Curriculum Vitae
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Zeng Jing's Informal Portraits of the Jiangnan Litera
UNIVERSITY OF CALIFORNIA Santa Barbara Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History by Seokwon Choi Committee in charge: Professor Peter C. Sturman, Chair Professor Miriam Wattles Professor Hui-shu Lee December 2016 The dissertation of Seokwon Choi is approved. _____________________________________________ Miriam Wattles _____________________________________________ Hui-shu Lee _____________________________________________ Peter C. Sturman, Committee Chair September 2016 Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati Copyright © 2016 by Seokwon Choi iii ACKNOWLEDGEMENTS My sincerest gratitude goes to my advisor, Professor Peter C. Sturman, whose guidance, patience, and confidence in me have made my doctoral journey not only possible but also enjoyable. It is thanks to him that I was able to transcend the difficulties of academic work and find pleasure in reading, writing, painting, and calligraphy. As a role model, Professor Sturman taught me how to be an artful recluse like the Jiangnan literati. I am also greatly appreciative for the encouragement and counsel of Professor Hui-shu Lee. Without her valuable suggestions from its earliest stage, this project would never have taken shape. I would like to express appreciation to Professor Miriam Wattles for insightful comments and thought-provoking discussions that helped me to consider the issues of portraiture in a broader East Asian context. I owe a special debt of gratitude to Susan Tai, Elizabeth Atkins Curator of Asian Art at the Santa Barbara Museum of Art. She was my Santa Barbara mother, and she helped made my eight-year sojourn in the American Riviera one that I will cherish forever. -
Robert E. Harrist, Jr. Department of Art History and Archaeology 826 Schermerhorn Hall Columbia University New York, New York 10027 Tel
Robert E. Harrist, Jr. Department of Art History and Archaeology 826 Schermerhorn Hall Columbia University New York, New York 10027 Tel. (212) 854-4505 (office) (212) 854-8080 (home) email: [email protected] Education Princeton University, Ph.D. in Chinese Art and Archaeology, 1989 Inter-University Program for Chinese Language Studies, Taipei, 1981-82 Columbia University, M.A. in East Asian Studies, 1980 Indiana University, M.A. in Art History, 1978; B. S. in Music and Art History, 1975 Teaching Experience Jane and Leopold Swergold Professor of Chinese Art, Department of Art History and Archaeology, Columbia University, 2001-; Associate Professor 1997-2001. Department chairman, 2007-2011 Visiting Professor, Lingnan Univeristy, Hong Kong, March 2012 Professeur invité, Université de Paris 1/Sorbonne, November 2011 Slade Professor of Fine Art, University of Cambridge, 2006-07 Visiting Associate Professor, Department of Art History and Archaeology, Princeton University, Spring 2001 Associate Professor of Art and East Asian Studies, Oberlin College, 1987-1997; Director of the Program in East Asian Studies, 1996-1997 Visiting Associate Professor of the History of Art, The University of Michigan, Winter Term, 1993 Publications 2 Books and Exhibition Catalogues: The Landscape of Words: Stone Inscription in Early and Medieval China. Seattle: University of Washington Press, 2008. (Winner of the Joseph Levenson Prize, Association of Asian Studies, 2010.) With Wen C. Fong et al., The Embodied Image: Chinese Calligraphy from the John B. Elliott Collection. Princeton: The Art Museum, 1999. Japanese adaptation, Umi o watatta Chūgoku no sho (Chinese calligraphy overseas). Osaka: Osaka Municipal Museum, 2003. Painting and Private Life in Eleventh-Century China: Mountain Villa by Li Gonglin. -
SILBERGELD.CV 1 JEROME SILBERGELD P.Y. and Kinmay W. Tang Professor of Chinese Art History, Emeritus Tang Center for East Asian
SILBERGELD.CV 1 JEROME SILBERGELD P.Y. and Kinmay W. Tang Professor of Chinese Art History, Emeritus Tang Center for East Asian Art, Director Emeritus Princeton University 105 McCormick HaLL Princeton, New Jersey 08544 [email protected] Education B.A., Stanford University, 1966 (History, with DepartmentaL Honors) M.A., Stanford University, 1967 (History) Stanford University, 1967-68 (Ph.D. Program in History) Princeton University, 1968-69 (Ph.D. Program in Chinese Art and Archaeology) M.A., University of Oregon, 1972 (Art History, with University Honors) Ph.D., Stanford University, 1974 (Art History, with DepartmentaL Distinction) Dissertation: "PoliticaL Symbolism in the Landscape Painting and Poetry of Kung Hsien (ca. 1620-1689)" Faculty Appointments University of Oregon, Department of Art History, Visiting Assistant Professor, 1974-75 University of Washington, Art History Program, China Studies AffiLiate (Jackson School of InternationaL Studies), Cinema Studies Faculty; Assistant Professor, 1975-81; Associate Professor, 1981-87; Professor, 1987-2001; DonaLd E. Petersen Professor of Arts, 2000-2001; AffiLiate Professor of Art History, 2001-2012 Harvard University, Department of Fine Arts, Visiting Professor, 1996 Princeton University, P.Y. and Kinmay W. Tang Professor of Chinese Art History, Director Tang Center for East Asian Art, Departemnt of Art and Archaeology, AffiLiate Professor of East Asian Studies Department, Member of East Asian Studies Program, 2001-2016; Executive Committee, Committee for FiLm Studies, 2005-2016 University -
Chinese Landscape Painting As Western Art History
James Elkins With a Foreword by Jennifer Purtle Hong Kong University Press 14/F Hing Wai Centre 7 Tin Wan Praya Road Aberdeen Hong Kong © Hong Kong University Press 2010 ISBN 978-962-209-000-2 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the publisher. Secure On-line Ordering http://www.hkupress.org British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. Printed and bound by Kings Time Printing Press Ltd., Hong Kong, China Contents List of Plates vii Foreword: “Whose Hobbyhorse?” by Jennifer Purtle ix Preface xxi Abbreviations xxv Iterated Introductions 1 I A Brace of Comparisons 13 II Tying Some Laces 49 III The Argument 67 IV The Endgame, and the Qing Eclipse 99 V Postscripts 133 Notes 147 Index 175 List of Plates A Zhang Hongtu, Shitao–Van Gogh. 1998. x B Shitao, Landscape from An Album for Daoist Yu. Album leaf, ink and color on x paper. C.C. Wang Collection, New York. C Vincent Van Gogh, The Starry Night. 1889. xi 1 Top: Vincent Van Gogh, View of Arles. Museum of Art, Rhode Islands School 25 of Design, Providence, RI. Bottom: Shen Zhou, Scenes at Tiger Hill, Oak and Hummocks with Three Figures at a Wall. Cleveland Museum of Art. 2 Zhao Mengfu, Autumn Colors in the Qiao [Que] and Hua Mountains, detail. 26–27 Handscroll, 28.4 x 93.2 cm. -
Bibliography of Chinese Cinema Jerome Silbergeld, Wei Yang Princeton University, Department of Art and Archaeology
Chinese Cinema Bibliography 1 A Selected Bibliography of Chinese Cinema Jerome Silbergeld, Wei Yang Princeton University, Department of Art and Archaeology Note: This bibliography benefited from many published and online bibliographies of Chinese cinema, some of which are noted in the bibliography itself, as well as from correspondents who sent suggestions. We regret any errors. Please send further suggestions and corrections to the Tang Center for East Asian Art at [email protected]. The section on special themes is based on Princeton's course, Art 350, Chinese cinema. Version: August 10, 2004 Outline of this Bibliography General Studies Film Theory General, including Western Feminist Theory and Aesthetics in the Performance Arts Special Themes Film as History and History in Film Modernization: Hopes and Fears The Chinese Family Model Gender and Sexuality Youth , Ethnicity and Education The Politics of Form: Melodrama, Embodiment Cinema, Artistic Status, and the Sister Arts Chinese Cinema in a Global Era Defining "China" in a Global Culture: Hong Kong Taiwan Publications about Selected Individual Directors Chen Kaige Hou Hsiao-hsien Hu An (Ann Hui) Kwan, Stanley Lee Ang Tian Zhuangzhuang Tsai Mingliang Wong Kar-wai Xie Jin Yang, Edward (Yang Dechang) Zhang Yimou Zhang Yuan Film Review Indices Bibliographic References On-Line Film Resources Chinese Cinema Bibliography 2 General Studies Bao Minglian. Dongfang Haolaiwu: Zhongguo dianying shiye de jueqi yu fazhan 東方好萊塢:中國電影事業的崛起於發展. Shanghai: Shanghai renmin, 1991. Barlow, Tani and Donald Lowe. “Movies in China.” Jump Cut 31 (1986):55-57. Bazin, Andre. What is Cinema I and II. Berkeley: University of California Press, 1967, 1971. Beach, Rex and Zhang Yingjin. -
CURRICULUM VITAE Qianshen Bai [email protected]
CURRICULUM VITAE Qianshen Bai [email protected] EDUCATION 1996 Ph.D. in History of Art, Yale University 1993 M.Phil. in History of Art, Yale University 1992 M.A. in History of Art, Yale University 1990 M.A. in Political Science, Rutgers University, New Brunswick, New Jersey 1985-86 Graduate Program in Political Science, Peking University, Beijing, China 1982 Bachelor of Law, Peking University TEACHING AND WORKING EXPERIENCES 2019- Director of Zhejiang University Museum of Art and Archaeology 2019- Dean of School of Art and Archaeology, Zhejiang University 2019- Professor of art history at School of Art and Archaeology, Zhejiang University 2015- Professor of art history at The Art and Archaeology Research Center, Research Institute of Cultural Heritage, Zhejiang University 2004-15 Associate professor of Asian art history, Department of Art History, Boston University 2002 Visiting assistant professor, Department of History of Art and Architecture, Harvard University (Spring semester) 1997-04 Assistant professor of Asian art history, Department of Art History, Boston University 1996-97 Assistant professor of Asian art history, Department of Art, Western Michigan University 1995 Instructor of Asian art history, Department of Art, Western Michigan University 1994 Co-instructor for the graduate seminar “Methods and Resources for the Study of Premodern China,” Yale University 1994 Instructor for the Yale College Seminar “The History and Techniques of Chinese and Japanese Calligraphy,” Yale University 1992 Teaching assistant for “Introduction to the History of Art,” Yale University 1987-90 Visiting instructor of calligraphy, Department of East Asian Language and Literature, Rutgers University 1982-85 Instructor of the history of Chinese political institutions, Peking University AWARDS AND HONORS 2011-12 Fellowship offered by the National Endowment for the Humanities. -
Jerome Silbergeld
SILBERGELD.CV 1 JEROME SILBERGELD P.Y. and Kinmay W. Tang Professor of Chinese Art History Director, P. Y. and Kinmay W. Tang Center for East Asian Art Affiliate Professor, East Asian Studies Department Member, East Asian Studies Program Executive Committee, Committee for Film Studies Princeton University 105 McCormick Hall Princeton, New Jersey 08544 609-258-6249 FAX 609-258-0103 [email protected] Education B.A., Stanford University, 1966 (History, with Departmental Honors) M.A., Stanford University, 1967 (History) Stanford University, 1967-68 (Ph.D. Program in History) Princeton University, 1968-69 (Ph.D. Program in Chinese Art and Archaeology) M.A., University of Oregon, 1972 (Art History, with University Honors) Ph.D., Stanford University, 1974 (Art History, with Departmental Distinction) Dissertation: "Political Symbolism in the Landscape Painting and Poetry of Kung Hsien (ca. 1620-1689)" Faculty Appointments University of Oregon, Department of Art History, Visiting Assistant Professor, 1974-75 University of Washington, Art History Program, China Studies Affiliate (Jackson School of International Studies), Cinema Studies Faculty; Assistant Professor, 1975-81; Associate Professor, 1981-87; Professor, 1987-2001; Donald E. Petersen Professor of Arts, 2000-2001; Affiliate Professor of Art History, 2001- Harvard University, Department of Fine Arts, Visiting Professor, 1996 Princeton University, P.Y. and Kinmay W. Tang Professor of Chinese Art History, Director Tang Center for Chinese and Japanese Art, Affiliate Professor of East Asian -
Authenticity and the Copy: Analyzing Western Connoisseurship of Chinese Painting Through the Works of Zhang Daqian
AUTHENTICITY AND THE COPY: ANALYZING WESTERN CONNOISSEURSHIP OF CHINESE PAINTING THROUGH THE WORKS OF ZHANG DAQIAN by SARA LINDSEY MENTON A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts March 2014 THESIS APPROVAL PAGE Student: Sara Lindsey Menton Title: Authenticity and the Copy: Analyzing Western Connoisseurship of Chinese Painting through the Works of Zhang Daqian This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies by: Jenny Lin Chairperson Daniel Buck Member Albert Narath Member and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded March 2014 ii © 2014 Sara Lindsey Menton iii THESIS ABSTRACT Sara Lindsey Menton Master of Arts Interdisciplinary Studies Program: Asian Studies March 2014 Title: Authenticity and the Copy: Analyzing Western Connoisseurship of Chinese Painting through the Works of Zhang Daqian This thesis examines conflicting attitudes regarding artistic authenticity and differing approaches to connoisseurship vis-à-vis the field of Chinese art and its reception in Europe and North America. Although this thesis examines both Chinese and Western approaches to the copy and highlights different cultural methods, this argument is not Chinese versus the West. This thesis displays how concepts are combined in the Western art field to reach differing conclusions about a painting’s authenticity. Specifically, this thesis analyzes the art of Chinese painter Zhang Daqian (1899-1983) and the debate surrounding Along the Riverbank , a painting in the Metropolitan Museum of Art’s collection attributed to 10 th century Chinese painter Dong Yuan (c. -
Jerome Silbergeld
SILBERGELD.CV 1 JEROME SILBERGELD Acting Chair, Department of Art and Archaeology P.Y. and Kinmay W. Tang Professor of Chinese Art History Director, P.Y. and Kinmay W. Tang Center for East Asian Art Affiliate Professor, East Asian Studies Department Member, East Asian Studies Program Member, Faculty Committee for Film Studies Princeton University 105 McCormick Hall Princeton, New Jersey 08544 609-258-6249 FAX 609-258-0103 [email protected] Affiliate Professor of Art History, University of Washington Education B.A., Stanford University, 1966 (History, with Departmental Honors) M.A., Stanford University, 1967 (History) Stanford University, 1967-68 (Ph.D. Program in History) Princeton University, 1968-69 (Ph.D. Program in Chinese Art and Archaeology) M.A., University of Oregon, 1972 (Art History, with University Honors) Ph.D., Stanford University, 1974 (Art History, with Departmental Distinction) Dissertation: "Political Symbolism in the Landscape Painting and Poetry of Kung Hsien (ca. 1620-1689)" Faculty Appointments University of Oregon, Department of Art History, Visiting Assistant Professor, 1974-75 University of Washington, Art History Program, China Studies Affiliate (Jackson School of International Studies), Cinema Studies Faculty; Assistant Professor, 1975-81; Associate Professor, 1981-87; Professor, 1987-2001; Donald E. Petersen Professor of Arts, 2000-2001; Affiliate Professor of Art History, 2001- Harvard University, Department of Fine Arts, Visiting Professor, 1996 Princeton University, P.Y. and Kinmay W. Tang Professor of Chinese -
Art & Archaeology Newsletter
department of Art Archaeology & Newsletter fall 1 Dear students, colleagues, and friends: Inside Greetings, and welcome to the which she earned with her exciting work on the Brazilian artist Hélio Oiticica. We welcome her and 2012–13 academic year! her family most warmly to Princeton. Speaking of Last year’s schedule was densely packed with newcomers, Irene, Bridget Alsdorf, Rachael DeLue, Faculty News stimulating lectures and colloquia—the lecture and Lia Markey have recently welcomed new series jointly organized by the department and babies to their families, and we congratulate 9 the Institute for Advanced Study, two graduate all of them. Graduate Student News student conferences, and the Princeton-Rutgers In the spring semester, we will have the Senior Thesis Symposium continued to bring both privilege of hosting an eminent expert in the field advanced and younger scholars to campus and in of Renaissance art history, Martin Kemp, professor 14 front of interested audiences. In addition, all three emeritus at Trinity College, Oxford, who will be Undergraduate News major departmental lectures were given last year: the 2013 Janson La-Palme Visiting Professor. David Rosand of Columbia University gave the A very heartfelt and warm farewell goes to 19 Robert Janson-La Palme *60 lecture, on Leonardo, Lisa Ball, assistant to the chair, and Patty Lieb, Lectures, Conferences, Dürer, Michelangelo, and events coordinator, who have Symposiums their critics; Sible de Blaauw, assumed new positions in the from Radboud University Department of East Asian of Nijmegen, delivered the Studies. I thank them both for Kurt Weitzmann Lecture, on their excellent work and their Seminar Study Trips the court of Saint Peter’s as a dedication to the department place of memory; and Richard over the years. -
The Jackson Report Centennial 1909-2009
The Henry M. Jackson School of International Studies The Jackson Report Special Centennial Edition Fall 2008 2 JACKSONJACKSON REPOREPORRTT CCENTENNIALENTENNIAL EEditiondition 1909–20091909–2009 Director’s Greeting New Jackson School PhD Program BY ANAND YANG, DIRECTOR BY2009 DAVID BACHMAN, Associate DIRECTOR ENGAGING MINDS, ENGAGING THE WORLD: A phrase that evokes the In its earliest incarnation, the School focused exclusively on the The Jackson School is preparing to take the next step in developing a current global vision of the Henry M. Jackson School of International “Orient,” which then referred to that vast region stretching from PhD program in International Studies by filing a notification of intent Studies and speaks to the School’s quest since its inception almost East Asia to the Mediterranean. Today most of the world is part of (NOI) with the Graduate School of the University of Washington. 100 years ago. What better time than the eve of our Centennial to our intellectual universe, with over a dozen area and international Within two years of filing the NOI, the Jackson School will complete reminisce and reflect? studies programs and centers to show for it. These key components all necessary arrangements and, subject to approval, begin offering of the School collaborate extensively on activities and projects a PhD degree. The School came to life as the Department of “Oriental History, that promote new ways of thinking and teaching about our ever Literature, and Institutions” on May 11, 1909, when the University The PhD is seen as a core part of the School’s next century, reflecting changing geopolitical landscape and the globalizing processes that are of Washington appointed Reverend Herbert H. -
RICHARD CURT KRAUS October 2006
RICHARD CURT KRAUS October 2006 Department of Political Science, University of Oregon, Eugene, Oregon 97403 Telephone: (541) 346-4894. Fax: (541) 346-4860 E-mail: [email protected] webpage: darkwing.uoregon.edu/~rkraus/ Professional Experience University of Oregon, Director, Robert D. Clark Honors College, 2003-08 . Professor of Political Science (1989), Associate and Assistant Professor (1985, 1983). Head, Department of Political Science, 1992-95 Director, Asian Studies Program, 1999-2000. Program Director, Languages Across the Curriculum Program, 1994-95 Resident Director, Oregon State System of Higher Education Chinese Studies Program in Fuzhou, 1989. Acting Head, Department of East Asian Languages and Literatures, 1987-88. The Johns Hopkins - Nanjing University Center for Chinese and American Studies, Fei Yiming Professor, 1995-97. Dickinson College, Assistant Professor of Political Science, 1982-83. University of Arizona, Visiting Assistant Professor of Oriental Studies, 1981-82. University of Washington, Visiting Assistant. Professor of International Studies, 1979. University of Illinois, Assistant Professor of Sociology, 1974-81. Education Ph. D. (Political Science), Columbia University, 1974. Dissertation: Class Conflict in Post-Liberation China. Supervisor: Michel Oksenberg. Certificate, Inter-University Program for Chinese Language Studies in Taipei, 1971. M. A. (Political Science), Columbia University, 1969. Certificate, Columbia University East Asian Institute, 1969. B. A. (Honors in Political Science), Grinnell College, 1966. Publications BOOKS The Party and the Arty in China: The New Politics of Culture (Lanham: Maryland: Rowman & Littlefield, 2004). Urban Spaces: Autonomy and Community in Contemporary China [co-editor with Deborah Davis, Barry Naughton, and Elizabeth Perry] (New York: Cambridge University Press, 1995). Brushes with Power: Modern Politics and the Chinese Art of Calligraphy (Berkeley and Los Angeles: University of California Press, 1991).