Under the Radar Press Kit National Release Date: 29 July 2004
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A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
Seven Unveils Content Plans for 2019
SEVEN UNVEILS CONTENT PLANS FOR 2019 Slate includes new Bevan Lee drama and two supersized reality hits Geraldine Hakewill, Joel Jackson and Catherine McClements headline Miss Fisher spin-off MKR’s 10th anniversary season to launch the year “Top Gear meets food” in new Gordon Ramsay series New overseas dramas feature screen heavyweights Martin Clunes, Sheridan Smith, Kelsey Grammer and more (Sydney, Friday October 26): The Seven Network today unveiled its content plans for 2019. Four new local dramas, including the next offering from creator Bevan Lee; two supersized reality hits; a female spinoff to one of the year’s most heart-warming hits and the landmark 10th season of one of Australia’s biggest shows are just some of the programs set to take Seven into its 13th consecutive year of leadership. Commenting, Seven’s Director of Network Programming Angus Ross said: “After a close win last year, we promised to up our game in 2018, and the team has delivered in spades. We’ve broken records and dominated the ratings throughout the year. In fact, in every month we have never dropped below a 39% share, while our competitors have never been above 39%. Our worst is still better than their best. “What’s particularly pleasing is that this success is down to the strength and depth of our programming across the board. From 6am to midnight, we have the strongest spine of ratings winners, bar none. And with the AFL and Cricket locked up until 2022, Seven can guarantee those mass audiences, and certainty for our advertisers, for years to come.” NEW TO SEVEN IN 2019 BETWEEN TWO WORLDS From Australia’s most prolific creator/writer Bevan Lee (Packed to the Rafters, A Place To Call Home, All Saints, Winners & Losers, Always Greener) comes an intense, high concept contemporary drama series about two disparate and disconnected worlds, thrown together by death and a sacrifice in one and the chance for new life in the other. -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
Privatization Examining the Potential Solutions to FAA Reform
Summer 2015 | VOLUME 57, NO. 2 Privatization Examining the Potential Solutions to FAA Reform Plus • A Cost-Effective Approach to ATM Modernization • The Career of Nevil Shute Norway • Remote Tower Systems – A Domestic and International Conversation JMA Solutions is a pioneering government contractor • Air Traffic Management whose primary focus is Program Management, • Engineering Services Engineering Services, Financial and Air Traffic • Financial Management Management. JMA is committed to meeting customer • Curriculum Development and Design requirements and exceeding expectations by providing • Conference Planning knowledgeable, seasoned professionals who offer exceptional service and support to our government • Safety Management & Information Assurance clients. Our commitment to excellence and unparalleled • Strategic Management & Planning customer service has earned us a proven track record of • Web Development & Graphic Design successfully delivering outstanding results. Service Disabled Veteran 8(a) Certified Twitter/JMA_Solutions YouTube / The JMASolutions LinkedIn / jma-solutions Woman Owned Small Business 600 Maryland Ave. SW, Suite 400 E, Washington, D.C. 20024 • Phone: 202-465-8205 • www.jma-solutions.com ATCA members and subscribers have access to the online edition of The Journal of Air Traffic Control. Visit lesterfiles.com/ pubs/ATCA. Password: ATCAPubs (case Contents sensitive). Summer 2015 | Vol. 57, No. 2 Articles Published for: 09 Managed Services Air Traffic Control Association 1101 King Street, Suite 300 A Cost-Effective -
Periodical ^E^Ai FIRST NUMBER of the NORTHWEST
of Periodical ^e^ai VOL. IX, NO. 51 DECEMBER 19, 1914 PRICE 25 CENTS FIRST NUMBER OF THE NORTHWEST QUARTERLY MUSICAL REVIEW THE TOWN CRIER HOLLYWOOD FARM BREEDERS OF Registered Holstein-Friesian Cattle Registered Duroc-Jersey Swine PRODUCERS AND DISTRIBUTORS OF Hollywood Certified Milk Hollywood Pork Sausage Hollywood Fresh Eggs FARM AT HOLLYWOOD, WASHINGTON City Office: 1418 Tenth Ave. :: Phone East 1 5 1 Visitors Always Welcome at the Far m I' A G E < > N E THE TOWN CRIER The Last Few Months Give Proof of Better Times iiv the Growth of Popular Savings It has been said that one of the best indications of the well-being of any com munity is to be found in the growth of the Savings of the people. Measured by this standard, we think that Seattle has every reason to feel satisfied. In the Scandinavian American Bank, which, having the largest Savings De posits in the Northwest, is perhaps the best barometer of popular Savings, the record shows: FIRST—A larger number of Savings Depositors; SECOND—A larger total of Savings Deposits; THIRD—A larger average balance to the credit of each depositor Than ever before in the history of the bank. In addition to these Savings Accounts we should consider:— (A) The Large Dumber of our Savings Depositors who have boughl homes in and around Se attle, (we know they have boughl them because in many cases our Mortgage Department helped to furnish tlie money) : and (B) The still larger number of our Savings Depositors who have invested part of their sav ings in small mortgages and bonds which they bought direct from the bank. -
SWT 2003-04 Areport.Indd
2003 – 2004 Annual Report INVESTING IN CONTENT / FOR WORLD SCREENS VISION To lead the West Australian screen industry to a level of creative and commercial success which is a source of pride and opportunity for all Western Australians. SCREENWEST’S ROLE ScreenWest’s role as described in its Constitution is to: • Encourage and promote the development of the Western Australian screen industry encompassing every aspect of filmmaking. • Administer financial and other assistance provided by the Government of Western Australia or other public. • Assist with the development of film scripts and film projects for production in Western Australia. • Encourage a viable and diverse screen culture in Western Australia including the promotion of Western Australian film projects, practitioners, issues, exhibitions and facilities. • Develop an awareness of the Western Australian film industry on a national and international level and assist practitioners in the Western Australian film industry to a national and international focus. • Keep itself informed of new technological developments in all aspects of filmmaking and assist practitioners in the Western Australian film industry in expanding their technical, professional and creative skills. ScreenWest considers its role is to work with the screen industry to develop relationships with key strategic partners and create new initiatives in order to expand and strengthen the WA screen industry. Accordingly, ScreenWest is identifying new market opportunities, providing incentive funding and identifying skill -
Download July 2011 Newsletter Here
www.NYSPANA.NET Newsletter of the New York State PeriAnesthesia Nurses Association Volume 33 No. 2 July 2011 My Turning Point “Into every life a little rain must fall”. This never had so many co-workers react to What I have learned from this whole is a little something my grandmother someone leaving and actually gave me experience is that negative feelings hurt, always told me, especially when life wasn’t concrete reasons why I should stay. She always. They create a stress only you have running as smoothly as I would like it. I asked me what I thought I would gain, the power to change. It takes so much wasn’t happy in my everyday life, my what I might lose, and put it in perspective. energy to hold on to all that baggage, all work life, my family life. I was restless. I I hadn’t really thought it through. I thought those “hard feelings”. My only regret is carried lots of baggage from a previous no one really cared whether I stayed or left. not seeing it sooner. Last but not least I employment and was searching, searching, Again, the baggage…I hadn’t given my would like to thank my co-workers: searching for something better out there. current facility a chance to really know Claudia R, Kristie, Mike, Roxanne, Jo, “The grass is always greener on the other me. I stayed away from work related Maria, Barb, Mary F., Cheryl, Mary G., side of the fence”, she would say. Or so it functions always saying, “I don’t mix Mary W., Mary B., Marcia, Fay, Jenna, seems. -
Mornington Peninsula Heritage Review, Area 3
MORNINGTON PENINSULA HERITAGE REVIEW, AREA 3 Volume 2 - Citations Draft Report February 2019 This Heritage Review has been undertaken in accordance with the principles of the Burra Charter adopted by ICOMOS Australia This document has been completed by Sera-Jane Peters and David Wixted © heritage ALLIANCE 2018 and Simon Reeves of Built Heritage Pty Ltd Final Draft Report issued to Council, 5 february 2019 heritage ALLIANCE 41 Cobden Street North Melbourne 3451 Built Heritage PO Box 222 Emerald 3782 heritage ALLIANCE & Built Heritage, 2018 Job 2017-11 2 Mornington Peninsula Heritage Review, Area 3: Volume 2 – Citations – Draft Report Table of Contents EAST SORRENTO HERITAGE PRECINCT .................................................................................................... 5 BACK BEACH ROAD PORTSEA HERITAGE PRECINCT.............................................................................. 17 SORRENTO HISTORIC PRECINCT COMMERCIAL AREA .......................................................................... 29 SORRENTO HISTORIC PRECINCT FORESHORE AREA ............................................................................. 38 SORRENTO HISTORIC PRECINCT CLIFF-TOP AREA ................................................................................. 48 SORRENTO HISTORIC PRECINCT RESIDENTIAL AREA ............................................................................ 58 HERITAGE CITATION 1C , 12 Derrick Street BLAIRGOWRIE .................................................................. 69 HERITAGE CITATION 8B, 15 -
Download the Press
Screen Australia and SBS present in association with Screen NSW, A Blackfella Films Production Media Kit as at 12.7.16 SBS Publicist Natalie Dubois T 02 9430 3824 M 0422 447 168 E [email protected] About the Production Two of Australia’s leading actors with international acclaim, Noah Taylor (Game of Thrones, Peaky Blinders) and Yael Stone (Orange is the New Black), star in SBS’s new Australian crime drama series, Deep Water. The four-hour crime thriller also stars William McInnes (The Time of Our Lives, The Slap), Danielle Cormack (Wentworth, Rake, Miss Fisher’s Murder Mysteries), Jeremy Lindsay Taylor (Gallipoli, Puberty Blues, Sea Patrol), Craig McLachlan (The Doctor Blake Mysteries), Dan Spielman (The Code, Accidental Soldier, Offspring), Ben Oxenbould (The Kettering Incident, Old School, Rake), Simon Burke (Devil’s Playground), John Brumpton (Catching Milat, Miss Fisher’s Murder Mysteries) and Victoria Haralabidou (The Code, East West 101, All Saints), Simon Elrahi (The Code), George H. Xanthis (The Principal) and Julian Maroun. From Blackfella Films, the producers of both the awarding-winning drama Redfern Now and factual program First Contact, Deep Water is SBS’s first cross-genre, cross-platform event which includes a four-part drama series, a feature documentary and unique online web series and content. The edge-of-your-seat drama was executive produced by SBS’s Sue Masters and produced by Blackfella Films’ Miranda Dear and Darren Dale (Redfern Now, Mabo, Ready For This) and written by Kris Wyld (East West 101) and Kym Goldsworthy (Love Child, Serangoon Road). SBS Director of Television and Online Content, Marshall Heald said: “SBS is proud that this important drama has attracted Australia’s finest creative professionals both in front – and behind the camera. -
Tape ID Title Language System
Tape ID Title Language System 1375 10 English PAL 0361sn 101 Dalmatians - Live Action (NTSC) English NTSC 0362sn 101 Dalmatians II (NTSC) English NTSC 6826 12 Monkeys (NTSC) English NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian PAL 1078 18 Again English Pal 5163a 1900 - Part I English pAL 5163b 1900 - Part II English pAL 1244 1941 English PAL 0172sn 2 Days In The Valley (NTSC) English NTSC f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French PAL 1304 200 Cigarettes English Pal 6474 200 Cigarettes (NTSC) English NTSC 2401 24 - Season 1, Vol 1 English PAL 2406 24 - Season 2, Part 1 English PAL 2407 24 - Season 2, Part 2 English PAL 2408 24 - Season 2, Part 3 English PAL 2409 24 - Season 2, Part 4 English PAL 2410 24 - Season 2, Part 5 English PAL 5675 24 Hour People English PAL 2402 24- Season 1, Part 2 English PAL 2403 24- Season 1, Part 3 English PAL 2404 24- Season 1, Part 4 English PAL 2405 24- Season 1, Part 5 English PAL 3287 28 Days Later English PAL 5731 29 Palms English PAL 5501 29th Street English pAL 3141 3000 Miles To Graceland English PAL 6234 3000 Miles to Graceland (NTSC) English NTSC f103 4 Adventures Of Reinette and Mirabelle (Subtitled) French PAL 0514s 4 Days English PAL 3421 4 Dogs Playing Poker English PAL 6607 4 Dogs Playing Poker (NTSC) English nTSC g033 4 Shorts By Werner Herzog (Subtitled) English PAL 0160 42nd Street English PAL 6306 4Th Floor (NTSC) English NTSC 3437 51st State English PAL 5310 54 English Pal 0058 55 Days At Peking English PAL 3052 6 Degrees Of Separation English PAL 6389 60s, The (NTSC) English NTSC 6555 61* (NTSC) English NTSC f126 7 Morts Sur Ordonnance (NOT Subtitled) French PAL 5623 8 1/2 Women English PAL 0253sn 8 1/2 Women (NTSC) English NTSC 1175 8 Heads In A Duffel Bag English pAL 5344 8 Mile English PAL 6088 8 Women (NTSC) (Subtitled) French NTSC 5041 84 Charing Cross Road English PAL 1129 9 To 5 English PAL f220 A Bout De Souffle (Subtitled) French PAL 0652s A Funny Thing Happened On The Way To The Forum English PAL f018 A Nous Deux (NOT Subtitled) French PAL 3676 A.W.O.L. -
Law & Disorder
LAW & DISORDER RAKE LAW & DISORDER RAKE SERIES FOUR / 8 X ONE HOUR TV SERIES THURSDAY MAY 19 8.30PM STARRING RICHARD ROXBURGH WRITTEN BY PETER DUNCAN & ANDREW KNIGHT PRODUCED BY IAN COLLIE, PETER DUNCAN & RICHARD ROXBURGH ESSENTIAL MEDIA & BLOW BY BLOW MEDIA CONTACT Kristine Way / ABC TV Publicity T 02 8333 3844 M 0419 969 282 E [email protected] SERIES SYNOPSIS Last seen dangling from a balloon road leading straight to our dark drifting across the Sydney skyline, corridors of power. Cleaver Greene (Richard Roxburgh) Twisting and weaving the stories of crashes back to earth - literally and the ensemble of characters we’ve metaphorically, when he’s propelled grown to love over three stellar through a harbourside window into the seasons, Season 4 of Rake continues unwelcoming embrace of chaos past. the misadventures of dissolute Cleaver Fleeing certain revenge, Cleaver Greene and casts the fool’s gaze on all hightails it to a quiet country town, the levels of politics, the legal system, and reluctant member of a congregation our wider fears and obsessions. led by a stern, decent reverend and ALSO STARS Russell Dykstra, Danielle his flirtatious daughter. Before long Cormack, Matt Day, Adrienne Cleaver’s being chased back to Sin City. Pickering, Caroline Brazier, Kate Box, But Sydney has become a dark Keegan Joyce and Damien Garvey. place: terrorist threats and a loss of GUEST APPEARANCES from Miriam faith in authority have seen it take a Margolyes, Justine Clarke, Tasma turn towards the dystopian. When Walton, John Waters, Simon Burke, Cleaver finally emerges, he will be Rachael Blake, Rhys Muldoon, Louise accompanied by a Mistress of the Siversen and Sonia Todd. -
Hi, My Name Is Keaton Stewart I Am Writing in Regards to the Inquiry Into
Submission 46 Hi, My name is Keaton Stewart I am writing in regards to the Inquiry into the Australian Film and Television Industry. I have been working in the Australian TV and Film industry since i first edited the pre-school show Larry the Lawn Mower, a show developed and produce in Australia under the Australian content quota. It was a big deal for a kid in his 20's to have made it to Sydney and been given the chance to develop my story telling skills. In the following 9 years I have worked on numerous Australian programs including short films, preschool content, children's programming, dramas, comedies and documentaries working my way up from editing through directing and now producing. I love our industry it is an amazing training ground and produces not only uniquely Australian stories but also, in increasing numbers, producing stories the world wants to engage with. Now is the time not to run away from that training ground but throw more into it if we can support group and individuals through their careers they stand a greater chance of producing large scale work within Australia for a global audience. As the model of distribution changes via on demand and access to content becomes increasingly easy and more efficient we have the opportunity to bring our stories to more people. But what that means is we will be competing on a global stage and if we don't have the support to develop in our early careers and the ongoing support to share OUR stories we run the risk of losing our identity.