JULY 4 Summerfest 2018
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Score: a Hockey Musical
Mongrel Media Presents Score: A Hockey Musical A Film by Michael McGowan (92min., Canada, 2010) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html 1 OVERVIEW Music icon Olivia Newton-John (whose career has spanned over four decades, from Grease in 1978 to TV’s Glee in 2010) stars in Michael McGowan’s Score: A Hockey Musical, a film that combines musical numbers with Canada’s national sport. The film – which tells the story of a teenage hockey phenom who goes from obscurity to overnight fame – also stars a slew of Canadian talent. Among those are singer/songwriter Marc Jordan (whose composing credits include Rod Stewart’s “Rhythm of My Heart” and Cher’s “Taxi Taxi”), newcomers Noah Reid and Allie MacDonald, along with cameos by music artists Nelly Furtado, Dave Bidini, Hawksley Workman and John McDermott, journalists George Stroumboulopoulos and Evan Solomon, sports anchor Steve Kouleas, hockey dad Walter Gretzky and hockey star Theo Fleury. Unlike other musicals, the story doesn’t stop just for the sake of a song. Instead, the lyrics (written by McGowan) drive the plot. There are 20 original songs, among them one called “Darryl vs. the Kid” by Barenaked Ladies, as well as “Hugs” by Olivia Newton-John, Amy Sky and Marc Jordan, and five songs on which Hawksley Workman contributed. -
Phoenix Symphony Music Director Tito Muñoz to Conduct Berkeley Symphony Concert Thursday, February 4 at Zellerbach Hall
FOR IMMEDIATE RELEASE / February 1, 2016 Contact: Jean Shirk [email protected] / 510-332-4195 http://www.berkeleysymphony.org/about/press/ Phoenix Symphony Music Director Tito Muñoz to conduct Berkeley Symphony concert Thursday, February 4 at Zellerbach Hall Berkeley Symphony Music Director Joana Carneiro withdraws from concert for medical reasons l to r: Tito Muñoz, Conrad Tao. Photo credits: Muñoz: Dario Acosta. Tao: Brantley Gutierrez BERKELEY, CA (February 1, 2016) – Music Director Joana Carneiro has withdrawn from this week’s Berkeley Symphony concert with composer and pianist Conrad Tao for medical reasons. Phoenix Symphony Music Director Tito Muñoz will lead the Orchestra and Tao in a performance of Beethoven’s Piano Concerto No. 5, “Emperor,” on Thursday, February 4 at 8 pm at Zellerbach Hall in Berkeley. Muñoz also conducts the Orchestra in Lutosławski’s Concerto for Orchestra, an orchestral showpiece. Tickets are $15-$74 and are available at www.berkeleysymphony.org or by phone at (510) 841- 2800, ext. 1. Berkeley Symphony offers a $7 Student Rush ticket one hour prior to each performance for those with a valid student ID. Tito Muñoz is Music Director of the Phoenix Symphony, a post he began with the 2014-15 season. He has also held the posts of Music Director of the Opéra National de Lorraine and the Orchestre symphonique et lyrique de Nancy, Assistant Conductor of The Cleveland Orchestra, and Assistant Conductor of the Cincinnati Symphony Orchestra and the Cincinnati Chamber Orchestra. An alumnus of the National Conducting Institute, Muñoz made his professional conducting debut in 2006 with the National Symphony Orchestra. -
B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col. -
2018 ASCAP Jazz Awards Program Book
2018 2018 PAUL WILLIAMS PRESIDENT & CHAIRMAN ELIZABETH MATTHEWS CHIEF EXECUTIVE OFFICER ASCAP BOARD OF DIRECTORS WRITERS JOEL BECKERMAN | RICHARD BELLIS | BRUCE BROUGHTON | DESMOND CHILD | DAN FOLIART | MICHELLE LEWIS MARCUS MILLER | RUDY PÉREZ | ALEX SHAPIRO | JIMMY WEBB | PAUL WILLIAMS | DOUG WOOD PUBLISHERS MARTIN BANDIER | CAROLINE BIENSTOCK | BARRY COBURN | JODY GERSON | ZACH KATZ | DEAN KAY JAMES M. KENDRICK | LEEDS LEVY | MARY MEGAN PEER | JON PLATT | IRWIN Z. ROBINSON THE FOUNDERS AWARD Roscoe Mitchell is an internationally renowned musician, composer, and innovator. His role in the resurrection of long neglected woodwind instruments of extreme register, his innovation as a solo woodwind performer, and his reassertion of the composer into what has traditionally been an improvisational form have placed him at the forefront of contemporary music for over five decades. Mr. Mitchell is a founding member of the Art Ensemble of Chicago, the Association for the Advancement of Creative Musicians and the Trio Space. Additionally, Mr. Mitchell is the founder of the Creative Arts Collective, The Roscoe Mitchell Sextet, The Roscoe Mitchell Quartet, The Roscoe Mitchell Art Ensemble, The Sound Ensemble, The New Chamber Ensemble and the Note Factory. He has recorded over 100 albums and has written hundreds of compositions. His compositions range from classical to contemporary, from passionate and forceful improvisations to ornate orchestral music. His most recent recording, Discussions, was counted among “The 25 Best Classical Music Recordings of 2017” by the New York Times. Also, for five decades, he has designed the Percussion Cage, an elaborate percussion instrument consisting of instruments from around the world, as well as many found instruments. -
27.1. at 20:00 Helsinki Music Centre We Welcome Conrad Tao Sakari
27.1. at 20:00 Helsinki Music Centre We welcome Conrad Tao Sakari Oramo conductor Conrad Tao piano Lotta Emanuelsson presenter Andrew Norman: Suspend, a fantasy for piano and orchestra 1 Béla Bartók: Divertimento for String Orchestra 1. Allegro non troppo 2. Molto adagio 3. Allegro assai Conrad Tao – “shaping the future of classical music” “Excess. I find it to be for me like the four, and performed Mozart’s A-major pia- most vividly human aspect of musical no concerto at the age of eight. He was performance,” says pianist Conrad Tao (b. nine when the family moved to New York, 1994). And “excess” really is a good word where he nowadays lives. Beginning his to describe his superb technique, his pro- piano studies in Chicago, he continued at found interpretations and his emphasis on the Juilliard School, New York, and atten- the human aspect in general. ded Yale for composition. Tao has a wide repertoire ranging from Tao has had a manager ever since Bach to the music of today. He has also he was twelve. As a youngster, he also won recognition as a composer, and one learnt the violin, and several times in who, he says, views his keyboard perfor- 2008/2009 played both the E-minor vio- mances through the eyes of a composer. lin concerto and the first piano concerto His many talents and his ability to cross by Mendelssohn at one and the same con- traditional borders have indeed made him cert, but he soon gave up the violin. a notable influencer and a model for ot- Despite having all the hallmarks of a hers. -
Conrad Tao ($50,000 Scholarship Recipient)
Davidson Fellow Laureate Conrad Tao ($50,000 Scholarship Recipient) Personal Info Conrad Tao Age: 14 New York, New York School, College and Career Plans Conrad is entering his sixth year at The Juilliard Pre-College Division and is a rising sophomore in the independent study program through the Indiana University High School of Continuing Studies. He would like to be a concert pianist and professional composer. Davidson Fellows Submission (Music) In his project, “Bridging Classical Music from the Past to the Future as Pianist and Composer,” Conrad makes classical music relevant to younger generations through performances that display a vast knowledge, deep understanding and mature interpretation of the repertoire. A composer, pianist and violinist attending The Juilliard Pre-College Division, he has been featured on NPR’s “From the Top,” performed at Carnegie Hall and has received five consecutive American Society of Composers, Authors and Publishers (ASCAP) Morton Gould Young Composer Awards. Biography “We’re not in 1700 anymore…we have computers, we have cell phones…come on, we need some new music!” (“From the Top,” October 2004) This remark captures Conrad’s belief that in order to move music forward we must embrace the music of today. He feels that since he is a young musician himself, he is uniquely situated to appreciate the well-known works from the past while understanding the interest the current generation has in music created in their lifetime. Before moving to New York City from Urbana, Illinois, Conrad was a detractor of contemporary music, feeling it was atonal and incomprehensible. Inspired by his Juilliard teachers, he began to understand the importance of novelty in the world of classical music and now routinely incorporates a new or underappreciated work in all his recitals and programming. -
Jay Graydon Discography (Valid July 10, 2008)
Jay Graydon Discography (valid July 10, 2008) Jay Graydon Discography - A (After The Love Has Gone) Adeline 2008 RCI Music Pro ??? Songwriter SHE'S SINGIN' HIS SONG (I Can Wait Forever) Producer 1984 258 720 Air Supply GHOSTBUSTERS (Original Movie Soundtrack) Arista Songwriter 1990 8246 Engineer (I Can Wait Forever) Producer 2005 Collectables 8436 Air Supply GHOSTBUSTERS (Original Movie Soundtrack - Reissue) Songwriter 2006 Arista/Legacy 75985 Engineer (I Can Wait Forever) Producer Air Supply DEFINITIVE COLLECTION 1999 ARISTA 14611 Songwriter (I Can Wait Forever) Producer Air Supply ULTIMATE COLLECTION: MILLENNIUM [IMPORT] 2002 Korea? ??? Songwriter (I Can Wait Forever) BMG Entertainment 97903 Producer Air Supply FOREVER LOVE 2003 BMG Entertainment, Argentina 74321979032 Songwriter (I Can Wait Forever) FOREVER LOVE - 36 GREATEST Producer Air Supply HITS 1980 - 2001 2003 BMG Victor BVCM-37408 Import (2 CDs) Songwriter (I Can Wait Forever) Producer Air Supply PLATINUM & GOLD COLLECTION 2004 BMG Heritage 59262 Songwriter (I Can Wait Forever) Producer Air Supply LOVE SONGS 2005 Arista 66934 Songwriter (I Can Wait Forever) Producer Air Supply 2006 Sony Bmg Music, UK 82876756722 COLLECTIONS Songwriter Air Supply (I Can Wait Forever) 2006 Arista 75985 Producer GHOSTBUSTERS - (bonus track) remastered UPC: 828767598529 Songwriter (I Can Wait Forever) Producer Air Supply 2007 ??? ??? GRANDI SUCCESSI (2 CD) Songwriter (I Can Wait Forever) ULTIMATE COLLECTION Producer Air Supply 2007 Sony/Bmg Import ??? [IMPORT] [EXPLICIT LYRICS] [ENHANCED] Songwriter (I Can Wait Forever) Producer Air Supply ??? ??? ??? BELOVED Songwriter (I Can Wait Forever) Producer Air Supply CF TOP 20 VOL.3 ??? ??? ??? Songwriter (Compilation by various artists) (I Can Wait Forever) Producer Air Supply COLLECTIONS TO EVELYN VOL. -
Making Chinese Choral Music Accessible in the United States: a Standardized Ipa Guide for Chinese-Language Works
MAKING CHINESE CHORAL MUSIC ACCESSIBLE IN THE UNITED STATES: A STANDARDIZED IPA GUIDE FOR CHINESE-LANGUAGE WORKS by Hana J. Cai Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee __________________________________________ Carolann Buff, Research Director __________________________________________ Dominick DiOrio, Chair __________________________________________ Gary Arvin __________________________________________ Betsy Burleigh September 8, 2020 ii Copyright © 2020 Hana J. Cai For my parents, who instilled in me a love for music and academia. Acknowledgements No one accomplishes anything alone. This project came to fruition thanks to the support of so many incredible people. First, thank you to the wonderful Choral Conducting Department at Indiana University. Dr. Buff, thank you for allowing me to pursue my “me-search” in your class and outside of it. Dr. Burleigh, thank you for workshopping my IPA so many times. Dr. DiOrio, thank you for spending a semester with this project and me, entertaining and encouraging so much of my ridiculousness. Second, thank you to my amazing colleagues, Grant Farmer, Sam Ritter, Jono Palmer, and Katie Gardiner, who have heard me talk about this project incessantly and carried me through the final semester of my doctorate. Thank you, Jingqi Zhu, for spending hours helping me to translate English legalese into Chinese. Thank you to Jeff Williams, for the last five years. Finally, thank you to my family for their constant love and support. -
Proposal to Establish a New School: UCLA Herb Alpert School of Music
Proposal to Establish a New School: UCLA Herb Alpert School of Music FINAL DRAFT prepared for the faculty vote, beginning at noon on Dec 15 and ending at noon on Dec 17, 2014 PREFACE TO THE FINAL DRAFT AND FACULTY VOTE The FINAL DRAFT of the Proposal to Establish the UCLA Herb Alpert School of Music has been prepared for the faculty vote scheduled December 15-17, 2014. From OCT 24 through NOV 24, faculty in the three affected departments (Ethnomusicology, Music, and Musicology) vetted a full DRAFT of the Proposal to establish the music school and consulted with students and staff in their departments. For the FINAL DRAFT, each department submitted a fully vetted copy of its response, written to provide the context and foundation for the faculty’s upcoming vote. As such, each “Official Response from the Department” represents, as much as possible, “a fair report of both support for and opposition to the proposed action” (from UCLA’s Appendix V Guidelines). On December 1, faculty eligible to vote will receive the required two-week email notice with instructions about the online voting process and a link to the FINAL DRAFT. Early on December 15, eligible voters will receive a time-to-vote notice by email with a link to the online ballot; voting will be open for 48 hours, from noon Dec 15 to noon Dec 17. The votes will be tallied electronically and reported by December 19, 2014. Based on the outcome of the faculty’s vote, the Proposal to Establish the UCLA Herb Alpert School of Music will be finalized and submitted to UCLA’s Academic Senate for review on January 8, 2015. -
UA Band Repetoire Summer 2019B
University of Arkansas Concert Band Repertoire 2000 - present Wind Symphony - W. Dale Warren, conductor CBDNA SW Conference, Norman, OK February 18, 2000 The Red Pony, Film Suite for Band (1948/1966) - Aaron Copland Concerto for Marimba and Wind Ensemble (1986/1997) - Ney Rosauro, arr. McCutchen Tribute to Foster (1914/2000) - Percy A. Grainger, arr. Ragsdale Danza Guerresca from Belkis, Regina Di Saba (1931/1990) - Ottorino Respighi, tran. Suzuki Wind Symphony - W. Dale Warren, Timothy Gunter, conductors March 6, 2000 Star Spangled Banner - Francis Scott Key, arr. Sloan The Red Pony, Film Suite for Band (1948/1966) - Aaron Copland Tribute to Foster (1914/2000) - Percy A. Grainger, arr. Ragsdale Concerto for Marimba and Wind Ensemble (1986/1997) - Ney Rosauro, arr. McCutchen Pastime, A Tribute to Baseball - Jack Stamp Danza Guerresca from Belkis, Regina Di Saba (1931/1990) - Ottorino Respighi, tran. Suzuki Stars and Stripes Forever - J. P. Sousa Concert Band - W. Dale Warren, Brett Lawson, Russell Pettitt, conductors March 7, 2000 Flourish for Glorious John - Ralph Vaughan Williams, arr. Boyd As Summer Was Just Beginning (Song For James Dean) - Larry D. Daehn Courtly Airs and Dances - Ron Nelson A Tribute to Grainger - Percy A. Grainger, arr. Ragsdale Variations on a Korean Folk Song - John Barnes Chance Symphonic Band - Timothy Gunter, conductor March 7, 2000 Raise of the Son - Rossano Galante Liebestod - Richard Wagner, arr. Bainum Handel in the Strand - Percy A. Grainger, arr. Goldman Do Not Go Gently Into That Good Night - Elliott Del Borgo Don Pedro - Johan Nijs Wind Symphony - W. Dale Warren, Timothy Gunter, conductors Carnegie Hall Performance April 9, 2000 University of Arkansas Alma Mater - Henry Tovey The Red Pony, Film Suite for Band (1948/1966) - Aaron Copland Chronicles - Joseph Turrin Lincolnshire Posy - Percy A. -
Chen Yi Composing to Honor Her Past Michael Murphy
Chen Yi Composing to Honor Her Past Michael Murphy Michael Murphy is director of choral activities at the University of Idaho ( U of I), where he conducts the Vandaleers Concert Choir, University Chorus, Womens Choir, and teaches graduate and undergraduate conducting and choral methods. He is artistic director of the Palouse Choral Society Chorale and Chamber Choir and founder/artistic director of the Idaho Bach Festival. He received degrees in conducting and choral music education from Florida State University (PhD) and East Carolina University (MM BM). Murphy is President-Elect of Idaho ACDA. <[email protected]> 28 CHORAL JOURNAL Volume 53 Number 2 Composer Chen Yi’s (Chen is her family name) choral music has enjoyed increasing popularity in the United States. Born and raised in China, she has successfully created a unique compositional voice of uniting Western and Eastern infl uences into her music. Chen is a Distinguished Professor at the University of Missouri-Kansas City Conservatory of Music and Dance and is also the 2012 ACDA Raymond Brock Commission Composer. Murphy Describe your early infl uences and how they have infl uenced the compositional nature of your work. Chen I started piano lessons when I was three years old and then violin lessons at age four. My parents, both medical doctors, are classical music fans. We listened to countless recordings, including voice solo works and operas from classical repertoire. As a child, I developed a love for the beauty of Chinese folk-song singing and the musical style of Beijing Opera. All these musical experiences are implanted into my ear and blood. -
Following Is the Text of a Letter That Was Sent by Amy Sky, Marc Jordan and Marie Denise Pelletier to All Members of Parliament and the Senate on March 18, 2009
Following is the text of a letter that was sent by Amy Sky, Marc Jordan and Marie Denise Pelletier to all Members of Parliament and the Senate on March 18, 2009. Support for Canada’s artists became a front-burner issue in 2008. Unfortunately, we’re still waiting for fair compensation for our work. We are hopeful that 2009 is the year that this happens. Despite the political heat that was generated around arts-related issues in last fall’s federal election campaign - fanned in large part by the elimination of federal grants and programs to promote Canadian culture - we’re still waiting for real reforms to the copyright legislation which impacts tremendously on our livelihood. While grants and support programs are extremely important to artists, especially in the early stages of building a career, they are only one part of the bigger picture when it comes to living – and, more to the point, making a living – as an artist in this country. We are singers, songwriters and recording artists. Like so many other Canadians who make and market something, we make our living from the sale and use of what we create. Some people make furniture, or footwear, or even wireless hand-held communication devices. We make music. Just like the clever folks who created Birkenstocks or the Blackberry, Canada’s songwriters and recording artists are proud of the music they create. It has value, in both the artistic and monetary senses of the word. But unlike the creators of other things, artists don’t enjoy the same kind of safeguards to ensure they are fairly compensated when their work is copied and used.