1 I 9 93s , o I d.S q / 9 ?.3:s , 0 I .o 0

BROOKLYN ACADEMY OF MUSIC

Donald Byrd/The Group Betty Carter: Ahead '94 And Now For Some Good News.

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It could go either way. After all, the arts are an energetic, adventurous world of untested ideas. And new ideas can be risky business. At AT&T, we have a tradition of taking chances. That's why we're proud to offer our support - moral, fmancial and vocal - to organizations like BAM, which help artists boldly explore the cutting edge. For us, that kind of risk-taking represents the spirit of innovation we applaud, in the arts and in technology. AT&T Where the drama of bold new ideas unfolds every day.

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The Samuel Rudin Trophy in memory of their beloved father, a long distance runner for the Pastime Athletic Club in the Bronx between 1917 and 1923 The presentation ceremony will take place at the finish line near Tavern on the Green on West 67th Street in Central Park at approximately I P.M.

SAMUEL RUDIN (1896-1975) All avid lang dis1anoe ...... -.er and CMC - · SamuellblOl rose from tunble begimrlgs on New YOII<'s u-Easl $ode 10 become one ol New YOII<'s majOr buildefs and owners o1 real eslale. lblOl ,ained 1he Paslme AlhleiJc CU> n 1he Bronx n 1917 while a Sludenlal Qly College and competed nlang dis· Ianoe races as a member ollhe dub 1IYough 1923. In 1925, he fodreds ol medical and nm;ing scholarships. Samuel Rudin was also aciNe in the United Jewish Appeal. FederabOn ol Jew· ish Philanthropies, City College Ft.nd and Boy Scouls ol America In 1967, he was awarded an honorary Doctor ollaws degree by lena College ol New~. New Yorlt

0 651 SPONSORS

LILA WALLACE-R EADER'S D IGEST FUND has provided leadership support for 651.

Corporate Sponsors @ r% ~dZ bPDljHUo/ Coca-Cola SA New Yorklelephone Coca-Cola Bottling Company of ew York A NYNEA.Company

~ I C0 Brooklyo uo;oo Ga•

Additional support fo r 651 has been provided by: NATIONAL ENDOWMENT FOR THE ARTS NEW Y ORK STATE COUNCIL ON THE ARTS NEW YORK CITY D EPARTMENT OF CULTURAL AFFAIRS NEW Y ORK COMMUNITY TRUST T HE CHARLES H. R EVSON fOUNDATION A&s·

STARRETT AT SPRING CREEK, MANAGED BY GRENADIER R EALTY CORP.,. THE C HASE M ANHATTAN BANK•; CON EDISON M ERRILL L YNCH & Co. F OUNDATION, INC.; P FIZER P HARMACEUTICALS IBM CORPORATION; T HE HARKNESS F OUNDATIONS fOR DANcE• SANDALWOOD FOUNDATION AND M ETROPO LITAN LIFE F OUNDATION,.

The MetroTech Downtown Fund, a consortium of corporations located in Downtown Brooklyn and committed to the future of the arts at BAM, has provided special support for this program.

Special Thanks to Brooklyn Borough President Howard Golden, Congressman Edolphus Towns, State Assemblyman Roger Green, and the Brooklyn Delegations of the New York City Council and the New York State Legislature.

• BAM sponsors for 651

Cover Art: " Red Flower #4" by Donald Baechler, 1992 651/KINGS MAJESTIC CORPORATION Mikki Shepard and Leonard Goines, Executive Producers and Artistic Directors and THE DONALD BYRD DANCE FOUNDATION

present in the BAM Majestic Theater March 30,31 & April 3, 1993 8PM Apri/4, 1993 3PM

DONALD BYRDffHE GROUP performing

DRASTIC CUTS

choreography DONALD BYRD

music composition MIOMORALES

lighting design DAVID H. ROSENBURG

the company MJCHAEL BLAKE DARRJAN FORD STEPHANlE GUILAND ALDA WNA MORRJSON JENNlFER FERGUSON APRJL WANSTALL HECTOR VEGA

Drastic Cuts is made possible through the continued generosity and support of Andrea and Rita Reese and First Impressions Performances for Black Choreographers Moving Toward the 21st Century.

Special support for this program has also been provided by The Harkness Foundations for Dance. •'

Manhattan Brooklyn Roosevelt Field Manhasset

Garden C i ty Huntington Sunrise Mall Smith Haven

Vel ley Stream Queena White Plains Paramus ,. Short Hilla Woodbridge Monmouth Starrett at Spring Creek

• Photo by ANTHONY BARBOZA where harmony is a way of life

Crenadier Realty Corp. Managing Agent of Starrett At Spring Creek DONALD BYRDffHE GROUP

DONALD BYRD/THE GROUP , for the Alvin Ailey American Dance since its inception in 1978, has devel­ T heater, t he Alvin A iley Repertory oped a reputation for boldly inventive Ensemble, Dance Theatre of Harlem and and physically irresistible choreogra­ Nieuwe DansGroep of Holland; and has phy. Under the g uidance of artistic been presented in the Soviet Union, director a nd choreographer Donald Hungary, Yugoslavia, Holland, France, Byrd, the compan y presents works England and across the United States. which articulate such universal con­ cerns as isolation and community and MIO MORALES (composer) has been a which tackle issues of disease, drugs, freelance composer and musician since and racial and gender relations. 1974, specializing in music for concert dance and theater. He has collaborated Donald Byrd/The Group has toured with The Alvin Ailey Repert o ry extensively, presenting provocative Company, Dayton Contemporary Dance dance works crafted with astonishing Company, Dance Theatre of Harlem, speed, rhythm and grace to widespread a nd the Concordanse Compagnie acclaim throughout Europe, Japan and lnternationale de Danse du Paris, among the United States. The company is the others. recipient of a M etro po lita n Life Foundation Emerging Dance Award, a DANCERS Composer/Choreographer Award from Michael Blake, Jennifer Ferguson, M eet The Composer, and grants from Darrian Ford, Stephanie Guiland, the AT&T Foundation, NYSCA, Arts Risa Masuhara, Aldawna Morrison, International, the Harkness Foundations Laura Rossini, Ruthlyn Salomons, for Dance, the Community Arts Fund, Leonora Stapleton, Hecto r Vega, the NEA, and the Jerome Foundation. April Wanstall

DONALD BYRD {artistic director) has STAFF created over 30 new dance works since Artistic Director ...... DONALD BYRD 1976, frequently collaborating with Administrative video artists, writers and composers. Director ...... W.L"DEE " WARFIELD His choreography has included works Development Director ... ROBIN JACKUCH

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CON EDISON'S EDUCADON SERIES. .t THE MIND.

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Con Edison\; Education Series is part of To schedule a speaker for your group, our continuing commitment to customer please call (212) 460-6905. services. Or for your free Consumer Education It offers enlightening programs for groups Catalog, write to us at Con Edison, of all kinds-including tenants, homeowners, Consumer Education, 4 Irving Pl., New York, senior citizens, service clubs and business NY 10003. organizations. We've got ways to stimulate everyone\; You could explore the mind of Thomas Edison. Learn the latest in energy-saving monWono~~ • ideas. Or track the development of new energy resources. THE ENERGY OF NEW YORK 651/KIN GS MAJESTIC CORPORATION Mikki Shepard and Leonard Goines, Executive Producers and Artistic Directors

.l presents in the BAM Majestic Theater Apri/17, 1993 8PM Apri/18, 1993 3 PM

BETTY CARTER: jAZZ AHEAD '94

featuring BETTY CARTER and , piano , drums CH RISTOPH ER THOMAS, bass

with THEODROSS AVERY, tenor sax MELYIN BUTLER, drums CHRIS BYARS, tenor sax MATTHEW J. GARRISON, electric bass PEVEN EVERETT, trumpet ALVESTER GARNETT, drums , piano ANDRE HAYWARD, trombone ANTONIO PARKER, alto sax MARCUS PRINTUP, trumpet RUBEN ROGERS, bass ADONIS ROSE, drums J MATTIAS SVENSSON, bass WILL TERRILL m, drums ANTHONY WONSEY, piano MARK ZUBEK, bass BEITY CARTER

BETTY CARTER was born in Flint, Charles. Following the release of the Michigan and grew up in -a now-classic " Charles & Betty city noted worldwide for its musical Carter" a lbum, her career took off. contributions in areas from rhythm 'n' She went on to record on the Impulse, blues and jazz to gospel and pop. Ms. Epic and Peacock labels during the Carter studied at the Detroit '50s and '60s. Conservatory of Music and, at the age of 16, entered and won an amateur tal­ As the '60s came to an end, the popu­ ent contest at Detroit's Paradise larity of jazz began to wane, leading to Theatre. Havi ng done a great deal of fewer recording opportunities. To fill singing in high school, she could impro­ the void, Betty Carter formed her own vise quickly and easily. label, Bet-Car Records. She toured with her group and recorded for Bet­ Ms. Carter later sat in with Dizzy Car throughout the '70s and '80s. Gillespie's , and, by the time Along the way, she picked up two she was 18, had performed with Grammy nominations for Best Female , , Max Jazz Vocalist. In 1988, she signed with Roach and Duke Jordan, without ever Verve, with the dual purpose of record­ leaving Detroit. Soon after graduating ing new projects and re-releasing her from high school in 1948, she joined back catalogue on compact disc. 's band for her first job Verve's first Carter release, "Look and spent two and a half years with the What I Got," won her a 1989 Grammy. group. While with Hampton, she per­ fected her improvisational skills and Betty Carter has also appeared as a learned the basics of band management, guest o n ""-acting composition and arrangement. "When and singing-and has worked with Bill I left the band," she says, " I was able to Cosby on a Coke commercial. She was write and arrange my music. That's featured in the Gang Starr video "It's a how I got to play with so many great Jazz Thing" (from the soundtrack to musicians, because I had great arrange­ Spike Lee's Mo' Better Blues), and was ments and they wanted to play them. I the recipient of a 1992 Jazz Master still do the arranging." Fellowship from the National Endowment for the Arts. In 1951, Betty Carter struck out on her own, coming to New York City, where Over the years, Betty Carter's interest she quickly established herself as a in education, audience development promising performer. She paid her and the general development of jazz as dues in small clubs and, before long, an art form has been all-encompassing. t she was performing at larger clubs and During the '70s, when she became a theaters s uch as the Apollo, the staple on the college circuit, she ven­ Howard and the Royal. tured in search of a new audience: the young. With Betty Carter: jazz Ahead Ms. Carter came to a major turning '94, she continues to seek out ways of point in her career when a gig with connecting a younger audience to the Miles Davis led to a tour with Ray meaning and spirit of jazz. MICHAEL ZWACK January A FAVORITE OF THE CULTURAL ELITE!

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Enhancing the cultural and f"mancial lives of Brooklynites from the same block for more than a half century.

~REPUBLIC ~BANKS REPUBLIC NATIONAL BANK OF NEW YORK MANHATIAN SAVINGS BANK WILLIAMSBURGH SAVINGS Ottilion of The Manhattan Savings Bank L----4 MEMBERS FDIC I-- BROOKLYN ACADEMY OF MUSIC BOARD OF DIRECTORS AND STAFF

Cho;,.,m Membm Robtrt l.. Porbts Robtrt C. Rostnbtrg' Bruce C. Ratner Btttina Bancroft• Michael Fuchs Mikki Shtpard Jennt K. Brite II Stephen R. Greenwald Vaughn C. Williams PrNdent Kevin Burke Robtrt M. Johnson 'Executive Committ ..Ml!m/Jer Har\'ey Lichtenstein William I. Campbell Sidney Kantor Joanne Leonhardt Cassullo Stanley H. Kaplan Honorary Trustns Chairman ofthe Henry Christeruen, Ill AndrHillman' Mallory Factor Evtlyn Drtntr Hon. David N. Dinkms I. Stanley Kritgtl' Ronald&. Feiner David l.. Ramsay Hon. H""'lrd Cold

EXEClffiVE AND Ernest Southerland, Maintl!f11111Ce Ed.'lrd Conti, Wardrobt Membtrship PROGRAM STAPP Parking ~cilities Supervi., Rawl Scott ~'Onnie F'rtdtrick, Receptionist Mona Heinze ~/Manager Michael Soto & Marketing Assistant Gertrude S. Boothe, Kevin Young Advertising Sales Livet Reichard Company, Inc. Rectptionist & Paul G. Wasmund, Director Special Consultant, Anne Livet Administrative Assistant FINANCE Walter Hewett, Associate Director Serafin Castro, Mail Clerk Judith l.. Stevens, Director of Publications & Design PRESIDENT'S OFFICE Cynthia Smith, Acrounting and Finance Sean R. K«ptrs, Pameb Mosley, Administrative Assistanl Peter Gee, Budget Manager Publialticns Associate Executive Secretory Natoli< Baptist>, /'Qyro/1 Manager Henry C. Blaur, MegKrusuwsJc., BOX OFFICE Tonyo Col>b,Accounts Senior Graphic Dtsigrwr Mminislrali~ Assislanl Ellen 0. Anderson, Treasur.,. R«rioobl~ Administrator Jon Crow, Karen M. Wintr, Claudette Griffith,~ Graphic Dtsigrwr PROGRAMMING F'irll Assistant Tteosur.r Steven Smith, Accounts Publicity & Public Rebtions Leslie Findlen, Pat Durand, Assistant Tr«JSUreT Pt,gable Clerk Peter B. Carwty, Director Programming Coordinator Leslie Scharf, Assistant TreasurD" William Murny, Angela Gardntr, Manha Rosenbtrg. GENERAL MANAGEMENT & Senior Press Represmtative Adminislrolive Assiston/ Assistant Treasurer PRODUCTION DeWayn< Snypt, Press Assistant Genenl Management Subscription & Ticket Services PUBLIC AFFAIRS BUILDING MANAGEMENT Lynn Moffat, Associate Lyndon Zineke, Cheryl Anthony, Director Nonnan A. MacArthur, Gmrris, TMoter Staff Suzttte Brucoe, HOUSE PHOTOGRAPHER Ronald Green<, Director of Supervi.rtz, Associate Mark Robison Collie Dean Produdicn Coordinator Director for Education Ray Dono CaiUin Barton, John Malatest>. Program AssislanJ SOUND CONSULTANT Donaldf>rr Produdicn 0/fja Manager Francine McKenzi<, AbtJ.acob Matthew James Don Riordan. Creoo Chief EduaJticn Assislanl Btnjamin McDonald Optra lloust MEDICAL CONSULTANTS Sheral MousWa Jack Fuller, Head Electrician PLANNING AND DEVELOPMENT Jonathan Lorch, MD Ron Rathan Patrick McDonald, De\'tlopment Jordan S. Josephson, MD Robtrto Solis Master of Propl!rlies Denis Azaro, James Victor Cyrus Similly, Head Cmpenter Director ofCJay{opment LEGAL COUNSEL Haskell Walker Timothy Fuller, Flgman Jacqueline A. Kravetz, Colton, Hartnick, Yamin and Harold lleath James D'Adamo, Electrician Db James Kehoe, Head Cmpenter Lisa Rodriguez, Administrative ACCOUNTANTS Courtnty Horris Lepercq Space Assislanl to the Executive Luu and Carr Btmardl.awrmct Chris Butts, Head E/tclrieian V"ra President SUPPORTERS OF THE BROOKLYN ACADEMY OF MUSIC

The New York Times M~tr~ LEADERSHIP GUARANTORS Company Foundation, Inc. McCnw-llill, Inc. ($100,000 or more) ($25,000 or more) One World Arts Foundation Metropolit1-n Life Found~tion Air France ABN AMRO Bank N.Y. l>ark Avenue Charitable fund Netherlands-American Amity AT&T and European American Bank Primerica foundation Trust The Government of Canada Absolul Vodka Quaker Instant Crits Netherlands Board of Tourism through the Department of Ameriun Airlines Quebec Government House; New York Design Center Inc. External Affairs and The Louis D lder Foundation The Cultural Affairs Dept. Mr.&: ~trs. Everettli. Ortner International Trade Cari llon ImpOrters Lid. of Quebec; the International ()$car de Ia Renta EU Aquitaine, Inc. CBS, Inc. Affairs Otpl. of Quebec Mrs. Alice Holbrook Platt Fondation Elf Chemical Banking Corporation David L. Ramsay, MD Polo/Ralph laur.! Bonk of Champagne Veu\--e Clicquot The Pow Charil>blt Trusts New York!Manhatlm PATRONS Club f-Ta.nce Philip Morris Companies Inc. Savings Bonk/ Willianuburgh Savings Bank ($5,000 or more) Club USA The Rockefeller foundation The American-Scandinavian Cynthia F. Davis Starrett at Spring Cr«k, Micbel Roux Beth Rudin DeWoody Scandinavian Airlines System foundation managed by Ban que Frant:aise du Herbert Construction Grenadier Realty Corp. The Starr Foundation The Shubert Foundation, Inc. Commerce Exterieur Richard and Dorothy Hulbert L.ila Wallace-Reader's Barker Welfare Foundation Mr. & Mrs. Sidney Kantor Digest Fund Lawrence Weiner ~1 r. & Mrs. I. Stanley Kriegel The lsak and Rose Weinman BIC Corporation Roberl W. Wilson Botwinick-Wolfensohn Phyllis Holbrook Lichtenstein Foundation, Inc. The National Arts Club Whittle Communicelions Foundation PRESIDENT'S Canadian Consulate General Donald E. Newhouse CIRCLE The Pace Callery PACESETTERS in New York ($50,000 or more) Mr. & Mrs. Henry Pall Corporation The Bohen foundation ($10,000 or more) Christenstn.lll Point Music Brooklyn Union Cas Company Abnham &: Straus Columbia Financial Cynthia & Leon Polsky Mary Flagler Cary American Express Company Partntrs, L.P. Anne S. Richardson fund Charitable Trusl R... M. Badgtley Residuary Cover Ci rl Cosmetics Salomon foundation Inc The Chase Manhattan Bank Charilable Trust Cnvath, Swaine & Moore Securities Industry Automation Robert Sterling Clark Bettina Bancroft Dorothy and L

1992-93 BAM Opera Council Hembns Cynthia F. 0.11vis Socr1tes Nicholas Rebtcu Sulliv.illn Bettina B.lncroft Cathuint G. Curnn Evelyn and Everett Ortntr The ls.ak ~nd Rose Weinmm Anne H. Bus Mr. ;md Mrs. Anthony T. D<;m John MichKI Powen, Jr. Foundation, Inc. Mr. & Mn. Henry v_..t> and Malcolm Graff Ted ;md S.uy Rogers Mr. W. l..otbtr Landau Chruteru

1992-93 NEXT WAVE Producers Council

Corporate Chairman Willem M. Brans 1\1orton Gould/ASCAP Barbara & Mu Pine Michael A. ~1 iles Val eri~ Braunschweig y,.. ta & Malcolm Graff Mr. & Mrs. Leon B. Polsky Philip Morris Companies Inc. Tina Brown Eugent M. Grant John Michael Powers, Jr. Kevin Burke Agnes Cund & Daniel Shapiro Dr. David L. Ramu:y lOth Anniversary Chairman Mary Griggs Burke Charles Hamm Julie & Bruce C. Ratner Charles A. van Campenhout Frederick B. Henry Jonathan F. P. Rose & Michael Fuchs Cheryl tlenson Diana Callhorpe Home Box Orfic.e Graydon ~rter J DJ~ nn e Leonhardt Cassullo Rita Hillman Robert C. Rosenberg & William F. Chafin• Barbara Hoffman ~,un Kaufman Executive Viet Chairmen Neil 0. Chrisman Bianc.t Jagger Clifford Ross Allen ~l cNeary & ~l aur~en & Marshall Cogan Linda Janovic Michel RouJ Priscilla Campbell Maria & Kenneth Cole Robert D. Joffe Martha A. & Robert S. Rubin Sam Cohn ~1ary & Sidney Kantor Ophelia & Bill Rudin 1992 Nt:XT WAVE: Anita Conlini Miriam E. Katowitz & Shelly ~izman Scheuer Poster ArtiJI Mary S. Cronson Arthur J. Radin Joanne & Paul Schnell Philip Tulle Anna Cryer Georg~ A. K~llnu Lavinia & Brian Snyder J DJ~nn~ Toor Cummings Lylla & Georg~ Kleinman Ruth Cummings Sorensen 1992 Nt:XT WAVE: Joseph R. Dalton Ted Kohl Patricia Tarr Jounuzl Chairmen Mr. & Mrs. Oscar de Ia Renta. William 0. Komr~ich NikiTaylor Glenn E. Bourgeois Jeffrey Deitch Robert A. Krasnow JJ.mts Tnlman Btlh Rudin DeWoody CharloUe & I. St;mley Kriegel Sue Erpf & Muio Buatta C.rrit Van de &..nlwnp David Geffen Michael D. Dingman Robin & Edgar umpert Frederick N. & N;mcyl.usalk Jo;mVus Mi ch~le Ob Doner IWph & Ricky uur

1992-93 NEXT WAVE Associates

Co-Cirainnm J.B. Brown Gil Karson Harry Slatkin Mariiil.Cuomo& Antonia. & Thomas Bryson Marilyn R. Kilinski Howard Slatkin Kenneth Cole EJ.Camp David Kuhn Robert Soros & Cathryn Collins Sally & David Carroll Useumbert Melissa Schiff Soros Kim Ha.streiter William D. Cohan & Hugh & lklsy umle Jon S""ut Oe.borah Putter l. Bayly L

BAM ARTISTS PRINT PORTFOLIO The BAM Artists Print Portfolios feature specially commiuioned,limited-edition prints by renowned visual artists. All prints are in editions o(75. with 16 artisU' proofs. 11le PortfoHos, published by Pansol Press, are available on a limited basis to museums, private collectors, and corpontions. Print Portfolio 11987-1988 Print Portfolio 111988·1989 Print Portfolio 1111989·1990 BAM Print Edition 1992 Jennifer Bartlett Christian Ecklrt Chuck Close Juli>n Schnabel Francesco Clemente Eric Fischl Richard Estes (Special edition of2SO prints; Roy Lichtenstein David Hockney Peter Halley published by Alex Heinricci) David S.lle Barbara Kruger Claudia Hart Kenny Scharf Jonathan Lasker Sol LeWitt BAN Print Edition 1993 Juli>n Schnabel Robert M>ngold Will ~1entor Donald Baechler Donald SuItan Cl1

BAM COVER AND POSTER ARTISTS KueiAppel Willem de Kooning Alex Klt.z Kenny Sch1rf Donald Baechler Carroll Dunham Sherrie Levine Frank Stell• Ross Bleckner David Hammons Roy Lichtenstein Philip T>affe 1-Tancesco Clemente Keith Haring+ Robert Mapplethorpe+ Todd Watts Papo Colo David Hockney Susan Rothenberg +In Memoriam

1993 BAM PHOTOGRAPHY PROJECT Oon•ted courtesy ofWeegee.

BENEFACTORS, cont. Mr. James Q. Riordan John Hay Wh itney Mr. Irwin Horowitz Mr. & Mrs. David Rockefeller Irene Worth Or. Ursula Huebner Mr. & Mrs. Herbert Katz Ted and Beuy Rogers Thomas Kempner David W. Jones Roy•l Bank of C.n•d• SUSTAJNERS Martha Yvonne Jones Mr. & Mrs. C11vin Klein Kalman Rultensltin Edward Kleinbard & ($500 or more) Margot l..t:wis Konrmy Sanda.M'OOd Founda.tion ~lr. & Mrs. Thomu P. Kolar JOill & Albert Kronick Mr. Gerald Agrinoff J>mesSch•dt Americ.n Stock Eoch•nge ~1r. & Mrs. W. Loeber l>nd•u Mr. & Mn. Irwin l..ainoff Schieffelin & Somerset Co. 1\lr. Eric Levine Mr. Charlton M. Lewis Amstar Corporation ~t r. Harold L. Schiff Karin Berg Ilan -ey L.khtenstein Cecilia Loving.Sioane lan Schrager Vincent Mai Mr. & Mrs. Eugene Luntey Bergdorf Goodman ~1artin E. Seg.l Eric McClellan Lut.zondC.rr David Bither ~ts. Kira. Sergievsky Eliubeth P. Borish Mr. & Mrs. Edwud F. Mr. AJejtndro Madero The Shapiro Family Foundation Rose ~l arie Bravo McDoug•l. 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BAM PROGRAM STAFF 1992 £d1tor...... Sean Keepers Designer ...... Henry C. Bla.zer Advertising Sa/.s ...... •.•.•...... Pau( G. Wasmund AdvuiiSing Sa/es ...... •...... •• Walter Hewett ~~ THE GRAND PROSPECT HALL

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PRESENTS BETTY CARTER: jAZZ AHEAD '94

Apri/17, 1993

BETTY CARTER TR10 CYRUS CHESTNUT (age 29), piano, study with Alan Dawson. His appear­ first met Betty Carter as a student at ances include the Mt. Fugi jazz the Berklee College of Music, where Festival in Tokyo, the Du Maurier she was teaching a master class. He jazz Festi"val in Toronto, CA, the joined her trio in 1991. Cyrus has Atlanta jazz Festival, the West Palm performed with , Beach Jazz Festival, Entertainment Wynton Marsalis, Branford Marsalis, Tonight with Dizzy Gillespie and Chick Corea, Joe Williams, Charnett Black Entertainment Television with Moffett, George Adams, Jon the Ellis Marsalis Trio. Hendricks, Terrence Blanchard and Donald Harrison at venues that CHRISTOPHER THOMAS (age 22), include Avery Fisher Hall, The Blue bass, has studied at the University of Note, Village Vanguard, the JVC Jazz Wisconsin and the University of New Festival, the , Orleans. He has performed with the in Japan, Marcus Roberts, Ellis Marsalis, Kenny the Umbria Jazz Festival in Italy, Garrett and Yo Yo Ma. He toured "Sesame Street" on PBS, and "The last year as a member of jazz impres­ Tonight Show with Jay Leno." sario George Wein's jazz Features II.

CLARENCE PENN (age 24 ), drums, has spent the last few years traveling throughout the world as a member of PARTICIPATING MUSICIANS Betty Carter's trio. He has performed TEODROSS AVERY (age 19), tenor with , Wynton Marsalis, sax, is a Music Education major at the Ellis Marsalis, Dizzy Gillespie, Hubert Berklee College of Music. He has per­ Laws, Terrence Blanchard, Clark formed in the Monterey, Redwood, Terry and Mel Torme. In 1990, he Oakpark and Oakland jazz Festivals, received a $40,000 grant from the sharing musical moments with National Endowment for the Arts to Branford Marsalis, Wynton Marsalis,

tJI , Donald Byrd, Art Jazz Drums Competition. He has per­ Blakey and Elvin Jones. formed with Ellis Marsalis, Milt Hinton and Clark Terry. BRIAN BLADE (age 22), drnms, has toured nationally with the Joshua MATTHEW J. GARRISON (age 22), Redmon Band. electric bass, is a 1992 graduate of the Berklee College of Music. He has per­ MELVIN BUTLER (age 23), tenor formed with the Gary Burton Quartet, sax, is currently completing a 5-year Jack DeJohnette, Joe Zawinul, Chico dual major in jazz Composition and Freeman, Rashied Ali, Ravi Coltrane, Saxophone Performance at Berklee Terri Lynn Carrington, and Antonio College of Music. He has performed Hart, touring to Japan and throughout with Branford Marsalis, Jimmy Smith, the United States. jack Dejohnette, josef Zawinul, Peter Erskine and Donald Byrd. ANDRE HAYWARD (age 20), trom­ bone, is a Music Education major at CHRIS BYARS (age 22), tenor sax, Texas Southern University in Houston was a semi-finalist in the 1991 and a member of TSU's Jazz Ensemble Thelonious Monk Competition in under the direction of Howard C. Washington, D.C. and has performed Harris. He received his first private with Barry Harris, jon Hendricks and lessons from Richard Reeves, a bass Cecil Payne. He recently completed a trombonist for the Houston Opera. second Latin American tour. GREGORY HUTCHINSON (age 21), PEVEN EVERETT (age 18), trnmpet, drums, is a former member of the began playing music at the tender age Betty Carter Trio. He is currently per­ of 3. Since then, he has played the forming with the Roy Hargrove Band. drums, the piano and the trombone before settling down with the trumpet ANTONIO PARKER (age 23), alto as his instrument of choice. A gradu­ sax, is a graduate student at Howard ate of Thornridge High School in University focusing on Composition Harvey, IL, he hasn't yet made a deci­ and Arrangement. A native sion regarding the college he will Philadelphian, he has recorded 4 attend in the fall. with the Howard University Jazz Ensemble and has performed at ALVESTER GARNETT (age 22), the Library of Congress, the John F. drnms, is currently a senior in the jazz Kennedy Center for the Performing Studies program at Virginia Arts and the MENC National Commonwealth University. He was Biennial In-Service Conference in the Third Place Award winner in the Washington, D.C. 1992 Thelonius Monk International MARCUS PRINTUP (age 25), trum­ Kenny Barron and Claudio Roditi. He pet, recently performed with Wynton will be touring Europe with both the Marsalis on the world premiere of Danilo Perez group and Slide "j azz: In Syncopated Movements," a Hampton and the Jazz Masters. piece commissioned by the New York City Ballet. He was the winner of the MATTIAS SVENSSON (age 25), bass, 1991 International Trumpet Guild is presently enrolled at the New School jazz competition and a semi-finalist in for Social Research in New York the 1991 Louis Armstrong where his teachers include Reggie International jazz competition. He is Workman, and Jim currently a member of the Marcus Hall. Born in Landskrona, Sweden, he Roberts Group. has performed with Arnie Lawrence, Arne Domnerus and Philip Wilson. REUBEN ROGERS (age 18), electric/acoustic bass, has played with JACKY TERRASSON (age 27), piano, Joe Beck, Marcus Roberts and Alvin was born in Germany and lived in Batiste. A student at the Berklee Paris until he finished high school. He College of Music, this St. Thomas has since lived in Boston and Chicago native has a deep-seated love for all and now resides in New York City. music, including reggae, calypso, Jacky has performed with Wallace gospel, r & b, funk, latin and jazz. Roney, Guy Lafitte, Ray Brown, and . He joined Art ADONIS ROSE (age 18), drums, has Taylor's group, The Wailers, in 1992. appeared at the New Orleans jazz & Heritage Festival and the Loyola WILLIE JAMES TERRILL, III (age University jazz Festival; toured the U.S. 19), drums, is a sophomore Music and Japan; performed with Wynton major at North Carolina Central Marsalis, Terrence Blanchard, Delfeayo University. In 1990 and 1991, he was Marsalis, Clark Terry and Marcus named North Carolina All-State Roberts; and assisted Terrence Percussionist and has participated in Blanchard on the soundtrack for the workshops led by Wynton Marsalis motion picture Malcolm X. He is a and the Count Basie Orchestra. student at the Berklee College of Music. ANTHONY WONSEY (age 21 ), DAVID SANCHEZ (age 24 ), tenor piano, has performed with sax, is a native of Puerto Rico. He Christopher Hollyday, Delpheayo attended Rutgers University as a trans­ Marsalis, Bill Pierce, Von Freeman, fer student from the University of Jay Branford and Antonio Hart. He is Puerto Rico. He has performed with currently a film scoring major at the Eddie Palmieri, Dizzy Gillespie's Berklee College of Music and studies United Nations Band, , with .

OJ MARK ZUBEK (age 19), bass, has Guild, the Alabama Shakespeare studied with Patrick Collins, Reggie Festival, the New Federal Theater and Workman, Barry Smith and Barry the Dallas Theatre Center, as well as Harris. A native of Toronto, Canada, many other regional and off-Broadway he was awarded "Best Jazz companies. He has designed for Performance" at the Kiwanis Music DANCEAFRICA at BAM for the past Festival in 1991 and "Best Jazz four years. Combo" three years in a row at the Ontario Jazz Festival and, in 1989, Mr. Grant has been the designer for toured Japan. He is a student at the 651 since its inception in 1988. His Berklee College of Music. designing credits also include the Alvin Ailey American Dance Theatre and WILLIAM H GRANT III (lighting American Ballet Theater. He is the designer) has designed lighting for resident lighting designer for The dance, opera and theater throughout Philadelphia Dance Company (PHI­ the United States, Canada, Europe, LADANCO). Mr. Grant has taught Africa, South America, the Caribbean, lighting design at the City College of the Middle East and the former Soviet New York and is the author of A Union. He has designed extensively Basic Handbook of Stage Lighting. In for the Milwaukee Repertory his spare time, Mr. Grant is an accom­ Company, the Philadelphia Drama plished harpist.