M M
Masato Seto Untitled (from the Binran series), 2007. Chromogenic print, 30 x 40 inches. Courtesy: Yancey Richardson gallery, New York.
in the art world the M magazine theMmag.com May 2009 VON LINTEL GALLERY NEW YORK VONLINTEL.COM VON LINTEL GALLERY NEW YORK VONLINTEL.COM I M z i m a r a c o K B a o r e r u u e , r S , a E k a a r l i y M L a i g k h i t w / S e y a l r v s a n J i i l a S A a G n / d 1 e B r ( ( 5 C 0 - 8 2 1 ) , 9 2 ) , 0 2 0 0 8 0 , 8 C , - p c h r i r n o t m , 7 o 0 g e . 9 n i c x 5 p a 9 p i e n r c , h e e x s p o s e d , 1 4 x 1 0 1 5 / 1 6 i n c h e s , u n i q u e
NEW LOCATION MARCO BREUER 520 WEST 23RD STREET PART __ OF __ PARTS GROUND FLOOR MAY 7–JUNE 13, 2009 NEW YORK, NY 10011 OPENING RECEPTION: THURSDAY, MAY 7, 6–8 PM
520 WEST 23RD STREET NEW YORK, NY 10011 TEL 1 212 242 0599 FAX 1 347 464 0011 [email protected] 520 WEST 23RD STREET NEW YORK, NY 10011 TEL 1 212 242 0599 FAX 1 347 464 0011 [email protected] THROCKMORTON FINE ART
Changing Room III, 2008 SACRED ARCHITECTURE Michael Leonard of the Americas New Paintings & Drawings April 23rd - June 20th, 2009 May 7 — June 12, 2009 Désiré Charnay, Palace of the Nuns, Chichen-Itza, 1859, Albumin print
145 East 57th Street, 3rd Floor 745 Fifth Avenue, New York, NY 10151 (212) 355-4545 New York, NY 10022 www.forumgallery.com tel 212. 223. 1059 fax 212. 223. 1937 www.throckmorton-nyc.com [email protected] he past is a foreign country; they do things differently Tthere — Leslie Poles Hartley. Actually I never read the th eMmag.com novel this prescient quote is attributed to, The Go-Between (1953). But with the recent death of Harold Pinter, who wrote the screenplay for the 1971 film adaptation, I’ve EDITORIAL been sifting through fragments of language that resonate across time. Seems like a lot of people want to go back in time. Who would have thought we would be debat - 10 Masato Seto ing the merits of The New Deal nearly a hundred years at Yancey Richardson By Marie Sunshine after the The Great Depression. (Whose idea was it to call the Depression “Great” by the way?) 18 AIPAD 2009 The Photography Show As inconvenient truths go, unfortunately when all of By Joel Simpson the economic stimulus plans and protectionist plans of 28 Sali Taylor the 1930s failed to turn around the most significant at gallery nine5 worldwide economic depression to date, the world - By Joel Simpson wide war economy — yeah, that one, World War 32 Laura Sharp Wilson Two, rather conveniently “happened” in 1939 and at Mckenzie Fine Art all of a sudden everyone was back at work. Sure do By Joel Simpson hope that today’s economic stimulus plans and pro - tectionist plans don’t fail; you never know what can happen. Just a thought. Then again, lots of people want to live in the future; they’re saving other peoples’ money for a rainy day or a nuclear winter, whichever comes first. What’s your pleasure; hot or cold? In any case, money is not money unless you spend it. Like blood, it has to circulate or it’s useless. The more you save, the more you lose. Where’s that “irrational exuberance” when we really need it? Yes, the world is changing; no, nothing’s changed at all. The past is a foreign country — How does that go again? LISTINGS ® 41 New York City in the art world 57 Chicago the M magazine 59 Miami Vol. 12, No. 9, May, 2009 59 Shanghai ISSN 1534-5394 59 Beijing Publisher / M. Brendon MacInnis • Advertising / Kristin Reger BASICS •Art Director/ Susan Chung /• Executive Edit or / M. Brendon MacInnis • Design / Sachi Honda /• Copy editor Intern / 8 News Claudia Eve Beauchesne /Circulation s Manager / Steven 61 Openings Rodriguez / • Contributing Writers / Mary Hrbacek / Joel / / / 64 Index Simpson Nicolette Ramirez Natane T akeda Joyce Korotkin / Marie Sunshine /• Photo Editor / Joel Simpson • Architecture Editor / • Webmaster / MAPS Guy Reziciner Orin Buck • Editor / 40 Village • LES Asia Bureau Vivi HE Ying 42 Soho • Tribeca MBM Publications, Room 104, building 2, 91 Tai An Rd Shanghai 200052 China. Tel /CH 86.13761300987 /HK 852.95357978 46 Chelsea email/ vivi@ the Mma g.c om 50 Midtown • 57th Street the Mma g.c om 52 Uptown Advertising / RHI Ltd. Tel /+86.21.6279.2815 54 Brooklyn • Williamsburg the M magazin e® 55 Queens • LIC is published monthl y by MBM Publications . 56 Chicago All requests for permission and reprints must be made in writing to MBM Publications 303 West 42nd Street, fifth floor 58 Miami • Wynwood New York, NY 10036. Tel 212.956.0614 60 Shanghai editor@ the Mma g.c om 62 Beijing Printed in Korea
www.theMmag.com 7 News
New LA West Coast Listings Section Starting this fall the M magazine is expanding its national art listings to include custom art maps and gallery listings for the LA West Coast region (including SFCA). This will further the magazine’s long term strategy to develop full coast-to-coas t national listings coverage, both in print as well as on the web . the M magazine is seeking qualified candidates for intern On the Move positions at its New York Von Lintel Gallery has moved to a new ground floor and Shanghai offices. space in Chelsea, located at 520 West 23rd St. (see Chelsea Listings).
Individuals must have good Paul Thiebaud Gallery (see Uptown Listings) which administrative and technical has a sister gallery in San Francisco has moved its West Coast gallery to 645 Chestnut St., SFCA skills: Excel, Acess, Outlook , 94133. Tel: 415.434.3055 For directions please Powerpoint, Dreamweaver, visit: www.paulthiebaudgallery.com Illustrator, Flash, Quark, is moving from its In Design, QuickBook, Flowers Contemporary Art 1000 Madison Avenue address this month to a FileMaker. new location (to be announced).
Foreign languages and Art Fair knowledge of Asian arts Art 40 Basel , the original global art fair which are a plus. spawned Art Basel Miami Beach and set the mold for such event-based art fairs around the world takes place next month, June 10 - 14, in Basel, Please submit your resume Switzerland. www.artbasel.com and cover letter via email. Scope-Basel takes place next month, June 8-14, at [email protected] Sportplatz Landhof, Riehenstrasse 78a, CH-4058 Basel. www.scope-art.com/Index.php/basel
Volta 5 Basel takes place next month, June 8-13, at Markthalle, Viadukstrasse 10, Basel (opposite the SBB main train station). http://voltashow.com
Open Studios Juvenal Reis Studios (see L.I.C. Listings) is holding Open Studios for 200 artists the weekend of May 30-31, noon to 5pm. Special reception May 29, Friday, 6-8pm. www.juvenalreaisstudios.com
Nars Foundation (Suset Park, Brooklyn) is holding Open Studios for about 50 artists the weekend of May 30-31, 11am to 6pm. Opening party May 30, Saturday, 6-9pm. www.narsfoundation.org A Stylish Gateway to the Lower East Side
151 East Houston Street, Lower East Side, NY tel 212-777-0012 www.hoteleasthouston.com 8 www.theMmag.com Art Review
“When the ‘biran’ is chewed, the combination of ingredients produces a mild state of euphoria.”
Masato Seto Yancey Richardson Gallery
By Marie Sunshine asato Seto’s photography series entitled MBiran confronts the viewer with images of apathetic young female attendants known as “betel nut beauties,” women who sell biran in petite vending stands or kiosks. Unique to Taiwan, these kiosks are basically glass box rooms that are separated from outdoor gardens or city en - vironments with access limited to one or two en - trances. Their architectural design conveys a sense of isolation from the hustle and bustle of city life and congested traffic of highways, which may easily be interpreted as lonesome cu - bicles. Customers step into a kiosk to purchase products or to linger longer, taking a break from their work routine. Kiosks that sell biran offer a temporary escape. Biran is a legal stimulate composed of lime, binran leaf and areca nut. When the biran is chewed, the combination of ingredients produces a mild state of euphoria . Born in Thailand, photographer Masato Seto moved to Japan in 1961 when he was eight- Masato Seto Untitled (from the Binran series) , 2007. Chromogenic print. 40 x 50 inches. Courtesy: Yancey Richardson Gallery, New York
10 www.theMmag.com www.theMmag.com 11 “This increasing influx of technical advances and globalization blurs the line between fantasy and reality in many cultures ”
years old. By then the country’s tenuous post - war state of affairs, combined with the fast pace of globalization, had begun to foster new artistic perspectives on Japanese identity. The country’s feudal divisions between rural and urban areas weakened, closing the gap be - tween incomes, while in the 1960s television and the inter-city bullet-train united Japanese, both geographically and culturally. Easy access to the big cities further accelerated the ex - change of ideas . Postwar Japan fully embraced the idea of the “modern” country, focusing on technological ad - vancement and commissioning “authentic” Japan - ese art. A generation somewhat removed from its sense of national culture came to rely on the dazzling emergence of new technologies for its identity. But some artists of this postwar genera - tion began to critique the notion of a commis - sioned “authenticity” concerning art, and the rebranding, is it were, of “modern” Japan. Among these, there was the photographer Daido Moriyama, (Masato’s teacher in 1976), who photographed subversive subject matter, e.g., graphic sexual interactions, criminals, cityscapes without human presence, and contorted and con - stricted female nudes. Photographs were highly accessible to the public, and as such they at - tracted a young following of artists who were try - ing to find a common voice . This increasing influx of technical advances and globalization blurs the line between fantasy and reality in many cultures. In this regard, contem - porary Japanese photography continues to use, analyze and manipulate modern iconography to comment on urban life. Masato Seto’s candid depiction of a subversive Taiwanese biran cul - Masato Seto Untitled (from the Binran series) , 2007. Chromogenic print. 40 x 50 inches. Courtesy: Yancey Richardson Gallery, New York
12 www.theMmag.com www.theMmag.com 13 “Each kiosk may be easily mistaken for another, or perhaps even a generic convenience store that the viewer has seen somewhere else or imagined ”
ture echoes the form and subject matter of post - war-Japanese photography; however unlike ear - lier photographers who have explored specifically the transformation of Japanese iden - tity through modernization, Masato exposes a ubiquitous dichotomy of fallacy and truth . This series of photographs plays with the anonymity of the kiosk and betel nut beauty, pro - ducing a somewhat unsettling sense of disloca - tion. Each kiosk may be easily mistaken for another, or perhaps even a generic convenience store that the viewer has seen somewhere else or imagined. Each untitled photograph depicts one attendant captured in the glass façade of the kiosk. Formally, Masato’s repetition of style and com - position exaggerates the predominant subject matter. He photographs each kiosk asymmetri - cally. By highlighting the structural components of the kiosk, the photograph reveals the intimate size and aquarium-like nature of the kiosk. There are the details; the small set of stairs that leads up to the kiosk and sets it upon a pedestal dis - tinguishing from the sidewalk and street. Al - though the kiosk does not over-zealously demand attention from the casual passerby, it gets our attention nevertheless. We venture in. The flattened-pictorial space of the photograph mimics the superficial view of the kiosk from a distance; reflection of light and color on the glass façade imply a screen for the viewer to look through. The glass, which separates the viewer from the interior, suggests an animate painting for the viewer to witness, as if it were framing a narrative or introducing a scene from a play or film. By photographing the scene, the
Masato Seto Untitled (from the Binran series) , 2007. Chromogenic print. 30 x 40 inches. Courtesy: Yancey Richardson Gallery, New York
14 www.theMmag.com www.theMmag.com 15 “The photographically-captured concurrence of transparent and opaque figures obscures the distinction between reality and fantasy ”
photographer enables the viewer to stay longer. The photographically-captured concurrence of transparent and opaque figures obscures the dis - tinction between reality and fantasy. Masato has chosen to photograph kiosks at night, which emphasizes the conflicting color palette; the kiosks separation from the outside world and their fanciful quality. The brightly- lit glass cubicals reside on anonymous dark streets of Taiwan, ergo it is difficult for the viewer to identify the exact location of the kiosk. At first glance, the limited color palette conveys simplicity, yet the placement of nearly-pure hues evokes harsh contrasts, which leaves the viewer “dizzied.” As one pri - mary color is set next to another primary color, the combination creates a buzzing ef - fect; the technique contorts the viewer’s per - ception and further flattens pictorial space. It is difficult to distinguish the foreground from the background of the kiosk’s interior due to the brightly-lit setting, placement of furniture and convoluted view behind glass. The promi - nent female figure sinks into the background, as the ardent colors swallow her. Her apa - thetic gaze and languid body language, nor - mally undirected towards the viewer, appears to belong to a separate photograph, a darker image correlating with the unlit street. The color combination complicates the viewer’s perception by skewing boundaries and form. The varied dichotomies—e.g. street and kiosk, light and dark, woman and inanimate mate - rial—elicit a tension that problematizes the viewer’s gaze and questions the authenticity of the subject matter. The biran kiosk may offer an escape from reality, but human form remains a distinctive reminder of truth. M
Masato Seto Untitled (from the Binran series) , 2007. Chromogenic print. 30 x 40 inches. Courtesy: Yancey Richardson Gallery, New York
16 www.theMmag.com www.theMmag.com 17 Art Review
“Technical innovation continues into the present, as photographers modify the medium to extend its expressive range”
AIPAD 2009 A Report on the Photography Show
By Joel Simpson roduced by AIPAD , (Association of International PPhotographic Art Dealers) this year’s edition of The Photography Show focused on its deep riches while stressing its perennial strong suit, education. The organizers invited each of the 73 (out of 120 member) participating galleries to select one pho - tograph as particularly innovative, then published an attractive booklet devoting each page to a sin - gle image, with a generous paragraph of history and interpretation. The booklet, entitled simply Innovation, makes the most of photography’s subtler pleasures, and serves as a reminder that one of the joys of AIPAD is letting the dealers talk about the works they’re showing (and selling). Dealers here take the time to share their passion with the curious; for example, Barry Singer excitedly pulled Eugene Harris’s famous Peruvian Flute Player (1950, from The Family of Man ) off the wall to show this visitor the hand-written dedication to Edward Steichen’s son (Steichen organized the show, which became a classic). Innovation begins, appropriately enough, with an image from Serge Plantureux’s Paris-based gallery, that has come to play the role of rooting AIPAD in photography’s deepest history, namely an extremely rare 1841 seven-minute daguerreotype self-portrait Spencer Throckmorton, of Throckmorton Fine Art, New York, speaks with an art patron at his gallery’s exhibition booth during the opening of AIPAD The Photography Show, 2009. Photo ©MacInnis, 2009
18 www.theMmag.com www.theMmag.com 19 “Each of the circular images is named according to a sign from the Chinese zodiac”
Gao Yuan Year of the Rooster (12 Moon Series) , 2008. C-print. 17 3/4 x 15 3/4 inches. Gao Yuan Year of the Pig (12 Moon Series) , 2008. C-print. 17 3/4 x 15 3/4 inches. Courtesy: Throckmorton Fine Art, New York and AIPAD 2009 Courtesy: Throckmorton Fine Art, New York, and AIPAD 2009
20 www.theMmag.com www.theMmag.com 21 “There is no single hero, no best exemplar, no greatest savior: human advancement relies on a collective effort from a wide range of contributors.”
by Pierre Ambroise Richebourg, friend to Daguerre, and later official photographer to Napoleon III and the Tsar of Russia. Plantureux always comes to New York armed with a crop of mini-photo monographs that his assistants have created on surprising sub - jects, often from photography’s vast vernacular reser - voir of snapshots. This year’s star is a 5 x 5 inch semi-hard cover 50-pager offering a collection of images of people at target ranges — the “other” shooters — including such celebrities as Paul Eluard (a photo postcard, including verso, 1929) Cartier- Bresson (in 1930), Man Ray, Fellini and Giles Deleuze . It is a credit to the compilers of Innovation that they conceived of their subject in the broadest possible terms. Technical means is a solid start - ing point, extending from the early days through such discoveries as Brassaï’s 1934 Picasso-in - fluenced combination photograph-and-glass- etching Transmutation, Sevillane (Gallery 19/21), a 1935/36 print from a solarized negative de - picting Picasso’s photographer-mistress Dora Maar by the inevitable Man Ray (Robert Klein gallery), and two print solarizations by darkroom chemical experimenter Edmund Teske, the Woman Holding Potted Plant , New York City (1939), an anti-fashion statement (Janet Sirmon Fine Art), and his Kenneth Anger Overlaid with Gustave Doré (1952), one of his more famous duo-tone solarizations, which he achieved by partial fixation and re-exposure to white light (Barry Singer Gallery). Innovation extends into the conceptual, with Kenneth Josephson’s playful piece, New York State (1970), in which a hand extending out from the camera holds a postcard image of an ocean liner right above the horizon of the sea (Yancey Richardson Gallery); and the social, with Carrie Mae Weems’ Untitled (Man with Mirror) (1990), an outstanding example of her depiction of African-American subjects as content-rich, mysterious, cocooned in evanescent symbolic meanings, viz. the diametric contrary to stereotypes. Techincal innovation continues into the present, as photographers modify the medium to extend its ex -
Gao Yuan, whose photographs were featured at this year’s AIPAD The Photography Show (at Throckmorton Fine Art, New York), is shown at the VIP Preview Reception. Photo ©MacInnis, 2009
22 www.theMmag.com www.theMmag.com 23 pressive range. In an age when digital technology though, the image is Central Park upside down. has made the photographic snapshot even more To get this amount of detail and color, the hole “Photography’s ‘outsider art’ is its vernacular effortless, these artists go to a great deal of trouble would have to be very small indeed, and the ex - to achieve their ends, and their most magnificent posure consequently very long. So to the naked results were in this show. In Oui, The People eye, the room must have been nearly totally wing, photographs rescued from boxes in attics (L’Ortolan) (38 x 48 in) Louviere + Vanessa, known dark. The long exposure reveals beauty that the previously for their work using human blood and eye can’t see. encaustic, turn to kozo, gold leaf and resin to pro - and basements that show exceptional spirit, duce textured, vignetted images that penetrate Throckmorton Fine Art exhibited four stunning even farther into dream states than their earlier works by Gao Yuan, a Chinese photographer though often in pursuit of vulgar or voyeuristic work. Here the dream is of a woman eating a who divides here time between Beijing and highly protected French songbird, the ortolan, il - New York. Four of her Twelve Moons , portraits of lustrating the artists’ larger theme of the fate of mothers holding their naked babies, all of whom ends, but which the passage of time has turned threatened species. live in Beijing but have come from different provinces; all of whom are married to construc - Doug and Mike Starn, whose earlier work revived tion workers who are building the “new China.” into documents of censored sensibilities” the wonder of naked trees by rendering them in encaustic, here offer a spiritual image of a blue Each of the circular images is named according Buddha haloed in blue and gold, using a combi - to a sign from the Chinese zodiac; the works nation of techniques, starting with the carbon featured here included the Ox , the Snake , the process/potassium dichromate process whose ori - Dog and the Rat . What we see are determined gins go back to 1855. It involves layering multi - mothers of very diverse appearance, holding ple gelatin tissues of color, but the Starns allow the very alert babies of about a year old, with ob - layers to rip and peel back, revealing gold-leaf il - vious family resemblances. Each circle is domi - luminated underlayers — their innovation. They en - nated by a different sky color, all of them title the 2005-9 piece ironically Dig Yourself luminous pastel gradients, with a landscape (presumably referring to the Buddha consciousness background composite representing the building we’re all capable of) (37 x 60 in). Their artistic of the new China: sky needles & skyscrapers, approach seems to be to take images made banal sports centers, bridges, construction cranes, by overexposure — who hasn’t taken pictures of parking lots, crops, etc. It appears to be a trib - the patterns of tree branches or absorbed a mind- ute to the mothers who make this possible, al - numbing quantity of holy images — and revive the ways a fitting sentiment in a society where boys original spark of interest by means of a laborious are blatantly favored over girls. The circularity of technique that renders the very medium fascinat - the images and the symbolic backgrounds re - ing, though still in the background (Hackelbury mind one of Judy Chicago’s famous icono - Fine Art Limited). graphic plates, her tributes to outstanding women throughout history (now on permanent Most radical, however, is the sculptural installa - display at the Brooklyn Museum), or closer to tion by Alan Burr Johnson, Smoke (2008; Lisa home the wonderful Madonna Series of New York Sette Gallery) consisting of hundreds of unique multi-media artist Christine Twomey, in which transparencies mounted in small circular metal mothers are depicted hold their naked babies frames of various diameters between about one symbolizing the end-points of an evolutionary and two inches, normally used for scientific iden - journey. All three artists, in turning real women tification. The individual images are of vaguely into icons of achievement (Chicago), progress membranous patterns, and pinned through the (Gao), or evolution (Twomey), stress diversity. plastic to the wall, so that they dangle to any There is no single hero, no best exemplar, no passing breeze, and cast shadows (double, ac - greatest savior: human advancement relies on a cording to the lighting). The overall form of the collective effort from a wide range of contribu - ensemble of these pinned, framed, circular trans - tors. This is, of course, a truism, but it is also a parencies is of a galactic swirl, with a large foot subtle corrective to the male-derived singularly below and a smaller one above, measuring over - heroic narratives. all 51 x 14 inches, effectively representing the turbulent order in chaos. One overall tendency in this show that deserves mention; there seemed to be a greater focus on As a coda to this collection in the show, there is nature than in past shows. There was an unusu - one photograph that uses the very earliest tech - ally high number of iceberg and ice sheet im - nique of pinhole image projection — known ages, reflecting the anxious fact of their melting. even to the ancient Greeks — to create the con - Notable among them was Olaf Otto Becker’s temporary incongruity of a corner of a drawing River Three (Cohen Amador Gallery) showing the room enveloped by lush verdure, as if moss had acquamarine flow of water over an ice bank taken over a humid, enclosed space: Camera into an acquamarine river, the near bank in the Obscura Image of Central Park Looking North foreground pockmarked with melt-holes. Al - (2008; Boni Benrubi Gallery). Looking closely, though the locale is unidentified, one thinks of Joel-Peter Witkin Ars Moriendi, 2007. Black and white photograph. Courtesy: Catherine Edelman Gallery, Chicago, and AIPAD 2009
24 www.theMmag.com www.theMmag.com 25 “Dealers here take the time to share their passion with the curious”
Greenland, and the ominous reports of all the examine its sublime chaotic shape. The prints melting going on up there. Another striking nat - are big. Siskind, who died in 1991, was, along ural series showed details from the cliffs of with his thematic colleagues Harry Callahan Upper Normandy, corresponding to the more fa - and Minor White, an acute observer of shapes miliar white cliffs of Dover on the other side of and patterns, a creator of semi-abstractions in the English Channel: St. Pierre en Port by Jem monochrome, drawn from sources as diverse as Southam (Charles Issacs Photographs Inc.) de - grasses, broken windows, marks on pavement, picts a huge riven chunk of the chalky calcium and torn posters. But his stock fell considerably carbonate, fallen from the dramatically lit cliff after his death. In an extremely successful ges - in the background, one of a series of three large ture of revival, Silverstein performed the brilliant photographs that take us to a striking though lit - curatorial act of displaying six or more of tle-visited natural wonder. Siskind’s images of the same subject — all of them printed by the photographer — in a closely Several more exceptional finds, in a sea of de - aligned grid, à la the Bechers and their follow - lights: The Bryce Wolkowitz Gallery showed a ers. The result breathes new life into Siskind’s very singular work by Jim Campbell. It was a work, not realized by him, by presenting them scene from a New York subway station as a rear as variations on a theme, re-contextualized into illuminated transparency, but the illumination con - contemporary sensibilities. sisted in a series of small button-size lamps. When they were all on, the illumination was But all the joys at this year’s AIPAD are not in even, but every few seconds, some of them the masterpieces. Photography’s “outsider art” would blink off, creating virtual moving shadows is its vernacular wing, photographs rescued from in the transparency. It was as if one was watch - boxes in attics and basements that show excep - ing ghosts move through the subway station. This tional spirit, though often in pursuit of vulgar or was in fact a super low-res video of people walk - voyeuristic ends, but which the passage of time ing through the scene. The actual video had has turned into documents of censored sensibil - been converted to something like one dot per ities. There was a rich harvest of them, most in inch, and each dot was represented by a button quite small format, plastering the walls of David light. As they flashed on and off, the trans - Winter’s idiosyncratic booth for his by-appoint - parency itself served as a diffuser, blending them ment Brooklyn gallery, Winter Works on Paper. into a liminal moving form. The movements were For example, there was a matted display of familiar and human, but they had hardly any eight black and white photographs that reeked shape. Campbell had revealed a certain feeling of drugstore development from the 1920s, of of mystery in the subway, which we mostly ig - women walking by in a city, with their bell hats nore out of the banal frequency of use. But who on, showing a bit of calf. This was evidently hasn’t felt an occasional frisson late at night on considered somewhat risqué at the time. Then a deserted subway stairway, an austere, 80-year there’s the picture of Clyde Barrow of Bonnie old artifact in the immense functioning museum and Clyde fame, sitting next to the grill of his of New York’s subterranean transportation and Ford, with his arsenal proudly on display; the commerce?. photographer was presumably Bonnie. Winter also had the Daily News’ photograph of Lee Bruce Silverstein’s booth exhibited works by Harvey Oswald’s corpse, a liberal sprinkling of Shinichi Maruyama and Aaron Siskind. Each home-baked porn, particularly buttocks, and photographer is remarkable. Maruyama mixes most joyously perverse, some enterprising dark - water and ink together then manages to photo - room tinkerer’s photo-fantasies of six women with graph instantaneous suspended liquid shapes surreal breast configurations; one on the back against a pure white background. It’s as if he’s and one on the front, three in the front, etc. The coaxed an ocean wave out of the ocean, into edification in all this? Same game today, more his studio and got it to hold still so that he could or less, only the styles have changed . M VIP guests at the opening night Preview Reception for AIPAD (Association of International Photography Art Dealers), The Photography Show, 2009. The show took place March 26-29, at the Park Avenue Armory, New York. Photo ©MacInnis, 2009
26 www.theMmag.com www.theMmag.com 27 Art Review
“The radical composites of the bodies generate Sali Taylor Gallery nine5 large-amplitude oscillations in the lust-saturated gaze ”
By Joel Simpson Venus of Willendorf in high-heel shoes, lipstick In Flat , Venus de Milo herself (she was Hellenis - Aand a bra; warrior goddess Athena, dressed tic , at least 1800 years later than the Cycladic “to kill,” with outsided lips, eyes, seven handbags, statues ) holds the wheel of a background SUV and carrying a bracelet the size of a hoop on her festooned with models in bikinis. Her torso and arm; contemporary supermodels hobnobbing with arms are of flesh, and she’s wearing a yellow austere, faceless stone figures their size from bikini. On the right a female silhouette made of Cycladic Greek statuary — Sali Taylor’s work irrev - letters spelling various adornment devices seems erently combines the sacred statuary from the an - to hold up the body of a leaning model wearing cient and prehistoric world with the goddesses and boots, whose head is the impersonal one of a treasures of Fifth Avenue. Both reservoirs of images Cycladic statue. Nothing is flat in this image ex - are rich in cultural referents, so bridging the 4000– cept the presumed tire. The radical composites 5000+ year gap produces a virtually inex haustible of the bodies generate large-amplitude oscilla - wealth of provocative juxtapositions. In Jiggle , for tions in the lust-saturated gaze. Our attraction to example, four nubile pom-pom girls, their hair wav - Venus’s ripe human breasts is chastened by her ing, their breasts just barely contained in their scant classic stone face, and the process repeats with bikinis, surround a Cycladic figure , endowed by the leaning model, so that by the time we arrive Taylor with a flip hairdo, a matching blue bikini and at the background models accessorizing the crowned with a cardboard-looking tiara. Of course, SUV our naive arousal is spent . she has no face, and her skin surface is of striated stone; still they remind us that their antique Taylor continues in this vein, generating a de - companion was what once passed for a sex queen lightfully ironic body of work that effectively herself . comments on the viewer’s susceptibility to mar -
Sali Taylor Cycladic Reunion , 2008. Encaustic & collage on hollowcore birch panel. 96 x 24 x 2 inches. Courtesy: Gallery nine5, New York
28 www.theMmag.com www.theMmag.com 29 “Is there a human nature whose magic, mystery and power we neglect, while we cover it over with glamour, presumably to enhance an otherwise undervalued individual in an overpopulated world?”
keting with sexiness. She puts Cycladic bodies For they are really more about us than about the on Madonna in three fashionista poses that cultures that produced the statues Taylor acces - ooze charm, but thanks to Taylor’s archaeologi - sorizes. But one must start with those cultures. cal touch, brim with newfound humor. In a se - People of prehistoric cultures depended on the ries of nine collages collectively entitled vagaries of the hunt for their sustenance, and so Cycladic Makeover, she presents scenes from they lived in a world filled with uncertainty and an imaginary mime-dance of her Cycladic dar - mystery. As a result, people considered women’s lings. The faceless ones climb on top of one an - bodies as the locus of magic, mystery and other, do splits, hang upside down, cavort power. Fecundity, lactation, and menstruation around poles, pose with designer handbags were great mysteries, on a par with Death itself, while standing on one of their number asleep, and every woman embodied them, so they left etc. It’s reminiscent of the oblique humor of Walt us statuettes with exaggerated breasts, venters Disney’s 1929 Silly Symphony, “Skeleton and buttocks, amulets of power without faces. Dance,” but more sophisticated. Are these bodies any less magical today, de - Taylor’s tour de force is her 25 x 96 inch group spite the revelations of gynecological science, portrait entitled Cycladic Reunion , a collage of Taylor’s work seems to ask? Is there a human na - figures pasted on a two-inch thick piece of ture whose magic, mystery and power we neg - wood, in the conglomerate style of the Beatles’ lect, while we cover it over with glamour, Sergeant Pepper album cover, but on the scale presumably to enhance an otherwise underval - of a big group picture from a wedding. It’s also ued individual in an overpopulated world? a celebration of an inclusive diversity that does not discriminate against anyone who is made of Before this turns into a secular sermon, we must or partially made of stone — or flesh. The “family” acknowledge the vast changes since that time, comprises stone figures, stone bodies with not only in the regularized food supply but in human heads, human bodies with stone heads, the exponentially increased population as well. and human bodies. All the human components Instead of a birth being a major social event, are radically different, all the stone components today it is considered something very private, are from identical or nearly identical statues, so and the process of finding prospective partners it’s obvious it’s a single family — with a number is more complex. The excesses Taylor depicts in of in-laws, and it’s hilarious. a piece like Warrior Athena bespeak an obvi - ous spiritual impoverishment in comparison to One can enjoy it on one level as sly commen - the ancient original, but she goes farther. Some tary on usually sacrosanct archaeological arti - of the hand bags depicted are made of animal facts, a kind of semiological rave that overflows skins — snake and crocodile — the contempo - with humor. The contextual histories of Taylor’s rary equivalent of the bear tooth necklace? Not elements, however, as she wormholes her way quite. Bears were killed for food, and the teeth through the last, say 12,000 years, carry a were leftover trophies. The snakes and croco - great deal of invisible weight. Combined they diles are killed to appease a desire for self- generate trenchant commentary on our own fem - beautification, with an attractive hint of danger . inine culture of beauty and adornment. Of course, good art is always a little dangerous. M Sali Taylor Flat , 2008. Collage. 12 x 12 inches. Courtesy: Gallery nine5, New York
30 www.theMmag.com www.theMmag.com 31 Art Review
“The flattened surface textures the artist employs to describe her forms suggest a cross-pollination by Persian and East Asian iconography”
Laura Sharp Wilson McKenzie Fine Art
By Mary Hrbacek emi-abstract plant forms symbolizing aspects of SWilson’s consciousness populate these multi-lay - ered compositions that obliquely replicate her life. As she establishes here a semblance of order, her apparent feelings of anxiety and entrapment unfold in formats where vines, ropes, chains and brightly colored ribbons coil tightly over objects or loosely encircle the bows that subtly divide her pictures. Wilson achieves a delicate balance in densely packed spaces, where she manages to maintain a tenuous order in the thicket of natural shapes that undulate, climb and swirl over the surfaces. These forms are defined by gentleness and fragility; her palette is pastel. The flattened surface textures this artist employs to describe her forms suggest a cross-pollination by Persian and East Asian iconography. Visual poetry abounds in these sensitively wrought, intertwining shapes and soft harmonious colors arranged in flat, overlapping spatial relation - ships that echo the ambient presence of wall - paper. The compositions feature sophisticated pictorial divisions that are subtly suggested though dominant and recessive colors, with Laura Sharp Wilson Ruby Beach Tangle with Plastic Bits , 2008. Acrylic and graphite on Unryu paper mounted on wood panel 24 x 32 inches. Courtesy: McKenzie Fine Art, New York
32 www.theMmag.com www.theMmag.com 33 “Wilson’s light touch suits the softness of the Japanese rice paper she mounts on wood panels ”
Laura Sharp Wilson Clarity Spot on the Breakfast Nook Wallpaper , 2008. Acrylic and graphite on Unryu paper mounted on Laura Sharp Wilson New Jersey Wings with Guston Chandelier , 2008. Acrylic and graphite on Unryu paper mounted on wood panel. 17 x 13 inches. Courtesy: McKenzie Fine Art, New York wood panel. 31 3/4 x 24 inches. Courtesy: McKenzie Fine Art, New York
34 www.theMmag.com www.theMmag.com 35 “These natural motifs convey highly personal symbolic narratives, allowing her to explore the sense of rootlessness and displacement that results from her many recent moves around the country”
intermingled large and small receding shapes, lines and abstracted forms. Wilson’s light touch suits the softness of the Japanese rice paper she mounts on wood panels. Her subject matter resemble webs, diversely colored jungles and twirling honeycombs. These natural motifs con - vey highly personal symbolic narratives, allow - ing her to explore the sense of rootlessness and displacement that results from her many recent moves around the country. The creation of re - peated forms and the development of patterns engender a familiar, soothing effect. Through her working process, this artist achieves a sense of control and organization in the midst of flux . Wilson’s attention to detail, her carefully wrought forms, her patterns and her stylized shapes yield an eternal quality in her art. The amalgam of reverence and balance that domi - nate the potential chaos elevates these works to a level beyond the secular and the subjective. Wilson’s search for a life of freedom with bal - ance translates into an art that grapples with a plethora of detail, she successfully juggles each element with countervailing forces that maintain the clarity of the whole . M Laura Sharp Wilson Loudspeaker Bundle , 2008. Acrylic and graphite on Unryu paper mounted on wood panel 38 x 38 inches. Courtesy: McKenzie Fine Art, New York
36 www.theMmag.com www.theMmag.com 37 NewYorkMar 4-8 09 BaselJune8-1409 Hamptons July 23–2609 London Oct 15–1809 MiamiDec2-6 09
SCOPEBASEL ArtShow I SportPlatz Landhof June 8-1409
SCOPE International Contemporary Art Location NewYorkBaselHamptonsLondonMiami Sportplatz Landhof June 8-1409 Riehenstrasse For more information about exhibitors and special projects visit CH-4058 Switzerland www.scope-art.com
0 m 150 m Broadwayroadway WindowsWindodows Village Thee PPenen andand BrBrush,ush, IncI BLT Gallery The Phatory llc Paul Mogensen , Stephen Rosenthal: “Jump” Apr 9 thru May 17 Lennart Grebelius : “Sperm Count”, May 1 thru Jun 7. l l P P Artists born before 1926 i.e. Louise Bourgeois, Hyman Bloom 618 E 9th (btw Av's B & C), 10009 y y y t t E
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4 4 4 5 4 3 3 E Thehe PPhatoryhatory 212.260.4129 [email protected] Sunday L.E.S. U 9th St www.billyleethompson.com Wed-Sun 11-6 Scott Grodesky: “Table”, May 14 thru Jun 14.
t 237 Eldridge St, 10002 t S S r Pl TompkinsTompkins S S S Asto Coopero UUnionnionnion Envoy 212.253.0700 [email protected] e e r r R E 8t n h S SquareSq www.sundaynyc.com Wed-Sun 12-6 e 6 t Nicholas Buffe: “The Game of Love and Chance”, Apr 23 thru May 31 e c r e W Park r 131 Chrystie St, 10002 e White Box Bowery G
M 212.226.4555 [email protected] 10th Anniversary Benifit Auction, preview: May 1-12, auction, E 7th St www.envoygallery.com Tue-Sun 12-6. WashingtonWashingtonhingtonngtonon May 12. Cocktails & silent auction 5-9 pm. 329 Broome St, 10002 Sq GreyGGrey Art/NYUArt/NYUU Feature Inc E David Shaw: “inuverse”, sculpture, Apr 30 thru May 30 212.714.2347 [email protected] Parkk WashingtonWWasashingtgton SSqq Wa 6th St Little CakesCakakees www.whiteboxny.org Wed-Sun, 11-7 shingto 276 Bowery, 10012 WindowsWindowws n Pl 212.675.7772 [email protected] e e e Woodward Gallery v v Was VVILLv LAAGEGGEE hington www.featureinc.com Wed-Sat 11-6 A A A Sq St E 5th A Margaret Morrison: “Larger Than Life”, painting, thru May 9; e e St d d d e e e v W v B B B 4th B Rick Begneaud and Mark Mastroianni: “Signs of Life”, n n n u S u C C t C Zürcher A A l l 2 2 n n e e e t t painting, May 16 thru Jul 10 e e P P P e e u u t t t s s s Gilles Saussier , May 16 thru Jun 27. u u v v n n 1 1 S S a a 133 Eldridge St. (btw Broome & Delancy), 10002 n n i i E e e 4 A r r G th 33 Bleecker St, 10012 e r S e d d e t v v at J v 212.966.3411 [email protected] t e e o r r n v es v t t S A t A 212.777.0790 [email protected] a a S y y A A s s www.woodwardgallery.net Tue-Sat 11-6 u u a o o www.galeriezurcher.com Tue-Sat, 10-6; Sun 2-6 e
t o o G G w w t E a a 3 d d e rd W W St L L y 333 BondBondd a TTribesribes GallerGalleryry Lehmann Maupin
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B 212. 254.0054 [email protected] www.lehmannmaupin.com Thu-Sat 10-6 B E 1st S 4 t The New Museum of Contemporary Art W Houstonn D F HotelHotel EastE HoustHoustontoon E Houstonouston 6 V The Generational: Younger Than Jesus. the New Museum’s y y y F SSundayundaday LESS a a new signature triennial, fifty artists from twenty-five coun - FeatureFeaturture Inc.Inc. Smith-Stewart,SmSmith-SStewartt, LLuxeuxxe GalleryGallerallery SatoriSaatori For LES Art Dealers : w w tries will be presented. The only exhibition of its kind in the d d d Thee DrDrawingD awingng a a United States, “The Generational: Younger Than Jesus” will t o o t t t CentCenternter BLTBLT t r r S S NYN StudioSttudiod o GallerGalleryallery S S S S S StantonS antonon St offer a rich, intricate, multidisciplinary exploration of the work B B B SSOHOOHHOO
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t being produced by a new generation of artists born after 1976 t t N t
s InInvisiblenvvisiblele NYCNYYC y y y W W y y s s s 235 Bowery, 10002 the professional member listings of r r R NewMuseumNewwMuseumM seums m r
h Gallery128GGallerery128 o o PrinceP incee St o 212.219.1222 [email protected] C F F ABCA C W SloanSSloaan www.newmuseum.org Wed, Sat, Sun 12-6; Thu, Fri 12-10 the M magazine for the LES, TheirryTheirry Goldbergberg NoNo RioRiR o ElevenElevenn RRivingtRivingtonvingti g onn RivingtonR vingtoni gtong StS please contact Susan Chung. NY Studio Gallery PParticipantaarticipantt ipantp Inc.In CSVCCSV Janosanos Gat GallerGGalleryllerry MMuseumum 522 Zev Jonas, Jayson Keeling, Rose Nestler, Robert O'Connor, Holly Tel: 212.956.0614 DCKTDCDCKT CContemporaryonteempoorary Beedle: “Everyman's An Angel”, Photography, Sculpture, Paint - F ing, Video, installation, May 7 thru Jun 3 SpringSSpringi g Stt 6 JenJ n BBekmankmankm L.E.S..E..S.S. [email protected] StorefrontStorefroont fforor J J 154 Stanton St, 10002 WWilliamsburgilliamsburgiamsburgi ms rgg Brdgrdg 212.627.3276 [email protected] ArtAArt aandndd ArAArchitecturechhitecturt e M DelanceyD llanceyanceyey StS M theMmag.com OKO HarrisHara ris KenmareKenmareare Stt www.nystudiogallery.com Thu-Sat 12-6; or by appt. WWoodwWoodwardoooodward Z
t t t t t t t t EEnvoynvoy t S S S The Pen and Brush, Inc. S S t t t S SwissSwwisss IInstitutInstitutee S t t t t t S S S
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l S S l l y y y e e e S S S “Contemporary Expressions”, Photography, May 28 thru Jun t t t d d d r r o o o Broomeoome SSt o t o o g g t t r r
f w ChristopherChhriissttoopherh HenrHenryHenrry SimonSiSimmoon w t S S f f x x e
f i d d r r n n 28; Group Show: “63rd Annual Sculpture Exhibition”, Sculp - a a o o i i i i e e
u l l SpencerS ncer BrownstoneBrownstnstoone PrestonPrPreststtoon l t t w l l n n P r r o o h h s s d d d
S o S S e e ture, May 28 thru Jun 28 28 thru Jun 28; Group Show: “63rd c c d d C C s s l l N N l l r r u u u l DeitchDeeitctch ProjectsPrP oojectscts l B t t h h E E E L L Annual Sculpture Exhibition”, Sculpture, May 28 thru Jun 28 A A t t t O O S S S B Grandra St e TeamTeamam e D t t b b 16 E. 10th St., 10003 t GuildGuildld & GrGGreyshkuleyshky kul t Miguelg el AAbreubreuu LLudlowudlow 38 a a o o 212.475.3669 [email protected] z z Lisaa CooleCooleyoley i i M M l Locationoc on l y www.penandbrush.org Thu-Fri 4-7; Sat & Sun, 1-5 E E a One RRonaldonaldald FFeldmaneldmane dman Canadaanada adw V & A Bro E. 4 J M N Q CanalCanall StS an F 5 M hat AApeApexArtp xArArt R tan W 6 Z Jameses FFuentesuententess LLCLLL C Brg
40 www.theMmag.com www.theMmag.com 41 Soho Soho Chelsea Brooke Alexander The Drawing Center OK Harris Works of Art 303 Gallery Richard Artschwager, Bruce Nauman, May. Please call for schedule Group Show thru May 23. Please call gallery for schedule. 59 Wooster, 2nd fl, 10012 35 Wooster, 10013 383 West Broadway, 10012 525 W 22, 10011 212.925.4338 [email protected] 212. 219.2166 [email protected] 212. 431.3600 212.255.1121 [email protected] www.baeditions.com Tue–Sat 10–6. www.drawingcenter.org Tue–Fri 10– 6; Sat 11–6 www.okharris.com Tue–Sat 10–6 www.303gallery.com Tue-Sat 11-6 Art In General Ronald Feldman Fine Arts Lemmons Contemporary 532 Gallery / Thomas Jackel Please call gallery for schedule. Please call gallery for schedule. Edwin Schlossberg: “At the Moment”, painting, Apr 25-May 30 Charles Thomas O'Neil: “Flipside”, painting, Apr 30 thru 532 W 25, 10011 79 Walker, 10013 May 28; Gallery Artists: “Group Show”, mixed 31 Mercer St, 10013 917.701.3338 [email protected] 212.219.0473 [email protected] media/painting/sculpture, Jun 4 thru Jul 2 212. 226.3232 [email protected] www.532gallery.com Tue-Fri 11-6; Sat 1-5 www.artingeneral.org Mon-Fri 10-6. www.feldmangallery.com Tue-Sat 10-6 155 Hudson St, 10013 212.336.0025 info@ lemmonscontemporary.com ACA Galleries Artists Space Gallery www.lemmonscontemporary.com Mon-Fri 11-6 Ivan Albright, paintings and prints, May 8 thru Jul 3 . Please call gallery for schedule West 4th 529 W 20, 10011 38 Greene, 3rd fl, 10013 Leslie/ Lohman Gay Art Foundation 212.206.8080 [email protected] 212.226.3970 info-at-artistsspace.org West 3rd Great Jones St “DIONYSUS IN LOVE”, Marco Silombria, a retrospective. Leica www.acagalleries.com Tue-Sat 10-6; 10:30-6 www.artistsspace.org Tue, Thu, Fri 12-6; Wed 12-8; Sat 12-5 Gallery Curated by Peter Weiermair, May 6 - Jun 27. Bleacker 6 Ethan Cohen Fine Arts 26 Wooster, 10012 Agora Gallery Houston B D F Q 212.673.7007 [email protected] Group Show: “Altered States of Reality: an Exhibition of “Shabu Shabu” New Visions: Asian Contemporary Art 594 Broadway www.leslielohman.org Tue-Sat 12-6 Analog and Digital Photography”, Photography, Apr 14- Fair . May 15, Friday, 6-8 pm. Jonathan DIA Gallery Bldg. Shorr May 5; Lily David: “Fragments”, Mixed Media, Painting, 79 Walker, 10013 Phyllis 580 Broadway The Painting Center Kind Apr 14-May. Group Show: “Out From Down Under & Be - 212.625.1250 [email protected] Gallery Bldg. Please call for schedule yond: Fine Art from Australia & New Zealand”, Paint - www.ecfa.com Mon-Fri 10-6 June Kelly 52 Greene, 2nd fl , 10013 568 Broadway ing,Sculpture,Mixed Media, May 7 thru May 27; Group 212.343.1060 info@ thepaintingcenter.org Deitch Projects Gallery Bldg. Show: “The Manifestation of Milieu, Labyrinth of Abstrac - www.thepaintingcenter.org Tue-Sat 11-6 Please call gallery for schedule Ward-Nasse Prince N tion and Portals of Perception”, Painting,Sculpture,Mixed R media, May 7 thru May 27 . 76 Grand and 18 Wooster, 10013 560 Broadway Soho Photo Gallery Gallery Bldg. 530 W 25, 10001 212. 343.7300 [email protected] Stayley-Wise Robert Virga, Jean-Yves Hamel, David Murcko, John Cus - www.deitch.com Tue–Sat 12-6 CFM 212.226.4151 [email protected] SOHO ISE todio, Photography, May 5 thru May 30; Guest Exhibitor: Culture www.agora-gallery.com Tue-Sat 11-6 Ettinger Leslie Bartlett, Photography, May 5 thru May 30. Rita C Spring Open Center 6 Baunok, Ron Meisel, Ruth Raskin, Gary Duehr, Photogra - E Amsterdam Whitney Gallery phy, Jun 2 thru Jul 4; Guest Exhibitor: Arlene Gottfried, y Ake Johansson, Rania Mesiskli, Eric Robin: “STAR- a
n Photography, Jun 2 thru Jul 4 w DIA r y e
o FILLED SERENADES”, Painting, May 8 thru Jun 2; Donna r e y t d e a s t t e n b a 15 White Street, 10013 p e w s c s e o Butnik, D. Loren Champlin, CLJ Lancaster: “SYMPHONY r y d o r o
OK e m e r a r a o
B 212.226.8571 [email protected] o
Harris f o C from the STARS”, Painting, May 8 thru Jun 2; Anna Good, G M h t a W r s T L www.sohophoto.com Wed-Sun 1-6 B e Brooke Alexander Cynthia Maronet, Karen Ponelli, Anne Price Yates: “BE - W Swiss Institute Staley-Wise Gallery TWEEN the STARS and the MOON”, Painting, May 8 thru Broome St. Jun 2 . "STARLIGHT SYNCHRONICITIES" Stephen Gostt DIONYSUS IN LOVE: Group Show: “America the Beautiful”, Photography, Broome Katherine Wood, Painting, May 8 thru Jun 2 . thru May 9. 55 Mercer 511 W 25, 4th fl, 10001 560 Broadway, 3rd fl, 10012 Marco Silombria Painting 212.255.9050 [email protected] Center 212.966.6223 [email protected] a retrospective Spencer Brownstone www.amsterdamwhitneygallery.com Tue–Sat 11–5:30 Artists www.staleywise.com Tue–Sat 11–5 Drawing Ctr Space Ward Nasse Gallery Barry Friedman Ltd. curated by Michael Eastman: “Interiors”, Photography, May 7 thru Grand The gallery that gives artists a chance and the public a Deitch Projects Jun 30 . Peter Weiermair Ronald choice. A non profit artist run gallery. A Feldman 515 W 26, 10001 C Leslie 178 Prince, 10012 E Lohman Howard 212.239.8600 [email protected] 212.925.6951 [email protected] May 6 - June 27, 2009 www.barryfriedmanltd.com Tue-Sat 10-6 A www.wardnasse.org Mon-Fri 10-6 v Can e al n
V u e Opening reception: a N r o Lispenard 6 M i f Z c t R k h J Tuesday, May 5, 6 - 8pm e A Walker m
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THE LESLIE/ LOHMAN a d Photo l
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GAY ART FOUNDATION o n 9 26 Wooster St. New York, NY 10013 Franklin C 212.431.2609 Fax 212.431.2666 Leonard [email protected] www.leslielohman.org Cheryl Pelavin Gallery Hours: Tue — Sat 12 — 6pm TRIBECA Thomas y a J Ethan Cohen
42 www.theMmag.com www.theMmag.com 43 Chelsea Chelsea Blue Mountain Gallery Chelsea Art Museum , Home of the Miotte First Street Gallery Anton Kern Gallery Jennifer Toth: “Misgivings”, recent paintings and collages, Foundation Dana Saulnier: “Sense and Absence” Enigmatic paintings Please call for schedule . Apr 21 thru May 16; Louise Guerin: “Storms and Still - Chelsea Art Museum: Permanent Collection, includes in oil; bodily presences within claustrophobic environ - 532 W 20, 10011 ness”, large, expressive landscape paintings, May 19 thru many European abstract artists often labeled as Informel. ments, Oil paintings, Apr 28 thru May 23; Michelle Liebler: 212. 367.9663 [email protected] Jun 13 The collection also holds American abstract artists Francis, “A New Norm” Recent paintings and works on paper, Oil www.antonkerngallery.com Tue–Sat 10–6 530 W 25, 4th fl, 10001 LaNoue, Mitchell, Motherwell, Riopelle; a large body of works on canvas and monoprints on paper, May 26 thru Jun 20 646.486.4730 [email protected] by the Affichiste Mimmo Rotella; and works by Jean Arp, 526 W 26, 9th fl, 10001 Leo Kesting Gallery www.bluemountaingallery.org Tue-Sat 11-6 Olivier Debré, Jean Fautrier, Sam Francis, Ellen Levy, and J. 646.336.8053 [email protected] Please call for schedule. P. Riopelle. www.firststreetgallery.net Tue–Sat 11–6 812 Washington St, 10014 China Square 556 W 22nd, 10011 917.650.3760 [email protected] Please call for schedule. 212.255.0719 [email protected] Gagosian Gallery www.caplakesting.com Tue–Sat 11–6 545 W 25, 8th fl, Chelsea Arts Tower, 10001 www.chelseaartmuseum.org Tue-Sat 12-6; Thu 12-8 Please call gallery for schedule. 212.255.8886 [email protected] 555 W 24, 10011 Kips Gallery www.chinasquareny.com Tue-Sat 10-6 James Cohan Gallery 212.741.1111 [email protected] Jamie M. Lee & Hyo Jeong Nam, "yon", May 7thru May 30. Please call gallery for schedule. www.gagosian.com Tue-Sat 10-6 511 W 25, 10001 Mary Boone Gallery 533 W 26, 10001 212.242.4215 [email protected] Please call for schedule. 212.714.9500 [email protected] Galeria Ramis Barquet www.kipsgallery.com Tue–Sat 11–6 541 W 24, 10011 www.jamescohan.com Tue-Sat 10–6 Please call gallery for schedule. 212.752.2929 [email protected] 532 W 24, 10011 Yvon Lambert Gallery www.maryboonegallery.com Tue-Sat 10-6 Cristinerose Gallery 212.675.3421 [email protected] Please call for schedule. Please call gallery for schedule. www.ramisbarquet.com Tue–Sat 10-6 550 W 21, 10011 Bortolami 508 W 26, Suite 5A, 10001 212. 242.3611 [email protected] Please call gallery for schedule. 212.206.0297 [email protected] Gana Art Gallery www.yvon-lambert.com Tue-Sun 10-6 510 W 25, 10001 www.cristinerose.com Tue–Sat 11-6 “LAYERED EXPRESSIONS”, photography, thru May 16. 212.727.2050 [email protected] 564 W 25, 10011 Lehmann Maupin Gallery www.bortolamigallery.com Tue–Sat 10–6 Betty Cuningham Gallery 212.229.5828 Adriana Varejao, paintings, May 7 thru Jul 10 . John Lees/Gordon Moore: “Drawings, Part One”, May 7 http://english.ganaart.com Tue–Sat 10-6 540 W 26, 10001 Bose Pacia thru Jun 13 . 212. 255.2923 [email protected] Ranbir Kaleka, Painting, May 7 thru Jun 18 541 W 25, 10001 George Billis Gallery www.lehmannmaupin.com Tue-Sat 10-6 508 W 26, 10001 212.242.2772 [email protected] Todd Williamson, Matt Jacobs, Painting, May 26 thru Jun 212.989.7074 [email protected] www.bettycuninghamgallery.com Tue–Sat 10-6 27; Summer Group Show, Jun 30 thru Aug 15 Florence Lynch Gallery www.bosepacia.com Tue-Sat 11-6 511 W 25, ground fl,10001 (Gallery Closed). DFN Gallery 531-539 W 25, 10001 J. Cacciola Gallery 212.645.2621 [email protected] Cornelia Foss“New Paintings”, May 2 thru Jun 6. www.georgebillis.com Tue-Sat 11-6 212.924.3290 [email protected] Alex Kanevsky , May 1 thru May 30 . 210 Eleventh Ave, 10001 www.florencelynchgallery.com Tue-Sat 10-6 617 W 27, 10001 212.334.3400 [email protected] Gladstone Gallery 212.462.4646 [email protected] www.dfngallery.com Tue-Sat 11-6 Please call for schedule Robert Mann Gallery www.jcacciolagallery.com Tue– Sat 10:30-6; Sun 12-4 515 W 24, 10011 [email protected] Gail Albert Halaban: “Out My Window”, Photography, 2/5 thru Andrew Edlin Gallery www.gladstonegallery.com 212. 206.9300 3/28 . Mary Mattingly: “Nomadographies”, Photography and In - Chambers Fine Art “In the No”, May 14 thru Jun 20. stallation, 4/2 thru 5/23 Guo Hongwei, Hong Hao, Lu Shengzhong, Qiu Zhijie, 529 W 20, 6th fl, 10011 Gallery Henoch 210 Eleventh Avenue, 10001 Wang Tiande and Wu Jian’an: “Paper! Paper!”, works 212.206.9723 [email protected] Please call gallery for schedule 212.989.7600 info@ robertmann.com on paper, May 14 thru Jun 13. www.edlingallery.com Tue-Sat 11-6 555 W 25 St, 10001 www.robertmann.com Tue-Sat 11-6 210 Eleventh Ave, 4th Fl, 10013 917.305. 0003 [email protected] 212.414.1169 [email protected] Exit Art www.galleryhenoch.com Tue-Sat 11-6 Matthew Marks Gallery www.chambersfineart.com Tue-Sat 10-6 “Corpus Extremus (LIFE+)”, 2/ 28 thru 4/18, 2009 Charles Ray, May 8 thru June 27. 475 Tenth Ave, 10018 Ippodo Gallery 522 W 22, 10011 Haim Chanin Fine Arts 212.966.7745 [email protected] New Ceramic Works Park Young Sook, May 14 thru Jun 27. 212. 243.0200 [email protected] European and Latin American artists. www.exitart.org Tue-Thu 10-6; Fri 10-8; Sat 12-8; Sun 12-6 521 W 26, basement floor, 10001 www.matthewmarks.com Tue–Sat 11–6 121 W 19, 10th fl, 10011 212.967.4899 [email protected] 646.230.7200 [email protected] Flag Art Foundation www.ippodogallery.com Tue-Sat 11-6 Matthew Marks Gallery www.haimchanin.com Tue-Fri 10-6; Sat 11-6 “Vague Terrain” Curated by Stamatina Gregory, May 16 Charles Ray, May 8 thru June 27. thru June 20. Kent Gallery 523 W 24, 10011 Cheim & Read 545 W 25, 9th fl, 10001 Mike Cockrill, Apr 9 thru May 29 . 212. 243.0200 [email protected] Chantal Joffe: “Chantal Joffe”, Paining, May 7 thru Jun 20; (Tel not published) [email protected] 541 W 25, 2nd fl, 10001 www.matthewmarks.com Tue–Sat 10–6 Group Show: “The Female Gaze: Women Look At Women”, www.flagartfoundation.org By Invitation 212. 627.3680 [email protected] Jun 25 thru Sep 12 . www.kentgallery.com Tue-Sat 10-6 Kathryn Markel Fine Arts 547 W 25, 10001 Peter Hoffer: “Selva Antica”, Oil and resin Paintings, Jun 4 thru 212.242.7727 [email protected] Jim Kempner Fine Art Jul 18 www.cheimread.com Tue-Sat 10-6 Recent Aquisitions by artist such as Robert Motherwell, 529 W 20, 6th fl,10011 Robert Rauschenberg, Richard Diebenkorn, Helen Franken - 212.366.5368 [email protected] thaler, Donald Sultan and many others. www.markelfinearts.com Tue-Fri 10-6; Sat 11-6 501 W 23, 10011 212.206.6872 [email protected] www.jimkempnerfineart.com Tue–Sat 10–6
44 www.theMmag.com www.theMmag.com 45 33rd Penn N R Hun Gallery 32nd Sta F V Amsterdam Whitney 31st B Gallery r o 30th a d Peter Blum w Exhibition Dates: MAY 8 -JUNE 2, 2009 Cynthia Broan Sean Kelly a 29th y Morgan Lehman STAR-FILLED SYMPHONY FROM BETWEEN THE STARS STARLIGHT The Museum 1 28th at F.I.T. N R SERENADES THE STARS AND THE MOON SYNCHRONICITIES Chelsea 9 Term Bldg 547 W. 27th W Gallery Bldg. Park Derek Eller 27th 27th Sragow Ake Johansson Donna Butnik Anna Good Katherine Wood Black & White Mary Ryan Paul Kasmin Jenkins Johnson Walter Randel John Connelly Pace Prints Rania Mesiskli D. Loren Champlin Cythia Maronet Stephen Gostt Onishi Eric Robin Clj Lancaster Karen Ponelli Rare Ippodo Friedman Bender Visual Arts Gallery James Cohen Mixed Greens Barrry Friedman Anne Price Yates Tony Shafrazi Lehmann Maupin 26th Gary Snyder Lelong 508-526 W. 26th Mitchell Innes Gallery Bldg. 511 West 25th Street • Chelsea • New York, N Y 10001 & Nash Kips Gallery Robert Miller P.P.O.W. Flag McKenzie Arts India Phone 212-255-9050 • Fax 212-255-9020 • Hrs Tue-Sat 11-5:30 • www.amsterdamwhitneygallery.com China Square Arario Amsterdam Whitney Dilon Tina Kim Cheim Yosi Milo Studio 601 Henoch Marlborough &Read Cunningham 511 W. 25th Soho20 Gallery Bldg. Chelsea Gana Art 25th Nabi Sepia Stricoff Pace 532 Stux M Allen Wildenstein Gallery a DFN Sheppard Lennon Bartolomi McKenzie Fine Art Ricco / Maresca Weinberg d Chambers Agora i s Robert Mann Viridian o Don Voisine, Apr 30 thru Jun 6; “Summer Group Exhibition”,
n Artists from the film “make”, thru May 16. Cavin-Morris Blue Mountain Walter Wickiser S q Jun 18 thru Aug . 529 W 20, 3rd fl, 10011
Edward Thorp 210 11th Av. u Gallery Bldg. a r 511 W 25, #208, 10001 212.627.4819 [email protected] e
Reeves CHELSEA P Mathew Marks Mary Boone Andrea Rosen a 212.989.5467 [email protected] www.riccomaresca.com Tue–Sat 11–6 Mike Weis Metro Pictures r Charles Cowels k Baumgartner Luhring Augustine Gladstone www.mckenziefineart.com Tue-Fri 10-6; Sat 11-6 Stellen Holm Gagosian Perry Rubenstein 24th Yancey Richardson Gallery Ramis Barquet h Metro Pictures Gallery Masato Seto “Binran”, Apr 2 thru May 9 . t f l Robert Longo, Drawing, Apr 23-May 30 . e I-20 535 W 22, 10011
w Buia InterArt t Daniel Reich 519 W 24, 10011 646.230.9610 [email protected] Caren Golden Van de Weghe Jim Kempner 212.206.7100 [email protected] www.yanceyrichardson.com Tue–Sat 10–6 C 1 F 23rd www.metropicturesgallery.com Tue-Sat 10-6 S 9 N R m Von Lintel E V i h W Andrea Rosen t t h h n h t Robert Miller Gallery h h h t h t P e n t
t NIGEL COOKE, Apr 24-May 30 . t
a h v n f e x n i i r g i e v
e Dustin Yellin, thru May 22.
k i l F
535 W. 22nd S 525 W 24, 10011 N e
Chelsea 303 Gallery T E
C E h Art Museum Gallery Bldg Krepps Max Protetch S 524 W 26, 10001 212. 627.6000 [email protected] e 212.366.4774 [email protected] ls 22nd www.andrearosengallery.com Tue–Sat 10–6 e Carolina Sikkema Matthew Marks www.robertmillergallery.com Tue–Sat 10–6 a Nitsch Sonnabend Jenkins & Co P Julie Saul Gallery ie The Museum at FIT rs Bonakdar Please call gallery for schedule. Kravets/ Wehby Group show: “Seduction: 250 Years of Sexuality in Fashion”, Gar - Matthew Casey Paula Cooper 535 W 22, 6th fl, 10011 Marks Kaplan ments, Dec 9-Jun 16 21st 212. 627.2410 [email protected] W Eye Yvonne Paula Kustera Cooper Seventh Ave at 27th, 10001 e Beam Lambert www.saulgallery.com Tue–Sat 11–6
s
t 212.217.5800 [email protected]
s
i d www.fitnyc.edu/museum Tue-Fri 12-8; Sat 10-5 Lucas Schoormans Gallery e Nicholas H Robinson 529 W. 20th Please call gallery for schedule. i g Gallery Bldg. CHC P.P.O.W Gallery h
w Dee Maya Shainman 20th 508 W 26, 11B, 10001 Stendhal Anton a Bill Smith, “Intuitive Visualization of the Unseen”, Apr 4
y Kern 212.243.3159 [email protected] Postmasters thru May 9 . Melanie Bonajo, May 14thru Jun 20 www.lucasschoormans.com Tue–Sat 11–6 Gasser Haim The Kitchen Alexander Bonin Chanin David Zwirner &Grunert Cohan Leslie Brown 19th 511 W 25, 10001 212.647.1044 [email protected] Jack Shainman Gallery 1 18th www.ppowgallery.com Tue-Sat 10-6 Hank Willis Thomas, 2/2 thru 3/14. 9 17th Christine 513 W. 20, 10011 Burgin Max Protetch 16th 212. 645.1701 [email protected] Chelsea Oliver Herring: “Teens With Masks” , thru June 13. www.jackshainman.com Tue–Sat 10–6 H Market 511 W 22, 10011 15th u 212. 633.6999 [email protected] Allen Sheppard Gallery Milk Gallery d Philips Auctions 2 www.maxprotetch.com Tue-Sat 10-6 “Inner City Out”, Daniel Feldman, S.F. Liu, Derek Reist, May 2 s M.P.D. A F 3 thru June 6 . o 14th Reeves Contemporary C L V 530 W 25, 10001 n 1 Pratt E Manhatten Nathalie Miebach, Oliver Marsden, Apr 30 thru May 30. h 212. 989.9919 [email protected] nt G 9 R e W Tenri T Sperone r 535 W 24, 2nd fl, 10011 www.allensheppardgallery.com Tue–Sat 12–6 e a Westwater e i s G n 212.714.0044 [email protected] v h 13th Parsons Kesting r w i e n School of Fine Art h www.reevescontemporary.com Tue-Sat 10-6 e e g Synchronicity i Design n W t c
o r w e h n H s h A u t i
c v S d 4 e t h s t h o A White n S West 12th v Columns Little West 12th t e S ort t esvo Gan
46 www.theMmag.com www.theMmag.com 47 Stricoff “Architecture and Design”, Paul Beliveau, Jeff Cohen, Debra Goertz, William Goodman, May 7 thu May 20 564 W. 25, 10001 212. 219.3977 [email protected] www.stricoff.com Tue–Sat 11-6 Studio 601 Paul Kolker: “Digital Is In∑Go Digital! The Prologue”, Painting, sculpture, video, photography, 2/26 thru 5/8. 511 West 25th Street, 10001 212.367.7300 [email protected] www.paulkolker.com Mon-Sat 10-6 Stefan Stux Gallery Scott Anderson: “Join or Die”, Paintings, May 7 thru Jun 13; Marliz Frencken: “Cruel Beauty”, Sculptures, May 7 thru Jun 13 . 530 W 25, 10001 212.352.1600 [email protected] GPS www.stuxgallery.com Tue–Sat 10–6 gpsnyc.com Tenri Cultural Institute Of New York The Institute hosts a variety of traditional and contemporary cul - tural programs that promote the study of Japanese language and the appreciation of international art forms. 43A W 13, 10011 professional exhibition printing 212.645.2800 [email protected] www.tenri.org Mon-Thu 12–6; Sat 12-5 & hi-res digital photo archieving Van de Weghe Fine Art Duane Hanson: “Sculpture”, Apr 25 thru May 22. 521 W 23, 10011 212.929.6633 [email protected] 42 West 17th Street, Chelsea www.vdwny.com Tue–Sat 10–6 New York, NY 10011 Soho20 Chelsea Von Lintel Gallery 212.242.7667 LUCY HODGSON: “Do These Become You?”, Sculpture Marco Breuer: “Part __ of __ Parts”, photography, May 7 thru Jun 13 and Etchings, Apr 28 thru May 23; Group Show, MFA's 555 W 25, 2nd fl, 10001 University of Connecticut: “Apt Perceptions”, Painting, 212. 242.0599 [email protected] Sculpture, Photography, Prints, May 26 thru Jun 20 . www.vonlintel.com Tue–Sat 10–6 511 W. 25, 10001 212.367.8994 [email protected] Mike Weiss Gallery www.soho20gallery.com Tue-Sat 12-6 Liao Yibai: “Imaginary Enemy”, May 8 thru Aug 15. Sragow Gallery 520 W 24, 10011 212.691.6899 [email protected] Please call gallery for schedule. www.mikeweissgallery.com Tue-Sat 10-6 153 W 27, 5th fl, 10001 212.219.1793 [email protected] World Fine Art Gallery www.sragowgallery.com Tue-Sat 12-6 Regina Helou, Aimef, Mireille Gratier, Michael Deutsch: Robert Steele Gallery “May Exhibition”, Painting, May 1 thru May 30; Daniel Fontoura Group Artists: “Brazilian Artists Exhibition”, Betsy Cain: “unbound”, painting and works on paper, Apr 9 Painting, Jun 2 thru Jun 27. thru May 9; Joe Segal: “Counting Lines”, sculpture and works on paper, Apr 9 thru May 9; Kay H. Lin: “Endless”, paintings 511 W 25, 10001 and works on paper, May 14 thru Jun 13. 646.336.1677 [email protected] www.worldfineart.com Tue-Sat 12-6 511 W. 25 St. suite 101 , 10011 212.243.0165 [email protected] www.robertsteelegallery.com Tue-Sat 11-6 Maya Stendhal Gallery “D.I.Y.” (Do It Yourself), May 7 thru Jul 25. 545 W. 20th St., 10011 212.366.1549 [email protected] www.mayastendhalgallery.com Tue-Sat 11-6
48 www.theMmag.com www.theMmag.com 49 Midtown Midtown Alexandre Gallery Forum Gallery Howard Greenberg Gallery A Jain Marunouchi Gallery Selected works by gallery artists, May thru Jun. Michael Leonard: “Michael Leonard: New Paintings & “Edward Steichen: 1915-1923”, Photography, Mar 20 thru Yoko Nakamura, Rita Levinsohn, Toshiyuki Saito, 41 E 57, 13th fl, 10020 Drawings”, painting and drawing, May 7 thru Jun 12 5/16. Martin Munkacsi: “Vitality”, Photography, 3/ 20 thru Tirthankar Biswas: “group show”, May 26 thru Jun 20; 212. 755.2828 [email protected] 745 Fifth Ave, at 57th, 4th & 5th fl, 10151 5/16. Dennis Stock: “Altered States”, Photographs, May 22 Elling Reitan: “Apocalypse 2009”, Jun 23 thru Jul 11 . www.alexandregallery.com Tue–Fri 10–5:30 212.355.4545 [email protected] thru Jul 11; Rebecca Lepkpoff: “Signs of Life”, Photographs, 24 W 57, 6th fl, 10019 www.forumgallery.com Mon-Fri 10-5:30 Asia Society May 22 thru Jul 11. 212. 969.9660 [email protected] 41 E 57, 14th fl, 10022 www.artin2000.com Tue-Sat 11-5 Yang Fudong: “Seven Intellectuals in a Bamboo Forest”, Fountain Gallery 212.334.0010 [email protected] 3/3 thru 9/13 “Portraits in Emotion”, 11 Philadelphia artists reflect on www.howardgreenberg.com Tue-Sat 10–6 Japan Society 725 Park Ave at 70th, 10021 mental illness through portraiture, curated by Deborah “CRAZY!”, Japanese phenomenon of Anime, Manga, and 212.288.6400 [email protected] Caiola, May 1 thru Jun 17 Nohra Haime Gallery Video Games; three forms of contemporary visual art that www.asiasociety.org Tue-Sun 11-6; Fri 11-9 702 Ninth Ave, 10019 Group Show: “Layered/Boxed”, Multimedia, Mar 26 thru are exercising a huge influence on an entire generation of 212.262.2756 [email protected] Mary Boone Gallery May 16. JAVIER MARIN: “SEVEN HEADS AND THREE American youth, thru June 14. www.fountaingallerynyc.com Tue-Sat 11-7; Sun 1-5 WIGS”, sculpture, May 19 thru Jun 27. 333 E 47, 10017 Please call gallery for schedule . 41 E 57, 6th fl, 10022 212.832.1155 [email protected] 745 Fifth Ave, 4th fl, 10151 Galeria Ramis Barquet 212.888.3550 [email protected] www.japansociety.org Tue-Thu 11-6; Fri 11-9; Sat & Sun 11-5 212. 752.2929 [email protected] Selected works from the Nineties: Bedia, Galain, Kuitca and www.artnet.com Mon–Sat 10–6 www.maryboonegallery.com Tue-Sat 10-5 Senise. The Museum of Modern Art MOMA 41 E 57, 5th fl, 10022 Bill Hodges Gallery “A shimmer of possibility”, photographs by Paul DC Moore Gallery 212.644.9090 [email protected] Danny Simmons: “Transitions, Works from 2004-Present”, Graham, thru 5/18 “Barbara Takenaga: Last Blue Wheeel”, painting, Apr 30 www.ramisbarquet.com Mon–Fri 10-6 Painting, May 9 thru Jun 6. 11 W 53, 10019 thru Jun 6 . 24 W 57, 10019 212.708.9400 [email protected] 724 Fifth Ave, 8th fl, 10019 Galerie St. Etienne 212.333.2640 [email protected] www.moma.org Sat-Mon, Wed-Thu 10:30-5:30; Fri 10:30-8 212. 247.2111 [email protected] Group Show: “From Brücke to Bauhaus: The Meanings of www.billhodgesgallery.com Tue-Fri 10:30-6; Sat 12:30-5:30 www.dcmooregallery.com Tue–Sat 10–5:30 Modernity in Germany, 1905-1933”, Works on paper, March 31 Pace/Prints Gallery thru Jun 26 Edwynn Houk Gallery Please call gallery for schedule 24 W 57, 8th fl, 10019 Please call gallery for schedule 32 E 57, 3rd fl, 10022 212.245.6734 [email protected] 745 Fifth Ave, 10151 212. 421.3237 [email protected] www.paceprints.com Tue–Fri 9:30–5:30; Sat 10–5 www.gseart.com Tue-Fri 11-5 212. 750.7070 [email protected] Gallery Korea www.houkgallery.com Tue-Sat 11-6 Pace/Wildenstein Gallery Asia “Haunting Memories”, Six Korean born artists, who draw Please call gallery for schedule. A Christie’s Society 4 Hunter College / Times Sq. Gallery Central Park 32 E 57, 2nd fl, 10022 W 59th C 1 9 N R Edwynn Houk N R 5 humor, wit and sensation out of personal experience: Please call gallery for schedule Mckee 212. 421.3292 [email protected] B Forum Spanie rman 6 Christine Sun Kim, Eva Jung, Young Rong Bae, Young Min 450 W 41, btw 9th & 10th Ave, 10036 W 58th Mary Boone www.pacewildenstein.com Mon–Fri 9:30–6 D Moon, Baishian Bae and Ke-Sook Lee, May 13 to June 5 . 212. 772.4991 [email protected] 41 E 57 Throckmorton 460 Park Ave, 6th fl, 10022 Nippon Fuller Fine Art www.hunter.cuny.edu/artgalleri Tue–Sat 1–6 Michael Rosenfeld Gallery B Hammer Gallery Bldg 212.759.9550 [email protected] Ma rlborough Gallery
W 57th B “Charles White: Let the Light Enter, Major Drawings, Greenberg Korea www.koreanculture.org Mon–Fri 10–7; Sat 10-4 Leonard Hutton Galleries r Q Van Doren o 50 W 57 Pace / 1942-1969”, drawings, 1/10 thru 3/7; “Norman Lewis: a 30 W 57 Wildenstein “Gallery Selection: European Modernism, Post-War Ameri - d 24 W 57 w Abstract Expressionist Drawings, 1945-1978”, works 20 W 57 724 Fifth Marian Goodman Gallery
a can, Russian Avant-Garde”, Painting, Sculpture, Work on
W 56th y Gallery Gallery Bldg on paper, 1/10 thru 3/7. “Abstract Expressionism: Bldgs Yang Fudong, Anri Sala, May 6 thru Jun 20. Paper, Apr 1 thru May 31 W 55th Sutton Galler 24 W 57, 10019 Further Evidence, Part I: Paintings”, 3/14 thru 5/16 MoMA Btw. 1st Av & 41 E 57, 3rd fl, 10022 Sutton Pl 24 W 57, 7th fl, 10019 W 54th Museum of 212. 977.7160 [email protected] 212.751.7373 [email protected] Modern Art 212.247.0082 [email protected] W 53rd E F E F www.mariangoodman.com Mon–Sat 10-6 www.leonardhuttongalleries.com Tue-Sat 10-6 www.michaelrosenfeldart.com Tue-Sat 10-6 W 52nd The Gabarron Foundation, Carriage House It’l Center of Photography Sutton Gallery Jadite MIDTW 5O1st WN 6 Center for the Arts Richard Avedon: “Avedon Fashion 1944-2000”, Photography, C 1 Enrique Cubillasy, “Retropective”. Paintng. Apr 16 thru Mabel Martínez, Silvia Viñao, Lorena Amorós, Lola Gouine and May 15 thru Sep 6; David Seidner: “David Seidner: Paris E 9 B D F W 50th Marc Sáez: “Five Women Poetics”, Video, May 10 thru Jun 30. Apr 30. N Fashions, 1945”, Photography, May 15 thru Sep 6; John Q n 149 E 38, 10016 n 407 E 54, (bet. 1st Ave & Sutton Pl) , 10022 Fountain W 49th o t R o Wood: “John Wood: Quiet Protest”, Photography, multimedia h h g h k s h h t t 212.573.6968 x10 [email protected]
i 212.753.0884 [email protected] h t r t n t f t n x i d
a collage, May 15 thru Sep 6. i h i n n e x i a F P
g www.gabarronfoundation.org By appointment only Tue-Fri 11-6; Sat 11-5 S e i e T N M v 1133 Avenue of the Americas at 43rd, 10036 L E
e W 47th S Greenberg Van Doren Gallery 212.857.0000 [email protected] Throckmorton Fine Art, Inc. W 46th www.icp.org Tue-Sat 10-6; Fri 10-8 B Sung , paintigs, May 6 thru Jun 12. “Faces of Eternity Chinese Buddhist Sculpture” , thru
r
o
a W 45th 730 Fifth Ave, at 57th, 10019 Apr 18. “Sacred Architecture of the Americas”, Apr 23 thru
d l Jadite Galleries n w a d
r 212. 445.0444 [email protected] Jun 20. o n t a i
W 44th t Ana Castaner, Ana Pobo , Guillermo Olmo: “Group Exhi - n y ICP a a r
e www.gvdgallery.com Tue-Sat 10-6 International t bition”, Painting, Photography and Sculpture, May 5 thru 145 E 57, 3rd, 10022 G C Center of S Photograph y W 43rd 212.223.1059 [email protected] MBM May 30; Luz Maria Benavente: “New Paintings”, Paintings , Publications www.throckmorton-nyc.com Tue-Sat 10-6 S 7 May 5 thru May 30; Aida Ben Hamouda: “My Tunisia”, B D F W 42nd 4 5 6 y Photography, May 5 thru May 30 . t l i 1 9 N k r A Zabriskie Gallery a y o P r
n 7
h Q i t t 2 a 413 W 50, 10019 u 3 r
R n m C B A r
b Abraham Walkowitz: “Early Years”, 3/24 thru 5/2 . a i t
e S r
r y L W 41st r T o 212.315.2740 [email protected] E o P a B 41 E 57, 4th fl, 10022 d www.jadite.com Tue-Sat 12-6 w W 40th Gabarron 212.752.1223 [email protected] Hunter College a W 39th Foundation Gallery y Btw. Lex & 3rd www.zabriskiegallery.com Tue–Sat 10–5:30 W 38th
50 www.theMmag.com www.theMmag.com 51 E 96th Uptown A C B El Museo Del Barrio 6 Uptown (at 104th St.) D The Americas Society W 95th E 95th Goedhuis Contemporary Metropolitan Museum of Art Please call gallery for schedule “Fang Jun”, Apr 16-May 15; “Pan Hsin-hua”, May 20-Jun 19 . Cast in Bronze: French Sculpture from Renaissance to 680 Park Ave at 68th, 10021 W 94th E 94th 42 E 76, 10021 Revolution 2/24 thru 5/24 . 212. 277.8300 [email protected] 212. 535.6954 [email protected] Fifth Ave at 82nd, 10028 W 93rd Jewish E 93rd www.as-coa.org Wed–Sat 12–6 Museum www.goedhuiscontemporary.com Mon-Sat 10-6 212. 879.5500
W 92nd E 92nd www.metmuseum.org Tue–Thu & Sun 9:30–5:30; Fri–Sat 9:30–9:00 Björn Ressle Gallery Cheryl Richard Gray Gallery McGinnis
Robert C. Morgan, Conceptual Art, Performance, Paint - t Contemporary and modern masters. Galerie Mourlot W 91st s E 91st ing, 1970 - 2009 , thru May 30. e Allan
W Please call gallery for schedule Stone 1018 Madison Ave, 10021 k 16 E 79, 2nd fl, 10021 W 90th r E 90th
a 212. 472.8787 [email protected] 16 E 79, 10021 Cooper Hewitt Museum P
212. 744.2266 [email protected] l Nat’l Academy Museum www.richardgraygallery.com Tue-Sat 10-5:30 212.288.8808 [email protected] a r www.ressleart.com Tue-Fri 10:30-6; Sat 10:30-5:30 W 89th t E 89th
n www.galeriemourlot.com Mon-Sat 10-6
e Guggenheim C Museum Guggenheim Museum China Institute W 88th E 88th El Museo Del Barrio Doyle “Intervals”, a new contemporary art series to reflect the New York Noble Tombs at Mawangdui: Art and Life in the Chang - K spirit of today’s most innovative practices, inaugurated with Please call gallery for schedule W 87th E 87th sha Kingdom, First Century BC – Third Century AD, 2/12 a multipart installation by Julieta Aranda, thru July 19. 1230 Fifth Ave at 104th, 10029 4 thru 6/7. UPTOWN 1071 Fifth Ave at 89th, 10128 212. 831.7272 [email protected]
B R W 86th Neue Galerie 5 125 E 65th St, 10065 E 86th 212. 423.3500 [email protected] www.elmuseo.org Wed-Sun 11-5 C 6 212.744.8181 [email protected] W 85th E 85th www.guggenheim.org Sat–Wed 10–5:45; Fri 10–8 Neue Galerie New York www.chinainstitute.org Sun-Sat 10-5; Tue & Thu 5-8 A
W 84th Metropolitan E 84th Hirschl & Adler BRÜCKE: “The Birth of Eexpressionism in Dresdan and Cook Fine Art Museum of Art Please call gallery for schedule. Berlin, 1905-1913” thru Jun 29.
P Irena Hochman Please call for schedule. W 83rd Goethe Institut E 83rd 21 E 70, 10021 1048 Fifth Ave, 10028 n s o n u 1063 Madison Ave, 10028 t 212. 535.8810 [email protected] 212.288.0665 [email protected] o k h b g r t
W 82nd s E 82nd f n i a m i 212. 737.3550 [email protected] i www.hirschlandadler.com Tue-Fri 9:30-5:15; Sat 9:30-4:45 www.neuegalerie.org Thu, Sat-Mon 11-6; Fri 11-9 d P u F x l a e www.cookfineart.net By appt. o B M W 81st E 81st L C Cook Irena Hochman Fine Art Ltd Michael Rosenfeld Hayden C Dickinson Roundell Inc. Planeta rium Barbara Mathes E 80th Emin, Grotjahn, Hirst, Judd, Katz, Maloney, Myslowski , Please call gallery for schedule . Old Masters, Impressionist, Modern and Post-War Art from Museum of Bjorn Ressle Czech Center Nat. Hist. Rosenfeld Picasso, Ryman, Warhol . 16 E 79 at Madison, 10021 Acquavella the gallery's inventory. Viewings by appointment. W 79th Leo Castelli E 79th 1100 Madison Avenue, 10028 212. 734.0900 [email protected] Richard Gray 19 E 66, 10021 Van de Weghe L & M Arts 212. 772.2227 [email protected] www.michaelrosenfeldart.com Mon-Fri 10-5 LTMH 212. 772.8083 [email protected] W 78th E 78th Jo-An www.artincontext.com Tue-Sat 10-6 Flowers Fine Art www.simondickinson.com Mon-Fri 9-5 Adelson The Anita Shapolsky Gallery W 77th Gemini G.E.L. at E 77th 6 The Jewish Museum Seymour Boardman: A Master of Abstract Expression - NY Historical Joni Moisant Weyl Flowers Society Michael Werner Gagosian “The Danube Exodus”: The Rippling Currents of the River—by ism: Colorfield & Geometry thru May 16. Group show: W 76th E 76th Goedhuis Please call gallery for schedule. L “Paper Proposes Pleasure & Sculptors”, Paper works, Sindin Contemporary Péter Forgács and The Labyrinth Project, thru Aug 2. 1000 Madison, 2nd fl, 10021 Tilton sculpture, May 26 thru Sep 30. W 75th E 75th 1109 Fifth Ave at 92nd, 10028 Whitney 212. 439.1700 [email protected] Museum 212. 423.3200 [email protected] 152 E 65 (patio entrance), 10021 www.flowerseast.com Tue-Sat 10-6 AMartin W 74th Kouros E 74th www.thejewishmuseum.org Sun, Mon, Wed, Thu 11–5:45, Tue 11–8 212. 452.1094 [email protected] Praxis Erik Artemis Thomsen www.anitashapolskygallery.com Wed-Sat 11-6 Asian Art The Frick Collection W 73rd E 73rd Jo-An Fine Art Gallery R Masterpieces of European Painting from the Norton 20th Century Paintings and Fine Art Prints by Old and New Allan Stone B W 72nd Simon Museum, thru 5/10 Ma rbella E 72nd Masters Theresa Bernstein, Frank Mason, Terence Coyle, An - Peter Anton, Gina Minichino, sculpture, painting, May 2
C T 1 E 70, 10021 thony Palumbo and others thru Jun 19 . Jensen 212. 288.0700 [email protected] W 71st E 71st 247 E 77, 10021 113 E 90, 10128 www.frick.org Tue-Sat 10-6; Sun 11-5 Hirsch l/Adler 212. 717.9111 [email protected] 212. 987.4997 [email protected]
W 70th NFrick Knoedler E 70th Collection www.jo-an.com Tue-Sat 10-5:30 www.allanstonegallery.com Gagosian Gallery W 69th Feigen&Co. E 69th
Please call gallery for schedule. E Americas Knoedler & Co. Paul Thiebaud Gallery Society 980 Madison at 76, 10021 W 68th Keith E 68th 6 Mimmo Rotella, “American Icons and Early Work”, thru Please call gallery for schedule. 212.744.2313 [email protected] De Lellis Hunter Hall & College July 31. 42 East 76th St. (at Madison), 10021 www.gagosian.com Tue-Sat 10-6 W 67th C Knights Barry Friedman E 67th 19 E 70, 10021 212. 737-9759 [email protected] 212. 794.0550 [email protected] www.paulthiebaudgallery.com Tue-Sat 10-6 Gemini G.E.L. at Joni Moisant Weyl W 66th E 66th www.knoedlergallery.com Tue-Fri 9:30-5:30;Sat 10-5:30 China Richard Serra: “New Large Scale Etchings”, Prints, Apr 2 Institute Erik Thomsen LLC Asian Art W 65th Richard York E 65th thru May 30; Artschwager, Baldessari, Borofsky, Hamil - Anita Lincoln Center Gallery Japanese screens, paintings and works of art. ton, Kelly and Rothenberg: “In 2 & 3-D”, Prints and Edi - Shapolsky Please call gallery for schedule. 44 E 74, 2nd Fl, 10021 W 64th Wildenstein E 64th tioned Multiples, Jun 4 thru Jul 10; “Private Sale” The Lincoln 136 W 65, 10023 212. 288.2588 [email protected] gallery's annual summer event, with significant savings Center W 63rd Academy of Art E 63rd 212. 875.5017 [email protected] www.erikthomsen.com Mon-Fri 2-6; Sat 10-2 on our inventory., Prints, Jul 15 thru Sep. & Science www.lincolncenter.org 980 Madison at 76th, 5th fl, 10021 W 62nd E 62nd 212. 249.3324 [email protected] www.joniweyl.com Tue-Sat 10-6 W 61st E 61st
W 60th E 60th R R UBU 1 9 D S N E 59th 4 5 6 N
52 www.theMmag.com www.theMmag.com 53 Uptown Brooklyn Ubu Art 101 , Inc. JUVENAL REIS STUDIOS, Inc. A COMMUNITY OF INTERNATIONAL, PROFESSIONAL AND EMERGING ARTISTS European & Russian Photomontage, 1920–1940, selections Ellen G. Emmet: “The Years in Paris; 1896 - 1900”, paint - from the Merrill C. Berman Collection, May 15 thru July 31. ings/drawings/letters, Apr 17-May 10. Yolanda Shashaty: 43-01 22ND STREET. LONG ISLAND CITY, NY 11101. (JUST BLOCKS FROM P.S.1) 416 E 59, 10022 “NEW PAINTINGS”, oil paintings, May 15 thru Jun 14; Group take E/V train to 23rd/Ely Ave. -- 7 train to 45th RD/Court House Sq. -- N train to Queensboro Plaza 212. 753.4444 [email protected] Show: “SCULPTURE”, sculpture, Jun 19 thru Jul 12. www.ubugallery.com Tue-Sat 11-6 101 Grand Street, 11211 718.302.2242 [email protected] Van de Weghe Fine Art OPEN STUDIOS - Saturday/Sunday MAY 30/31 - noon to 5:00PM www.art101brooklyn.com Fri-Sun 1-6 SEE THE WORKS OF OVER 200 PARTICIPATING ARTISTS Duane Hanson: “Sculptures”, Apr 17 thru May 30. 1018 Madison Avenue, 3rd fl, 10075 Black & White Gallery 212 744 1900 [email protected] Inaugural Exhibition: Alina & Jeff Bliumis: “Casual Conversations The Nature - Presence - A GROUP SHOW CURATED BY PACO CANO RECEPTION - Friday, May 29 from 6:00 TO 8:00PM at the Experimental Space www.vdwny.com Mone–Frit 10–6 in Brooklyn”, thru 6/14. 483 Driggs Ave, 11211 Michael Werner 718.599.8775 [email protected] web: www.juvenalreisstudios.com | email: [email protected] | phone: 718-570-3663 Please call gallery for schedule www.blackandwhiteartgallery.com Fri-Mon 12-6 44 E. 77, 10021 212. 988.1623 [email protected] Brooklyn Museum of Art Brooklyn Queens http://www.michaelwerner.com/ Mon-Sat 10-6 Gilbert & George, pictures and art in other media, thru 1/11 Williamsburg Art & Historical Center (WAH) Jamaica Center for Arts & Learning 200 Eastern Parkway, 11238 Women Forward: Part 2: Nivi Alroy, Bahar Behbahani, Elle Changing Queens: Guest Curator, Danny Simmons, 2/5 Whitney Museum of American Art 718638.5000 [email protected] Jenny Holzer: PROTECT PROTECT, thru May 31. www.brooklynmuseum.org Wed-Sun 10-5; Sat & Sun 11-6 Burchill, Rodriguez Calero (RoCa), Fei Cui, Andrea Cukier, thru 5/2 945 Madison Ave at 75th, 10021 Irene Hardwicke Olivieri, Soojung Hyun, Elodie Lauten, 161-04 Jamaica Ave, 11432 212. 570.3676 [email protected] Ch’i Contemporary Fine Art Alexandra Limpert, Leonor Mendoza, Olek, Yupin 718.658.7400 [email protected] www.whitney.org Wed, Thu, S at, Sun 11–6, Fri 1–9 Hee Sook Kim: “Encounters”, Painting, May 7 thru Jun 8; Pramotepipop, Shan Shan Sheng, Kumi Yamashita www.jcal.org Mon-Sat 10-6 Joe Mangrum: “Chrysalis Stage”, Sculpture, Installation, Curated by Yuko Nii, thru May 31 Juvenal Reis Studios Wildenstein & Co. Inc. Jun 11 thru Jul 13 . 35 Broadway, 11211 A community of international, professional and emerging Representing some of America's foremost living artists 293 Grand St, 11211 718.486.6012 [email protected] as well as the estates of major figures of modern art. www.wahcenter.net Sat-Sun 12-6 artists. Experimental gallery: “The Nature - Presence” 718.218.8939 [email protected] Curated By Paco Cano, May 29. Opnen Studios, May 30 19 E 64, 10021 www.chicontemporaryfineart.com Wed-Sun 11-7, Mon 9-5 212. 879.0500 [email protected] thru May 31, Sat & Sun, noon to 5pm. www.wildenstein.com Mon-Sat 10-5 Kentler International Drawing Space 43-01 22nd St., 11101 718.875.2098 [email protected] Over 100 Artists: “100 Works on Paper Benefit Exhibi - Queensboro Brid ge d n s Queens Blvd r o t r www.juvenalreisstudios.com Mon-Fri 9-5 s k Kurnatowski a s e Van Dam St
d r r h tion”, Apr 17-May 10 . Drawings by 29 artists. Guest cu - y o t Silvercup McCarrren Park a r i a a h F B c P Bldg i W rated by Marilyn Symmes.: “Degrees of Density - R 42nd Rd M55 Art N 12th o r artMoving f
o Selections from the Kentler Flatfiles”, Jun 6 thru Jul 12. o
o 43rd Ave M.P. Landis: “expecting”, new works on wood and paper , b r p 353 Van Brunt St, 11231 s N 11th e Juvenal Reis n BROOKLYN r Apr 23 thru May 10; Richard Pitts: “Recent Sculptures”, i t e h F Studios h n
718.875.2098 [email protected] d d t t h e d e n t t v n h 8 7 h h Apr 23 thru May 10; Ed Rath: “Terrible Trees-New h c y n l s u h t l t t 4 t 3 2 2
N 10th s t
www.kentlergallery.org Thu-Sun 12–5 2 k 1 2 B 1 2 3 0 Q 2 e
WILLIAMSBURG o 9 2 2 1 Black & White 1 r r 1 1 Paintings”, May 14 thru May 31. Alfred Martinez: “Digital o n e r
C t o
Jack the Pelican B n r n u Thoughts”, Installation Paintings, May 14 thru May 31 N 9th Pierogi McCaig-Welles Gallery r ve Long Island City H e th A Supreme Trading e 44 Arts Center v
V 44-02 23rd Street, ground floor, 11101 i
r s Please call gallery for schedule. M55 Art ve e Rd r R N 8th 4th u y g 4 P 718.729.2988 [email protected] e n 129 Roebling St, 11211 t e t y i Sculpture l r h s n www.55mercergallery.com Thu-Sun 12-6 m r t b
e 718.384.8729 [email protected] Center e e y a N 7th L L e v K B o W
E CitiGroup a www.mccaigwelles.com Tue-Fri 11-7; Sat-Sun 12–7 r V E R
H Tower P.S.1 Contemporary Art Center e 4th Dr Figure 4 G n y N 6th v
Works i o a Please call for schedule. e e Parker's Box Court s R v v w L.I.C. Ave k A
N 5th A s th Square c 22-25 Jackson Ave, LIC 11101 t 45
s “Drawing Quirks 3 ” Vincent Bizien, Catharina Van eetvelde, a Sq s d rt
s u
e J r Co 718.784.2084 [email protected] r g a o
f Simon Faithfull, Patrick Martinez, Fleur Noguera, Mike p g McCaig-Welles i
E d d R x LONG ISLAND CITY www.ps1.org Thu-Mon 12-6 N 4th r 45th on e rs E
D a Rogers, Justin Storms , thru May 17. 2 Pe B Stripeman A.G. 1 —
193 Grand Street, 11211 s is N 3rd QUEENS 1 av QCC Art Gallery
s t D 1
n 718.388.2882 [email protected] e k t e Arnold Asrelsky, “The Mediterranean World”, Apr 24 r h v t e a Riviera A
S Metropolitan Front www.parkersbox.com Fri-Mon 1-7 e
u n P a Cr n thru Jun 21. r Room Q y 5 V P.S.1 a e r
v e r t 46th Ave m
i MOMA l d 222-05, 56th Ave, 11364
e — h r e p Rail l
R o H Pierogi Pepsi Cola n i v
F l
N 1st Filmore n Sign o Yard k B 718.631.6396 [email protected] d 46th Rd S Parker’s y n s l n Ward Shelley, “Who Invented the Avant-Garde (and other Tracks n Box B a k e www.qccartgallery.org Tue-Fri 10-5; Sat-Sun 12-5 r 47th Ave l e
Art o Ch’i v G Grand half-truths)” Gallery 1; “The Sleeper Experiment” Gallery 2 u 101 o d Q k r
r 47th Rd B thru May 17 . a 7 Socrates Sculpture Park S 1st P 48th Ave 32nd Pl r 177 North 9th St, 11211 e Please call gallery for schedule. t y e
a V c 49th Ave an t 7 Da r v 718.599.2144 [email protected] G m Broadway @ Vernon Blvd, LIC 11106 S i S 2nd Sideshow a 50th Ave Hunters Point Ave y R M www.pierogi2000.com Thu-Mon 12–6
r 718.956.1819 [email protected]
t Queens t n
s S 3rd 51st Ave Midtown Long Island Express
a www.socratessculpturepark.org Daily 10-6 G a Tunnel E S 4th Ferry P Borden Ave A.M. Richard Landing u l 54th Ave a Williamsburg Bridge s k
i S 6th WAH Ctr Broadway J M Z Newtown Creek
54 www.theMmag.com www.theMmag.com 55 3 blockscks too HancockH cock CenterCe r National - Chicago, IL Roots & (RichardRichardardd Grayray Gallery)G l y)) CultureC lturelt W FryFrry StS Art Institute of Chicago Carries Secrist e Cy Twombly: The Natural World, Selected Works 2000–2007 Gallery Stable, thru may 27. v
A RIVER NORTH CHICAGOCHICAGOO Melaniee nie Cooperoo r 4 blockslocks to May 16 thru Sep 13. 835 W Washington Blvd, 60607 n L e BBrownrown LinLLinenee L L MuseumM seum of 111 S Michigan Av, 60603 312.491.0917 info@ secristgallery.com d W ChicagoChhicagoag AveAvve ContemporaryC ntemporaryorary ArtA CHICAGOCHICAGO g PPurpleurrplep LinLLinenee 312.443.3600 www.secristgallery.com Tue-Fri 11-6 BlueBlue Line O C CCatherineatherine EEdelmandelman CHICAGOCHCHICAGGO h L www.artic.edu N t t
i t t t Stephenepphen DaiterD r Davidvid WeinbergWeinbergergg RedRed LineLinne c Julie Walsh S S S S a RussellRuRussellsellll BowmanBow n Andrewndrew BBaeae
g Miao Xiaochun: “MICROCOSM”, large-scale nine-panel r r W SuperiorSSuperrior SSt Museum of Contemporary Art Chicago n Prinrintworksntworksworkss ARC Gallerylleeryy o JudyJudy A.A. SaslowSaslow e e a t t installation, Microcosm, based on Hieronymus Bosch's g g R GalleryGallerryy KHKH Buckminster Fuller: Starting with the Universe, thru Jun 21 n n r r W SuperiorSuperp rioor StS JeanJean AlbanoAlbano
i e e o o 15th century masterpiece, The Garden of Earthly t t
v t t t t p p JJosefosef GilmerGilmer 220 E Chicago Av , 60611
e S S r r S S M S S Delights, thru Jun 13.
r a a t t PerimeterPerimetteer k k 312.397.4095 N e e n n C C S S c W HuHuronn StS c i i e e 118 N Peoria St, 2nd Fl , 60607 o o www.mcachicago.org s s b b w w N N Womanman MadeMadee W HuronHuH roon StS K d d d a a e e 312.829.3312 e r e r u u g g t r n r d d s a a H H www.walshgallery.com Tue-Sat 10:30-5:30
n l e e Roy Boyd L e L a S S N d N W ErieEr StSt H N y N Portalsor s Gallery Group exhibition thru Jun 2. N E N N Caarlrrl HHammerammmer x Stuart-uart- Rogers 739 N Wells St , 60654 p RoyRoyy Boydoydy y W Erie St AddingtonA dingtongton GGalleryery 312.642.1606 [email protected]
W OntarioOntario StSt www.royboydgallery.com Tue-Sat 10-5:30
t t t t
t Marx-SaundersMarrxxx--Saunders
S S S S
S SSchniederchnieder GalleryGallerryy Melanie Cooper e e W OhioOhhiio StSt h h
t t
n n
i i i GGruenruen GGalleriesalleries e
e “Ephemeral Beauty”, Sylvain Louis-Seize, a Quebec artist,
c c CHICAGO
b b
a a a Zygman-VossZyyggman--VVoss
a paints landscapes. Cheryl Warrick explores symbols, text, land -
t W OhioOhio St Zolla/LiebermanZolla/Lieberrmman
R R R z i S S
l Kass/MeridianKasss//Meridian scape and abstraction, Apr 17 thru May 30.
N N N E
a BByronyrroon RRocheoche i i r GRANDGRAND W GrandGraG andd AveAAvve N 740 N Franklin, 60654 o RRobertoberrtt HHenryenrryy AAdAdamsdams L e e BlueBluee Line
P N GRANDGRRANND 312.202.9305 [email protected] e e t t t v N K t t S www.melaneecoopergallery.com Tue-Sat 11-5 S W GrandGGrrannd AveAv L S RedRed LineLiine A S N i S t
n t t n n e e t l g l S S l l S S S s M s e o l l l l S s i a i a W Illinoisllinoisoisi Stt e Richard Gray b e l e s s n s s s n n
r w
u i s a a l
a n n U W W PooLPPoooL G r L e u k Marc Swanson: “The Tenth of Always”. Brooklyn based artist’s first y a a n k n N N N e e i N N l e S l l ArtA Fair a r r
a solo show in Chicago, Apr 3 thru May 21.
e r
l t O F O A p W HubbardHHubbbaard StS
W HubbardHHuubbarrd St v s 875 N Michigan Av, Ste 2503, (John Hancock Blg) 10014 N N e N e GoldenG ldenn TriangleT anglee 312.642.8877 [email protected] D
N W KinzieKiKinK i St www.richardgraygallery.com Mon-Fri 10-4:30 Thehe MBM Galleryery L Douglasgla Dawsonwson MERCH.MERM RCHH.. MARTMMARRT Carl Hammer BrownBrowwn LineLine W KinzieK nz StS MerchandiseMerchandisesee L Marc Dennis, “Truth and Allegory”, Apr 24 thru May 30. Mart PurplePuru ple LineLine 740 N Wells St , 60654 For Chicago Art Dealers : e v 312.266.8512 [email protected] A
n W Carrollar AAve www.hammergallery.com o WEST LOOP i RichardR chardardd Nortonoon n GalleryG ryry To have your gallery included in W CarrollCCaarrroll AveAvve W CarrollCCaarrroll Aveve U Kasia Kay N Sandra Bermudez: "The Happy Pussy and Other Endings"; the professional member listings of r t t e W Wackerac r DrD t S S v Daniel Bruttig: “stink eye”, Apr 3 – May 9. MarsM rs Galleryalleryy i the M magazine for Chicago, S n n n R STATE/LAKESTTAAATTE/LAKE t 1044 W Fulton Market St , 60607 o o n S s s W Fultonon St s o o Brown,Brown, Purple,Purplee,, Pink,Pinkk,, L r r
t please contact Kristin Reger. Lindandada l g 312.492.8828 [email protected] e e n a a f f i
KasiaK ia Kayay l f f Orange,Orangee,, Green,Green, RedRed LinesLines n c WarrenW re i L www.kasiakaygallery.com Wed-Sat 11-5 e e a C h Tel: 773.396.8812 J J
C C N L L N N t N L L L S t t t Packerackerr SchopfSc p t t L L Richard Norton S S W LakeLaakkke St S S h t t t CCLARK/LAKELARK/LAKE L [email protected] n n Specializing in Impressionist and Modern paintings, draw - e r r S S L CLINTONCCLINTNTON o o b e e BBrown,rown, PPurple,urplee,, PPink,ink, 2 bblockslocks toto t t
a ings, and sculpture from the late nineteenth and early twen - m m L n n GreenGreen LineLine n n n OOrange,rangee,, GGreen,reen, CChicagohicago theMmag.com z a a i a e e l L CCuturaluttuurraal CenterCentteer tieth centuries, the gallery offers a wide range of services g g PinkPink LLineine g g p p p BBluelue LLinesines
K E r r r n n L o
e a a a a including consultation, appraisal, consignment, and pur - N
n C M S S C t t W RandolphRRandolpand lphh DrD n chase of artwork. t t t r r S S N N N N N e S PRIMATIVEPRRIMMATIVEATIVE S S D t D t t t t ThomasThomass RobertelloR b rtelloll d 612 Merchandise Mart, 60654 r r S n S n n
y S S S i r r e l e e l o o l
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k 312.644.8855 [email protected] k k s s k e e l l b b a t t c l c n l r r r Walsh GalleryG lle TonyTonny Wight x s a a a a a e a a e a www.richardnortongallery.com Mon-Fri 9-5
p l t t r a e e
RhonaRhhhonana Hoffmanffffman ThreeWallsT reeWallsWalls y W W S W F W L C S D D N N N N McCormickMcCormick GGalleryallery CarrieC e SSecrist N N N N N N N t t W WashingtonWaWasshinggtoon St t t L L L S S L L t t t t t t t S S n n S S S S S S S WASHINGTONWWASHINGTAASHHINNGTTOON WASHINGTONWWAASHINGTON e e L d d t t e e a a e e e n n S S i i BBrown,rown,n, PPurple,urrpple, BBluelue LLineine t t d d d r r n n e e s r r i i l l o o e e y y PPink,innk,k, OrangeOrannge LinesLinees RReded LLineine c c e e r r a e e a a a a b b P G H G P R M A A R M 2 blockslocks to Museumuseumm oof thee N N N N N N N N N N N W MadisonMaMadisoon StS ArtA Instituteute Chicagohicagoo
56 www.theMmag.com www.theMmag.com 57 National - Miami, FL International - Shanghai NW 44 St Luis Adelantado Miami Gallery Contrasts Gallery NW 43 St Dario Villalba: “Homeless Boy”, current show. Please call gallery for schedule 98 NW 29th Street, Miami, FL 3312 181 Middle Jingxi Rd, Shanghai 20002 NW 42 St 305.438.0069 info@ luisadelantadomiami.com +86.21.6323.1989 DESIGN www.luisadelantadomiami.com Wed-Sun 10-6 www.contrastsgallery.com NW 41 St ArtSpace Virginia Miller Galleries ShanghaiART Gallery Arthur Godfrey Road 41 St Moore Artformz Please call for schedule . To Review is to Learn Something New: Xue Song Space e NW 40 St e 169 Madeira Ave, Coral Gables (Miami), FL 33134 v v May 16, thru Jun 20,. A A y 305.444.4493 [email protected] t d 50 Morganshan Rd, Building 16 & 18, Shanghai 200060
s w NW 39 St n www.virginiamiller.com Mon-Fri 11-6, Sat and evenings
1 s 2 C +86 21 6359 3923 [email protected] E E MIAMI NW 38 St e N l N ww.shanghartgallery.com/ Daily 1-6, closed Mon tt Kevin Bruk Gallery 195 expwy u DOT 51 Studio 17 T Please call for schedule . a MOCA Shanghai NW 36 St 27 expwy li BEACH u 2249 NW 1st Place, Miami, FL 33127
e Terri + Donna Steinbaum Roberto J Please call for schedule. v 305.576.2000 info@ kevinbrukgallery.com g
A Clemente
NW 34 ter n People’s Park, 231 Nanjing West Road, Shanghai 200003 i n Park www.kevinbrukgallery.com Tue-Fri 10-6; Sat 12-5 o p
i +86.21.6321.9900 [email protected] n p h s NW 34 St o The Dorsch Gallery www.mocashanghai.org Mon-Sun 10-6; Wed 10-10 a
Hardcore h a
F Collins Park & Beach e
Signature S v d e “nota bene: Illustrated demons & allegories”, May 9 thru Jun 6 i v A Bass 1918 ArtSPACE Shanghai
Kunsthaus v e l l A i m 21 St Museum 151 NW 24 Street, 33127 NW 33 St a a Please call gallery for schedule B i m k i
t 305.576.1278 [email protected] Bakerhouse r a c i n a M
e No,78 Changping Rd , Jing’An District, Shanghai 200041 NW 32 St y www.dorschgallery.com Tue-Sat 11-6 e P M n n e a d i
h +86.21.5228.6776 [email protected] v y w
NW 31 St t s O B A r a o www.1918artspace.com e t o s c d R N n i s i WYNWOOD e
NW 30 St i
Rubell l & M l International - Beijing n e
Collection B o e v v y C c A A Auctions a Pekin Fine Arts i t d r s Luis c 3
1 Please call gallery for schedule
Townhouse t s Adelantado r Christie’s Margulies h 20 St t i W c W Hotel No. 241 Cao Chang Di Village, Cui Ge Zhuang, Chaoyang Dis - a Collection r C N
N 20 Rockefeller Plaza, 5th fl, NYC, NY 10020 T 212.636.2000 F B e l D n a r B trict, Beijing 100105 t c n i i NW 27 St Kessler NE 27 St n 212.636.4928 www.christies.com e C n m d o a n r e i Von Hartz Gary Nadar t +8610.5127.3220 a a i o a v t o i t A G B
Ambrosino M n l n www.pekinfinearts.com Wed-Sun 10-6 l NW 26 St NE 26 St n Shore Club e Doyle New York e e MOCA a v s d n v t i r a o 175 E 87, NYC, NY 10128 T 212.427.2730 F 212.369.0892 n e B Lyle O. Reitzel NE 25 St C Dr. Gallery o t Pan American M r Raleigh www.doyleNewYork.com 5 Catalina C A City Hall A “Warm Exercise” current. 9 NW 24 St Dorsch Gallery 17 St Delano 798 Art Area (798 Western Street), No.2 Jiuxianqiao Rd, Ingalls Locust South Phillips de Pury & Co. Lincoln NW 23 Ter Gleason Seas Sagamore Chaoyang District, Beijing 100015 Bruk Theater Theater 450 W 15, NYC, NY 10011 T 212.940.1200 www.phillips - Castillo NE 22 St Lincoln Road +8610 84599706 fax +8610 84599705 NW 22 Ter e depury.com l Colony v www.dr-gallery.com Tue-Sun 10-6 Art Ctr i a r Praxis Snitzer e Theater S Fl x
NW 22 St v D
e Sotheby’s A r
NW 21 St n White Space Beijing D a n 1334 York Ave, NYC, NY 10021 T 212.606.2000 F 212.606.7833 e Facchini Flamingo o Please call gallery for schedule
Esponola t NW 20 St Lowenstein y c www.sothebys.com
Park g k O w Cinemathéque Wolfsonian r n s a P.O Box 8502 No.2 Jiuxianqiao Rd. Chaoyang District, Bei - i P
e NW 19 St
Tides s
C h h u c v jing 100015 s a Swann Galleries n m e A
NW 19 St a m a Park B i e i u +8610-84562054 [email protected] e e e & L e
t W e
v 104 E 25, NYC, NY 10010 T 212.254.4710 F 212.979.1017 l
m Central v v v v
v e A a P www.whitespace-beijing.com Tue-Sun 10-6 A A A A n i A www.swannGalleries.com t d
t e e d d h M h s n s r t V v t n 1 2 1 h 3 5 6 2 h A t
c 4 St r W W a E W W s W W o e N N n N N N N B N N
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a n l i NE 15 St m NW 15 St r Finest Corner Location
a 3 St w o a i Jewish
e C M M s in the Heart of Wynwood, D Museum u R a Miami
C n
r o t 2 St u l Marrriot MIAMI h A NW 14 St NE 14 St t 1,700 sq. ft. Pr ime Gallery Carnival Center r A for the Performing Arts c Biscayne St space at 2294 NW 2nd. Av a
M (Corner of NW 23rd St) Dolphin Expwy 395 South Pointe Park Call 718-544-2900 NW 10 St CIFO MAM Monday-Friday 10 A.M.- 5 P.M.
58 www.theMmag.com www.theMmag.com 59 六号岛艺术中心心 Openings Island6 AArtrt Ct 香格格纳画廊纳画画廊 东廊艺术 ShanghARTShaS aanghAAART 芸術工作室 复兴画廊复复兴兴画廊画廊 Eastlink ElephantElephant AArtrt Loft May 2 Saturday May 15 Friday 五五 双城现代手工艺术馆双城双城城现代代手手工艺艺术术馆 Gallery 55 FuFu XinX M50 Chelsea Soho 艺法画廊 Ifa Gallery TwoTwo CitiesCitieses 果壳画廊果壳画廊 创意园区 昇艺术空间昇艺艺术术空空间 路 NutshellN t h ll AArtt 路 Andrea Meislin Gallery 2-6 ISE Cultural Foundation Group Show 6-8 路 路 Lili Almog 画廊画廊 莫 Shine AArtrt SpaceSpacce 化 m97 化 干 宁 宁 Daniel Cooney Fine Ar t 3-5 Uptown 山 大库画廊 Group Show 昌 昌 江 江 路 D'Amelio Terras Gallery 6-8 ubu 6-8 d M Big WarehouseWarearehouse Noguchi Rika European & Russian Photomontage d o
R g R 比翼艺术中心比翼艺艺术术中心术 心 Newman Popiashvili Galler 6-8 an BizartBizartaart SpaceS Basim Magd Chech Center Lholtsky/ Huerta 6-8 a g g sh 上海蕾达画廊上海蕾蕾达达画廊达 廊 u
西 LedaLeedaa FletcherFlletcher n a First Street Gallery 3-5 Italian Cultural Institute 6-8
i n Dana Saulnier
h Rapaccini/ Loschiavo 苏 R 苏 n g g d
g TTianmu Rd n n 天目路路 州 州
n May 5 Tuesday
a May 16 Saturday 路 路 a h i Soho J 艺玖艺捌艺术空间
C 苏河艺术 Chelsea W W 1918 AArtrtt SpaceS Creekek AArtrt Soho Photo 6-8 S 昌平路 ChangpingChangpingp g RdR S Virga , Hamel, Murcko, Custodio, Bartlett Anna Kustera Stuart Semple 6-8 u u z z 北苏州路 N Suzhou Rd Midtown h 筑造造空间空间间 h Jim Kempner Greg Parker 6-8 o o u u Thhee FounFoundryndrryy u Jadite Galleries Castaner, Benavente, Pobo, Hamouda, 6-10 Queens/LIC R R R Suzhou Creek Kangding Rdd 苏 州 河 Lehmann Maupin 6-8 d 康定路 d Andriana Varejao M55 Art 6-8 南苏州路 S Suzhou Rd Ed Rath/ Alfred Martinez Matthew Marks (522 W 22nd) Gary Hum e 6-8 The Kitchen Parsons MFA Show 6-8 May 20 Wednesday Midtown May 7 Thursday Nohra Haime Javier Marin 6-8
中 Chelsea Village/LES
上上海海 山 Agora Gallery Group Show 6-8 Natl Association of Women Artists 4-7 东 Linda Stein 路 路 路 路 Sean Kelly Gallery 6-10 一 Frank Thiel Uptown 乐 乐 门 门
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60 www.theMmag.com www.theMmag.com 61 站台中国 Platform Chinaa F2画廊 路 F2 Gallery 铺 F2 GalGallery
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g 长长安街安街 DongcDongchang’anchang’an AAveve A street scene in Miami’s Wynwood Art District during the 2008 “Art Basel Week” shows the non-profit exhibition space,
g g Locust Projects and a passing rickshaw. Despite tight economic times, countless art fairs, alternative events and art parties
kept the city in festive gear day and night (see Miami Report). Photo ©MacInnis 2008 R 红门画廊 R
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in the art world. theMmag.com January 2009
62 www.theMmag.com 303 Gallery 43 Gladstone Gallery 45 Parker's Box 54 A Goedhuis Contemporary 53 Pekin Fine Arts 59 ACA Galleries 43 Marian Goodman Gallery 50 The Pen and Brush, Inc. 41 Luis Adelantado Miami Gallery 59 Richard Gray 57 The Phatory llc 41 Agora Gallery 43 Richard Gray Gallery 53 Phillips de Pury & Co. 59 Brooke Alexander 42 Howard Greenberg 51 Pierogi 54 Alexandre Gallery 50 Greenberg Van Doren Gallery 50 Max Protetch 47 The Americas Society 52 Guggenheim Museum 53 Q Amsterdam Whitney Gallery 43 H QCC Art Gallery 55 Art 101 54 Nohra Haime Gallery 51 R Art In General 42 Carl Hammer 57 Reeves Contemporary 47 Art Institute of Chicago 57 Hirschl & Adler 53 Ricco / Maresca 47 Artists Space Gallery 42 Irena Hochman Fine Art Ltd 53 Yancey Richardson Gallery 47 ArtSpace Virginia Miller Galleries Bill Hodges Gallery 51 Andrea Rosen 47 59 Edwynn Houk Gallery 51 Michael Rosenfeld Gallery 51 Asia Society 50 Hunter College 51 Michelle Rosenfeld 53 Leonard Hutton Galleries 51 B S Barry Friedman Ltd. 43 I Sutton Gallery 51 Björn Ressle Gallery 52 International Center of Photogra - Soho20 Chelsea 48 Black & White Gallery 54 phy 51 Sunday L.E.S. 41 BLT Gallery 41 Ippodo Gallery 45 Julie Saul 47 Mary Boone Gallery 44 , 50 J Lucas Schoormans Gallery 47 Bortolami 44 Jadite Galleries 51 Carries Secrist 57 Bose Pacia 44 A Jain Marunouchi Gallery 51 Jack Shainman Gallery 47 Roy Boyd 57 Jamaica Center for Arts 55 ShanghaiART 59 Brooklyn Museum of Art 54 Japan Society 51 The Anita Shapolsky Gallery 53 C The Jewish Museum 53 Allen Sheppard Gallery 47 J. Cacciola Gallery 44 Jo-An Fine Art Gallery 53 Socrates Sculpture Park 55 Ch’i Contemporary Fine Art 54 Juvenal Reis Studios 55 Soho Photo Gallery 43 Chambers Fine Art 44 K Sotheby’s 59 Haim Chanin Fine Arts 44 Kasia Kay 57 Sragow Gallery 48 Cheim & Read 44 Jim Kempner Fine Art 45 Staley-Wise Gallery 43 Chelsea Art Museum 44 Kent Gallery 45 Robert Steele Gallery 48 China Institute 52 Kentler International Drawing 54 Maya Stendhal Gallery 48 China Square 44 Anton Kern Gallery 45 Allan Stone 53 Christie’s 59 Leo Kesting Gallery 45 Stricoff 48 James Cohan Gallery 44 Kips Gallery 45 Studio 601 48 Ethan Cohen Fine Arts 42 Knoedler & Co. 53 Stefan Stux Gallery 48 Contrasts Gallery 59 Swann Galleries 59 L Cook Fine Art 52 T Melanie Cooper 57 Lehmann Maupin 41 Yvon Lambert Gallery 45 Tenri Cultural Institute 48 Cristinerose Gallery 44 Paul Thiebaud Gallery 53 Betty Cuningham Gallery 44 Lehmann Maupin Gallery 45 Lemmons Contemporary 43 Erik Thomsen LLC Asian Art 53 D Leslie/ Lohman 43 Throckmorton Fine Art, Inc. 51 DC Moore Gallery 50 Lincoln Center Gallery 53 U Deitch Projects 42 Florence Lynch Gallery 45 Ubu 54 DFN Gallery 44 Dickinson Roundell Inc. 52 M V Dorsch Gallery 59 M55 Art 55 Van de Weghe Fine Art 48 , 54 Doyle New York 59 Robert Mann Gallery 45 Von Lintel Gallery 48 Dr. Gallery 59 Kathryn Markel Fine Arts 45 W The Drawing Center 42 Matthew Marks Gallery 45 White Box Bowery 41 McCaig-Welles Gallery 54 Julie Walsh 57 E McKenzie Fine Art 47 Envoy 41 Ward Nasse Gallery 43 Metro Pictures Gallery 47 Mike Weiss Gallery 48 Andrew Edlin Gallery 44 Metropolitan Museum of Art 53 Exit Art 44 Michael Werner 54 Robert Miller Gallery 47 White Space Beijing 59 F MOCA Shanghai 59 Whitney Museum 54 Feature Inc 41 Galerie Mourlot 53 Wildenstein & Co. Inc. 54 Ronald Feldman Fine Arts 42 El Museo Del Barrio 53 Williamsburg Art & Historical Cen - First Street Gallery 45 The Museum at FIT 47 ter (WAH) 55 Flag Art Foundation 44 Museum of Contemporary Art Woodward Gallery 41 Flowers 52 Chicago 57 World Fine Art Gallery 48 Forum Gallery 50 Museum of Modern Art 51 Fountain Gallery 50 Z N Zabriskie Gallery 51 The Frick Collection 52 NY Studio Gallery 41 G Neue Galerie New York 53 Gallery Korea 50 The New Museum 41 The Gabarron Foundation, Car - Richard Norton 57 riage House Center for the Arts 50 O Gagosian Gallery 45 , 52 OK Harris Works of Art 43 Galeria Ramis Barquet 45 , 50 Galerie St. Etienne 50 P Gallery Henoch 45 P.P.O.W Gallery 47 Gana Art Gallery 45 P.S.1 Contemporary Art Center 55 Gemini G.E.L. at Joni Moisant Pace/Prints Gallery 51 Weyl 52 Pace/Wildenstein Gallery 51 George Billis Gallery 45 The Painting Center 43
64 Index