the day. Make your way to staff and most importantly soak up SOAS’ the Brunei Gallery building for registration. unique and exciting atmosphere. STUDENT AMBASSADORS SOAS, University of London is the only We have a number of SOAS students Higher Education institution in Europe working at the event as ‘ambassadors’. specialising in the study of Asia, Africa and These students will be wearing red SOAS the Near and Middle East. Our world-class clothing and will be happy to help you research and teaching expertise in politics, with directions or general information law, culture and society equips people for about the school. a global economy and multicultural society. ACCESS AND DISABILITIES This programme details the events and SOAS aims to create an environment activities taking place throughout the that enables all students to participate evening including times and locations. If fully in university life. Please inform us if you require any information or assistance you have a long-term medical condition, please do not hesitate to ask one of our specific learning difficulty and/or other Student Ambassadors. Please ensure that disability, so that we can make appropriate you register on arrival at the Brunei Gallery arrangements.
    [Show full text]
  • Conflict and Controversy in Small Cinemas
    Interdisciplinary Studies in Performance 12 12 Interdisciplinary Studies in Performance 12 Janina Falkowska /Krzysztof Loska (eds.) Janina Falkowska / Krzysztof Loska (eds.) Conflict and Controversy in Small Cinemas This book examines small cinemas and their presentation of society in times of crisis and conflict from an interdisciplinary and intercultural point of view. The authors concentrate on economic, social and political challenges and Conflict and Controversy point to new phenomena which have been exposed by film directors. They present essays on, among others, Basque cinema; gendered controversies in Small Cinemas in post-communist small cinemas in Slovakia and Czech Republic; ethnic stereotypes in the works of Polish filmmakers; stereotypical representation of women in Japanese avant-garde; post-communist political myths in Hungary; the separatist movements of Catalonia; people in diasporas and during Falkowska/KrzysztofJanina Loska (eds.) migrations. In view of these timely topics, the book touches on the most serious social and political problems. The films discussed provide an excellent platform for enhancing debates on politics, gender, migration and new aesthetics in cinema at departments of history, sociology, literature and film. The Author Janina Falkowska is a retired professor from the University of Western Ontario in London, Ontario (Canada) and Professor at the University of Economics and Humanities (WSEH) in Bielsko-Biala (Poland). She specializes in East-Central European and Western European cinemas and has published extensively on Polish and East-Central European cinemas in journals and books related to Eastern and Central Europe. She has initiated a series of conferences about small cinemas in Europe and organized workshops and conferences on European cinemas in Canada.
    [Show full text]
  • AKSE 2012 Newsletter Cover
    NEWSLETTER Association for Korean Studies in Europe 4345 No. 36 October 2012 THE ASSOCIATION FOR KOREAN STUDIES IN EUROPE Centre for Korean Studies School of Oriental and African Studies Thornhaugh Street, Russell Square London WC1H 0XG The United Kingdom THE COUNCIL OF THE ASSOCIATION President: Councillor for Public Relations: Prof. Dr. Antonetta Bruno Prof. Dr. Valérie Gélézeau Sapienza Università di Roma École des Hautes Études en Sciences ITALY Sociales [email protected] FRANCE [email protected] Vice-President: Dr. Pavel Leshakov Councillor for Membership Affairs: Moscow State University Prof. Dr. Marion Eggert RUSSIA Ruhr-Universität Bochum [email protected] GERMANY [email protected] Secretary: Prof. Dr. Rüdiger Frank Newsletter Editor: Universität Wien Dr. Michael D. Shin AUSTRIA University of Cambridge [email protected] UNITED KINGDOM [email protected] Treasurer: Dr. Koen De Ceuster Dr. James B. Lewis Universitet Leiden University of Oxford THE NETHERLANDS UNITED KINGDOM [email protected] [email protected] AKSE Newsletter 36 is edited and published by Dr. Michael D. Shin Faculty of Asian and Middle Eastern Studies Sidgwick Avenue Cambridge, CB3 9DA The United Kingdom Cover logo design by Mrs. Sandra Mattielli Printed by Cambridge Print Solutions Copyright by The Association for Korean Studies in Europe AKSE Homepage: http://www.akse.uni-kiel.de AKSE Newsletter 36 AKSE Newsletter 36 ASSOCIATION FOR KOREAN STUDIES IN EUROPE A W O R D F R O M T H E PRESIDENT NEWSLETTER No. 36 AKSE is a supra-national association that handles matters that no national organization or October 2012 individual university can undertake by itself.
    [Show full text]
  • National Identity and the British Historical Film
    Past and Present: National Identity and the British Historical Film By James Chapman London: I. B. Tauris, 2005. ISBN 1-85043-808-0 (pbk), ISBN 1-85043-807-2 (hbk). 22 illustrations, xvi + 385pp. £15.99 (pbk), £49.50 (hbk) A review by Jack Newsinger, University of Nottingham, UK One obvious concern when reading a book by someone as prolific as James Chapman is that it may be light in the way of research. Happily this is not the case with Past and Present. What Chapman offers is a richly detailed and informed history that strikes an excellent balance between accessibility and sophistication. As well as providing a thorough analysis of some of the key films of the genre the book will be of use to anyone interested in an overview of the historical dynamics of British film production and consumption. The historical film, defined as a genre that takes as its subject matter real events in British history, has been particularly ubiquitous in the history of British film production, having a direct relationship with some of the key markers of British national identity -- the monarchy, British national 'heroes', famous wartime exploits, and so on -- and being at the forefront of attempts to open up the American market for British films. Chapman's stated aim is to test the hypothesis that these films are as much about the period in which they were made as they are about the events they depict. As he notes: While this is far from being a new idea, it has tended, hitherto, to be taken as a self-evident truth.
    [Show full text]
  • Sharalyn Orbaugh Department of Asian Studies 1871 West Mall
    Sharalyn Orbaugh Department of Asian Studies 1871 West Mall University of British Columbia Vancouver, BC Canada V6T 1Z2 +1-604-822-2835 Employment Professor, department of Asian Studies, University of British Columbia: 2012-present Visiting Professor, University of Tokyo 2015 Professor, appointed jointly in the departments of Asian Studies and Women’s & Gender Studies, University of British Columbia: 2008-2011 Associate Professor, appointed jointly in the departments of Asian Studies and Women’s & Gender Studies, University of British Columbia: 1997 to 2008 Visiting Professor, Ritsumeikan University, Kyoto: 2003-2004 Assistant Professor, University of California, Berkeley: 1991 to 1997 Visiting Assistant Professor, University of California, Berkeley: 1990-1991 Adjunct Visiting Assistant Professor, Stanford University: 1990-1991 Visiting Assistant Professor, University of Michigan: 1989-1990 Assistant Professor, Bucknell University: 1987-1989 Lecturer, University of Michigan: 1986-1987 Education PhD August 1989 University of Michigan Far Eastern Languages & Literatures: Japanese Orbaugh - Page 2 MA August 1981 University of Michigan Japanese Language and Literature BA June 1979 Wesleyan University East Asian Studies Fellowships and Competitive Grants 2021 Toshiba Foundation: Digitization of Japanese Print Propaganda Materials 2018-19 Co-investigator: Social Science and Research Council of Canada Conference Grant 2014-19 Social Science and Humanities Research Council of Canada, Insight Grant: “Framing War Through Domestic Propaganda: Kamishibai
    [Show full text]